Category Archives: Culture

Zoos Are Consumers Of Elephants Not Conservers

In Defense of Animals has released its respected annual list of the Ten Worst Zoos For Elephants for 2016, exposing the shocking hidden suffering of elephants in zoos in North America. The list reveals captivity-related deaths, abuse with weapons, grossly inadequate conditions, families ripped apart, elephants torn from Africa and shipped to US zoos, elephants forced to wash cars, and even elephants found playing with a car battery.

 1-oklahoma-city-zoo_chai-on-hoist_credit-public-record-via

“2016 was a shocking year for zoo elephant suffering”, said In Defense of Animals President, Dr. Marilyn Kroplick. “In our zoos, elephants’ rights are violated, they are stripped of their dignity, and submitted to disgusting abuses. We owe it to elephants to stop exploiting them. It is time to shut down archaic and barbaric zoo exhibits, and retire elephants to sanctuaries where they can live in peace.”

 

Zoos all over the US and one zoo in Canada appear on the worst list, with Oklahoma City Zoo shamed as the #1 Worst Zoo. Tragic captive elephant Chai was found dead outside the Oklahoma elephant exhibit on a very cold January morning in 2016, at just 37 years old. She had lost 1,000 pounds since she was shipped in from Woodland Park Zoo in Seattle. Gut-wrenching footage reveals Chai in a severely emaciated and weak state, being hoisted on a crane after she was unable to stand up. After her death, Chai was found to have been suffering from a bacterial infection and untreated pus-filled abscesses, marking a gross failing of the zoo to provide basic animal care.

 

Chai’s only friend Bamboo survives her, and has since had two inches of her tail bitten off by another frustrated elephant in their prison-like pen. Bamboo has been kept in either in solitary confinement with the aggressive female, or in the occasional company of a young male; none of these circumstances constitute even reasonable social companionship. Yet Oklahoma Zoo callously describes this sad elephant inmate as doing “great”.

 7-wildlife-safari_george-used-as-an-elephant-carwash_credit-kpic

Chai and Bamboo are not the only victims of Oklahoma Zoo’s mismanagement. Baby elephant Malee died at in late 2015 at the age of just four. She was likely killed by the same herpes virus the zoo knew Chai and Bamboo had been exposed to.

 

All these tragedies may have been avoided by sending Chai and Bamboo to a sanctuary home that offered to accept the pair when Woodland Park Zoo shut down its elephant exhibit in 2014.

 

Shockingly, Oklahoma City Zoo is among half of all the captive facilities shamed on the Ten Worst Zoos List that are accredited by the Association of Zoos and Aquariums, showing how little AZA certification stands for. In 2016, the Association’s own study found social aspects of elephant lives to be of paramount importance to their wellbeing, yet 20% of AZA accredited zoos with elephant exhibits have only two elephants. Some AZA certified zoos are even keeping highly social elephants in isolation, such as the Bronx Zoo, where Happy the female elephant is tragically separated from two other females.

 

Zoos are consumers, not conservers, of elephants. Captive elephants are dying faster than they can reproduce, leading zoos to steal young elephants from the wild, which destroys the elephant societies zoos claim to be conserving. Behind the scenes, zoos in the US and Canada are condemning Earth’s largest land mammals to lifetimes of deprivation, disease, despair, and early death. It is time to end our shameful exploitation of elephants in American zoos.

 

10 WORST ZOOS:

1. Oklahoma City Zoo, Oklahoma

2. Natural Bridge Zoo, Rockbridge County, Virginia

3. Honolulu Zoo, Hawaii

4. Edmonton Valley Zoo, Alberta, Canada

5. Oregon Zoo, Portland, Oregon

6. Buffalo Zoo, Buffalo, New York

7. Wildlife Safari, Winston, Oregon

8. Pittsburgh Zoo, Pennsylvania

9. Milwaukee County Zoo, Milwaukee, Wisconsin

10. Fort Worth Zoo, Fort Worth, Texas

 

HALL OF SHAME

Buttonwood Park Zoo, New Bedford, Massachusetts

DISHONORABLE MENTION

Bronx Zoo, Bronx, New York

For the Silo, Toni Frohoff, Ph.D.  For more information, please visit http://www.idausa.org/tenworstzoos2016

In Defense of Animals is an international animal protection organization with over 250,000 supporters and a 30-year history of fighting for animals, people and the environment through education, campaigns and hands on rescue facilities in India, Africa, and rural Mississippi.

 

IN DEFENSE OF ANIMALS • 3010 KERNER BLVD. • SAN RAFAEL, CA 94901 • 415-448-0048  Please mention thesilo.ca when calling.

A Basic Visual Guide On Helping Your Children Through Divorce

For children, divorce can be an extremely upsetting and stressful time. Their world changes and it’s confusing. They may feel uncertain, scared, angry, hurt and depressed. As a parent, you can make the process less stressful for your children by being aware of ways to make the process less unsettling for them.

Your understanding, patience and reassurance can help greatly in your child’s adjustment. The infographic below via our friends at Browell Smith & Co Solicitors shows ways for you to reduce your child’s pain by making their well-being the most important part of the transition.

helping-your-children-through-divorce-infographic

Light, Interviews, Books to Inspire, And A Call To Artists From Rome

Consider for a moment the nature of light and time. Fleeting, infinite, unknowable, and yet familiar as our own minds. We long for more time while cursing its slow progress. Temporal matters dictate every aspect of our human lives. We are beholden to the times in which we live. We cannot grasp light and yet we are surrounded by it. When we enter into the unknown, art is a light guiding us toward better days ahead.

Mary Temple's "unsolved red white and blue"
Mary Temple’s “unsolved red white and blue”

Mary Temple has the ability to incorporate all of this into her artwork in the most surprising ways. She can capture a moment and freeze it for all eternity with the stroke of her brush. Her ethereal public art painted on existing architecture preserves the memory of a moment of light. Temple also focuses on the times in which we live, using her art to engage in global political discussion. Her series Currency depicted world leaders in such a way that ranked them according to their ability to achieve progress in matters of world peace. Temple uses time as a dimension in her work. Currency was an up to the minute newsfeed told through hand drawn portraiture, while her public artwork uses light to capture time and hold it still for all to see.

Susan Silton Billboard commission
Susan Silton Billboard commission

Susan Silton lets our life and times inform her art. Through performance, installation, video, photography, text, audio, participation and print-based projects, Silton speaks to the turbulence around us. She fuses humor, unease, beauty with the intention of shining a light on the failures and triumphs of our moment on the planet. Her video work “Turn the Beat Around” was a direct response to the 2016 attack on an Orlando, Florida nightclub. Her art is a conduit to process grief, come to terms with the violence in our society, and seek common ground.

Writer Murong Xuecun once said, “Literature is not at the service of the government; on the contrary governments should do everything in their power to create a favorable climate for literature.” In these uncertain political times, what are you reading? Click here to contribute your books in the comments  or use the comments feature at the end of this post. Tony Maslic, is reading “The Dispossessed” by Ursula Le Guin. Lian Brehm has turned to Suzi Gablick’s “The Reenchantment of Art” while artist Mary Temple cites the works of Chimamanda Ngozi Adichie, as well as her TEDx talk We Should all be Feminists as necessary fuel.

The Rome Glocal Brightness 2017 Light Festival has issued a call for artists. The Festival illuminates the sixth district of Rome allowing viewers to experience undiscovered corners of the city.

This bringing of light does not seek to diminish the dark, but to emphasize that the darkness can become a canvas in itself.
As we stand together at the edge of a new ravine, let us not fear what may be but embrace what is in each moment and never stop reaching toward the light. For the Silo, Brainard Carey.

Brainard Carey is an artist, author and educator. You can attend one of his free webinars for artists here. He also has an educational platform for artists called Praxis Center.

*featured image- Mary Temple “Currency”Series

Toronto Erotic Arts And Crafts Fair Returns To The Gladstone Hotel In February

The Erotic Arts & Crafts Fair is Back!  Toronto’s first – and most beloved – fair celebrating all things sexy is popping up once again this February at the Gladstone Hotel!

Valentine’s Day doesn’t have to be brought to you by Hallmark – for another way, full of charm, wit, and craftsmanship, visit Toronto’s beloved Erotic Arts & Crafts Fair this season! The Erotic Arts & Crafts Fair is a one day celebration showcasing local handmade wares celebrating love, sex, and community, hosted by ‘anti-capitalist worker-owned co-operative’ Come As You Are.

toronto erotic arts crafts show official poster2017

Visitors can expect lovingly made goods ranging from raunchy embroidery, whimsical gitch, natural contraceptives, zines, pasties, jewelry, erotic art, leather bowties, sex toys, BDSM gear, and so much more! Come As You Are will also be offering free prize draws throughout the day, plus free sweet treats.

Date: February 11, 2017
Time: 10-4
Cost: Free
Venue: The Gladstone Hotel, North Ballroom. 1214 Queen St. West. Wheelchair Accessible!

www.eroticartsandcrafts.com
https://www.facebook.com/eroticartsfair

About Come As You Are: Come As You Are is the world’s only worker owned and operated sex toy store, and is currently celebrating it’s 20th year. Come As You Are’s mandate has always been guided by the co-operative’s love of sexual health, pleasure, and education plus a profound sense of dissatisfaction with the “sex industry” as a whole.
Click here for a sampling of this year’s vendors.

BlackLine Accessories
blackline accessories

A vegan up-cycled jewelry and accessories line made from motorcycle inner tubes.

Crafty Chas Crochet

crafty chascrochet

These dolls are made in the hopes that a wide range of people can finally feel represented, to act as a healing tool, and made to remove the shame from nudity.
Lovecrafters
lovecrafters

Geeky, playful, whimsical and fun adult fantasy toys. All hand sculpted and made out of safe platinum grade silicone.

Michelle Gauthier Art

michelle gautierart

Gauthier creates feminist and reproductive-themed works in order to promote self- love, to embrace individuality, and to show that there is no cause for shame when it comes to what is natural.

Milkweed Zine
milkweedzine

Milkweed is a sex-positive erotic zine, featuring photography, visual art, poetry and short fiction from around the world. It explores playfully explores identity, sexuality and eroticism, reflecting a diversity of experiences.
Sartoria
sartoria

The finest cashmere undergarments for a superior winter experience.
Vanessa Walsh
vanessawalsh

Watercolour artist specializing in hyper-realistic erotic and bdsm art. Definitely not your grandmother’s watercolours!
vintagelove
vintagelove

A subversive peek into the 1950s modern lifestyle and aesthetic.
Weal & Breech

weal and breech

Makers of bespoke implements for impact and restraint play. All of their toys are designed and made by hand out of the finest local and exotic woods, and full-grain leathers. For the Silo, Noah Kloeze.

Emerging China Wine Market Impacts USA, Canada and Global Wine Markets

It’s no secret that luxury brands have thrived in China in recent years amid a population increasingly oriented toward high-end consumer goods like fashion, jewelry and automobiles—and the elevated social status such items confer. Today, the Chinese population is immersed in a new love affair: with grape-based wine!  According to internationally-renowned sommelier, Noel Shu, China is about to be known producing quality wine bringing the region on par with other wine producing regions such as Napa Valley and Sonoma in California.
A self-made entrepreneur who serves as Managing Partner for ultra-luxe wine and spirits purveyor, Prodiguer Brands Shu recently launched his new book, China Through a Glass of Wine, to provide the most in-depth understanding of the wine marketplace to date and an extensive analysis of the modern Chinese wine industry, revealing a delicate interplay between commerce, the government and the consumer.
emerging-china-wine-market-book-cover-isbnInternational-renowned sommelier, Noel Shu, provides in-depth look at the modern Chinese wine industry and guides us through the misty vineyards and crowded wineries of China.
Following the tradition of great traveling sommeliers, his no-holds-barred journey through China’s emerging wine culture is part ethnography, travel guide, tasting guide, cross-cultural examination and snapshot of the Chinese wine trade and consumer culture at large.
China Through a Glass of Wine also includes insightful interviews with key industry movers and shakers, including China’s largest wine importer and distribution company as well as boutique and unique chateaus across the region, revealing what wine making in present-day China is really like.

Casual wine enthusiasts and travelers as well as serious collectors and globally-minded investors will appreciate the accurate portrayal of China “through a glass of wine.” For the Silo, Trina Kaye.

About the Author
Internationally-regarded sommelier Noel Shu, Managing Partner for the ultra-luxe, award-winning wine and spirits purveyor Prodiguer Brands, is a 24-year-old self-made millionaire, entrepreneur and author of the newly released title, “China Through a Glass of Wine.”  With impeccable panache and style, Shu, has already accomplished more than many do in an entire lifetime. He earned his undergraduate at West Point, completed the U.S. Army’s elite and grueling Combat Diver Qualification Course at the Special Forces Underwater Operations School (regarded by many Soldiers as the toughest military school to endure), and has personally designed and sold extraordinary multi-million dollar timepieces and necklaces to China’s elite through his ancillary, highly successful luxury jewelry business.  Always striving to for growth and self-improvement and with a reverence for continuing education, despite his busy schedule Shu is currently pursuing an Ivy League Master’s degree at Columbia University. As a globally-minded business practitioner, Shu understands commerce on both sides of the Pacific and brings that expertise to bear with his various ventures, including the highly anticipated upcoming release of “Regale”—an exclusive wine brand expressly developed for the Chinese marketplace, which will be exported to the region in early 2016.  For more information about Noel Shu, visit www.prodiguerbrands.com.

 

Gainsbourg Still Alive Exhibit In Paris, France Is Smashing Tribute

Emerging and established contemporary artists pay tribute in a new exhibit to SERGE GAINSBOURG, to his libertarian and rebel spirit. SERGE GAINSBOURG was very close to SALVADOR DALI, whom surrealist genius fascinated him.

