Hello There! Everyone dreams of taking some time off to travel. However, before settling on the location or how long you intend to stay abroad, as an intrepid explorer you should be thinking about exactly what type of gap year is right for you.
Perhaps you’re looking to explore off the beaten track? Add to your CV? Maybe you want to earn your own way as you travel?
Our friends at gapmedics.com have put together this quiz to help you make this tricky decision. For the Silo, Isabel Swift.
When thinking about grant writing, it helps to first consider this story that tells about luck. In it, a farmer’s horse runs away and all his neighbors come by to say what bad luck this is. The farmer replies “maybe.” His horse returns and with it brings wild horses. The neighbors all say what good luck this is to which the farmer says, “maybe.” The farmer’s son, attempting to tame one of the wild horses, is thrown and breaks a leg. Bad luck, say the neighbors, “maybe” says the farmer. At last the army comes to town gathering up all the able bodied young men to go off to war. Seeing the farmer’s son with his broken leg they pass on by.
The story ends here, but it shows that things are often connected in ways we can’t possibly predict. A Lebanese saying reaches toward the very same point, “Don’t curse your bad luck because it may turn out to be your good luck.” Again the message here is that you can’t possibly know whether a single event is truly good or bad.
Failure can and should be viewed through the lens of stories and phrases like these. When we stumble, it is easy to fall into the trap of thinking of this one moment as some sort of endgame. On the contrary, every so-called failure is nothing more than the next step in your journey.
Failure feels personal. When you have worked hard on something, poured your very soul into it, only to have things not come to fruition, it can feel like the universe is pointing a finger directly at your forehead. Putting things into some context is one way to start seeing the bigger picture.
Grant applications are quite probably one of the best examples of this. There is so much riding on any given application, whether it is for a specific project or an artist’s general practice. Grants are one of the ways in which working artists stay afloat and they are not only time-consuming, they can feel extremely personal.
Not receiving a grant can set off a cycle of emotions. Everything from wondering what is wrong with your work or your application, to convincing yourself that this is the last chance and there’s no point trying again. Let’s unpack these very common reactions and shed some light on the reality of the situation.
For any given grant you may apply to, there are countless others also spending long hours writing up their own applications. Grants range all over the place in size and popularity, so to speak. Even smaller scale grants (say, those offered by lesser known organizations or tightly specified to certain disciplines) will often attract many applicants.
While there are certain strategies when it comes to writing a good grant application, there is no single, objective way to ensure that yours will be the one chosen. When it comes down to final decision time, there is a level of subjectivity built into the process. Art for example, is not a quantitative subject and nor are grants being awarded via algorithm. Rather, they are being decided by panels of human beings with a range of subjective emotions about a field that is as unscientific as it gets.
For the reasons above, when you do not receive a grant, think of it in terms of the many, many other applications rather than simply in terms of what you personally did wrong. Do not ignore this as a learning experience and do reach out the grant organization for feedback whenever possible, but do not let “no” from one or even a string of grant organizations stop you in your tracks.
Instead, recall the story and expression above. Think of every grant, in fact, every action, as nothing more than a single ripple on the surface of the vast river that is your journey. When you do not get into a gallery, carry on and find others. Down the line when you look back, you will have the clarity to see the progression of events. When you are passed over for a residency, apply to three more. If a project doesn’t work out the way you thought it would, evaluate what happened, learn from the experience, and move on down the road.
No one is claiming that this is easy. This isn’t about somehow detaching from your feelings and letting rejection slide like water off a duck’s back. Of course not. Rejection hurts. No matter how impersonal it might actually be when we are told no it isn’t a good feeling.
But remembering that every moment is just that, a single blip on the screen rather than a career breaking catastrophe can help you heal and recharge sooner after you’ve had a misstep. Carry the simple answer of the farmer with you at all times, “maybe.”
For the Silo, Brainard Carey.
Brainard is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.
This article contains graphic images. Cascilla, Miss. – Two Mississippi animal protection organizations have joined forces to rescue four neglected horses in Cascilla, Tallahatchie County. In Defense of Animals’ Justice for Animals Campaign and Jackson-based Mississippi Horses seized the starving and wounded animals from a property on Smith Road.
Concerned people who passed the property contacted the Justice for Animals campaign after witnessing the horses in a state of neglect.
Justice for Animals Director Doll Stanley and Tallahatchie County Deputy Albert Griffin met with the property owner to examine the conditions of the neglected horses. Two stallions, one mare, and her colt were confined to an area with no grass or other food to support the horses and no drinking water. One of the horses had a severe, untreated wound on his face.
A fifth horse was present on the property who seemed well-cared for. The badly-injured stallion had apparently stuck his head through an opening in the stall of the well-cared-for horse in an attempt to reach food, and had been severely bitten. One side of his head and his neck were scraped in the struggle to free himself when the other horse attacked him, leaving a ghastly bite wound that left an exposed section of bone on his face. The horse had not received medical attention.
An order was granted to the Tallahatchie County Sheriff’s Department for the seizure of the four horses on July 14 and was enforced that afternoon. Mississippi Horses immediately transported the injured horse to Mississippi State University Veterinary School for emergency treatment. The three other horses have been taken into the organization’s care for rehabilitation.
“In many cases of unintentional neglect, often in ignorance, we give guidance to animal guardians and monitor the recovery or check on the animals’ improved environment,” said Justice for Animals Director, Doll Stanley. “In this case, friendly guidance was not an option. Failure to provide the basic sustenance for horses and direly needed medical care, and failing to even reach out for help, has caused inexcusable suffering to these poor horses.”
In Defense of Animals has served in Mississippi for 24 years, aiding victims and law enforcement with hundreds of cruelty cases. In Defense of Animals’ Justice for Animals Campaign works with law enforcement to provide guidance on animal cruelty laws, advocate for stronger humane ordinances and statutes, and coordinate aid to rescue neglected and intentionally harmed animals.
Eleven miles south of Grenada, Mississippi, In Defense of Animals operates Hope Animal Sanctuary which rescues and cares for hundreds of animals including many victims of cruelty cases. Hope Animal Sanctuary is currently full and mid-way through a renovation project to replace its 20-year-old facilities with buildings, fencing, and modern amenities so that it may continue to provide hope for Mississippi’s cast-off, neglected, and unwanted animals for many years to come. Please support your local sanctuary www.idausa.org/HASrebuild2
In Defense of Animals’ Justice for Animals Campaign is working tirelessly to advance the cause for justice and show state legislators that the people of Mississippi are united against senseless and horrific animal abuse. Campaign members are aligning with Mississippi judges, prosecuting attorneys, law enforcement officials, legislators, animal advocates and concerned citizens to pass tougher state statutes and meaningful regional ordinances that will protect animals when state statutes fail. For the Silo, Doll Stanley IDA.
In Defense of Animals is an international animal protection organization with over 250,000 supporters and a 30-year history of fighting for animals, people and the environment through education, campaigns and hands-on rescue facilities in India, Africa, and rural Mississippi.
All images- Fleur Dawes (In Defense of Animals)
IN DEFENSE OF ANIMALS • 3010 KERNER BLVD. • SAN RAFAEL, CA 94901 • 415-448-0048
As the civic holiday some refer to as Simcoe Day approaches, I wish to shine light on Upper Canada’s first lieutenant-governor.
Born Feb. 25, 1752, in England, John Graves Simcoe, although best known as lieutenant-governor, was also a member of British Parliament, colonial administrator, army officer, and commander of the Queen’s Rangers during the Revolutionary War.
Largely comprised of Loyalists and deserters from George Washington’s army, the Queen’s Rangers were named in tribute to Queen Charlotte, the wife of King George the Third. As a 400-man elite fighting force, established during the Seven Years War (1756-1763), they trained in woodcraft, scouting and guerilla warfare. Simcoe didn’t follow the protocol of the time of strict and rigid maneuvers. The Rangers wore green uniforms for camouflage, depended on speed and surprise, and were known to defeat forces three times their size.
Simcoe took time from the war to pursue a young lady named Sarah “Sally” Townsend. On Feb. 14, 1779, he sent her a poem in which he extolled her beauty and his love for her – the first recorded Valentine’s Day letter in North America.
That year Simcoe was ambushed by rebels, captured and imprisoned in New Jersey. He was treated harshly and his one attempt at escape was foiled. He was finally released on the signature of Benjamin Franklin as part of a prisoner of war exchange.
Following the defeat of the British at Yorktown in 1781, Simcoe spirited the Queen’s Rangers colours to England. Today they are on display in the officers’ mess of the Queen’s Rangers at Fort York, Toronto.
Simcoe returned to England, married Elizabeth Posthuma Gwilliam and was elected Member of Parliament for the borough of St. Maws, Cornwall.
On Sept. 12, 1791, Simcoe was appointed lieutenant-governor of the newly-created Upper Canada.
With his appointment, Simcoe had a goal to develop Upper Canada as a model community with aristocratic and conservative principles, and to demonstrate the superiority of these ideas in contrast to the Republicanism of the United States.
He opened the first elected parliament in what is now Ontario 225 years ago on Sept. 17, 1792. He is credited for installing British common law, trial by jury, the standardization of weights and measures and the establishment of Ontario’s system of municipal government.
In 1793, under Simcoe, the assembly passed the first act against the importation of slaves in the British Empire. Slavery had completely ended in Upper Canada before it was abolished in the British Empire as a whole in 1834.
Simcoe realized Newark was an unsuitable capital because it was on the border and open to attack. He suggested moving the capital to a defensible position, named the location London and renamed its main river the Thames. This proposal was rejected, but Simcoe’s second choice, the present site of Toronto, was accepted. The capital was moved there in 1793 and renamed York.
The Queen’s Rangers were revived and Simcoe had them begin construction on Yonge Street.
Simcoe returned to England for health reasons in July 1796 and died there on Oct. 26, 1806.
Over two centuries later, many refer to the Civic Holiday in August as Simcoe Day. Attempts to give Simcoe Day provincial recognition has failed.
To celebrate Ontario’s 225th; visit my web site at www.tobybarrett.com to test your knowledge of our province.
Neighbor disputes are fairly common. They can arise for a number of reasons, such as shared land and amenities, repairs, boundaries, noise or parking spaces. How you deal with these could determine how comfortable you feel in your house and your neighborhood. So many times, disputes can escalate unnecessarily and leave both parties stressed, angry and sometimes out of pocket.
In this guide we look at some of the most common neighbor disputes in Britain and give tips on how to handle them and more importantly, how to resolve them peacefully.
Infographic courtesy of our friends at castironradiators4u.co.uk
The mayor of a beautiful American city filled with wonderful people-but part of a state often thought to be in a different country, had a serious but undiagnosed problem. It was known to many residents, but the mayor seemed blissfully unaware for months of what was going on. Violence and robberies dominated the local newscasts daily. Sometimes, homeless people wandered the streets, some aimlessly talking to themselves and sometimes angrily punching the air.
The crime and other mayoral inaction were causing businesses both bigger and small to consider leaving the city or see their cash flow diminish to dangerously low positions. Mayor R.J. Berry was forced to make some small moves, when the situation continued to deteriorate.
However, a little known urban legend said that the mayor had become inwardly obsessed with what he felt he had really accomplished for the city. In private communications with upper level staff, friends and family, it’s said the mayor had even begun referring to his city as Wonderland.
Those who knew better were both flabbergasted and horrified when a local chamber of commerce presented the mayor with a public safety award. They worried that it seemed to further help him edge closer to becoming a legend in his own mind.
We wanted to know what a few of our Joy Junction homeless shelter guests felt about safety in Albuquerque. Their reactions were a mixed bag.
We asked them about walking in downtown “Wonderland” (also known as Albuquerque), if they felt safe, and whether they had answers for our burgeoning crime situation.
One person was quite blunt, saying “Crime in downtown Albuquerque is getting more dangerous and violent everyday. No, I do not feel safe (there). If I have to go downtown, I leave as soon as I am finished with business. I do not have any answers to our increasing crime issues.”
One man said what many of us know, that crime is “really high” in downtown.
“Walking throughout the areas I have been in, I always feel a sudden sensation come over me and I am instantly on guard. I have seen here a different side of addiction that I have not been exposed to.”
He added, “We were moved to the point we sent our teenage daughters to finish school in another state.”
One woman said that in her opinion, crime in Albuquerque has risen dramatically, especially in the area known as the International Zone (formerly the War Zone).
“Downtown is beginning to be the same way. I don’t know what can possibly be done; maybe more police officers. I have two grandchildren, and I do have concern that they are kept safe even at school. I pray here at Joy Junction that we are kept safe and that no one ever comes and does harm to people here.’
Another woman said she thinks “Albuquerque is focused on extremes like bad, bigger and bolder than the norm.”
She continued, “I do feel safe mostly because I walk safe, stay alert to people surroundings and sound. I adapt to strange or abnormal situations, and react or change my path or seek a different route. I have never really encountered a dangerous situation on the sidewalks. Only a few drunks at the bus stops, and the panhandling for cigarettes and change are maddening and relentless though.”
Her parting shot was, “I have no answers. If I did I would run for city council.”
One woman said she feels that crime in Albuquerque has definitely risen since she moved here in the fall of 2014.
She continued, “Car thefts seem to be happening a lot. There is a lack of respect for law enforcement, and criminals have no fear of consequences … I feel a little apprehensive. Even just going through Downtown in a vehicle is somewhat unnerving.”
She was right. Albuquerque is number one per capita for car thieves in the nation.
She was shocked when her family told her, “‘Do not ever walk especially by yourself anywhere downtown because you can be attacked and the crime is extremely high.’ It is very sad that crime was the first thing I was told (about) when moving here.”
Her solution was to “Put God back in America.
She added, “We need to get on our knees and pray. We as a country are reaping what we have sown, and we will be judged for all our actions and as Christians we know that the end is coming and God’s judgment is coming.”
So what do I think of Berry’s plan? Well, I don’t share the local newspaper’s enthusiasm. Too little and way too late. An enhanced police presence and independent security are good, but what about those who for whatever reason don’t want, or aren’t in a state of mind, to receive help?
Another of the mayor’s efforts is to make downtown cleaner, with more street sweepers and trash pickup. Preventative maintenance would have been a whole lot more helpful. Really, it took a crisis to come up with this?
And then only Mayor Wonderful could have come up with this one. Having strong relationships with businesses downtown, to make sure they stay downtown. And we couldn’t have put this into place before now?
And the grant to the city from Bloomberg Philanthropies for $1.2 million USD. The by now infamous Albuquerque Chamber of Commerce award was given to Berry at least in part for using a portion of it for intelligent ways to solve crime. However, it looks like up until now the funds have been used to develop plans for Albuquerque’s Arts and Culture District.
Never fear, though. The city says plans for public safety initiatives funded by the grant are moving forward.
No one except apparently the mayor thinks his solutions to crime (or homelessness) are magical. This is not (Alice in) Wonderland. The stakes are much higher. For the Silo, Jeremy Reynalds- Joy Junction/HNS (Homeless News Service).
Featured image- Albuquerque Mayor R. J. Berry via PBS.
A portion of this article is satire, and as such is protected speech.
Supplemental- The other perspective. Downtown Albuquerque residents defend their neighborhood-
The first time I watched an F1 Grand Prix was the race in Australia in 1998. I’d been persuaded by a friend who loved Canadian driver, Jacques Villeneuve, to watch and found myself gripped. Being a Scot, my instinct was to cheer for my fellow countryman, David Coulthard. I was thrilled when he led the race, then devastated when he pulled over and let Mika Hakkinen win due to a “gentleman’s agreement” made before the race had begun. As disappointing as the situation was, I couldn’t help but adore the spectacle I’d just witnessed. It’s that kind of exhilaration that has kept me tuning in to watch every race since March 1998.
The drama is just part of why I’m a fan. I love the pre-race interviews with the drivers who can be either insightful or guarded and often humorous, the anticipation when the red lights go out, the horror when someone crashes, the relief when drivers walk away from mangled wrecks and the bliss when my favourite team or driver win and receive their trophy on the podium. I have the whole spectrum of emotions while watching a race. It just makes you feel alive.
Being a female fan of a male dominated sport means most of my girlfriends find F1 boring, or they just don’t get it. To them, it’s a bunch of foreigners driving in circles. To me, it’s so much more. However, there are advantages to being a female fan. A shared love of motor sport is the only thing I have in common with my middle aged male boss and fills awkward gaps in conversation during lunch breaks or trips away from the office. When my male friends roll their eyes because I don’t understand soccer’s offside rule, I counter that with a sarcastic sigh when they ask me to explain how KERS works.
The only thing that ever concerned me, as a female fan, was the lack of merchandise available for women, but it has greatly improved in the last couple of years. Ferrari even sell their very own bikini, although I can’t imagine any of the female fans I know wearing one while watching a race.
My husband doesn’t share my passion for F1, but was extremely understanding when I suggested we got married on a Friday and delayed the departure for our honeymoon to the following Monday so that I didn’t miss any of the French Grand Prix coverage that year. He’s accompanied me on several trips to the David Coulthard Museum in Twynholm, Scotland and humored me when I suggested that, if our son grows up to become an F1 fan, we make the family holiday each year a trip to a different Grand Prix. I even joke that I planned the birth of my son for February to ensure I didn’t miss any races due to childbirth. Obviously I’m not serious, although my friends and family are skeptical.
Women who don’t appreciate my love of the sport can be critical of the lack of female participants, but it’s honestly something that never occurred to me until I heard men discussing whether it was wrong or right. All the current F1 drivers are men, and the majority of people involved in the sport are male too. I genuinely don’t care. I’m sure if there were any women out there with the skills and talent to participate, they wouldn’t be denied the chance to race. I don’t believe in positive discrimination, so until such a woman comes along, I’m content to keep watching while men dominate.
Lacey Dearie is an indie author from Ayrshire, Scotland and a new writer for the Silo. Her first novel, The Tangled Web became #1 in the Amazon UK Free Download Chart in January 2012. If you would like to read more about The David Coulthard Museum, please visit the website www.dcmuseum.co.uk/museum
Supplemental– http://www.f1fanatic.co.uk/2008/04/21/where-are-all-the-women/ [circa 2008 data]
As one of the three museums under the new Ingenium banner, the Canada Aviation and Space Museum – in collaboration with the Canadian Conservation Institute – will provide historical information to support the conservation, treatment, and collection of any recovered models or materials.
The Avro Arrow was the first and last supersonic interceptor designed and built in Canada. Developed between 1953 and 1959, it was produced to counter jet-powered Soviet bombers that had the potential to attack North America over the Arctic.
The nine Avro Arrow free-flight models that OEX hopes to locate and recover were test models used to evaluate aerodynamic qualities and stability of the storied aircraft’s design. They were flown over Lake Ontario between 1954 and 1957.
Through a national partnership involving the Canada Aviation and Space Museum, OEX, the Royal Canadian Air Force and the Canadian Conservation Institute, the Museum will keep the public apprised of any milestones in the search-and-recovery mission. It will also provide periodic updates on plans for conservation, preparation and public exhibition of the artifacts.
OEX holds survey and recovery permits from the Ontario Ministry of Tourism, Culture and Sport. It is financially supported by a group of Canadian mining companies and financial institutions, and is funding survey and recovery work, as well as committing to conservation work and display costs.
Follow this exciting story as it unfolds, using the hashtag #raisethearrow or via IngeniumCanada.org.
Quotations
“Our museum is thrilled to be partnering on this historically significant search-and-recovery project. The Canada Aviation and Space Museum’s collection comprises the largest surviving pieces of the Avro Arrow: a nose section and two wingtips. A free-flight model would be a wonderful addition to our collection, and to the Arrow story we share with Canadians.”
– Fern Proulx, interim President and CEO of Ingenium
“As professional explorers in the mining business, we initiated this program about a year ago with the idea of bringing back a piece of lost Canadian history to the Canadian public. As individuals, as a company, as a group and with our partners and our project participants in this search effort, we all have the same goal in mind: to find and return these beautiful pieces of Canadian technology to the public eye during this anniversary year of our incredible country. Like Avro, our own corporate group was built on dreams, and this project is a proud reminder of what we as Canadians have done, what we do, and what we can do.”
– John Burzynski, President and CEO of Osisko Mining Inc. and head of OEX Recovery Group Incorporated
For the Silo, Zoë Lomer.
About the Canada Aviation and Space Museum
Located on a former military air base just 5 kilometres from the Prime Minister’s residence at 24 Sussex Drive in Ottawa, the Museum focuses on aviation in Canada within an international context, from its beginnings in 1909 to the present day. As Canada’s contribution to aviation expanded to include aerospace technology, the Museum’s collection and mandate grew to include space flight. The Collection itself consists of more than 130 aircraft and artifacts (propellers, engines) from both civil and military service. It gives particular, but not exclusive, reference to Canadian achievements. The most extensive aviation collection in Canada, it is also considered one of the finest aviation museums in the world.