Like Dali, Gainsbourg knew how to play with his image and how to manipulate the medias to communicate about him.

Author, composer, producer, actor and photographer, Gainsbourg is the Artist of the 80s.

On the occasion of the 25th birthday of his death, emerging and established contemporary artists revisit the famous portrait “Gainsbourg-Dali” immortalized in 1985 by the photographer ROBERTO BATTISTINI

READ the gainsbourg-still-alive-pdf   For the Silo, Nathalie de Frouville.

Exhibition address-

Etude Cornette de Saint Cyr

6 avenue hoche

75008 Paris

France

roberto-battistini-photo-gainsbourg-still-alive-exhibit

L’IDÉE A l’occasion du 25e Anniversaire

Des artistes contemporains majeurs et de jeunes plasticiens rendent hommage à SERGE GAINSBOURG à son esprit libertaire et contestataire. SERGE GAINSBOURG était très proche de SALVADOR DALI qu’il avait côtoyé et dont le génie surréaliste le fascinait.

Comme lui, il savait jouer de son image et manipuler les médias pour communiquer. Auteur, compositeur, réalisateur, acteur et photographe, il est « l’Artiste » des années 80.

A l’occasion de la commémoration du 25e anniversaire de sa disparition, des artistes contemporains majeurs lui rendent hommage en revisitant le célèbre portrait « Gainsbourg-Dali » réalisé en 1985 par le photographe ROBERTO BATTISTINI.

LISEZ gainsbourg-still-alive-pdf   Pour le Silo, Nathalie de Frouville.

Adresse de l’exposition-

Etude Cornette de Saint Cyr

 

6 avenue hoche

 

75008 Paris

 

France

 

Ontario’s Fertility Program Marks One Year Anniversary

Ontario is helping thousands of people fulfill their dreams of starting or growing a family with the Ontario Fertility Program.

Today, Premier Kathleen Wynne celebrated the success of the Ontario Fertility Program alongside families who have participated in the program over the past year. Since the government launched the program in December 2015, Ontario has provided more than 6,500 people with funding for in vitro fertilization and related services.

In vitro fertilization, or IVF, is a medical procedure in which an egg is retrieved, fertilized by sperm outside the body, and the resulting embryo is then implanted in the uterus. One cycle of IVF can cost more than $10,000 if paid for privately, in addition to the cost of drugs, making it unaffordable for many of the roughly one in six Ontario couples experiencing infertility. The Ontario Fertility Program helps to reduce the cost of IVF, making it more affordable for people with all forms of infertility, regardless of sex, gender, sexual orientation or family status.

kathleen wynne ymca kids

Improving affordability and access to reproductive health care is part of the government’s plan to build a better Ontario through its Patients First: Action Plan for Health Care.

 

QUOTES

” Infertility can be an emotionally and financially draining experience. With this program, we are helping ease the financial burden for thousands of people and making it easier for people to start or grow a family. I look forward to seeing more happy and healthy families as the program continues.” – Kathleen Wynne Premier of Ontario

dr eric hoskins” Nearly one in six Ontario couples is affected by infertility, and we are pleased to see so many people embracing the Ontario Fertility Program in its first year. Children are our future and by creating a more reasonable and accessible fertility program, Ontario is supporting family building for those who need the assistance of IVF.” – Dr. Eric Hoskins Minister of Health and Long-Term Care

michael cocteau” I am proud Ontario is supporting families and has taken such positive steps towards strengthening our adoption system, and we remain committed to keeping the process as smooth and successful as possible. All children and youth in Ontario deserve supportive, loving homes, and I’m thrilled to say that many families are one step closer to making this a reality.” – Michael Coteau Minister of Children and Youth Services

” Ontario has shown great leadership with the Ontario Fertility Program and is a successful model for other Canadian provinces when it comes to providing equitable access to IVF. We congratulate all the families who have had a positive experience with the program to date — from those who have welcomed a new addition to their family to those who have gained a renewed sense of hope for the future.” – Danielle Xavier President of the IVF advocacy group, Conceivable Dreams

 

QUICK FACTS

  • In its first year, the Ontario Fertility Program has provided almost 4,800 patients with funded egg retrieval, embryology and fresh embryo transfer services, and over 1,700 IVF patients with funded frozen embryo transfer services.
  • There are 18 clinics in Ontario where patients can receive a funded IVF cycle.
  • To further support people looking to start or grow a family, the government is also strengthening the adoption system.
  • Helping people conceive and adopt children builds on a number of recent steps Ontario has taken to better support growing families, including increasing the number of newborn screenings, increasing the number of birth options and creating two out of hospital birthing centres, funding well-baby visits through primary care, opening the province’s first ever breast milk bank and recognizing the legal status of all parents, whether they are LGBTQ2+ or straight, and whether their children were conceived with or without assistance.

 

LEARN MORE

 

 

 

 L’Ontario aide les gens à fonder ou à agrandir leur famille

Le Programme de procréation assistée est offert depuis un an

10 janvier 2017 09h30

 

L’Ontario aide des milliers de personnes à réaliser leur rêve de fonder ou d’agrandir leur famille grâce à son Programme de procréation assistée.

La première ministre Kathleen Wynne a souligné aujourd’hui le succès du Programme de procréation assistée de l’Ontario, en compagnie de familles qui ont participé au programme au cours de l’année écoulée. Depuis que le gouvernement a institué le programme en décembre 2015, l’Ontario a fourni du soutien financier à plus de 6 500 personnes pour leur permettre d’accéder à la fécondation in vitro (FIV) et aux services connexes.

La FIV est un acte médical qui consiste à prélever un ovule et à le féconder à l’aide de sperme en dehors du corps de la patiente. L’embryon qui en résulte est ensuite transplanté dans son utérus. Lorsqu’il est payé par des particuliers, un cycle de FIV peut coûter jusqu’à 10 000 $, en plus du coût des médicaments, ce qui est trop onéreux pour de nombreux couples ontariens qui ont un problème de fertilité. On évalue qu’environ un couple sur six éprouve un tel problème. Le Programme de procréation assistée de l’Ontario aide à réduire le coût de la FIV et à rendre ce traitement plus abordable pour les personnes ayant une forme ou l’autre d’infertilité, sans égard à leur sexe, à leur orientation sexuelle ou à leur situation familiale.

Rendre les soins de santé reproductive plus abordables et plus accessibles, cela fait partie des objectifs du gouvernement visant à bâtir un meilleur Ontario grâce à son Plan d’action en matière de soins de santé, qui donne la priorité aux patients.

 

CITATIONS

« Linfertilité peut causer des difficultés émotionnelles et financières. Grâce à ce programme, nous contribuons à alléger le fardeau financier de milliers de personnes et les aidons à fonder ou à agrandir leur famille. Nous anticipons le plaisir de voir de plus en plus de familles heureuses et en bonne santé au fur et à mesure que se poursuit le déploiement du programme.» – Kathleen Wynne première ministre de l’Ontario

« En Ontario, près dun couple sur six éprouve un problème de fertilité, et nous sommes enchantés de constater quun si grand nombre de gens aient fait appel au Programme de procréation assistée de l’Ontario dès sa première année. Les enfants sont notre avenir et en instaurant un programme de fertilité plus raisonnable et plus accessible, lOntario aide les personnes qui ont besoin de la FIV pour agrandir leur famille.» – Dr Eric Hoskins ministre de la Santé et des Soins de longue durée

« Je suis fier que lOntario soutienne les familles et que nous prenions des mesures propices, par exemple renforcer notre système dadoption. Nous restons déterminés à ce que le processus demeure aussi souple et fructueux que possible. Tous les enfants et les jeunes de lOntario méritent de vivre dans un foyer où ils sont bien traités et aimés, et je suis ravi de pouvoir dire que de nombreuses familles sont encore plus proches de réaliser leur objectif à cet égard.» – Michael Coteau ministre des Services à lenfance et à la jeunesse

« LOntario a joué un rôle davant-garde avec son Programme de procréation assistée, qui est devenu un exemple de réussite dont sinspirent dautres provinces canadiennes lorsquil sagit de fournir un accès équitable à la FIV. Nous félicitons toutes les familles qui ont vécu une expérience positive avec le programme tant celles qui ont eu le bonheur de sagrandir que celles qui nourrissent un nouvel espoir pour lavenir.» – Danielle Xavier présidente du groupe de revendication de la FIV, Conceivable Dreams

 

FAITS EN BREF

  • Au cours de sa première année, le Programme de procréation assistée de l’Ontario a accordé du soutien financier à près de 4 800 patients qui ont bénéficié de services de prélèvement d’ovules, d’embryologie et de transplantation d’un embryon frais. En outre, plus de 1 700 patients de la FIV ont obtenu des services de transplantation d’embryons congelés.
  • Les patients de l’Ontario peuvent obtenir un cycle de FIV financé dans 18 cliniques.
  • Afin de mieux appuyer les personnes désireuses de fonder ou d’agrandir leur famille, le gouvernement renforce aussi le système d’adoption.
  • L’aide offerte aux personnes qui veulent concevoir et adopter des enfants fait fond sur des mesures récentes que l’Ontario a appliquées en vue de mieux soutenir les familles en croissance, y compris une hausse du nombre de tests de dépistage des maladies chez les nouveau-nés, l’augmentation du nombre d’options pour la naissance, la création de deux centres de naissance hors hôpital, le financement de visites de santé du bébé dans le cadre des soins primaires, la mise sur pied de la toute première banque de lait maternel de la province ainsi que la reconnaissance du statut juridique de tous les parents, qu’ils soient LGBTA2+ ou hétérosexuels, que leurs enfants aient été conçus avec ou sans aide.

 

POUR EN SAVOIR DAVANTAGE

 

On Demand Car Services Are Latest Group To Take Heat Over Discrimination

Discrimination. African American customers wait up to 35% longer for Uber and Lyft rides, in addition to drivers cancelling rides 2x as often for customers with “black-sounding” names.3

[To be fair, a quick search engine result for “racism in the Taxi industry” reveals that discrimination exists in all ride service industries regardless of the company. CP]

New studies have found that the cost of this type of discrimination can run companies up to USD$200,000 in lawsuits – in addition to tarnished reputations, companies experience, lowered morale and abandoned trust.1

Michael Welp, co-founder of White Men As Full Diversity Partners (WMFDP) a leading diversity process consulting firm to Fortune 500 companies, says the new economy is forcing companies to come to grips with old biases if they want to protect their bottom line.

“Systemic bias in the workplace will inevitably reach deep into the pockets of the employer, while its ripple effect undermines the principles of good business. There is simply too much at stake to ignore the warning signals.”- Welp

47% of the millennial generation said they consider diversity and inclusion to be an important criterion when considering potential employers. Additionally, more than 2 million workers quit their jobs each year due to discrimination – costing the US economy more than USD$64B annually.

Per Welp, diversity and inclusion not only breed innovation, creativity but also a greater market share.

Welp explains that full diversity has the potential of propelling this new economy further by:

 

  • Creating more jobs,
  • Reducing lost production time due to having to train new hires,
  • Less discrimination lawsuits, and
  • Increased innovation that will be produced by diverse teams working together.

 

four days to change bookcoverIn his new book, Four Days to Change, Welp provides the solution to systemic inequality through a comprehensive approach including diversity consulting, experiential learning, and leadership development. He also adds that all efforts should lead to tangible action and measurable results.

WMFDP’s mission is to inspire leaders (especially, white men) to examine their mindsets and assumptions, in order to shift behaviors that create sustainable and inclusive work cultures, which in turn drives business results.  Their client list includes: Rockwell Automation, Lockheed Martin, Coca-Cola, Starbucks, BP, Shell, Intel, AT&T, Dell, Microsoft, HP, NASA, Catalyst (women’s advocacy leader), and MARC (Men Advocating Real Change).

 

  1. 1. Schappel, Christian, “What will the next discrimination charge cost you?” HRMorning, November 6 2015

 

  1. 2. Schrader, Brendon, “Here’s Why The Freelancer Economy Is On The Rise,” Fast Company, August 10, 2015

 

  1. Ehrenkranz, Melanie, “Uber and Lyft drivers exhibit racial bias against passengers, study finds,” Mic Network Inc, October 31, 2016

 

Across The Arts Vulnerability Prevails And Here’s Why It’s An Asset

Just for a moment, think about all of the many career fields in the world. Now think about those that require a personal emotional investment as a matter of course.

How many bankers make a regular practice of exposing their deepest insecurities to the world through their work? How many veterinarians routinely put on display the most precious and personal aspects of their hearts and minds? Probably not that many. As an artist, you are literally doing this all the time. Whether the emotional investment is major or minor, and whether you are exposing personal joys or defeats, the fact remains that careers in the arts by their very nature involve a whole lot of very personal investment. Unfortunately, some artists view this as a liability and allow the idea that they don’t possess the right self-esteem to affect their ability to work. It is important to find ways to lay these insecurities to rest and accept that by its very nature, art puts us in a vulnerable space. Embrace this rather than allowing it to overwhelm you, consider it an asset going forward.

Across the arts fields, vulnerability prevails. It is what often informs some of the most beautiful work. Whether we are talking about a performer or a visual artist, human nature dictates that when we put ourselves out into the world in the way that an artist does, there is a certain measure of vulnerability built in to the equation. It is a rare thing indeed to find a performer who doesn’t experience the butterflies of stage fright however subtly, no matter how seasoned he or she may be. And it is equally unlikely to find an artist who operates from a place of pure confidence free of the weight of uncertainty.