Museum Highlights: Largest surviving pieces of the famous Avro Arrow (its nose section and two wing tips); the original Canadarm used on the Endeavour space shuttle; Lancaster WWII bomber; Life in Orbit: The International Space Station exhibition.
About Ingenium – Canada’s Museums of Science and Innovation
Launched in June 2017, Ingenium is a new national brand established to preserve and share Canada’s story of scientific and technological heritage. This corporate brand, which celebrates ingenuity, encompasses three national institutions – the Canada Agriculture and Food Museum, the Canada Aviation and Space Museum, and the Canada Science and Technology Museum. Under the Ingenium brand, these three museums are places where the past meets the future, with spaces where visitors can learn and explore, play and discover. Ingenium also has an eye to the future with a state-of-the-art Collections Conservation Centre, set to open in 2018, digital and social media platforms, and travelling national and international exhibitions to educate, entertain and engage audiences across Canada and around the world. For more, visit us: IngeniumCanada.org.
OTTAWA, le 14 juillet 2017 – Le Musée de l’aviation et de l’espace du Canada est fier de soutenir le OEX Recovery Group Incorporated (« OEX ») pour un projet de recherche et de récupération de neuf appareils Arrow de Avro à vol libre dans le lac Ontario. OEX a mis sur pied ce projet dans le cadre d’une initiative Canada 150.
Le Musée de l’aviation et de l’espace du Canada, l’un des trois musées de la bannière Ingenium, en collaboration avec l’Institut canadien de conservation, fournira des renseignements historiques pour soutenir la conservation, le traitement et la collecte de tout appareil ou matériel récupéré.
L’appareil Arrow de Avro a été le premier et le dernier intercepteur supersonique de conception et de fabrication canadienne. Créé entre 1953 et 1959, il a été produit pour résister aux bombardiers à turboréacteurs soviétiques qui avaient la capacité d’attaquer l’Amérique du Nord en passant par l’Arctique.
Les neuf appareils Arrow de Avro à vol libre que OEX espère repérer et récupérer étaient des maquettes utilisées pour évaluer les caractéristiques aérodynamiques et la stabilité de la conception légendaire de l’aéronef. Ils ont survolé le lac Ontario entre 1954 et 1957.
Dans le cadre d’un partenariat national entre le Musée de l’aviation et de l’espace du Canada, OEX, l’Aviation royale canadienne et l’Institut canadien de conservation, le Musée tiendra le public informé sur les étapes de la mission de recherche et de récupération. Il fournira également des mises à jour périodiques sur les plans de conservation, de préparation et d’expositions publiques des artefacts.
OEX détient des permis de reconnaissance et de récupération du ministère du Tourisme, de la Culture et du Sport de l’Ontario, et est soutenu financièrement par un groupe de sociétés minières et d’institutions financières. L’organisme finance le travail de reconnaissance et de récupération, et s’engage à soutenir les coûts de conservation et d’exposition.
Suivez le déroulement de cette passionnante histoire à l’aide du mot-clic #rechercherArrow ou en cliquant sur IngeniumCanada.org.
Citations
« Notre Musée est ravi de son partenariat pour ce projet de recherche et de récupération d’importance historique. La collection du Musée de l’aviation et de l’espace du Canada compte les plus grandes pièces restantes de l’Arrow d’Avro : une partie avant et deux extrémités d’ailes. Un appareil à vol libre serait un merveilleux ajout à notre collection ainsi qu’à l’histoire du Arrow que nous partageons avec les Canadiens. »
– Fern Proulx, président-directeur général par intérim d’Ingenium
« En tant qu’explorateurs professionnels du secteur minier, nous avons lancé ce programme il y a environ un an dans le but de présenter un morceau perdu de l’histoire canadienne aux citoyens. En tant qu’individus, qu’entreprise, que groupe et avec nos partenaires et les personnes participant à ce projet de recherche, nous avons un seul objectif : retrouver et retourner ces magnifiques pièces de technologie canadienne au public pendant l’année anniversaire de notre superbe pays. Tout comme Avro, notre propre groupe de sociétés s’est bâti sur des rêves, et ce projet rappelle fièrement ce que nous avons fait, ce que nous faisons et ce que nous pouvons faire en tant que Canadiens. »
– John Burzynski, président-directeur général de la minière Osisko et chef du OEX Recovery Group Incorporated
Le Musée de l’aviation et de l’espace du Canada
Le Musée : Situé sur une ancienne base militaire à seulement cinq kilomètres du 24, prom. Sussex à Ottawa, résidence du premier ministre, le Musée concentre ses activités sur l’aviation au Canada dans un contexte international, des débuts de l’aviation au Canada en 1909 jusqu’à nos jours. Comme la contribution à l’aviation du Canada a évolué pour inclure les technologies aérospatiales, la collection et le mandat du Musée se sont aussi élargis pour inclure les vols spatiaux. La collection comprend plus de 130 aéronefs et artéfacts (hélices, moteurs) militaires et civils. L’accent est mis, mais n’est pas exclusif, sur les réalisations canadiennes. Il s’agit de la collection d’aéronefs la plus importante au Canada, et l’un des plus beaux musées mondiaux de l’aviation.
Pièces de résistance: Le plus gros élément du fameux Avro Arrow encore disponible (le nez de l’appareil); le Canadarm d’origine de la navette spatiale Endeavour; le bombardier Lancaster WWII; l’exposition Vivre en orbite : la station spatiale internationale.
À propos d’Ingenium : Musées des sciences et de l’innovation du Canada
Dévoilée en juin 2017, Ingenium est une nouvelle identité qui a été adoptée pour préserver et raconter l’histoire du patrimoine scientifique et technologique du Canada. S’inspirant de la racine latine du mot « ingéniosité », cette identité corporative englobe trois institutions nationales, soit le Musée de l’agriculture et de l’alimentation du Canada, le Musée de l’aviation et de l’espace du Canada et le Musée des sciences et de la technologie du Canada. Sous l’identité Ingenium, ces trois musées deviennent des lieux où le passé rejoint le futur, et où les visiteurs peuvent apprendre et explorer, s’amuser et faire des découvertes. Ingenium se tourne aussi vers l’avenir grâce à son Centre de conservation des collections à la fine pointe de la technologie, dont l’ouverture est prévue en 2018, à ses plateformes numériques et sociales, ainsi qu’à ses expositions itinérantes d’envergure nationale et internationale qui sauront éduquer, divertir et captiver des publics de tous âges partout au Canada et dans le monde entier. Pour en savoir davantage, visitez-nous à IngeniumCanada.org/fr.
I’d like to tell you about an easy shopping hack that moves coupon clipping into the 21st Century.
Gumdrop by Goodshop is a new free browser button which automatically finds and applies the best coupons at checkout when you are shopping online at more than 30,000 retailers including Kohl’s, Toys R Us and Amazon. It takes just a few seconds to add and then you can enjoy big discounts and save precious time by not having to search for antiquated ‘print’ coupons or cut and paste promo codes!
In addition, if you select a cause, a portion of what you spend at participating stores will be donated to that cause for free.
To date, Gumdrop has saved shoppers more than $100 million USD and donated nearly $13 million USD which has gone to find homes for stray animals, build playgrounds, fund cancer research and more. For the Silo, J.J. Ramberg.
With this Saturday, July 1st marking the celebration of Canada’s 150th Anniversary, the country recently hired the renowned New York ad agency Juized (*satirical) to rebrand the nation as “The Greatest Country On Earth”. This phrase has typically been associated with the U.S., but America let the trademark slip and Canada has scooped it up and taken it as her own.
Juized is actively promoting the phrase and image for Canada, while redesigning the Canadian flag and revamping the national anthem to reflect this new status.
Juized has just released this short video on the challenges of rebranding Canada in anticipation of the campaign release on Canada Day.
While the rebranding of Canada may be a marketer’s dream it is actually the imaginary creation of Media-Corps,a dual-client sales agency and the largest Canadian Media Representative in the U.S. The company created the Juized video * about Americans not getting Canada with the help of 2 top funny men — CBC’s Pat Kelly and Peter Oldring as a tribute to the Canadian milestone and to show appreciation for Canada’s unique culture.
A native Canadian, Media-Corp’s founder Robert Laplante helps American advertisers understand that for a brand to be successful beyond its own borders, it’s critical to understand the different demographics and their behaviors. For the Silo, Susan Mackasey.
Supplemental- Top Ten New York City Ad Agencies
SABRE, the number one brand of pepper spray trusted by police and consumers worldwide, is holding a scholarship Sweepstakes that will award one winner with $15,000 in scholarship funds.
The Safe Is Smart Scholarship Sweepstakes is set to run from July 1st to September 1st—just in time for the back to school season.
Recent campus safety statistics show and increased danger for students—particularly females—with up to 1 in 5 college women encountering sexual assault and nearly 10,000 students each year enduring aggravated assaults and robberies during their time in college. SABRE is working to enhance awareness of the safety steps students need to take when they get to campus. However, they also want to encourage students with the chance at winning a scholarship to apply to their studies.
“Our decision to award a scholarship was twofold,” explains SABRE CEO David Nance. “We wanted to give back to our community by helping someone with their college dream, while also teaching students and their parents about campus safety.
SABRE has spent more than forty years in the personal safety market and partnered with elite law enforcement professionals to further their understanding of self-defense tactics.
“Our goal is to help educate as many students as possible about the importance of personal safety, and by doing so, we are sharing important tips, as well as information about our safety products that can help students escape to safety should it arise,” said Nance.
SABRE is encouraging students to follow these safety tips both on and off campus.
· Before unpacking their boxes, students should check out what free safe ride or walking services are offered by the campus.
· Students should take a safety seminar or attend a self-defense class. Many colleges offer them free or for credit, and the techniques and strategies can be lifesaving.
· For students moving from dorms to apartments, a personal alarm provides portable security. SABRE offers many compact options as well as a Dorm/Apartment Kit for keeping personal belongings safe.
· Prepare themselves with pepper sprays and gels—one of the most effective ways to deter or distract an attacker, and permitted on most campuses. SABRE has the most potent and reliable options on the market.
· Stick together—there is safety in numbers, so stay close to friends when going out or coming home late from parties.
“For parents, this time in their family’s lives are exciting—but also stressful as they are seeing their children go off on their own, often for the very first time,” said Nance. “We’re hoping to give them peace of mind by teaching their kids how to stay safe both on and off campus.”
The Safe Is Smart Scholarship Sweepstakes is open to all incoming freshmen and students enrolled in a secondary education institution.
To enter, go to: www.safeissmart.com/scholarship. Entrants will watch a video about campus protection and the latest in personal safety, before being able to register and submit their information.
For the Silo, Nicki Thomas.
Supplemental-
SABRE, the no. 1 pepper spray trusted by police and consumers worldwide, is family owned and operated with four decades of experience and is the leading brand in personal safety. The company’s law enforcement grade pepper sprays provide consumers with the same superior quality chosen exclusively by the New York Police Department, Los Angeles County Sheriff’s Department and law enforcement agencies worldwide. SABRE has trained 3,500 officers around the globe on the use of force and how to use pepper spray. SABRE also has a line of consumer personal alarms and home security systems, and is dedicated to educating its customers. SABRE’s Personal Safety Academy is available through certified instructors around the world to help teach personal safety skills to SABRE users.
Featured image- lanthorn.com
We’re EBTH- Everything But The House- the largest and most trusted digital marketplace for shipping estate sales, but we started small, in front yards and tag sales. Our founders,-Brian Graves and Jacquie Denny, met while working in the Cincinnati auction and antiques world. While they loved uncovering the potential of pieces waiting inside their clients’ homes, they couldn’t help feeling like the traditional estate sale formats made it difficult for families to earn fair market value for their belongings. Not to mention the fact that design lovers and deal-hunters were limited to shopping for home furnishings and decor in their areas alone.
They also realized they liked helping people and they liked working together and so naturally, EBTH was born, and its online auctions let fans from Ohio to Anchorage in on a well-kept secret: that there were thousands of one-of-a-kind treasures waiting in the America’s best homes and now, at their fingertips.
Eight years later, EVERYTHING BUT THE HOUSE ( CEO Andy Nielsen , CBO Mandana Dayani ) sells furniture, jewelry, art coins, cars, collectibles, and more in over 27 US cities and counting. We’re bigger, but no less committed to giving buyers access to incredible homes around the country, fueled by the sellers who inspire us every day. We feel lucky to be at the center of a community that celebrates the rare, historical, weird, and wonderful.
Supplemental- EBTH backgrounder via Fortune.com
The cast and crew of STAR TREK CONTINUES finished principal photography on our series a few months ago, and we are working at warp speed to put all of the finishing touches on Episodes 9, 10, and 11 – which will complete our salute to The Original Series.
And while we are all sad to see STAR TREK CONTINUES come to a close, we have committed to our supporters that these last three chapters in our story will be finished and released this year. That means three more upcoming premieres of the continuing voyages of the Starship Enterprise.
Episode Nine is in sound design and will have a debut screening at the end of July at Florida Supercon in Ft Lauderdale. We’re so honored to announce some very familiar names in guest starring roles for Episode 9, including John de Lancie and Anne Lockhart.
Of course, John needs no introduction. His character will be among the first to appear on our Planet Set (constructed with support from our crowdfunding campaign).
Anne Lockhart may be best known to science fiction fans for her role as “Sheba” on the original Battlestar Galactica, but she has also been in hundreds of other productions and commercials – including a recurring role in Chicago Fire on NBC. (And, of course, her Mom was June Lockhart, the matriarch of Lost in Space!)
John de Lancie, Chuck Huber (McCoy) and I will each be guests at Florida Supercon. So we hope you might plan a trip to Fort Lauderdale to enjoy the world premiere screening of “What Ships Are For,” at the end of July. Details about the screening will be on the Supercon website.
Finally, our remaining episodes constitute an exciting two-part story that will not only finish out our series, but bring an exciting and satisfying conclusion to the original five year mission of the Enterprise. Episode Ten is set to premiere at Salt Lake Comic Con (the weekend of September 21) and Episode Eleven will have its debut screening at New York Comic Con October 6.
Keep this comm channel open for more info about our final installments. And again, thank you to all of you for your enthusiasm and support for this “love letter to Star Trek”.
John De Lancie Beaming In To STAR TREK CONTINUES
With Episode 9, STAR TREK CONTINUES adds another feather to its cap — versatile actor, comedian, singer, director, and producer John de Lancie. Well-known to fans for his strong Trek background, de Lancie met STAR TREK CONTINUES founder Vic Mignogna on the convention circuit, and Mignogna offered him a role in the production.
“Vic asked me if I’d be interested in appearing in STAR TREK CONTINUES, and he told me a little bit about the show. I asked him to let me read the script, and I was immediately impressed with it. It’s definitely classic STAR TREK, because it’s a secular moral story and one that I think is particularly poignant in our current times. I believe the material is the most important thing, and this is really good material.” Episode 9 is penned by Kipleigh Brown, who appears as Lt. Smith in the series.
De Lancie says he’s “also very sympathetic to people who put together their own projects. I know how much work it is. And in this case, Vic has his hands in every element of the production. It was an easy choice to say yes because I knew I could be somewhat helpful in a modest sort of way. And I knew I would be acting in an interesting story.”
Strange New Worlds
De Lancie said he didn’t really have any preconceptions about STAR TREK CONTINUES, since he had not seen any of the series’ episodes.
“I have to say legitimately that I was really impressed,” once he joined the production crew on set in southern Georgia. “There is a lot of attention to detail, and a lot of love went in to all of this.”
He said that he was surprised and “got chills” as he walked the halls of the Enterprise.
“I had the feeling that I was on a historic set, even if it is a facsimile of the original. These were the identical colors to what was used in the 1960’s, when they were trying to sell color TVs. And the other thing that struck me is that these sets have a certain 1960’s look, from the gadgets to the crew quarters. This had the same look of all the shows that I used to watch as a kid.”
Growing up in the 1950’s, de Lancie said that he didn’t watch that much television, and in fact his parents had taken the TV away. “I had a real problem with reading, so my parents just took the TV out of the house.” De Lancie’s escape was Saturday afternoon science fiction movies at the theater.
For Episode 9, de Lancie is careful not to reveal any plot details when describing his character, except to say that there are elements of the character that are revealed as the story unfolds.
“He is a character not unlike many of us. He has recognizable human traits and deep-seated prejudices.”
De Lancie came prepared for his role, just as he is for any acting assignment, and spoke his first lines on the Planet Set that had just been dressed into a lush forest environment.
Convention Capers
A frequent guest at conventions throughout the world, de Lancie had just returned from FedCon in Germany when he spoke to STAR TREK CONTINUES.
“I really do enjoy meeting the fans at the conventions. I enjoy being up on stage and answering the questions. And I enjoy having drinks later with the actors. But what is becoming wearisome is the travel – especially if you go overseas. It takes your body about three days to adjust to a new time zone, and then the event is over and you’re heading back the other way.”
Travel has certainly been on his agenda of late for another reason, since the entire de Lancie family recently returned from a big journey.
“My wife was in Burma, teaching. So I went with her. Then we went to Vietnam, and then our kids joined us in Japan and the whole family took a boat trip. I was back for a couple of days, did a convention in Phoenix, and then it was off to Bonn, Germany,” for FedCon.
Ponies, Dragons, and Video Games
The busy actor has another fan base, far different from those who appreciate his Trek credentials. For the past six years, de Lancie has been the voice of a dragon named Discord on the cartoon series My Little Pony: Friendship is Magic.
“Yes, there are conventions for My Little Pony. But it’s a very different fan base. I like particularly talking with the little kids. They have a hard time imagining that they’re looking at someone their grandfather’s age who plays a mischievous dragon. It’s also an unusual fan base, in the adult world. I did a documentary about that. I like the show very much, because it also has a sort of secular morality attached to it. You don’t need to have a religious text to be the source of a moral lesson. There are a lot of unusual people involved with My Little Pony. I talk to a lot of people in the military who just like looking at something bright, happy, and upbeat,” de Lancie says.
In addition to the My Little Pony TV series, de Lancie has also voiced his character for a Pony video game. And he’s worked as a voice actor for games like World of Warcraft, StarCraft 2, and others.
“While I don’t play video games, I was asked a few years ago to do voices for one. I’ve watched my kids over the years play a lot of games. I’m a big history buff, so one thing I really liked about the game Assassin’s Creed was the fun way they went back in time with very detailed representations of Florence and Constantinople.
“I like the fact that doing video games keeps me current in the minds of people who are 20 years old,” he adds.
Guest Star Anne Lockhart Comes Full Circle with STAR TREK CONTINUES
An actress and voiceover artist with literally hundreds of credits to her name, veteran performer Anne Lockhart will be a guest star in Episode 9, which will have a debut screening in late July.
Lockhart is best known to science fiction fans for her groundbreaking role as Sheba in the original Battlestar Galactica in 1978. Now her travels take her to another science fiction universe. An invitation to join the cast came from STAR TREK CONTINUES creator Vic Mignogna.
“I’ve known Vic for a couple of years. He called me one day and said that he had an idea to talk about regarding STAR TREK CONTINUES, which was a guest starring role in an upcoming episode. And I asked him what took him so long! It’s such an honor to be in an episode, because I’m a fan. I love the whole look and the concept of it. And the fact that I got asked to be part of that universe is amazing,” Lockhart says. “I was there before I’d even read the script!”
Lockhart loved working with fellow guest star John de Lancie on the episode, and it was actually the second time that both had worked together.
“We did the first two-hour episode of EMERGENCY, a long time ago. I don’t think he remembered being in that one with me. He played a doctor, and I was his patient – rescued from a burning building. I remembered him because he was so dear. Working with John is joyful. There are so many actors who just show up and do it in their sleep. But not him.”
Lockhart has built an impressive resume over several decades of TV, film, and commercial work. Her first series was Lassie in the late 1950’s, as a child actress. Years later, Glen Larson, the creator of Battlestar Galactica approached Lockhart about a role in proposed series.
“The role of Sheba was written for me. I knew Glen Larson because I had done episodes of the The Hardy Boys for him. He sent me the barebones pilot script for Battlestar Galactica. And basically it was about a bunch of guys and a girl who came in every few pages and said ‘don’t forget your laser gun.’ I turned it down,” Lockhart explains. She was recovering from a fire that had burned down her house and was living with her mom (TV actress June Lockhart) at the time.
“Glen said he could always rewrite the character, and the script went through several re-writes.” Lockhart loved the revised script and came aboard the Battlestar.
“Jane Seymour didn’t want to do a series. So they killed her character. The character of Sheba was so strong and so wonderful to play – and it was nothing like the original script. I ended up with a better character.”