Jarrod Barker After the Rain 2016
Jarrod Barker After the Rain 2016

The world of art, not to mention the world at large, would be a very different place if insecurity did not exist. If everyone walked around with stiff confidence all the time there would be no room for tenderness, bravery, courage, and the bonding commonality of vulnerability that we all experience which is often the key to connecting an audience to a work of art. Every human alive understands what it is like to feel overwhelmed and uncertain and it is often this understanding that leads people to seek out art as a means of connecting to others through this shared human emotion.

Self-esteem has become a buzz word without a strong definition to back it up. We allow it to inform us as though it is some sentient entity that can make or break our resolve as artists. The fact is, self-esteem is merely a label for the way we view ourselves. It is us, and us alone, who decide how we approach the world. Allowing a vague concept like self-esteem to stand in the way of creating something that speaks to the very soul of who you are makes as much sense as allowing a phobia of flying stop you from seeing the world. You must conquer these self-made fears and come out on the other side.

Jackson Pollock Number 1 1950 Lavender Mist
Jackson Pollock Number 1 1950 Lavender Mist

The fact is, there is no way around baring your very soul as an artist. Whether it is only a glimpse or whether you let it all hang out for the world to see, in every work you create there is, inherently, a very personal piece of you. Without this, your work would lack meaning and depth. People view art expecting the spectacle of human emotion. To deny this because of some feeling of low self-esteem is to deny an opportunity to yourself and your audience.

There are no guarantees in life, everything we do carries a risk. Every career has its risks and benefits, though these vary wildly across the spectrum depending on what field we look at. Art is no different. There are no guarantees. Sometimes you will expose your most private self and receive less than gentle feedback. Under no circumstances should this give you anything more than a moment’s pause. Brush off, stand up, and get back to it. Use these experiences to further inform your work. Explore the feeling of exposure and the insecurities of this concept of self-esteem. Look fear in the eye and let it look right back.

Ultimately it is up to you how you choose to face the very real challenges of so-called self-esteem in your work as an artist. Only you can know your own limits, and only you can be brave enough to step beyond them. No one ever achieved very much who didn’t expose their inner selves to total annihilation. While this may sound like a terrifying prospect, consider why you are sitting here reading this blog in the first place. If you’re an artist, by simply declaring to the world that you are an artist, you have already chosen the path of courage. You have willingly stepped into the ring with your heart on your sleeve. There’s no turning back now. For the Silo, Brainard Carey.

Supplemental- The start of abstract expressionism challenged “safe, established painting styles”

Perfect Allaire Cristal Age Tequila

In case you’re looking to get in the spirit (pun intended) to ring in the new season of decorations, family time, and counting down the new year, you may need a boost and we have just the thing. Tequila!
 
Let’s toast in glitter and gold with Allaire Privee‘s Golden Margarita-
 
Recipe:
2oz of Allaire Cristal Age tequila
fresh squeezed lime juice
Organic agave
Pour over ice
Topped off with 24K eatable gold powder that melts on top of the cocktail, giving a melted gold look floating on top of the Margarita.
If  you’re looking to give a little extra this season, Côte d’Azur, Allaire luxury spirits are an opulent trifecta of quality, elegance, and uniqueness.  
 
The collection
 
menage a trois with smith wesson gold handcuffsVodka: Unequaled flavors and aromas originate from Allaire’s choice of select grains grown in the heart of the polish plains. Their crafting methods, distilling it six times and then filtering it five times, gives it outstanding purity, clarity and shine. The complete process tops up its elegant taste.
 


Tequila:   The premium tequila is made with 100% select blue weber agave that were slowly cooked to give a perfect balance of sweetness. Made in small batches and crafted free of any additives to respect its true essence. Aged in bourbon casks and filtered with an innovative process to give it a smooth agave flavor and characteristic crystal tone.  
 

Rum:   Rum from Barbados is considered by many the archetype to be taken as a reference point for others. Allaire’s rum is the ultimate representation of excellence from the island. Aged for a minimum of 3 years in oak barrels and filtered with their proprietary method that gives it a beautiful crystal tone and enhances the sensory richness.  
 
 
If you can’t choose just one, have a  Ménage a Trois, which features a collection of Allaire’s premium Vodka, Tequila, and Rum cased with  24 karat gold Smith & Wesson handcuffs.  For the Silo, Jessica Kirk.
 


 

Boston Based Artist Jeannie Motherwell Draws Structures From Uncertainty

Dear Artist, Aristotle differentiated humans from their animal counterparts by dint of logos, the power of rational speech. Napoleon was attributed the quote, “four hostile newspapers are more to be feared than a thousand bayonets.” Human civilization was founded on the exercise of this divine faculty, and is destroyed by it in equal measure. Speech, in its complexity and weight, is the only world capable of rivaling nature.

This week, in view of two ponderous interviews, I ask you to summon to mind those rare and revelatory conversations that have left an indelible imprint on your life. What intimate discussion would you revisit and savor, if you were aware of the contents beforehand? What words of the past would be left unsaid or better spoken with the retrospective guidance of age?

Abstract acrylic painter Jeannie Motherwell refuses to grow cold in the artistic shadow of her father and stepmother, Robert Motherwell and Helen Frankenthaler. As a stable ecosystem quells its wrestling constituents, Motherwell’s refined intuition hushes the spontaneous boundaries of dilating paint on clay board and canvas. Over a soberly spoken interview, the New York artist now based in Boston, admits in her work the faint pursuit of a faded horizon: the shifting waters from the view of an old home, replaced, in time, by a windowless studio. The methodology of Motherwell’s art – to draw a structure from an uncertainty – eerily echoes a ritual from her upbringing: discerning, with the right words, to the joy of her guardians, the spiritual essences behind their cascades of paint.

Jeannie Motherwell in her Joy Street Studios, Somerville, MA
Jeannie Motherwell in her Joy Street Studios, Somerville, MA Click image to visit her studio website.

Inexhaustible curator and researcher Ele Carpenter maintains that the lasting footprint of humanity will not be a monument or an idea, but a radioactive glare. Radioactive isotopes of a unique breed first entered the Earth’s atmosphere with the testing of the earliest nuclear bomb, signaling the beginning of a geological period known as the nuclear anthropocene. Dedicated to disseminating information about the irreversible changes to the environment caused by human hand, Carpenter organizes discourse and collaboration on a global scale, uniting scientists, activists, and visionaries in the depiction of a haunting reality that eludes the senses.

the nuclear culture sourcebook by ele carpenter

Additional interviews include: Barbara Wilks, Nate Page, Frans van Lent, and Katya Gardea Brown.

Looking for new additions to your reading list? Rachel Wolfe, one of our users, is deconstructing and rebuilding her fundamental conceptions of nature and mind. Sensitive Chaos, by Theodor Schwenk, vacillates between rigorous and metaphorical depictions of the underlying systems of movement that govern aeolian and liquid dynamics, from the furious dance of a hurricane to the soft aria of a developing child. Strange Tools, by Alva Noe, is a philosophical text that sees artmaking as a faculty for reflection, a primordial instinct that consciously and unconsciously takes stock of the external conditions that govern our identities and worldview.

Occupy Museums is seizing the means of cultural production with Debtfair, an exhibition dedicated to the overworked and underfunded. Creators, performers, and thinkers with financial weights on their shoulders have until December 9th to see their arduous narrative showcased in the 2017 Whitney Biennial. Debtfair serves to expose the aggressive business models that permeate leading art institutions, while encouraging solidarity amongst all encumbered populations of the economically segmented social landscape. Necessity may be the mother of invention, but no artist needs to bear the burden of Atlas.

The great American poet Wallace Stevens, envisioning life’s origins with a brain that thought without words, once instructed, “Begin, ephebe, by perceiving the idea / Of this invention, this invented world, / The inconceivable idea of the sun.”

As always, here are the links to interview archive and free resources page. For the Silo, Brainard Carey.

*Highlight image: Absolute by Jeannie Motherwell. Visit Jeannie’s Boston Studio by clicking here.

 

 

Day Marks Another Anniversary Of JFK Assassination

The Grassy Knoll at Dealey Plaza.
The Grassy Knoll at Dealey Plaza.

2015’s historic JFK 50th assassination Special was a riveting and powerful demonstration of media technology. We co-hosted the CBS feature which “rebroadcast” their original assassination television coverage in real-time, fully and completely. Every detail was reproduced exactly as it was shown on that fateful day- even the interruption of a certain soap opera with the first “bulletin” announcement. Live internet coverage began at 1:38 EDT exactly 50 years to the minute of the initial CBS news broadcasts.

If you have any #JFK thoughts (perhaps you even remember that fateful day)- or if you watch the archived live stream please share your feelings by commenting below at the end of this post. We will respect all requests for anonymity.

In the meantime, you may want to view Newsmax TV documentary: “I killed JFK” claiming to showcase a newly revealed “confessed killer”. In 1978 a US Congressional Investigation into Kennedy’s death determined that there were likely more than one shooter/killer.

RIP JFK CBS coverage

JFK visits Ottawa 1961:

Silo Tweet JFK Ottawa 1961

 

 

@CBSNews live tweeting during this historical rebroadcast event- image:CBS Twitter
@CBSNews live tweeting during this historical rebroadcast event- image:CBS Twitter

 

Supplemental- The United States National Archives Report of the Select Committee on Assassinations of the U.S. House of Representatives
References: I. Findings in the Assassination of President John F. Kennedy

Neal Adams Unveiled Bucky O’Hare Digital Comic At L.A. Comic Con

LOS ANGELES Bucky O’Hare – the original comic book series turned into a classic cartoon – made its debut in the digital domain with an 8-page exclusive Swipe Studio e-comic book written and illustrated by brand creators Larry Hama and Michael Golden together with Neal Adams and his Continuity Productions.  Bucky O’Hare and the Toad Menace made its premiere appearance Day One of Stan Lee’s Los Angeles Comic Con recently held October 28-30 at the Los Angeles Convention Center.

nea ladams comic book coversDesigned utilizing the tools available on the all-new Swipe Studio design app, the latest offering in the Bucky O’Hare legacy follows Bucky and his crew as they do battle with the Toad Armada.  The special Los Angeles Comic Con presentation featured legendary artist Neal Adams together with Swipe Studio’s famed creator Satoshi Nakajima.

The 8-pager provided fans with a glimpse into the creative for the planned Bucky O’Hare theatrical motion picture now in the works with Neal Adams producing and directing.

The brainchild of software genius Satoshi Nakajima – the engineering architect responsible for Windows 95 and Windows 98 along with Internet Explorer versions 3 and 4 – Swipe empowers everyone from consumers to creators to easily animate everything from emails to digital comics with media-rich digital elements and make use of animation, video, vector graphics as well as full audio for voice, music and sound effects on tablets and smartphones. Created to take full advantage of today’s touch-enabled smartphone and tablet technology, Swipe eliminates the need for complex programming typically required to build animation or other forms of design content.  As a result, creators, designers, animators and artists have the tools to create media-rich animated digital content for consumption via touch-enabled devices including smartphones, tablets and touch-enabled set-top-boxes, such as iPhone and Apple TV.

In addition to the Swipe Bucky O’Hare comic book, artist Neal Adams also worked with the Swipe team to load into the platform an impressive portfolio of Bucky art elements and animation that can be adapted by anyone for any digital purpose, including e-mails or presentations of any kind, including all main characters and several backgrounds.

bucky-via-swipe-adams-kanji-kazahayafb-post
Creators and artists can now experience the free Swipe app instantly by downloading Swipe Studio to their iPhone/iPad/iPod touch and begin to create media-rich animated digital content.  To download the Swipe Studio, go to App Store  https://appsto.re/us/hlcDeb.i Note- Swipe Studio is available only for iPhone/iPad/iPod touch users with version iOS9 or later.

Swipe Studio users are welcome to join Facebook group; Swipe Studio Users https://www.facebook.com/groups/1076516299084537/

“We are thrilled to unveil the newest Bucky O’Hare creative from the team responsible for this celebrated and enduring property at Stan Lee’s Los Angeles Comic con,” said Nakajima.  “I [had] tremendous enthusiasm towards sharing a panel with the great Neal Adams whose brilliant use of the Swipe Studio design tools helps us usher in a new era in digital design.”

“It has been a lot of fun to work with Swipe Studio and I encourage artists to check it out for their own design projects.  In fact, Swipie – which is Swipe’s platform for consumers – continues to offer a wealth of art and animation applications to enhance everything from emails to digital presentations.  Mr. Nakajima has built an extraordinary platform and I am proud to contribute Bucky O’Hare as a way of underscoring its power as a design platform,” said Neal Adams.

About Swipe, Inc.

Headquartered in Tokyo, Swipe, Inc. is the parent company for Swipe™, an open source platform embedding the full range of visual and audio media into digital documents for smartphones, tablets and other touch-screen devices.  Swipe, Inc. Founder-Chief Technology Officer Satoshi Nakajima is recognized industry-wide as the lead engineer and architect of Windows 95 and Windows 98 which he created during his tenure with Microsoft.  Visit Swipe, Inc. online at http://www.Swipe.net/.

Toei Animation Simulcast Brings Back Dragon Ball With World & Japan Linkup

LOS ANGELES  – Toei Animation Inc. will debut an English subtitle simulcast of Dragon Ball Super on multiple digital platforms on October 22nd. For the first time, fans in North and Latin America, South Africa, Australia and New Zealand will be able to view Dragon Ball Super simulcast. Since its debut in Japan in July 2015, the hit follow-up to one of the greatest anime series of all time has been eagerly awaited by followers around the world. Through non-exclusive streaming partnerships with Crunchyroll, Daisuki.net and Anime Lab, Dragon Ball Super will finally be available.

dragonball super

Kicking off on Saturday October 22 at 9:00pm EST, viewers of Crunchyroll, Daisuki and Anime Lab can log in for a non-exclusive English-subtitled simulcast of episode 63, “Don’t Define Saiyan Cells! The Curtain Rises on Vegeta’s Intense Battle!!” which leads into the thrilling conclusion of the “Future Trunks Arc.” Audiences will get to join Japan live during the broadcast, and then tune in weekly for future new episodes.