Being in space was nothing new to the Lockhart family. Lockhart’s real mom played Maureen Robinson on Lost in Space, the mother to a family traveling the stars. Some days, Anne and her sister were dropped off at the 20th Century Fox lot to wait for their mom to finish her work and do homework in her dressing room.
“I remember one day there was a chunk of time when Billy Mumy (who played Will Robinson) had nothing to do. We just took off and wandered the Fox lot for two hours, exploring the sets of shows like Peyton Place. And then we finally wandered back. My mom was panicked. And so was Billy’s mom,” Lockhart laughs as she recalls the memory.
Currently, Lockhart stays busy with the recurring role of a dispatcher on Chicago Fire, a role that she has to reprise at the drop of a hat. “There are some times when they’ll call me over the weekend and say that I have to be in Los Angeles on Tuesday.”
She worked out the schedule to come to southern Georgia and the new planet set of STAR TREK CONTINUES for her role in Episode 9.
“We worked our tails off. Vic shot over twenty pages in three days. That’s just insane. But that shows how good he is. It shows how good the crew is. I was just so overwhelmed with the commitment and the people who were there volunteering their time, just out of love. It was really a wonderful experience.”
Like William Shatner, Anne Lockhart has a fancy for horses and has raised thousands of dollars of the years with rodeos benefitting autistic children. And she serves on the board of directors for the Thousand Oaks, California Kingsmen Shakespeare Company.
“It’s been several years since I’ve appeared on stage with Kingsmen. It was started by my friend Lane Davies, and literally it started with a dirt stage and two lights. Now it’s one of the premiere Shakespeare companies in the country. My children have grown up performing with me. It was so cool to go there, thrown down your blanket, and see Shakespeare presented in a very contemporary way. We did Julius Caesar, but set in a city like New York. It was like The Godfather. We did The Merry Wives of Windsor as if it was the swinging London scene of the 1960’s. It’s not just a bunch of people in togas,” says Lockhart.
While she has seen some rough cuts of the episode, Lockhart says she’s looking forward to the public release of Episode 9.
“This was kind of like a dream come true for me. Being part of the STAR TREK universe is something I’ve looked forward to doing. I adored STAR TREK. And Lost in Space, to be honest, kind of became a comic book. STAR TREK was always just my favorite.”
For the Silo, Vic Mignogna -Captain of STAR TREK CONTINUES
Steam Whistle Brewing recently surveyed their fans, friends and followers on the brewery’s Facebook and Twitter pages to find out if they had any interesting alternative uses for beer.
While many indicated that they prefer their beer for drinking, an overwhelming majority of the alternative uses for Steam Whistle involved using it when cooking, in one way or another.
“Beer is great for cooking because it is so versatile,” said Sybil Taylor, Communications Director for Steam Whistle Brewing. “Though wine is more commonly used in cooking, beer offers a balanced flavour, not too sweet or not too bitter, and adds a rich, earthy undertone to foods without overwhelming the dish.”
The following are just a few of the alternative cooking uses that came out of the survey:
Marinate Meat
Beer is slightly acidic, which makes it an excellent meat tenderizer. Beer also won’t alter the meat’s flavour as much as wine or vinegar-based marinades will. Slice halfway into the meat in rows of ridges to tenderize tougher cuts and to expose more of the tissue to the marinade. Pop into a covered dish, tupperware container or freezer bag with the marinade and refrigerate preferably overnight or at minimum a few hours before cooking.
Do not drink the marinate!
http://www.steamwhistle.ca/fun/recipe_detail.php?id=36
Braise Chops
Cook chops in a pan until browned on one each side. Add the beer to the pan and swirl it gently to combine all of the ingredients. Continue cooking the chops to your desired temperature, about 4 minutes for medium. Once the chops are finished, remove them to a plate and continue reducing the liquid in the pan until it reaches a glossy, gravy-like consistency and pour it over the chops.
http://www.steamwhistle.ca/fun/recipe_detail.php?id=136
Make Pizza Dough
Everyone loves beer with pizza, but what about beer in your pizza! Using your favourite beer in a pizza dough recipe will create a great tasting beer pizza crust. Then serve Steam Whistle Pilsner with your pizza – beer cuts through spicy heat and the carbonation cleanses the oil from the cheese and meat toppings and leaves you ready to taste more.
http://www.steamwhistle.ca/fun/recipe_detail.php?id=142
Steam Clams or Mussels
In a large steamer pot, mix a bottle of beer with a few cloves of garlic and some other tasty ingredients, then add a pound of clams or mussels. Steam until the shells begin to open. Easy as that! The beer imports a nice flavour. http://www.steamwhistle.ca/fun/recipe_detail.php?id=116
Bake Beer Bread
Beer bread can be a simple http://en.wikipedia.org/wiki/Quick_bread quick bread or a http://en.wikipedia.org/wiki/Bread yeast-bread flavored with beer. Both beer and bread have a common creation process: Yeast is used to turn sugars into carbon dioxide and alcohol. In the case of bread a great percentage of the alcohol evaporates during the baking process. Click here for a link to of our http://www.steamwhistle.ca/fun/recipe_detail.php?id=133 Steam Whistle Beer Bread recipes.
Want more? Try one of Steam Whistle’s 150+ recipes for http://steamwhistle.ca/fun/recipes.php Cooking with Beer at your next dinner party. For the Silo, Jarrod Barker.
About Steam Whistle Brewing:
Steam Whistle Brewing, an independent brewery in Toronto, Ontario has a singular focus of making one beer of exceptional quality that Canadians can be proud of. They make their refreshing Pilsner with traditional brewing methods and only four, all natural ingredients (spring water, prairie malted barley, hops and yeast – all GMO free). Opened in 2000, the brewery was named Steam Whistle, drawing from the inspirational sounds of steam rushing from factory whistles, signaling the end of a fulfilling workday and a time for personal reward. The brewery is housed in an old CP Rail Roundhouse, once home to the steam locomotives that helped pioneer this nation.
You may have seen this hashtag trending on social media as millennials run to the gym in droves to exercise, tone up and sweat it out with their #swolemates.
According to fitness experts Danny and Denise Locsin, spending quality exercise-time with a sweetheart has more benefits than one may realize.
Working out together builds self esteem, improves sex drive, and some scientists are even predicting it will increase longevity! It’s not only physically beneficial (studies show you actually build more muscle when sweating with your sweetheart,) it tones your relationship in a way nothing else can.
In one study, couples reported feeling more satisfied with their relationships and more in love with their partner after jointly participating in an exciting physical challenge or activity, (Aron, Norman, Aron, & Heyman, 2000).
“The same endorphins that give a ‘runners high’ also bring a sense of euphoria and wellbeing to your relationship,” says Danny. “Couples bond deeper which makes them exercise more frequently.”
Danny and Denise Locsin are living proof that it pays to sweat together. The husband and wife team built their own relationship at the gym and since then, they have dedicated their lives to teaching people how to improve personal connections through exercise. Danny, a kinesiologists, and Denise, a personal trainer, believe romantic relationships are just the beginning.
Couples use their workouts as a time to bond and share, we also do that when working out with our family, says Denise, who has a program specifically designed to bring families together through exercise.
What’s the next hashtag to trend on social media? The mother of four predicts #FitFam will dominate instagram this summer. For the Silo, Arden Izzo.
 |
Husband and wife team Danny and Denise Locsin are fitness experts that specialize in relationship and family exercise. They are the creators of the Yokebar, which has been described as the ultimate family exercise program. As a busy mother of four, Denise wanted something that was high intensity, but also safe and easy to set up. Finding a system that could adapt to a variety of fitness needs and ability levels was challenging. The requirements became even broader when Danny injured himself and was forced to give up his usual exercise routine. After much scientific research and testing, Yokebar was born. Today, Danny and Denise train people in the Yoke Training System and also are the founders of Hi5 Produce, a leading corporate produce delivery service located in the Silicon Valley. |
*Featured image courtesy of gympaws.com
The formula for a life well lived might look something like this: Dive in head first > fail > repeat.
Life is a series of cycles. There is of course the broad cycle, we are born, we live, we age, we die. But within this scope are countless other cycles for every part and parcel of our time on the planet. The cycle of making mistakes, of continually pouring your guts out to the world and enduring the consequences, is one of the most important there is for artists. From this process you learn the most about who you are, and how you fit in the world. There will be plenty of moments when you are a total mismatch, when you throw yourself into the deep end and struggle to stay afloat. Under no circumstances should these moments be viewed as set-backs or failure.
Salvador Dali once said, “Have no fear of perfection, you’ll never reach it.” Take a minute to consider that. Really let it sink in. Let your mind internalize this notion and let it unleash a wave of relief through your whole body. What fantastic news this is, no matter what you do, no matter how long you live, you, I, we, not one of us, will ever be perfect. So how can you take this beautiful knowledge and use it to your own advantage? Once you are free from the restraints of perfection, how can this inform the way you continue on your path?
By adopting the formula above and not letting go no matter what.
You probably know stories about how mistakes have changed history for the better over and over again. The accidental discovery of Penicillin because scientists noticed that the mold on some forgotten fruit killed bacteria. Or the invention of silly putty (perhaps not on par with life-saving antibiotics when it comes to historic moments, but a great boon to childhood all the same) quite by accident in a military lab as scientists tried to create an inexpensive substitute for rubber. But have you ever really stopped to consider what these stories mean to an artist? How they can be freeing examples of the importance of making mistakes?
There is likely not a person out there who truly believes that perfection is attainable, but we are told far too often that we ought to strive for it. This leads to untold restraint, dissatisfaction, and who knows how many missed opportunities for glorious screw ups. Do not let this trap take hold of you. Throw your best and worst, craziest and most tame ideas out there for all the world to see. Who cares if you land flat on your face, as long as you’re still able to pick yourself up there’s no harm done.
As an artist you will be the recipient of rejection letters and emails. Stacks of them. Count on it. In every creative field, there are piles and piles of rejections to be gone through. Walt Disney was once fired for what his editor deemed a lack of imagination. Countless famous artists throughout history were rejected in their lifetimes, some only achieving posthumous success. Van Gogh, Manet, Turner, they all have in common that they faced painful rejection in their lifetimes. They also have in common that they didn’t give up their unique perspective on the world nor did they allow something as insignificant as rejection stand in the way of their forward momentum.
Collect your rejection letters. Create a special binder for them. Own them with pride knowing that you earned each and every one of them by putting a piece of yourself out into the world. Begin to think of rejection as a victory in itself because it means you tried. The moment you receive a rejection letter, consider that at that same moment, had you not tried, there would be nothing at all. Not trying isn’t really a way of avoiding rejection, it is simply a way of hiding from the world. You will never get anywhere at all if you don’t reveal yourself.
Artists are perhaps particularly vulnerable when it comes to the consequences of baring their souls to the world. Art is highly personal and the thought of making a mistake when the stakes are so intimately high can be enough to frighten even the boldest spirit. Rejection can feel like a very personal affront and can make it difficult to want to try again. It comes down to a choice really, to stay safe and make no progress, or let it all hang out and learn from every single mistake.
Just like with everything else in life, you will become accustomed to accepting rejection and mistakes as par for the course. There will come a day when you will leaf through your binder of rejection letters with a wisdom that can only be gained through the repeated process of failing. For the Silo, Brainard Carey.
Brainard is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.
It’s no secret that homelessness in Albuquerque is an ongoing crisis. The crisis continues, despite inaccurate promises by some groups to “end” homelessness.
Over the last few years, I’ve seen panhandling increase prolifically all over the city, while at Joy Junction, desperate families-often with children-call or visit us daily asking for a meal and a place to stay. Many we can help; others we have to deny services often due to a lack of space.
To help address this issue, I’m excited to announce the official May 15 groundbreaking for our 52-unit apartment complex, located in southwest Albuquerque. The project, which is expected to be completed by fall 2017, will have units with 250 square feet of living space and a personal bathroom.
Guided by our mission to offer the homeless a safe and tranquil environment to live, it is our hope that this new complex will make the situation somewhat better for those experiencing homelessness.
More than three years ago, the James Boyd case caused us all to reflect on what we as a community could have done better to prevent a man from seeking shelter on a mountainside.
Despite our collective sense of disappointment and sadness over what transpired, it did lead many local organizations, community leaders and ordinary citizens to come together for discussion about what needs to change to address an issue that can’t merely be wished away.
Recognizing that “it takes a village” not only to raise a child but also to lift an individual from their worst days, Joy Junction is stepping up our efforts. It’s taken a while to happen, but the time is finally here. Today, we continue to act on our commitment to assist our city’s homeless and hungry with the groundbreaking for what will soon become a beautiful and dignified apartment complex.
For 30 years, Joy Junction has grown to now serve more than 10,000 meals each month, not including the 6,000-plus meals served by our mobile feeding unit dubbed The Lifeline of Hope.
Our staff also drive a van through the streets of Albuquerque in the darkest hours of the night in search of anyone who might need assistance with food, water and when available, a blanket or sleeping bag.
We’ve made it our mission to not only provide basic needs like food and shelter, but also emotional and spiritual assistance so individuals can get back on their feet.
Over time, we have noticed a growing need for living spaces that go beyond mere subsistence. Living in dignity can more quickly help bring about a positive and permanent change in the ongoing difficult situations experienced by the homeless.
When the homeless come to Joy Junction, they are often looking for more than a dry bed and a warm meal; they’re looking for hope-hope that they will find a way out of their troubles and a path to a better future.
Completion of this new apartment complex will now provide 52 additional opportunities for the homeless to better work through the issues with which they are beset and as a result, return to mainstream community life as taxpaying citizens.
In other words, this new complex will help us better meet the needs of our city’s homeless. While still needing many more dollars, we are confident that the community generosity which got us this far will take us past the finish line.
We have come a long way, especially in the last few years. And yet despite that, there is so much more work to be done. We hope everyone will continue to rise to the challenge that lies ahead, and together, we can end homelessness and hunger, one life and one meal at a time. For the Silo, Jeremy Reynalds, Ph.D.
Founder and CEO Joy Junction Inc. and HNS.
With the historic opening of Documenta 14 in Athens this month, now is a perfect time to take a look around the world at more of the biennials happening in every corner throughout the year. You may recall a previous post in which we discussed three of the brightest stars in the biennial universe (namely, Venice, Whitney, and Documenta) but there is more to the vast world of biennials than just those few. There are old and new festivals celebrating cultural and political stories from every part of the globe imaginable. In these times of increased global awareness and community, the biennial may be one of the best conduits to further difficult conversations. The four biennials here take place in nations where socio-political upheaval has been or is part of the nations’ recent past or present existence.
Odessa Biennale
A relative newcomer to the biennial scene, Odessa Biennale was established in 2013 by The Museum of Modern Art, Odessa. The first biennale was titled Self-government: cultural evolution vs. revolution. Participants were asked to examine the relationship and contradiction between various forms of freedom (personal, social, small group) and the impositions and restrictions of self-government. The upcoming biennale, set for August 26-September 30 is titled Turbulence. 
This year’s exhibition is rooted in Alvin Toffler’s 1970 book, Future Shock. Toffler examined the idea of collective shock as a result of living during a time of extreme change. Spinning out from the ancient curse, “may you live in an era of change” this year’s biennale seeks to disrupt the notion that extreme change is outside the ordinary and instead posits that all of human existence has been based around rotating times of chaos and calm. Open call for the 2017 biennale ended in December, but for future events (the next is slated for 2019) artists are always welcome to contribute their work for consideration.
Istanbul Biennale
This year will mark the 15th Istanbul Biennial. Since its inception in 1987, Istanbul has made the move to become an artist curated biennial. This year curation is headed up by artist duo Elmgreen & Dragset, Danish artists who explore the crossroads of art, architecture, and design. Istanbul has risen to a high place among the world’s biennial festivals, now being given similar footing to Venice, Sao Paolo, and Sydney. The event seeks to bring together Turkish artists as well as artists from the international community in order to further dialogue and exchange of cultural ideas. Past themes have included 2013’s Mom, am i barbarian? 
And in 2015 Saltwater: a theory of thought forms. The 2017 biennial is working in collaboration with the 2017 Istanbul film festival, both of which are exploring the title topic A Good Neighbor. In addition to the contemporary art program, the biennial will include ten feature and five short films all curated by Elmgreen and Dragset. The films (as well as the art) will look at the concept of home as a means of portraying identity and the intricacies of community and co-existence. The 2017 Istanbul Biennial runs from September 16-Novermber 12.
Beijing International Art Biennale
China is a nation with an ancient history of art as well as a finger on the developing pulse of the future. It is a burgeoning international economy as well as a land steeped in cultural tradition. The biennial was begun following China’s ascent to the WTO as well as their 2008 hosting of the Olympic Games. Through art, the Beijing Biennale seeks to further the notion of plurality as China continues to open its borders and join the world stage. The overall theme of each biennial is stated as demonstrating “the graceful bearing of opening up in an all-round way.”
A few of the tenets of the Beijing Biennale are, “building a grand path and bridge for international cultural exchanges” and “closely combining arts with international trends and national interests, developing the resource advantages in serving society and human beings.” The theme of the 2017 Biennale, set to run from September 24-October 15 at National Art Museum of China, encapsulates these basic principles. The Silk Road and World’s Civilizations considers the ancient tradition of China’s Silk Road and the new tradition of peaceful international development.
Karachi Biennale
In its first ever biennale, Pakistan will explore bold themes under the title Witness. According to the festival website, “Art as a testament of its time has always held significance, particularly in times when memory is heavily contested.
According to Milan Kundera, ‘The struggle of man against power is the struggle of memories against forgetting’. The theme Witness has been chosen for its strong relevance to politics of representation, erasure and selective documentation.” Pakistan has been a nation of political and social strife. Like much of the world today, upheaval has been a strong contributor to individual experience. Art has always been a medium that can reach beyond difficult times and continue a dialogue outside the socio-political arena. Karachi’s first Biennale will be curated by Amin Gulgee who grew up in Karachi. For the Silo, Brainard Carey.
Brainard is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.
Banner image: Teaser Magazine 2015 Instanbul Biennale
GOOD NEWS EVERYONE! TinyCo, a Jam City Company, and Fox Interactive have announced the development of Futurama: Worlds of Tomorrow, a new game coming soon for mobile devices. The game features original content from Futurama creator and Executive Producer Matt Groening, Executive Producer David X. Cohen, and much of the team behind the beloved TV series. TinyCo is also working with Rough Draft Studios – Futurama’s original animators – to bring the show’s trademark humor, signature visual style, and ensemble comedic adventure to mobile players everywhere.
I love this game because it feels just like Futurama,” said Matt Groening, creator and Executive Producer of Futurama and The Simpsons. Except now you get to jab the characters in the face.
FUTURAMA focuses on the life of PHILIP J. FRY (Billy West), a 25-year-old pizza delivery boy who accidentally freezes himself on December 31, 1999 and wakes up 1,000 years later with a fresh start at life at Planet Express, an intergalactic delivery company. There, he meets a cast of characters, including love interest LEELA (Katey Sagal), a sexy cyclops with anger management issues, best friend BENDER (John DiMaggio), a beer-powered kleptomaniac robot, PROFESSOR FARNSWORTH (Billy West), a brilliant yet forgetful scientist and intrepid inventor, HERMES (Phil LaMarr), the company’s detail-oriented bureaucrat, AMY (Lauren Tom), an intern who is as cute as she is klutzy, and ZOIDBERG (Billy West), a lobster-like, self-proclaimed expert on humans.
Throughout their adventures, the team encounters MOM (Tress MacNeille), the foul-mouthed owner of MomCorp, ZAPP BRANNIGAN (Billy West), the vain, self- absorbed captain of the starship Nimbus, and many others.
Just as it is today, life in the future is a complex mix of the wonderful and horrible, where things are still laughable no matter how wild and crazy they get. Fry’s introduction to life in New New York includes a visit to The Head Museum, where the heads of humanity’s most renowned and influential people live on. Against a backdrop of pesky aliens, exasperating robots, and malfunctioning gadgets, Fry finds that people still struggle with the same daily anxieties of life and love.
FUTURAMA, the Emmy Award-winning series created by Matt Groening, is produced by Twentieth Century Fox Television in association with The Curiosity Company, with animation produced by Rough Draft Studios, Inc. Groening, David X. Cohen, and Ken Keeler serve as executive producers. FUTURAMA is distributed by 20th Century Fox Television Distribution.
The game is being produced in partnership with Fox Interactive, Twentieth Century Fox’s interactive division, and Matt Groening’s Curiosity Company. This partnership continues the strong teamwork that Fox Interactive and TinyCo established with Family Guy: The Quest for Stuff, a mobile game based on the hit Fox animated TV series Family Guy. Family Guy: The Quest for Stuff has attracted tens of millions of players while winning multiple awards, and Futurama: Worlds of Tomorrow looks to continue in this tradition.