Crunchyroll: USA, Canada, Australia/New Zealand for subscription viewing on demand (SVOD) and advertising video on demand (AVOD). Latin America and South Africa can only be viewed on SVOD.

Daisuki.net: USA, Canada, Australia/New Zealand for SVOD & AVOD

Anime Lab: Australia and New Zealand for SVOD & AVOD

Dragon Ball Super’s fourth arc features the return of Future Trunks. Hunted by a mysterious being bent on destruction, Future Trunks is brought into a fight spanning time and space. Episode 63 follows Future Trunks’ epic battle against Goku Black, and Goku’s acquisition of the powerful “Evil Containment Wave” technique.

Dragon Ball Super To prepare for episode 63’s debut, viewers will also be able to stream the entire Future Trunks arc (the arc begins at episode 47). Then, starting on October 30, the complete series will roll-out, with 10 episodes released a week at a time.

“Patience always pays off, and we’re delighted to finally share Dragon Ball Super with our fans around the world. And believe me when I say there’s more to come. Stay tuned for additional exciting news before the end of the year!” said Masayuki Endo, President of Toei Animation Inc.

About Toei Animation Inc.

Based in Los Angeles, Toei Animation Inc. manages the film distribution of Toei’s top properties, including Dragon Ball all series, Sailor Moon, One Piece, Saint Seiya, and many others to North America, Latin America, South Africa, Australia and New Zealand.  Toei Animation Los Angeles office further handles all categories of consumer product licensing based on its film and television brands within these territories. For more information, please visit http:www.toei-animation-usa.com or contact marketingdirector@thesilo.ca.

 

Do you have Dragonball stuff to share with us? Send us your webcam/smartphone camera feed now (or uplink us with your media files) by clicking here- [vidrack align=”right”]

Toei Animation Co., Ltd

Toei Animation Co., Ltd. (Jasdaq:4816) ranks amongst the world’s most prolific animation production studios.  The company’s operations include animation development and production, and worldwide marketing and program licensing with sales offices in Paris, Hong Kong and representative office in Shanghai. Since its founding in 1956, Toei Animation Co., Ltd. has produced more than 11,000 episodes of TV series (more than 200 titles) and more than 215 long feature films. For more information, please visit http://www.toei-anim.co.jp.

Supplemental- Have questions? http://ask.fm/DragonBall_Nation

New TREADWATER Graphic Novel Will Have Augmented Reality Cover


Last year’s indie best-selling graphic novel set to release the next installment in the breakthrough series. The second novel features an augmented reality app and introduces the character of actor Chad L. Coleman.

When TREADWATER Vol. 1 was released in comic book stores in July 2015, it was just another self-published indie title among many others. At the end of the month, this was no longer the case.

When the sales figures came in a month after its debut, TREADWATER found itself on equal footing with the likes of The Walking Dead when they first started out. According to Diamond Comic Distributors TREADWATER managed to achieve 90% of Walking Dead’s sales, while outperforming other popular franchises like Dark Matter in their respective opening months.

Explore the TREADWATER Interactive PDF…click here.

TREADWATER is best described as a dark and mature sci-fi action drama. It is a pre-apocalyptic story that takes place in a plausible dystopian future, where a global economic crisis splinters political alliances and plunges the world’s nations into crime and disorder. As the dual forces of anarchy and totalitarianism sweep over the world, six antiheroes are recruited into a privately funded special operative program in an attempt to keep the world from tearing itself apart.

treadwater part2 page previewPart of the ugly charm of TREADWATER lies within its ability to predict current events. The isolationist politics of the world’s leading nations, as exemplified by the rise of Trump in the US and BREXIT in the UK; the attempted coup in Turkey, along with its backlash in the form of a dictatorial powergrab; the increasing civil unrest in the US and the terrorist attacks in Europe – all these developments find their parallels in the world of TREADWATER.

Yet Morgan Rosenblum and Nat Prinzi, the creative minds behind the TREADWATER franchise, take no pride in the accuracy of their grim predictions. Their primary goal is to create an engaging and believable superhero story, which avoids the pitfalls of the genre, while staying true to its roots. This is why the story of Treadwater is driven by its larger-than-life, yet deeply imperfect characters, rather than merely a clever premise or unlikely plot twists.

The new installment of the graphic novel, TREADWATER Vol. 2, will be released in late 2016. Along with the novel, the TREADWATER team will debut its own augmented reality app for smartphones. When pointed at the comic book, the app will immerse the readers into the world of TREADWATER by bringing its characters to life in front of their eyes.

The AR app is not the first step that Rosenblum and Prinzi have taken in the direction of interactive storytelling. The TREADWATER franchise already consists of a motion comic, a video game and an interactive website, which lets its users “hack” into Treadwater’s secret database, allowing them to explore their coveted network.

The ability of the creative duo to inspire and impress their audience has led to the inclusion of TREADWATER Vol. 1 into the curriculum of West Aurora High School in IL. It is now being taught in their creative writing class alongside of Orson Welles.

The appeal of the TREADWATER franchise goes beyond high school students, as actor Chad L. Coleman has become a character and a partner in the TREADWATER franchise. Best known for his roles as Tyreese in The Walking Dead, Dennis “Cutty” Wise in The Wire and now Tobias Church in Arrow, Mr. Coleman’s character will see significant development in the second volume of the graphic novel. The new installment will also introduce the character of Holly Wolf, a celebrity cosplayer and 2015 Geek Fantasy Woman of the Year, who also joined the TREADWATER franchise as a supporting character.

Key Dates in 2016:

October 6-9: Come visit us at New York Comic Con. You’ll find us at booth 2314, where you’ll be able to interview the creators of TREADWATER, actor Chad L. Coleman and cosplayer Holly Wolf among others. You’ll also be able to experience the entirety of the TREADWATER franchise, including the Beta Version of our very own PS4 video game.

October 1-21: Special pre-order promo period for TREADWATER Vol 2. Each pre-order will come with a digital copy of the bestselling graphic novel TREADWATER Vol 1 to help the new readers get caught up to speed with the story. Additionally our readers will get a limited edition single issue, signed by its writers, creators and artist. Thirdly, they will also receive a digital collector’s edition of the “Treadwater Dossiers” Character Art Book.

 

Inspiring Mouth Painter Amanda Orichefsky Of Toronto

October is National Disability Employment Awareness Month in Canada, and Amanda Orichefsky wants to celebrate the contributions of workers with disabilities and educate the able bodied about the value of a diverse workforce inclusive of their skills and talents.

Amanda Orichefsky of Toronto, now 27, was born with arthrogryposis, a condition that robbed her of the use of her arms. Despite her disability, Amanda has pursued her passion for art, attending George Brown College where she graduated in 2010 with a diploma in Fine Arts & Animation.

Today, Amanda earns a stipend to further her painting studies as a member of Mouth and Foot Painting Artists, an international association of 800 disabled artists around the world. She also sells reproductions of her work to support herself. A younger Amanda was also asked to give a demonstration of her mouth painting skills to Wayne Gretzky, which was filmed as part of the commercial for Ronald McDonald House Charities seen above.

Amanda is also a member of the MFPA which has been operating in Canada since 1961 and is a member of the International Association of Mouth and Foot Painting Artists. There are currently 13 disabled artists working in Canada and over 750 others around the world. For the Silo, Ginny Grimsley.

For more information about the MFPA, to purchase product, or to view a full list of products available, visit www.mfpacanada.com or email marketingdirector@thesilo.ca

Aviation Books From Quarto Include Original SR-71 Pilot Handbook

It’s late September as I write this and with winter slowly creeping in (Sorry but true!) and holiday shopping season around the corner, I would like to tell you all about some amazing books to add to your shopping list and help pass the cold months. If you are an aviation lover, you are in for a very special treat courtesy of Quarto Publishing.

The Blackbird first flew in Dec 1964!

They took the ORIGINAL flight manual and republished it… all 1,040 pages and 8 pounds!!!! The Lockheed SR-71 Blackbird was a long-range, Mach 3 reconnaissance aircraft developed by Lockheed’s top-secret Skunk Works. One of the first aircraft designed to have a low radar signature, the SR-71 could map 100,000 square miles from an altitude of 80,000 feet. Operational from 1964 to 1998, it is still the fastest jet-powered aircraft – a Blackbird once completed a Los Angeles-to-Washington, D.C. flight in 64 minutes. Naturally, reigning in all that technology and performance required some know-how on the parts of the pilots and ground crews
spyplanes
For as long as there has been sustained heavier-than-air human flight, airplanes have been used to gather information about our adversaries. Less than a decade after the Wright Brothers flew at Kitty Hawk, Italian pilots were keeping tabs on Turkish foes in Libya. Today, aircraft with specialized designs and sensory equipment still cruise the skies, spying out secrets in the never-ending quest for an upper hand.
 skunkworks
Hatched in June 1943 after a special request of the US Army Air Forces to develop a turbojet-powered fighter to counter growing German threats, Lockheed Martin’s Skunk Works has gone on to develop remarkable aeronautical and space technologies, including stealth. Some have made it into production, while others never quite made it off drafting boards and computer screens, but proved fascinating nonetheless.
fighter killer planes ww2

There’s no shortage of fantastic archival aviation photography from World War II. But photos from the period fall short in three major categories: the vast majority are black and white, most were composed under duress, and very few capture moments that have since entered the written record of aerial conflict.

Award-winning artist Jim Laurier rectifies the situation in this stunning, large-format, hardcover book celebrating World War II’s top fighter aircraft.

arado ar234
For the Silo, Nichole Schiele.

Supplemental-  Clint Eastwood’s under-rated movie “Firefox”

Ciroc Presented ‘King Of The Dancehall’ Premiere Screening Party in Toronto

A gala premiere screening party for King of the Dancehall was well attended on Sunday, September 11th at the Toronto Film Festival.

Star watchers noticed Film star and director Nick Cannon in attendance as well as additional talent from the film including Busta Rhymes, Kreesha Turner and Kimberly Patterson. Adding to the excitement, Kardinal Offishall, Extra’s A.J. Calloway, professional boxers Lennox Lewis and Adonis Stevenson, Drew Dazzle, Louis Gossett Jr. and more, also stopped by EFS for CIROC cocktails and to congratulate the cast.

TORONTO, ON - SEPTEMBER 11: Actress Kreesha Turner attends the "King of the Dancehall" premiere screening party presented by Ciroc during the 2016 Toronto International Film Festival at EFS Lounge on September 11, 2016 in Toronto, Canada. (Photo by Matt Winkelmeyer/Getty Images for Brilliant Consulting )
TORONTO, ON – SEPTEMBER 11: Actress Kreesha Turner attends the “King of the Dancehall” premiere screening party presented by Ciroc during the 2016 Toronto International Film Festival at EFS Lounge on September 11, 2016 in Toronto, Canada. (Photo by Matt Winkelmeyer/Getty Images for Brilliant Consulting )
TORONTO, ON - SEPTEMBER 11: An interior view inside the "King of the Dancehall" premiere screening party presented by Ciroc during the 2016 Toronto International Film Festival at EFS Lounge on September 11, 2016 in Toronto, Canada. (Photo by Matt Winkelmeyer/Getty Images for Brilliant Consulting )
TORONTO, ON – SEPTEMBER 11: An interior view inside the “King of the Dancehall” premiere screening party presented by Ciroc during the 2016 Toronto International Film Festival at EFS Lounge on September 11, 2016 in Toronto, Canada. (Photo by Matt Winkelmeyer/Getty Images for Brilliant Consulting )
TORONTO, ON - SEPTEMBER 11: Professional boxerrs Adonis Stevenson (L) and Lennox Lewis attend the "King of the Dancehall" premiere screening party presented by Ciroc during the 2016 Toronto International Film Festival at EFS Lounge on September 11, 2016 in Toronto, Canada. (Photo by Matt Winkelmeyer/Getty Images for Brilliant Consulting )
TORONTO, ON – SEPTEMBER 11: Professional boxers Adonis Stevenson (L) and Lennox Lewis attend the “King of the Dancehall” premiere screening party presented by Ciroc during the 2016 Toronto International Film Festival at EFS Lounge on September 11, 2016 in Toronto, Canada. (Photo by Matt Winkelmeyer/Getty Images for Brilliant Consulting )

ciroc recipe the diddy

*Main Photo credit:  Matt Winkelmeyer / Wireimage

Music from the Future. Click me.
Music from the Future. Click me.

 

 

Iconic Architect Frank Lloyd Wright’s Last Home Now For Sale

Frank Lloyd Wright designed over 1,000 structures (532 were completed) in his 70-years-plus career – mostly homes but also hotels, schools, churches, the Johnson Wax Headquarters and the Guggenheim Museum. This iconic American architect’s  final design was the Norman Lykes House in Phoenix in the same year of his death in 1959. It is now for sale priced at USD$3.6 million and profiled at toptenrealestatedeals.com.

The Guggenheim cameo in Men In Black (1min 25secs)

Wright had been working with his apprentice, John Rattenbury, on the Lykes House sketches and had already chosen the building site for the home when he died. Having come full circle from his start in Prairie style, to textile block, to organic and, towards the end, the functional Usonian for the masses, his last designs showed a new interest in  circles and curves as he created buildings in the round such as the Guggenheim and the house he built for his son, the David and Gladys Wright home also in Phoenix.