“Futurama is back, bigger and better than ever! Or possibly smaller and equally good. But either way, it’s back!” said David X. Cohen, co-developer with Matt Groening and Executive Producer of Futurama. “We’ve got completely new stories from the original writers, cast, and animators. This is the real Futurama deal.”
Futurama: Worlds of Tomorrow is coming soon for mobile devices via the App Store, Google Play, and the Amazon Appstore. More information on the game will be released in the near future. For more details on Futurama: Worlds of Tomorrow as they are revealed, and to connect with the Futurama fans who will create and play the game, go to www.fb.com/playfuturama, www.twitter.com/playfuturama, and www.tinyco.com and by sending an email to contentproducer@thesilo.ca Additionally, pre-register on Google Play at https://play.google.com/store/apps/details?id=com.tinyco.futurama or visit www.youwillplayfuturama.com to be notified when the game is released. For the Silo, Kjell Vistad & Cindy Lum.
About TinyCo
Founded in 2009, TinyCo has developed more than a dozen successful games for the App Store, Google Play Store and Amazon App store with titles such as MARVEL Avengers Academy and FAMILY GUY: The Quest for Stuff. The company’s mission is to make people happy five minutes at a time through incredible, fun and original mobile entertainment. For more information about TinyCo, please visit http://www.tinyco.com.
About JamCity
Jam City is a Los Angeles-based mobile game maker with global reach. Created in 2010 by former MySpace co-founders Chris DeWolfe and Aber Whitcomb, and former 20th Century Fox executive Josh Yguado, Jam City is the creator of 6 of the Top 100 highest grossing games across Apple’s and Google’s US app stores. Its portfolio of titles–which includes Cookie Jam, Panda Pop, Family Guy: The Quest for Stuff and Marvel Avengers Academy–has been downloaded more than 800 million times and is regularly played by nearly 50 million people monthly. Jam City has studios in Seattle, San Francisco, San Diego and Buenos Aires.
About Fox Interactive
Fox Interactive, a division of the newly-formed FoxNext group, produces award- winning games and apps based on Twentieth Century Fox’s globally-recognized film and television properties. Fox Interactive’s products bring triple-A quality and enjoyment to millions of players every day with games including ALIEN™ ISOLATION, ANGRY BIRDS™ RIO, THE SIMPSONS™ TAPPED OUT, FAMILY GUY: THE QUEST FOR STUFF, FUTURAMA: GAME OF DRONES, SUGAR SMASH: THE BOOK OF LIFE and many more.
About Rough Draft Studios
Established in 1991, Rough Draft Studios, Inc. is an award-winning animation studio specializing in traditional character animation, computer animation, and the blend of both mediums. Supervising Director Peter Avanzino, Producer/Partner Claudia Katz, and the rest of the Rough Draft gang are thrilled to be lending a hand on TinyCo’s Futurama: Worlds of Tomorrow.
It’s dangerous to pick winners. Everyone knows that and yet it’s difficult to not put your stamp, your intuition and your ego into choosing a winner. Heck, some folks even make a decent living out of it. They’re called critics and advertising executives and sometimes they’re known as a marketing committee.
But just for a moment let’s consider what it means to be in a position of influence- your very thoughts and words will ripple out and possibly affect opinion, access to resources and ultimately success or failure. Choosing winners should be done with the utmost caution. (Does anyone remember Dewey defeats Truman? Okay that is a bit obscure….what about the story of The Beatles being rejected by the first batch of record labels they approached? “Sorry, Lads- You’ll never make it in the music industry”). This holds true for social media and the internet- no one and I repeat NO ONE should be promulgating ‘accepted and preferred methods of blogging, tweeting, linking et al. After all, censorship is just another form of propaganda and that’s bad right?
The internet is perhaps the last true vestige of individuality, of a digital ‘Wild, Wild West’, of a digital ‘Gold Rush’. Choosing winners is not always a bad idea if it’s done without malintent. It’s a great form of entertainment (Dave’s Top10 list) and conversation and debate (Top 10 universities in Canada) but when a list is garnered based on subjective criteria (“Sorry, Lads- You’ll never make it in the music industry”)- one must question the motivation and prevent ‘cronyism’.
If you could choose just one photo exhibit to see all year, it would have to be Hurban Vortex in Cannes.
Often, photography is the visual equivalent of telling a one-word story, expressed through an immediately comprehensible image. In contrast, Parisian photographer Boris Wilensky takes you on a journey through time, space, and humanity. His photos are true documentaries which require time to contemplate, and listen to. Yes, listen to, not just look at. Because all of his work tells a powerful, juxtaposing story. A story of humans in cruel, all-consuming urban environments… facing challenges beyond their control… surviving in harsh conditions… A story that is already written but that is reinvented every time you look at the image.
Boris Wilensky’s current exhibition Hurban Vortex at the Suquet des Art(iste)s in Cannes opened on December 9 last year, featuring a selection of 30 of his works. Much has been said and written about it, and him, since, so no further biographical introduction is needed. And what really shaped his life, are locations rather than dates – Israel and Palestine, Tokyo, Fukushima, and Cambodia.
An emotional trip to Israel and Palestine in 2005 left a big impression on the idealistic young man, and he started keeping and publishing travel journals to share his impressions. At some point he began illustrating those with photos. Meanwhile he kept working as a photographer in entertainment and sports.
In 2008, a café in Paris offered him space to display his photos. Thinking to himself, “This is a great opportunity… probably the only one I’ll ever have to exhibit”, he went for it. It was a success, and the impetus to turn his passion into a profession.
A visit to Tokyo in 2009 would prove to be the pathway into that professional career as an art photographer. The swirling, frenzied city of dazzling lights around the clock inspired him to find a way to capture the craziness of the megalopolis and the loneliness of its citizens … and he found a way to do so by superimposing two photos taken in the Tokyo subway, of the train and its travelers. It turned out so well that this type of photography would soon become his signature.
On his next visit to Japan – and in fact to Fukushima, just one month after the 2011 reactor catastrophe there – he found a country that had profoundly changed. The Japanese were beginning to awaken to the consequences of boundless, unchecked use of nuclear energy. As a consequence, the garish lights all over town were dimmed, and the mood had become much more somber and sober.
This was when the Hurban Vortex project started taking shape in the artist’s mind. “Hurban Vortex is an urban adventure with a big H”, he explains, the constant game between the concepts of humanity and urbanity, extending into notions of modernity and identity, future, sustainable development, ecology and economy. The City, symbolizing Progress and Modernity, in constant growth, now become a “megalopolis”, or a “City-world”, a space built by humans to live in but one that eats them up in return.
For this project, and forever drawn to Asia, Boris Wilensky returns to Tokyo, Shanghai and Bangkok to take as many “photographic backgrounds” as possible. Then he tours Cambodia for two months, the stark contrast to the other cities’ modernity. Here he immerses himself fully in the ancient Khmer culture, taking portraits of men, women and children. Many of those faces bear silent witness to the horrors of the Khmer Rouge regime, and yet retain pride and dignity that speaks of inner strength.
Over 15,000 photos later, Hurban Vortex sees the light of day. The ensemble of artistic, esthetic and human adventure are at the core of the triptych that represents his works: Origins corresponds to 2009 (present), the period of an oblivious, profligate, consumerism-driven world. Collapse takes us into 2011 (future)…Fukushima, with its worldwide impact. The glasses and gas masks worn by the humans represent the man-made destruction of a world as we had known it before and which will never be the same. And in Post we find ourselves in an urban landscape filled with waste and shattered ruins. But people are no longer wearing their blinders… Maybe there is hope after all that cities may disappear but humans are still around? Or does the urban jungle always win in the end? You decide, because it is your personal interpretation, after an intense dialogue with the image… exactly what Boris Wilensky wants.
What the viewer sees, is how this artist sees the world – not in the literal but figurative sense. But he does not dictate, he suggests. He considers himself a storytelling portraitist first and foremost, and an urban photographer second. As you look at his large-size pictures (180 x 120 cm), the image in front of you transforms from a flat canvas to a three-dimensional scenography. You are drawn in, pulled onto a stage, you become part of the performance, an actor engaged in a dialogue. You are the person across from the man in the photo, but you also become him, turning outward to the viewer.
The continuous movement – the vortex – pushes and pulls you as the borders between Human and Urban blur and become Hurban. There are violently cold and anonymous city landscapes, consisting of monochromatic and starkly geometric patterns, entirely unlike anything you find in nature. But the human element, superimposed, invariably bestows them with a strangely appealing aesthetic. For the Silo, Natja Igney. This article originates at Riviera-buzz. Banner diptych image Boris Wilensky- concept by Jarrod Barker.
The non- scholarship players hail from some tough neighborhoods in the Bronx and Brooklyn and commute to school by subway. The Berkeley Knights team hasn’t lost since its opening game of the 2015- 16 season.Their drive to succeed on the basketball court extends to the classroom, where players are required to maintain a 2.5 GPA a half point higher than the SCAA’s requirement.
The team has achieved numerous national honors this year including USCAA Division II Men’s Basketball – National Coach of the Year for Coach Chris Christiansen who is also the team’s business professor. On Saturday, March 4, the Berkeley Knights brought home the 20 16-17 USCAA Men’s Division II National Championship – after a hard-fought 40 minutes, the Knights defeated PSU York 80-76 in overtime.
This win marks a historical season with an unblemished record of 29-0, a 53-game winning streak and the programs 3rd Consecutive Championship.
A FATHER FIGURE
Coach Chris Christiansen is a father figure on the basketball court and an inspiration in the classroom, where he is the assistant chairman for Berkeley’s management department and has been named facility member of the year.
All 16 Knights players are pursuing degrees in Christiansen’ s department.
“The 53- game winning streak and this year’s National Championship are crucial factors of our legacy at Berkeley and Berkeley’s history. Not only have we been able to put Berkeley basketball on the map, we have done it in a remarkable fashion. These accomplishments are simply a translation of the team’s uncanny work ethic, togetherness, and dedication.”
“If there’s one thing that this winning mindset and the coaches have taught me is that I must always prepare. We win because we constantly and continuously prepare for our opponents. I will be taking the same approach to life, and a lot of success will be built of that.”
Jeffrey Mejia, Co-Captain, is in his fourth and final season for the Berkeley College men’s basketball team. He has been a member of two USCAA Division II National championship squads as well as a pair of Hudson Valley Intercollegiate Athletic Conference titles.