Curvilinear Design FLW Final Home With a site on top of Palm Canyon with views of the valley, Wright began the Lykes design by replicating the curves of the mountainsides, making the home an integral part of its environment and providing big views for its owners and visitors.  Though Wright passed away before finishing the working plans, the Lykes hired his apprentice, Rattenbury, to complete the plans according to the details set forth by Wright.  The couple loved the completed plans, though it was another seven years before they started construction.  When they did, Rattenbury oversaw the build and the home was completed in 1967.  In addition to the structure itself, Wright also designed the furniture and built-ins for the home.

In 1994, new owners wanted some updating, so they called back Rattenbury to do the redesign by expanding the master bedroom, converting a workshop into a media room and combining two other bedrooms into a guest room – all without disrupting the overall design.  Rather futuristic for its time, the circular and curvilinear design has become a timeless piece of architecture that continues to be copied by today’s designers and builders.

Interior FLW Final HomeNow for sale and registered with the Frank Lloyd Wright Building Conservancy, the 2,849-square-foot home on one acre of desert plateau has three bedrooms, three bathrooms, the signature large living room fireplace intended to bring families and friends together, a lower-level media room, two home offices with built-ins of desk, cabinet storage and walls of shelving, a distinctive curved kitchen with Wright-designed island and unique under-cabinet windows and timeless stainless-steel counters, contemporary tiled large baths, and a privacy walled crescent pool patio viewed from inside through glass walls.  There is also a separate large office in the round with all built-in furnishings encircled by half-moon windows.  Views of valley and mountains can be seen from almost every room.  

Exterior FLW Final HomeClassic last Wright design before his death, contemporary for today including lots of storage space with furniture and built-ins designed by the famous architect, the Lykes House is now for sale and priced at USD$3.6 million. For the Silo, Terry Walsh.

Supplemental- Architecture nerds will love this videogame inspired by Frank Lloyd Wright

Poetic Grace Gesture Is Needed In All Art Work

Dear Reader, it is difficult to deny that a side of art making is fatally concerned with the poetic grace of the gesture – it is expected that a work should exude a cosmic and ineffable air.

Metropolitan Museum Of Art Curator Denise LeidyRegardless of your medium, I hope this glance into the minds of two established poets from very different walks of life can help dissipate the intimidating mist between process and product, as well as remind you that the transcendent and the familiar are often one in the same.

Meena Alexander PoetGlobal spectator Meena Alexander recognizes that even in the grand art of poetry is a desire to express what cannot be said through its own means. After eight books of poems and a lifetime of travel, Alexander continues to defend her craft as the most ordinary of entities, no more inexplicable than a child’s obvious and impossible sense of language or rhythm.

New York-based Eileen Myles approaches poetry from a reserved and humble perspective, with the intent of striking a tasteful balance between metaphysical grandeur and the habitual rhythm of the everyday.

Eileen MylesMyles, a breathing artistic currency, treats poetry as an extension of the self with the potency of a movement and the collective memory of a civilization. Myles proves that common experience and abstract phenomena are synonymous when we step back to look.

If the weight of the world seems so immense that the few strands of creativity cannot unravel, the Mayer Foundation offers emergency funding for New York artists facing economic, residential or medical turbulence. Proposals may be submitted at any time, with over two thousand dollars granted to those with concrete objectives and a levelheaded art plan.

It is easy to forget that behind the polished mirror of history is a messy and cumulative reality. There is little difference between the intelligentsia of years past and the friends sitting at your dining room table. For the Silo, Brainard Carey.  

Supplemental-

Harmonium Once Banned By All Indian Radio

There is general disagreement on whether Indian music can be performed on the harmonium and public interest in the debate is accordingly intense, as the controversially written articles and discussions prove to this day.

Harmonium InstrumentThe matter has evaded scientific scrutiny until now…….click the following link to learn more about the harmonium in North Indian music:  Full Text PDF- The Harmonium in North Indian Music by Birgit Abels.

https://uni-goettingen.academia.edu/birgitabels

Published by NEW AGE BOOKS

A-44 Naraina Industrial Area, Phase I

New Delhi 110028 (India)

Email: nab@vsnl.in *Please mention this article when contacting.

Website: www.newagebooksindia.com

Printed in India at Shri Jainendra Press

A-45 Naraina, Phase I, New Delhi 110028

Supplemental-

Collective Establishes HAVN For The Arts In Hamilton

I learned about the Hamilton Audio Visual Node (HAVN) a few years ago by doing the rounds during Art Crawl. Since then it’s become obvious they’re hosting some of the most innovative music and visual art in Hamilton. I sat down with Connor Bennett and Chris Ferguson at the beginning of July to learn more about the collective and discover yet another reason to move to Hamilton. Connor and Chris made it pretty clear you don’t need an invitation to join the party. Featured Title Image, The HAVN Storefront on Barton Street Credit: Ariel Bader-Shamai

Timothy: How did HAVN get started?

Connor: Um, a few of us started a band, and we were practising in the basement of a student house and when it came time to leave that house, we wanted a space where we could continue to play, and show art, and we just lucked out, our collaborator and co-founder Amy McIntosh was living above a storefront and…

Chris: …had a good relationship with the landlord and managed to get the downstairs space at a price we could afford.

Connor: That was May, 2012, we opened up just as most of us were graduating from McMaster University.

Timothy: What does it mean to be a node for the arts? Is the storefront a critical component?

Connor: It’s probably not critical, although it’s nice, it’s really nice. I wouldn’t say it’s critical because we don’t do regular gallery hours, where people can just pop in. It is nice to have the storefront space for things like art crawl. We’re off of James Street but it’s still easier to get people out as compared to a studio space.

Aubrey Wilson Quartet in February 2015
Aubrey Wilson Quartet in February 2015, Photo Credit: Amy McIntosh

Chris: Back to your question, as to what it means to be a node. Nodes are intersection points, which denotes the collaborative nature, the interdisciplinary nature of what we’re trying to do. And it was chosen for the sake of the acronym [Laughter].

Timothy: So what are your activities?

Chris: You could put it into four categories. We do art shows every art crawl, and occasionally outside of art crawl. We do music shows two to five times a month. And then there’s HAVN Records, our cassette tape little label. There’s also some miscellaneous things that are harder to categorize. We’ve done craft nights where people come out. Or if people in the collective supply an idea and make it happen. For a little while we had a darkroom in the backroom where people could develop photos.

Timothy: What are some of the highlights from the past couple of years?

Chris: It wasn’t something that I was involved with personally but I thought the darkroom was a really cool idea. It’s not something that’s widely available and it was a DIY thing where they obtained all the equipment and brought it all together. Some of it was donated by a like-minded friend from Guelph.

Connor: One of the best concerts I’ve seen recently was hosted by Cem Zafir and his partner Donna Akrey at HAVN, and they had a percussionist by the name of Tatsuya Nakatani come in and everyone in the room was transported to a different world, it was a magical moment. Those happen a lot. We’ve been really lucky with a lot of good music.

Hagface and Zena in August 2015
Hagface and Zena in August 2015, Photo Credit: Tony Hoang

 

Chris: What was the name of the show, I think Ariel and Petra did it, with the yarn, it was kind of, performance stuff; would you consider it a successor to the Quanta_1 show, where you and Kearon…

Connor: Yeah, yeah, it’s kind of like that…

Chris: An extension of that idea. Petra and Ariel did it, how would you describe it?

Connor: It was kind of a poetic yarn installation, with figures…

Chris: …and quotations.

Connor: It was great.

Chris: Really well executed. Not something you see a lot of.

Connor: Yeah, there’s lots of highlights.

Chris: We could keep going.

Connor: Once you start thinking about it.

Chris: I really liked our show for Supercrawl last year, which ended up being themed around Cootes Paradise, the Cootes to Escarpment EcoPark System, which is a conservation effort beginning with Cootes Paradise all the way into Burlington to connect some critical natural lands. The show really nailed the peaceful nature of it. Supercrawl is very busy, there’s tonnes of people and then you come to HAVN and it’s peaceful, relaxed.

Connor: Serene.

Chris: Yeah, Judy Major-Girardin, a professor at McMaster that taught a lot of the HAVN crew, was very generous with her time and she’s a big supporter of that initiative, so she put up a gorgeous installation with sound recordings from Georgian Bay. Frogs. Printed cheesecloth. It was stunning.

Corridors, in Support of the Cootes to Escarpment EcoPark System, September 2015
Corridors, in Support of the Cootes to Escarpment EcoPark System, September 2015, Photo Credit: Ariel Bader-Shamai

 

Timothy: What are your objectives? What is the need or desire that you are addressing?

Connor: I’d say from the music side of things, it’s a space for outsider music, for music that doesn’t really fit in a club or a bar. It’s a small space, really intimate, so even if ten people come out it feels like a nice crowd.

Chris: Yeah, It could just be a touring band who might have trouble booking a show at a bigger venue, because they wouldn’t attract a bigger crowd.

Connor: We know a lot of people who are booking shows in Hamilton and we’re filling a bit of a void since they’re not booking these types of shows. Like free jazz, for example, there’s no venues that are booking free jazz but we will gladly and enthusiastically book a free-jazz show.

Boyhood and Holzkopf in July 2015
Boyhood and Holzkopf in July 2015, Photo Credit: Tony Hoang

Timothy: How did you determine the scope of your practice?

Connor: Time determined that. When I started out with HAVN I was working a lot more with Kearon on the visual arts and installation projects and with time my interests and time investments moved more towards the music. It’s a natural evolution within the group, that we’ve settled into our roles based on our interests.

Timothy: Were those interests present from the beginning, or have they been nurtured over time?

Connor: One of the reasons why this has worked out for so long is that everyone has been really passionate about creativity, and art in general, and open to all art forms. That’s been the crux of why we’ve been around for so long, and putting on shows that are successful.

Timothy: What is your current relationship with institutional structures like the university and the gallery?

Connor: Well, quite a few professors from McMaster have shown art in our space. Judy and Dr. McQueen had a show recently. Other galleries? We have good relationships with other galleries, in particular, the Factory Media Centre, because we’ve done a lot of media art, not only that, we’ve shown a lot of art there, and both Amy McIntosh and Aaron Hutchinson have been on the board there. Amy’s been involved since the beginning.

Timothy: You position yourself as an alternative, though.

Chris: It’s not an adversarial relationship, like ‘that stuff is no good.’

Connor: We just don’t want to replicate things that are being done elsewhere. I’m sure we do it all the time. But the intention is to fill a void, take a risk.

Timothy: What are the benefits and limitations associated with your present configuration?

Connor: We’ve had trouble finding grants that apply to us. That’s one challenge because we operate with no inflow of money, so it’s just tough to make it work sometimes. That’s one of the limitations.

Chris: Sometimes I wonder if we put more time into the grants whether we would begin to take a different path. Like, having gallery hours wouldn’t be a bad thing, but it would be different than what we do now, and it would mean that we would be travelling down a more traditional path.

Timothy: Can you speak of the benefits and effects of HAVN, for yourselves and the broader community?

Connor: It’s such a useful space for us as artists and musicians, that’s kind of priceless.

Chris: It’s great to have a spot that you’re part of.

The Celestial Offerings Show in December 2015
The Celestial Offerings Show in December 2015, Photo Credit: Petra Matar

Connor: Ideally we’re providing a space that’s inclusive, and open, where people feel comfortable. But if I was new to Hamilton and I went to HAVN I could understand feeling intimidated because there’s all these people who know each other already.

Chris: I think it’s always hard, because you establish your audience, and your friends, and you want people to have a stake in the space, that they’re part of it, that they’re not just attending shows, but that they’re part of the community too. But you have to balance that with being open and having new people feel that they can be part of it.

Timothy: So do you have any words of advice to people who might want to start a collective?

Chris: If I had any advice it would be pretty cheesy.

Connor: I don’t know. [Laughter]

Chris: The real trick is having the right group of people.

Connor: Get lucky.

Chris: Yeah, we couldn’t have made this happen in a bigger city where the rents are more expensive.

For the Silo, Timothy deVries.

Supplemental- Video Credit: Mubarik Gyenne-Bayere

 

Video Credit: Footage by Ariel Bader-Shamai, live visuals by Andrew O’Connor https://www.instagram.com/p/BDE-Nhwk0BT/
Video Credit: Footage by Ariel Bader-Shamai, live visuals by Andrew O’Connor https://www.instagram.com/p/BCCFlOBE0FF/

Video Credit: Olga K.

10 Ways You Can Make Money from Your Condo

Many people are currently looking at Montreal condos for sale, as the present boom in the property market makes it an ideal investment. As these developments continue, Montreal is also becoming more and more attractive to employees, tourists, homeowners, and investors alike.

Planning to buy a condo and make money from it? Check out these tips:

  1. Assess your surroundings.

First, check your location and what that means for your rental property. Are you near offices? Are you in a family-friendly suburb? Are there other rental properties nearby? How much are they renting it out for? Check out the city government website for said information which can help you better estimate the possible return.

  1. Pick a target market.

Who are you renting out your condo to? This will dictate where you’ll advertise it and how much you’ll rent it out for. Try to pick a target market that’s not particularly saturated, especially considering the area where your condo is located.

  1. Force appreciation of your condo’s value.

Before you rent it out, you can actually force appreciation on its value by negotiating lower maintenance rates. If you can increase the efficiency of utilities like water and electricity, this will lower operating costs and increase value – making it more desirable to possible tenants.

  1. Prepare your condo for renting out.

You have to remember that you’ll also have competition, as you’re not the only rental property available. Depending on who you’re targeting, you should make it appealing and furnish it appropriately. By doing so, you’re making it the preferred choice of consumers.

  1. Put it out in the market.

Even if your condo is ready for renting out, that doesn’t mean you’ll automatically have tenants. You’ll need to advertise that the property available, and using the right channels is also key.

  1. Make all agreements clear.

Be very clear about your rental agreements. Is it a month-to-month contract or are you looking at something more long-term, like an annual lease? Who pays for the utilities? Who pays for the condo fees? Make sure the agreement between you and tenants is very clear to avoid future conflict.

  1. Rent out unused garage space.

Most condos come with a garage space, and you don’t necessarily have to include this in your rental package especially if your condo is in the city and your tenants don’t have a car anyway. You can always rent out the garage space as a lot of people are simply looking for a dependable parking space where they can park when going to work. .

  1. Rent out unused street parking space.

If your condo comes with street parking space, you can also rent this out separately to other tenants in the building.

  1. Consider other schemes.

Open your mind to other schemes for rental, like a weekday-only rental or short-term contracts. This is more likely to happen if your condo is located in a dense area like downtown Montreal, where you have office workers and tourists as well.

  1. Rent it out as office space.

If your condo is the studio type, you don’t have to make it residential. You can also rent it out as office space for professionals.

Ontario Intro’s Online Alcohol Sales And Delivery Via LCBO.COM

Ontario is offering a new and convenient way to buy alcohol products by introducing online sales through LCBO.com.

Order beer with your iphone & open it when it is delivered with your iphone case!
Order beer with your iphone & open it when it is delivered with your iphone case!

Starting today, LCBO consumers can buy online up to 5,000 different products from across Canada and 85 other countries. Customers can choose to have their order sent to an LCBO store of their choosing for pick up, free of charge, or choose to have it delivered directly to their home, anywhere in Ontario.

Ontario beverage alcohol producers will have access to greater “virtual” shelf space, which increases their reach to consumers who may not always have access to their product in their local store. This is the government’s latest step to expand options for buying alcohol, including the sale of beer in grocery stores last December, cider this June and the arrival of wine this fall.

Today’s e-commerce launch strengthens LCBO’s ability to generate revenue for Ontarians and continue to fund key public services such as health care and education.

Ontario is expanding access responsibly. In partnership with Canada Post, the LCBO will ensure that online orders are only handled by and delivered to adults of legal drinking age. Ontario is also developing a comprehensive alcohol policy to support the safe and responsible consumption of alcohol.

Supporting more choice and convenience for consumers, while improving opportunities for businesses, is part of the government’s economic plan to build Ontario up and deliver on its number-one priority to grow the economy and create jobs. The four-part plan includes helping more people get and create the jobs of the future by expanding access to high-quality college and university education. The plan is making the largest infrastructure investment in hospitals, schools, roads, bridges and transit in Ontario’s history and is investing in a low-carbon economy driven by innovative, high-growth, export-oriented businesses. The plan is also helping working Ontarians achieve a more secure retirement.

QUOTES

“This exciting launch of LCBO.com gives consumers greater choice and convenience while increasing opportunities for Ontario’s dynamic beverage alcohol producers. LCBO’s new e-commerce platform will continue to maintain a high standard of socially responsible distribution, while helping Ontario’s wine, beer and spirits businesses grow and create good, well-paying jobs in communities throughout Ontario.”
— Charles Sousa, Minister of Finance

George Soleas
George Soleas

“Online shopping at LCBO.com enables us to offer a convenient customer experience in a changing marketplace. This e-commerce platform draws on our local and international supplier relationships and buying power, efficient supply chain and extensive store network– bringing our customers across Ontario better access to a world of products. This new virtual LCBO store is a natural extension of our in store shopping experience.— George Soleas, President and CEO, LCBO

QUICK FACTS

§  Up to 5,000 individual products are now available online, including exclusives beyond the LCBO’s current catalogue. The total could grow to more than 16,000 over time.

§  Consumers can have Canada Post deliver products securely and responsibly directly to their home anywhere in Ontario for $12 per order plus tax. They can also have them shipped free for pickup at any of the LCBO’s 655 stores. A $50 minimum applies to online orders.

§  The LCBO had another record year in 2015–16, with sales of $5.57 billion, up 6.8 per cent year over year. It paid a dividend of $1.935 billion to Ontario, an increase of $130 million.

§  Ontario Premier Kathleen Wynne, Québec Premier Philippe Couillard and British Columbia Premier Christy Clark recently committed to greater choice, convenience and expanded access to wines produced in their provinces through online ordering.

§  The Premier’s Advisory Council on Government Assets stated in its final report that it strongly supports the LCBO’s e-commerce launch because it will improve consumer choice.

LEARN MORE

§  The LCBO’s news release and backgrounder on online sales

§  The LCBO’s commitment to responsible retailing and consumption

§  Ontario’s programs supporting responsible consumption of beverage alcohol

**************************************************************************************************************

Disponible en français

L’Ontario lance un service de vente en ligne via LCBO.com

Des produits du Canada et de 85 autres pays au bout des doigts du consommateur

NOUVELLES

L’Ontario offre un moyen nouveau et pratique d’acheter des produits alcoolisés en offrant un service de vente en ligne via LCBO.com.

À compter d’aujourd’hui, les clients de la LCBO pourront acheter en ligne jusqu’à 5 000 produits du Canada et de 85 autres pays. Ils pourront faire livrer leur commande à un magasin de la LCBO sans frais, ou encore directement à leur domicile n’importe où en Ontario.

Les producteurs ontariens de produits alcoolisés auront accès à des rayons « virtuels » plus vastes, ce qui leur permettra d’atteindre des consommateurs qui ne trouvent pas toujours leurs produits dans le magasin de leur quartier. Il s’agit de la toute dernière mesure prise par le gouvernement pour élargir les options en matière d’achat de produits alcoolisés, qui comprennent la vente dans les épiceries de bière depuis décembre dernier, de cidre depuis ce mois de juin et de vin à compter de l’automne prochain.

Le lancement du service de vente en ligne renforce la capacité de la LCBO de générer des revenus pour la population de l’Ontario et de continuer à financer les services publics clés, dont les soins de santé et l’éducation.

L’Ontario élargit l’accès de façon responsable. La LCBO s’associe à Postes Canada pour s’assurer que les commandes en ligne sont traitées et livrées par des adultes en âge légal de boire. De plus, l’Ontario établit une politique détaillée en matière d’alcool pour appuyer la consommation sûre et responsable d’alcool.

Offrir plus de choix et de commodité aux consommateurs, tout en améliorant les possibilités pour les entreprises fait partie du plan économique du gouvernement, qui vise à favoriser l’essor de l’Ontario et à concrétiser sa principale priorité, à savoir stimuler l’économie et créer des emplois. Ce plan en quatre volets consiste notamment à aider plus de gens à obtenir et à créer les emplois de l’avenir en élargissant l’accès à des études collégiales et universitaires de haute qualité. De plus, le plan permet le plus important investissement de l’histoire de l’Ontario dans l’infrastructure des hôpitaux, des écoles, des routes, des ponts et des transports en commun et investit dans une économie sobre en carbone guidée par des entreprises innovatrices, à forte croissance et axées sur l’exportation. Enfin, le plan aide la population ontarienne active à bénéficier d’une retraite plus sure.

CITATION

« Le lancement de LCBO.com est un événement réjouissant qui donne aux consommateurs plus de choix et de commodité tout en accroissant les possibilités pour les producteurs dynamiques de boissons alcoolisées de notre province. La nouvelle plateforme de vente en ligne de la LCBO maintiendra une norme élevée de distribution socialement responsable, tout en aidant les producteurs ontariens de vin, de bière et de spiritueux à prendre de l’expansion et à créer de bons emplois bien rémunérés dans toute la province. »

— Charles Sousa, ministre des Finances

« LCBO.com nous permet d’offrir aux consommateurs un service de vente en ligne pratique sur un marché en évolution. Cette plateforme tire parti des relations que nous entretenons avec nos fournisseurs locaux et internationaux, de notre pouvoir d’achat, de notre chaîne d’approvisionnement efficace et de notre vaste réseau de magasins, afin d’offrir aux consommateurs ontariens un meilleur accès à une myriade de produits. Ce nouveau magasin virtuel de la LCBO est un prolongement naturel de l’expérience que nous offrons dans nos magasins. »

— George Soleas, président-directeur général, LCBO

EN BREF

·         Jusqu’à 5 000 produits individuels sont maintenant offerts en ligne, y compris des articles exclusifs ne figurant pas dans le catalogue actuel de la LCBO. À terme, le total pourrait atteindre plus de 16 000 produits.

·         Les consommateurs peuvent faire se livrer les produits de façon fiable et responsable par Postes Canada directement à leur domicile, n’importe où en Ontario, au coût de 12 $ la commande plus la taxe. Ils peuvent aussi recevoir leur commande sans frais dans l’un des 655 magasins de la LCBO. Un minimum de 50 $ s’applique aux commandes en ligne.

·         2015-2016 a été une nouvelle année record pour la LCBO qui a enregistré des ventes de 5,57 milliards de dollars, soit une augmentation de 6,8 % d’une année sur l’autre. Elle a versé un dividende de 1,935 milliard de dollars à l’Ontario, ce qui représente une hausse de 130 millions de dollars.

·         Kathleen Wynne, première ministre de l’Ontario, Philippe Couillard, premier ministre du Québec, et Christy Clark, première ministre de la Colombie-Britannique, se sont récemment engagés à offrir plus de choix et de commodité ainsi qu’un meilleur accès aux vins produits dans leurs provinces grâce au service de commande en ligne.

·         Dans son rapport final, le Conseil consultatif de la première ministre pour la gestion des biens provinciaux a indiqué qu’il appuyait vivement le lancement du service de vente en ligne de la LCBO parce qu’il offrira plus de choix au consommateur.

POUR EN SAVOIR PLUS

§  Communiqué et document d’information de la LCBO concernant le service de vente en ligne

§  Engagement de la LCBO envers un service de vente au détail et une consommation responsables

§  Programmes de l’Ontario favorisant la consommation responsable d’alcool

Album By Yellow Salamand’r 4 Is More Than Soundscape

Spotted Salamander Album Review Banner2

I really like this album, there’s some great soundscapes but also a sparseness and edge of tension at times. The production is excellent allowing sounds to evolve and grow.  Fact: you will find a variety of recorded sounds that combine with layers of  noise and drone elements and this results in the expected elements of experimental but yet retains a solid coherence.

Ohms Per Swamp Cubed

This song uses field recordings and subtle noise / drone elements, it has a stripped back feel but this is done very effectively.

Melancholic Transistor

This also sounds like another field recording and has excellently layered noise / drone sounds and a subtle emerging lead which adds a great tension.
My Role…

A great spoken recording, although I’m not sure where it was taken from. There’s effective layering of sounds again, and there are looping elements and bass and percussion sounds. Take note of the processing of the vocals towards the end because this is excellent too.


Laminated Numbers
The processed vocals have an ethereal, spooky feel. Again- more layering of sounds, butfor this time there’s an Eastern feel to the background sounds and the song captures the mood of a “half-heard” conversation. All of these different elements are combined really well.
We Interrupt This Broadcast

The striking percussive sounds heard here are layered logically against a recording of a public news report that warns of an impending nuclear strike. There’s a effective tension to this song.
Drone #4
Opens with a string type sound layered over a field recording and a warble like sound that serves to remind the listener of hand-tuning an old radio while searching for a clear station or trying to remove static caused by radio wave interference. Overall, a nice bit of tension to this song.
Lo Fi Left Over Laminated Loops
This song has a big atmospheric opening, slowly evolving sounds and dense layering.
Sophisticated Babble
A slowly revealed opening and then sounds panned really well create a broad stereo spectrum. This track has a sparse feel and yet the recorded vocals are richly layered. There is a sense and feel of being a removed outsider listening in from afar.
Radio Waving

Strong combinations of radio recordings and noise, the layered percussive rhythm works especially well and provides a contrast to the harsher radio sounds.

There’s lots to consider here. For the Silo, Mike Fuchs. Yellow Salamand’r 4 on facebook

 

Ontario Building About 500 Electric Vehicle EV Charging Stations- Here’s Where

Ontario is building almost 500 electric vehicle EV charging stations at over 250 convenient locations across the province to help reduce greenhouse gas pollution and fight climate change.

The province is working with 24 public- and private-sector partners to create an unprecedented network of public charging electric vehicle stations in cities, along highways, at workplaces and at various public places across Ontario. This includes over 200 Level 3 and nearly 300 Level 2 charging stations. The entire network will be in service by March 31, 2017.

The province’s $20-million investment under Ontario’s Green Investment Fund will expand charging infrastructure across the province and will help address “range anxiety,” a common concern of consumers regarding the distance electric vehicles can travel compared to traditional vehicles. Building a more robust network of public chargers across Ontario allows electric vehicle owners to plan longer trips knowing that charging stations are as readily available as gas stations. With the new network of stations, electric vehicle drivers will be able to travel confidently from Windsor to Ottawa or from Toronto to North Bay and within and around major urban centres.

The $325-million Green Investment Fund, an initial investment in Ontario’s new five-year Climate Change Action Plan, is already strengthening the economy, creating good jobs and driving innovation while fighting climate change — a strong signal of what Ontarians can expect from the plan and proceeds from the province’s cap and trade program. These investments will help secure a healthy, clean and prosperous low-carbon future and transform the way we live, move, work and adapt to our environment while ensuring strong, sustainable communities.

Investing in climate action is part of the government’s economic plan to build Ontario up and deliver on its number-one priority to grow the economy and create jobs. The four-part plan includes helping more people get and create the jobs of the future by expanding access to high-quality college and university education. The plan is making the largest infrastructure investment in hospitals, schools, roads, bridges and transit in Ontario’s history and is investing in a low-carbon economy driven by innovative, high-growth, export-oriented businesses. The plan is also helping working Ontarians achieve a more secure retirement.

QUOTES

“By investing in charging infrastructure that is fast, reliable and affordable, we are encouraging more Ontarians to purchase electric vehicles, reducing greenhouse gas pollution and keeping our air clean.”

— Steven Del Duca, Minister of Transportation

“Transportation is one of the single biggest contributors to climate change. Supporting more charging stations across the province will help to reduce greenhouse gas pollution by making it more convenient for drivers of electric vehicles to get around.”

— Glen Murray, Minister of the Environment and Climate Change

 

QUICK FACTS

  • An interactive map of the EVCO network of stations will be easily accessible on

Ontario 511. Station location data will also be posted on Ontario’s Open Data Catalogue to allow software developers and other interested parties to use the data in their mobile application or digital product development.

  • Ontario’s Climate Change Action Plan is providing people and businesses with tools and incentives to accelerate the use of clean technology that exists today.
  • A shift to low- and zero-emission vehicles is vital to the fight against climate change and achieving Ontario’s greenhouse gas pollution reduction target of 80 per cent below 1990 levels by 2050.
  • Green Investment Fund projects include: more electric vehicle charging stations; energy retrofits for single-family homes and affordable housing; support for Indigenous communities, industry and small and medium-sized businesses, and helping local organizations fight climate change.
  • Greenhouse gases from cars account for more emissions than those from industries such as iron, steel, cement, and chemicals combined.
  • There are nearly 7,000 electric vehicles currently on the road in Ontario.
  • Over 200 applications to the Electric Vehicle Charger Ontario program were received between Dec. 21, 2015 and Feb. 12, 2016, totalling more than $165 million in grant requests.

 

LEARN MORE

 

Ontario’s Electric Vehicle Incentive Program

Ontario 511 Climate Change Action Plan

Electric Vehicle Charging Stations

 

 

 

BACKGROUNDER
Ministry of Transportation

 

Electric Vehicle Charging Stations

July 13, 2016

 

The province is investing nearly $20 million from Ontario’s Green Investment Fund to build almost 500 electric vehicle (EV) charging stations at over 250 locations in Ontario by March 31, 2017.

 

City/Town Number of Chargers Location of Chargers
Central Region Level 2: 223

Level 3: 84

Barrie Level 2: 0

Level 3: 1

McDonald’s – 446 Bayfield St.
Beamsville Level 2: 0

Level 3: 1

Tim Horton’s – 5005 Ontario St.
Beaverton Level 2: 0

Level 3: 1

McDonald’s – 84 Beaverton Ave.
Bolton Level 2: 0

Level 3: 1

Albion Bolton Community Centre – 150 Queen St. South
Bradford Level 2: 0

Level 3: 1

Tim Horton’s – 440 Holland St. West
Brampton Level 2: 6

Level 3: 0

Soccer Centre Recreation Facility – 1495 Sandalwood Pkwy. East

Heart Lake Conservation Area – 10818 Heart Lake Rd.

Claireville Conservation Area – 8180 Hwy 50

Burlington Level 2: 1

Level 3: 2

IKEA – 1065 Plains Rd. East

Appleby Crossing – 2435 Appleby Line

Caledon Level 2: 3

Level 3: 1

Albion Hills Conservation Area Chalet – 16500 Regional Rd.

Albion Hills Conservation Area Beach Parking – 16500 Regional Rd.

Glen Haffy Conservation Area – 19245 Airport Rd.

Margaret Dunn Library – 20 Snelcrest Dr.

Collingwood Level 2: 0

Level 3: 2

McDonald’s – 285 First St.

Tim Horton’s – 4 High St.

Elmvale Level 2: 0

Level 3: 1

Tim Horton’s – 68 Yonge St. South
Fort Erie Level 2: 0

Level 3: 2

McDonald’s – 325 Garrison Rd.

Tim Horton’s – 1167 Garrison Rd.

Goodwood Level 2: 1

Level 3: 0

Claremont Field Centre – 4290 Westney Rd. North
Hamilton Level 2: 1

Level 3: 2

Centre on Barton – 1275 Barton St. East

Tim Horton’s – 1470 ON-6

Tim Horton’s – 473 Concession St.

Keswick Level 2: 1

Level 3: 1

Glenwoods Centre – 443 The Queensway South
Markham Level 2: 10

Level 3: 2

123 Commerce Valley Dr. West

125 Commerce Valley Dr. West

50 Minthorn Blvd.

140 Allstate Pkwy.

Armadale Crossing – 7690-7770 Markham Rd.

80 Allstate Parkway

Midhurst Level 2: 0

Level 3: 1

Simcoe County Museum – 1151 Highway 26
Midland Level 2: 0

Level 3: 1

Tim Horton’s – 16815 ON-12
Milton Level 2: 1

Level 3: 1

Campbellville Country Court Plaza – 35 Crawford Cres.
Mississauga Level 2: 58

Level 3: 20

80 Courtneypark Dr.

5800 Explorer Dr.

Meadowvale Corporate Centre – 6880 Financial Dr.

5750 Explorer Dr.

2085 Hurontario St.

4701/4715 Tahoe Blvd.

Indian Line Campground – 7625 Finch Ave. West

Pearson International Airport – 6301 Silver Dart Dr.

Pearson International Airport – 8 Network Rd.

Pearson International Airport – 3111 Convair Dr.

Hilton Mississauga – 6750 Mississusauga Rd.

2630 Skymark Ave.

Novo-nordisk – 2680 Skymark Ave.

Airway Centre – 5935 Airport Rd.

30 Eglinton Ave. West

Newmarket Level 2: 0

Level 3: 1

McDonald’s – 1100 Davic Dr.
Niagara Falls Level 2: 0

Level 3: 1

Tim Horton’s – 8089 Portage Rd.
Oakville Level 2: 0

Level 3: 2

Tim Horton’s – 228 Wyecroft Rd.
Orangeville Level 2: 0

Level 3: 1

McDonald’s – 23 Broadway Ave.
Orillia Level 2: 0

Level 3: 2

McDonald’s – 320 Memorial Ave.

Tim Horton’s – 25 Colborne St. East

Oshawa Level 2: 0

Level 3: 2

Best Western Oshawa – 559 Bloor St. West
Pickering Level 2: 1

Level 3: 1

Petticoat Creek Conservation Area – 1100 Whites Rd.
Richmond Hill Level 2: 9

Level 3: 0

30 Leek Cres.

38 Leek Cres.

95 Mural St.

1725 16th Ave.

Swan Lake Centre – 1229 Bethesda Sideroad

St Catharines Level 2: 0

Level 3: 1

Tim Horton’s – 170 4th Ave. South
Stayner Level 2: 0

Level 3: 1

Clearview Joint Emergency Services Operations Centre – 6993 ON-26
Stouffville Level 2: 1

Level 3: 0

Bruce’s Mill Conservation Area – 3291 Stouffville Rd.
Toronto Level 2: 121

Level 3: 25

IKEA Etobicoke – 1475 The Queensway

IKEA North York – 15 Provost Dr.

St. Joseph’s Health Centre – 30 The Queensway

Royal Bank Plaza – 200 Bay St.

University Centre – 383 University Ave.

5775 Yonge St.

Lucliff Place – 700 Bay St.

York Mills Centre – 4325 Yonge St.

MaRS Centre – 661 University Ave.

Yorkville Village – 87 Avenue Rd.

Madison Centre – 4950 Yonge St.

Citibank – 123 Front St.

110 Yonge St.

525 University Ave.

175 Bloor St.

Metro Centre – 200 Wellington St.

Airport Marriott – 901 Dixon Rd.

Maple Leaf Square – 15 York St.

Air Canada Centre – 50 Bay St.

Air Miles Tower – 438 University Ave.

720 Bay St.

655 Bay St.

5001 Yonge St.

Adelaide Place – 181 University Ave.

2075 Kennedy Rd.

Dynamic Funds Tower – 1 Adelaide St. East

Atria – 2235 Sheppard Ave. East

30 Adelaide St. East

Commerce West – 401 and 405 The West Mall

SNC-Lavalin – 304 The East Mall

Burnhamthorpe Square – 10-20 Four Seasons Place

Morneau Shepall – 895 Don Mills Rd.

145 King St. West

150 King St. West

Sun Life Centre – 200 King St. West

Manulife Centre – 55 Bloor St. West

Bloor Islington Place – 3250 Bloor St. West

33 Bloor St. West

Scotiabank Plaza – 40 King St. West

115 Gordon Baker Rd.

Foresters – 789 Don Mills Rd.

277 Wellington St. West

Glen Rouge Conservation Area – 7450 Kingston Rd.

Milliken Crossing – 5631 – 5671 Steeles Ave. East

Black Creek Pioneer Village – 1000 Murray Ross Parkway

Humber River Hospital – 1235 Wilson Ave.

Tottenham Level 2: 1

Level 3: 1

Tottenham Mall – 55 Queen St. South
Vaughan Level 2: 4

Level 3: 3

TRCA Head Office – 101 Exchange Ave.

Joint Operations Centre – 2800 Rutherford Rd.

IKEA – 200 Interchange Way

Vineland Station Level 2: 0

Level 3: 1

Tim Horton’s – 3335 North Service Rd.
Washago Level 2: 0

Level 3: 1

Washago Carpool Lot – HWY 11/169
Whitby Level 2: 1

Level 3: 0

Taunton Gardens – 320 Taunton Rd. East
Woodbridge Level 2: 3

Level 3: 0

Boyd Conservation Area – 8739 Islington Ave.

Kortright Centre – 9550 Pine Valley Dr.

East Region Level 2: 17

Level 3: 49

Arnprior Level 2: 0

Level 3: 3

Tim Horton’s – 201 Madawaska Blvd.

Metro/Food Basics – 375 Daniel St. South

McDonald’s – 16 Baskin Dr. West

Bancroft Level 2: 0

Level 3: 1

Tim Horton’s – 234 Hastings St. North
Barrhaven Level 2: 2

Level 3: 0

Ottawa Park and Ride – 3347 Fallowfield Rd.
Belleville Level 2: 0

Level 3: 1

Tim Horton’s – 218 Bell Blvd.
Brockville Level 2: 0

Level 3: 2

McDonald’s – 2454 Parkdale Ave.

Tim Horton’s – 77 William St.

Campbellford Level 2: 0

Level 3: 1

Tim Horton’s – 148 Grand Rd.
Carleton Place Level 2: 0

Level 3: 1

Tim Horton’s – 144 Franktown Rd.
Casselman Level 2: 0

Level 3: 1

Metro/Food Basics – 21 Richer Close
Cornwall Level 2: 0

Level 3: 3

Tim Horton’s – 81 Tollgate Rd. West

McDonald’s – 1301 Brookdale Ave.

St. Hubert – 705 Brookdale Ave.

Deep River Level 2: 0

Level 3: 1

Tim Horton’s – 33235 Hwy 17
Embrun Level 2: 2

Level 3: 0

Embrun Arena – 8 Blais St.
Fenelon Falls Level 2: 0

Level 3: 1

Tim Horton’s – 23 Lindsay St.
Gloucester Level 2: 0

Level 3: 1

St. Hubert – 2484 Boulevard St. Joseph
Hawkesbury Level 2: 0

Level 3: 2

St. Hubert – 456 County Rd. 17

Tim Horton’s – 418 Main St. East

Johnstown Level 2: 0

Level 3: 1

Gas Bar – 2618 CR-2
Kanata Level 2: 1

Level 3: 1

Ottawa Park and Ride – 130 Earl Grey Dr.
Kemptville Level 2: 0

Level 3: 1

TSC Stores – 2966 County Rd. 43
Kingston Level 2: 0

Level 3: 1

Tim Horton’s – 681 Princess St.
Lindsay Level 2: 0

Level 3: 2

Lindsay Recreation Complex – 133 Adelaide St. South

Tim Horton’s – 85 Mt Hope St.

Madoc Level 2: 0

Level 3: 2

McDonald’s – 14118 Hwy 62

Tim Horton’s – 14121 ON-7

Manotick Level 2: 0

Level 3: 1

Tim Horton’s – 989 River Rd.
Napanee Level 2: 0

Level 3: 1

Tim Horton’s – 478 Centre St. North
Nepean Level 2: 2

Level 3: 0

Ben Franklin Place – 101 Centrepointe Dr.
Newcastle Level 2: 0

Level 3: 1

Tim Horton’s – 361 King Ave. East
Ottawa Level 2: 3

Level 3: 8

McDonald’s – 670 Bronson Ave.

City of Ottawa Fire Administration Building – 1445 Carling Ave.

St. Hubert – 4010 Riverside Dr.

Ottawa Public Parking Lot – 687 Somerset

IKEA – 2685 Iris St.

Pembroke Level 2: 0

Level 3: 2

McDonald’s – 805 Pembroke St. East

Tim Horton’s – 11 Robinson Ln.

Perth Level 2: 0

Level 3: 1

McDonald’s – 35 Dufferin St.
Peterborough Level 2: 7

Level 3: 4

Tim Horton’s – 1527 Water St.

Lansdowne Place Mall –  645 Lansdowne St.

Norwood Town Hall – 2357 County Rd. 45

King Street Parking Garage –  200 King St.

Memorial Centre Arena – 151 Lansdowne St. West

Riverview Park Zoo – 1230 Water St.

Downtown Lakefield Public Parking – 39 Queen St.

Picton Level 2: 0

Level 3: 1

Downtown Picton Public Parking – 55 King St.
Port Hope Level 2: 0

Level 3: 1

McDonald’s – 175 Rose Glen Rd. North
Port Perry Level 2: 0

Level 3: 1

McDonald’s – 14500 Simcoe St.
Rockland Level 2: 0

Level 3: 2

Metro/Food Basics – 9071 County Rd. 17

Tim Horton’s – 2875 Laporte St.

Northeast Region Level 2: 1

Level 3: 24

Azilda Level 2: 0

Level 3: 1

Tim Horton’s – 514 Notre Dame St. East
Burk’s Falls Level 2: 0

Level 3: 1

Tim Horton’s – 27 Commercial Dr.
Elliot Lake Level 2: 0

Level 3: 2

McDonald’s – 269 King’s Hwy 108

Tim Horton’s – 261 ON-108

Espanola Level 2: 0

Level 3: 1

Tim Horton’s – 701 Centre St.
Gravenhurst Level 2: 0

Level 3: 2

McDonald’s – 1105 Bethuine Dr.

Tim Horton’s – 150 Talisman Dr.

Huntsville Level 2: 0

Level 3: 1

Tim Horton’s – 44 ON-60
Kapuskasing Level 2: 0

Level 3: 2

McDonald’s – 240 Government Rd.

Tim Horton’s – 8 Government Rd. East

Kirkland Lake Level 2: 0

Level 3: 2

McDonald’s – 155 Government Rd. West

Tim Horton’s – 175 Government Rd. West

New Liskeard Level 2: 0

Level 3: 2

McDonald’s – 883350 Hwy 65 West

Tim Horton’s – 883307 ON-65

North Bay Level 2: 0

Level 3: 2

McDonald’s – 999 McKeown Ave.

Tim Horton’s – 114 Drury St.

Parry Sound Level 2: 0

Level 3: 1

McDonald’s – 118 Bowes St.
Port Severn Level 2: 1

Level 3: 1

Jag’s Petro Canada – 41 Lone Pine Rd.
Sault Ste. Marie Level 2: 0

Level 3: 2

McDonald’s – 673 Trunk Rd.

Tim Horton’s – 223 Second Line West

Sudbury Level 2: 0

Level 3: 1

McDonald’s – 914 Newgate Ave.
South Porcupine Level 2: 0

Level 3: 1

Tim Horton’s – 4556 ON-101
Timmins Level 2: 0

Level 3: 1

McDonald’s – 520-522 Algonquin Blvd. East
Wawa Level 2: 0

Level 3: 1

Tim Horton’s – 92 Mission Rd.
Northwest Region Level 2: 0

Level 3: 7

Dryden Level 2: 0

Level 3: 2

McDonald’s – 520 Government St.

Tim Horton’s – 655 Government St.

Fort Frances Level 2: 0

Level 3: 2

McDonald’s – 831 Kings Highway

Tim Horton’s – 525 Hwy 11 West

Kenora Level 2: 0

Level 3: 1

McDonald’s – 900 Highway 17 East
Thunder Bay Level 2: 0

Level 3: 2

McDonald’s – 770 Memorial Ave.

Tim Horton’s – 121 East Ave.

West Region Level 2: 33

Level 3: 47

Amherstburg Level 2: 0

Level 3: 1

The Libro Centre –  3295 Meloche Rd.
Arthur Level 2: 1

Level 3: 2

Arthur Library and Medical Centre – 110 Charles St. East

Arthur Sports Complex –  158 Domville St.

Brantford Level 2: 0

Level 3: 2

McDonald’s – 73 King George Rd.

Tim Horton’s – 1290 Colborne St. East

Cambridge Level 2: 0

Level 3: 1

McDonald’s – 416 Hespeler Rd.
Cayuga Level 2: 0

Level 3: 1

Tim Horton’s – 51 Talbot St.
Chatham Level 2: 0

Level 3: 2

McDonald’s – 710 Richmond St.

Tim Horton’s – 33 3rd St.

Clifford Level 2: 1

Level 3: 1

Clifford Community Complex – 2 Brown St. South
Clinton Level 2: 0

Level 3: 1

Tim Horton’s – 300 Ontario St.
Drumbo Level 2: 1

Level 3: 1

Mister Steak Highway Travel Plaza – 80667 Oxford Rd. 29
Essex Level 2: 0

Level 3: 4

Essex Centre Sports Complex –  60 Fairview Ave. West

Colechester Harbour –  100 Jackson St.

Exeter Level 2: 1

Level 3: 1

153 Main St. North
Goderich Level 2: 0

Level 3: 1

McDonald’s – 354 Bayfield Rd.
Guelph Level 2: 1

Level 3: 3

Social Services Building – 138 Wyndham St. North

Puslinch Library – 29 Brock Rd. South

N Hanlon Park Mall – 218 Silvercreek Pkwy.

Hanover Level 2: 0

Level 3: 2

McDonald’s – 800 10th St.

Tim Horton’s – 639 10th St.

Harriston Level 2: 0

Level 3: 1

Tim Horton’s – 182 Elora St.
Ingersoll Level 2: 2

Level 3: 1

Downtown Ingersoll Public Parking – 16 King St.
Innisfil Level 2: 0

Level 3: 1

Tim Horton’s – 940 Innisfil Beach Rd.
Kitchener Level 2: 8

Level 3: 0

50 Queen St. North

55 King St. West

Leamington Level 2: 0

Level 3: 1

McDonald’s – 214 Talbot St.
London Level 2: 6

Level 3: 1

Wellington Commons – 1210 Wellington Rd. South

Tim Horton’s – 146 Clarke Rd.

City Centre – 380 Wellington St.

Meaford Level 2: 0

Level 3: 1

Tim Horton’s – 291 Sykes St. South
Mount Forest Level 2: 1

Level 3: 1

Mount Forest Sports Complex – 850 Princess St.
Owen Sound Level 2: 0

Level 3: 1

McDonald’s – 1015 10th St. West
Port Colborne Level 2: 0

Level 3: 1

Tim Horton’s – 429 Main St. West
Port Dover Level 2: 0

Level 3: 1

Tim Horton’s – 1 St Andrew St.
Port Elgin Level 2: 0

Level 3: 1

McDonald’s – 278 Goderich St.
Sarnia Level 2: 0

Level 3: 1

Tim Horton’s – 1399 Colborne Rd.
Simcoe Level 2: 0

Level 3: 1

McDonald’s – 77 Queensway East
Southampton Level 2: 1

Level 3: 0

Saugeen First Nation Gas Bar – 43 Cameron Dr.
Stratford Level 2: 0

Level 3: 1

McDonald’s – 1040 Ontario St.
Strathroy Level 2: 0

Level 3: 1

McDonald’s – 269 Caradoc St. South
Tillsonburg Level 2: 0

Level 3: 2

Tim Horton’s – 401 Simcoe St.
Wallaceburg Level 2: 0

Level 3: 1

Tim Horton’s – 848 Dufferin Ave.
Wasaga Beach Level 2: 0

Level 3: 1

McDonald’s – 1275 Mosley St.
Waterloo Level 2: 7

Level 3: 0

Northland Business Centre – 60 Northland Rd.

Waterloo Corporate Campus – 180 Northfield Dr. West / 595 Parkside Dr.

Welland Level 2: 1

Level 3: 1

Fitch Street Plaza – 200 Fitch St
Wiarton Level 2: 0

Level 3: 1

Tim Horton’s – 445 Berford St.
Windsor Level 2: 0

Level 3: 1

Tim Horton’s – 80 Park St. East
Wingham Level 2: 0

Level 3: 1

Tim Horton’s – 33 Josephine St.
Woodstock Level 2: 2

Level 3: 1

Quality Inn – 580 Bruin Blvd.

 

Some of the above noted locations may be subject to change prior to March 31, 2017.

 

Level 2 charging stations use a 240 volt system (similar to a clothes dryer plug) and can fully charge a vehicle from zero per cent charge in about four to six hours.

 

Level 3 charging stations (also known as Direct Current Fast Chargers or DCFC) use a 480 volt system and can charge a vehicle to 80 per cent in about 30 minutes.  These stations allow EV drivers to charge their vehicles about eight times faster than Level 2 charging stations, and permit them to travel further than ever before.

Albuquerque’s Joy Junction Homeless Shelter Is Turning 30

Joy Junction is three decades old. It is hard to believe the shelter I founded is 30 this year, and that I’ve spent more than half my life at what has obviously now become a lifetime calling. Looking back, it seems just like a short time ago that I came up the driveway of our 52-acre property wanting to reach out to homeless families with food, shelter and the love of Jesus Christ.

We’re currently sheltering as many as 300 people nightly, and providing more than 16,000 meals each month from a fully licensed kitchen. Born in England, I emigrated to the U.S. in 1978 with $50.00 in my pocket and a one way ticket. I ended up homeless in mid 1981 and early 1982, and in that same year “landed” in Santa Fe. It was there where God brought some amazing people into my life, who encouraged me and helped me begin my first ministry. My calling to work with the homeless began to emerge. In 1986, I left Santa Fe, took a few months off and moved to Albuquerque. There I ended up starting Joy Junction, never envisioning the scope of what it would become.

The vision I had was for a refuge where the entire family unit could stay together at one of the most difficult times in their lives. I wanted to ensure that husbands and wives had the support of each other, and could provide more support for each other and their kids than they might otherwise be able to if split up. I had no idea what adventures, struggles and trials would lie ahead.

Jeremy Reynalds, Ph.D. Founder and CEO Joy Junction Inc.
Jeremy Reynalds, Ph.D. Founder and CEO Joy Junction Inc.

The full story is told in my book “From Destitute to Ph.D.,” but here are some of the highlights. The shelter grew quickly in the following four years, but quite often, unmanaged and fast growth can be the downfall of an organization of any kind, whether a ministry or not. Our bills were exceeding our income and we nearly folded. Due to God’s grace we stayed afloat. During those first years, I also worked a part time job to put food on my own family’s table, taught a regular Bible study at the shelter and tried to get the word about what we were trying to do. In 1991, I felt it was time I went back to school. I tried a couple of summer classes at the University of New Mexico, and earned a bachelor’s degree with a focus on journalism in 1996 and a master’s degree in communication in 1998. Along the way I also enjoyed a number of internships at various media in Albuquerque, as well as hosting a couple of radio shows.

Looking back, I can see how all these media experiences helped me better promote Joy Junction and the plight of the homeless. I have a deep appreciation for our local media. It is sad that reporters are routinely vilified and criticized but rarely praised. In 1999, I was accepted to do a Ph.D. intercultural education at Biola University in Los Angeles. I graduated in 2006, and my doctoral dissertation dealt with the way the media portray America’s homeless culture. In ( about) 1999, I also met a fellow Brit by the name of Dan Wooding, the founder of a very unique news service dealing with the plight of persecuted Christians as well as aspects of popular culture. I have written for the ASSIST News Service ever since then, and have traveled to a number of countries internationally reporting for them.

In my post Ph.D. years, the shelter continued to grow in budget and services offered. In 2009, due to the generosity of a local businessman, we added a mobile feeding unit we dubbed the Lifeline of Hope. It operates seven days a week 365 days a year, providing food, water and toiletries to people who can afford either a meal or a place to stay-but not both In late 2006 I went through a divorce and was single for a number of years. In March 2015, I got married to my wife Elma. She is the love of my life, and shares the same passion as me for helping feed the hungry and house the homeless. Elma has quickly become an integral part of Joy Junction and is loved by guests and staff alike.

The future for Joy Junction is looking bright, with numerous renovations in 2015 occurring at our aging property. For the comfort of our guests we upgraded the air conditioning at our main building, replaced windows, and put in a new driveway to help make visiting our facility a much less “bumpy” experience. In addition, we have demolished an old and unused chapel on our property to prepare the way for much needed new construction. With the Lord as my guide and my wife at my side, I look forward to the next three decades helping the disenfranchised, marginalized, homeless and hungry. I hope you will consider joining us. For the Silo, Jeremy Reynalds and Joy Junction. (www.joyjunction.org)

Chinese Newspaper Baskets

Surprisingly sturdy and functional wastebaskets

Okay I admit it, newspapers are dead. But maybe in China they aren’t. Or are.  Because in a local bargain shop I discovered a cache of wastebaskets in three different sizes made entirely out of newspapers: Chinese newspapers to be exact.  And that started me thinking.

It seems probable that in China, or somewhere near there, an active recycling program is taking place. Instead of shredding or burning them for landfill, some sort of manufacturing facility is turning clean, bright and seemingly unread newspapers into functional everyday objects. Does this mean that the newspaper industry is suffering in China? Is there a surplus of printed newspapers? Are more Chinese people getting their news from digital media than print? Who can say. My phone calls to the Chinese embassy consulate in Toronto about these pressing issues were not returned.

The irony of wastebaskets made out of, well, waste, is not (ahem) wasted on me.

These products are powerful “green” metaphors produced in one of the most polluting nations on the planet. The industrialization of China is full steam ahead and damn the torpedoes. Consumer goods? They want everything we have, so it’s hard to claim any moral high ground. Anyway, there is an environmental statement here, intended or not. I’m just not sure what it is.

On the other hand, they are just really fun and handy wastebaskets that feel great when you pick them up by their long, soft handles. I kind of want one.

Supplemental:

In Jennifer Baichwal’s film Manufacturing Landscapes, about Canadian photographer Edward Burtynsky, we learn there are whole towns in China dedicated to breaking down and “smelting” the useable metals out of discarded electronics. When you choose to buy a new DVD player because it’s cheaper than repairing your old one, this is likely where your old one goes. Apparently you can smell these towns a mile off. The Chinese government sure knows a thing or two about recycling. But what would it cost to do this kind of metal recovery safely? What would it cost to make baskets out of the millions of unread, discarded and obsolete print newspapers in Canada?