Mr. Mejia is a Bronx, NY, scholar-athlete with a 3.4 grade-point average who received a scholarship from the New York City Hispanic Chamber of Commerce. He expects to graduate in 2017 with a Bachelor’s Degree in Business Administration. He currently is managing his commitment to academic scholarship while participating in a required internship, working, as well as basketball practice. He also volunteers, coaches and mentors at the Manhattan Bible Church Youth group in upper Manhattan.
Starting point guard Jeffrey Mejia, 20, is Berkeley’s starting point guard and a team co-captain. Mejia lived in a Bronx homeless shelter with his mother and sisters as a teenager. Today, he maintains a 3.4 GPA and recently received a $2,000 usd academic scholarship from the New York City Hispanic Chamber of Commerce, accompanied at the ceremony by his coach. For the Silo, Carrie Butler.
“Now more than ever, it’s time to celebrate the trailblazing women who have always made America great,” said Ilyse Hogue, president of NARAL Pro-Choice America. “One of my favorite things about The Gender Cards is seeing my friends and family post photos of their kids playing with the cards. These cards are not only beautiful to play with, they help us learn more about the women whose lives help tell the American Story. These really are the perfect gift.”
The Gender Cards make a great gift for friends and family, and are available only through NARAL. Get yours today at TheGenderCards.com.
Some of the amazing American women featured on the 54 hand-drawn cards include:
When the next episode of STAR TREK CONTINUES is revealed, science fiction fans will see a familiar face in a guest star role. The new episode, titled Still Treads the Shadow, features guest star Rekha Sharma, perhaps best known to science fiction fans for her role in more than 30 episodes of Battlestar Galactica. While details of Sharma’s character in STAR TREK CONTINUES are being kept under wraps until April, she says the offer for a role came after meeting Vic “Kirk” Mignogna at FedCon Germany last year during the 50th Anniversary of STAR TREK event.
“Vic and I kept in touch after FedCon, and then he asked if I’d be interested in coming aboard STAR TREK CONTINUES. He told me about a script that was in development and the character he had in mind. I’m so delighted that it worked with my schedule,” Sharma says. Sharma’s first introduction to the original STAR TREK series came from her big brother. “All my friends were watching Full House or something. I’m not sure! And there I was, coming home after school and watching the original STAR TREK and old Perry Mason reruns! I remember my brother told me that there were people opening and closing the doors, which I thought it was so cool and cheesy. And it very much appealed to my dreams of utopia — especially as a young colored girl growing up in very white neighborhoods,” says Sharma. Rekha’s character of Tory Foster in the rebooted Battlestar Galactica, which began in 2004, developed after several auditions. “From the very first audition, I was immediately struck by the intelligence, artistry and kind-heartedness of the directors and producers. I thought, I’d really like to work with these people! First I went in for the role of a Viper pilot, then a captain, and then the role of Tory came along. Oh yeah, I thought, this is a perfect part for me.” Galactica’s producers apparently agreed. “Working on Battlestar Galactica was a dream come true. From my previous experience, I honestly didn’t think I could be creatively satisfied working in TV. But Battlestar Galactica changed that. Not only was it creatively satisfying, but we also had such a great team of people. We are all like family to this day,” Sharma explains
What does it mean to be a STAR TREK CONTINUES guest star? “It means I have fulfilled a dream, in a way, and that I’ve come full circle. I loved those stories. They had a wonderful morality and vision for humanity that made my heart sing. And then I got to step onto those sets and step into my childhood and be a part of telling that kind of story. Not only that, but that world was so fun! I loved those neat-o futuristic gadgets when I was a kid. And now, as an adult, I got to play with them. I got to sit on the bridge. There weren’t any trailers, so when I needed to rest between scenes, I took naps in sickbay on board the Enterprise. And I got beamed in the transporter! I can’t wait to see that,” she says enthusiastically. The experience of working on the STAR TREK CONTINUES set “was so refreshing,” Sharma says. “Everyone is there for love, not money. It felt like Battlestar Galactica that way. Although it’s a fan run project, the STAR TREK CONTINUES sets were surprisingly professional and very impressive. It was a mix of TV veterans and total newbies, and that made for an awesome atmosphere to work in. It was the best of both worlds, really.” Sharma likes to compare the character she’s playing in Episode 8 to be much like aviation pioneer Amelia Earhart. “She is smart as a whip, very technically inclined, and brave. I thought of her as a bright light of goodness and intelligence with a big heart.” She admits to being very surprised at what the cast and crew have created with STAR TREK CONTINUES. “You know, Vic told me that I’d become part of the family, but I had no idea what he meant. They have chosen a team who are all friendly, diligent, thoughtful and good-hearted people. I felt so welcomed and incredibly lucky. It makes sense that they’re shooting in the south – they’re so hospitable! And those sets! Again, Vic told me what they built, but until you’re there you just can’t conceive of it. It’s really impressive. I know I’m not the only one who was moved to tears,” Sharma says. Fans will be able to see Rekha Sharma at future conventions and events. “It’s funny. At first it felt so strange to do conventions, but as time has gone on I’ve really come to appreciate them. It’s special to have the opportunity to meet the fans and discuss the themes of these shows. You get to connect with people that you’d never get to meet otherwise. And sci-fi fans are awesome because, generally speaking, they still have dreams. They’re not jaded. They believe in possibility. And without that, nothing would ever change for the better. We’ve got to hold on to our dreams and keep being warriors in this world – to truly go where no man has gone before.” “Still Treads the Shadow” will premiere at Fan Expo Dallas on April 1 at the Dallas Convention Center.
Frequently Asked Questions and Answers about remaining episodes of STAR TREK CONTINUES
How are you getting around the guidelines for fan films? As CBS/Paramount has made clear, the guidelines are not laws; they are general parameters applied on a case-by-case basis. Since the implementation of the guidelines, we have stopped all crowdfunding activities and have focused strictly on completing the four episodes which had already been funded as of that time by fans’ donations to our 501(c)(3) non-profit. STAR TREK CONTINUES has always followed any and all instructions given to us by CBS regarding our production, and will continue to do so. Does STAR TREK CONTINUES have any type of special and/or official arrangement with CBS/Paramount? No.
How long are the episodes? They will be exactly the same format as our previous episodes Why are you ending the series? Recent developments necessitated our finishing up sooner than we intended, but it was always our goal to bring The Original Series to a conclusion. With our final four episodes, we will have done that. It’s been an amazing five years creating this series, and we will miss making it. But all good things… Weren’t you going to make 13 episodes? Did CBS make you stop? CBS is not responsible for the decision to end the series. We are doing 11 episodes instead of 13 because another fan group took advantage of the good graces of the copyright holders forcing them to protect their property and the interests of their license holders. In deference and gratitude to CBS, we are wrapping up earlier than planned. We always have stood, and continue to stand, with CBS. Can we get DVDs/Blu-ray discs of the final episodes? As we do not own STAR TREK, we cannot sell DVDs or Blu-ray discs. In the past, we’ve made a limited number of discs available as crowdfunding perks. However, since we are no longer crowdfunding, providing episodes to the public on DVD and/or Blu-ray discs is not currently feasible for us. What will happen to the studio/sets? Will set visits/tours be available? We don’t have a definitive answer on this right now, but we’re considering all our options.
The shape of truth is often difficult to discern. It bends and shifts or is manipulated to suit a particular narrative. Facts become the object of debate when power is at stake. Corruption breeds untruths. While objective concepts do not require belief in order to exist, we can not grasp what we simply do not know. In these days of alternative fact and secrecy, it is difficult to hold on to what constitutes truth. We are told by those on high to avert our eyes and ears while purveyors of truth are silenced. John Dalberg-Acton bequeathed these words to the world, “Power tends to corrupt, and absolute power corrupts absolutely. Great men are almost always bad men.”
Richard Vine, art critic and managing editor of Art in America has recently penned his first novel. SoHo Sins follows the pulp tradition right down to the cover art created by Robert McGuire, one of the greats of noir cover art in the 1950s. The novel deals with the corruption of innocence by way of a murder mystery and harkens back to the 90s heyday for the art world in SoHo. Vine has also curated multiple exhibits including “Darkness Visible” in Beijing, China and “Golden Selections” in Iceland. Vine’s second novel will take on the political crimes enacted at Kent State when the National Guard opened fire on demonstrating students wounding nine and killing four. He was a student at Kent State at the time and witnessed this incident.
Cynthia Greig is a native of Detroit. Her studio sits north of the famed 8 Mile. She says of her home city that while there is a great diversity of opinion, even in the midst of decay those who truly know the city could see the inherent beauty of the place. Her art takes on the topic of exhibitionism, investigating and deconstructing the concept of the white cube gallery space and breaking it down to its essential parts. She has watched the scale of galleries grow exponentially from white cube to international powerhouses and examined how this affects the value of the art within. Her art explores these themes often depicting interruptions in the pristine facade of the gallery space.
Additional interviews include: Nate Harrison, Christopher Richmond, and Melissa Stern.
While we can not ever know absolute reality, we can look at it from every angle and make informed decisions. What are you reading to shape your own reality? Tequila Mockingbird is a book written by Carter Ratcliffe, friend and colleague to Richard Vine, that bears witness to Russian oligarchy through the vapid eyes of a supermodel. Cynthia Greig balances intake of the barrage of political news with American Canopy: Trees, Forests, and the Making of a Nation by Erik Rutkow. Add your titles to our reading list here.
FIGMENT NYC invites artists to submit their proposals for an annual mini golf course. Artists create large, interactive installation pieces at Governor’s Island, New York to be enjoyed by the public. Deadline for submissions is March 10 and artists must be able to participate in installation during late May. All proposals must include an estimated budget.
For some, truth is malleable and to be used in order to bolster a particuclar need. We must always strive to stay awake, demanding transparent truths and examining from every angle. We must raise our eyes and our voices, crying out until the truth is spoken loud and clear. For the Silo, Brainard Carey.
Brainard is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.
“Walking through 500-year-old art…Once I put the VR headset and headphones on, it truly felt like I was transported to another world. You could walk through the levels of sculpture and detail in the bead, which was a frieze of heaven on top, purgatory in the middle, and hell below it. There were easily 20 fully carved objects – humans, demons, and animals – in the five centimeter bead, with multiple layers of objects on top of one another to create a three-dimensional image. I was astounded to be able to see, as close as I wanted to get, the bead in all its detail.”— Stefan Palios,betakit
The Canadian Film Centre’s Media Lab (CFC Media Lab), Seneca’s School of Creative Arts and Animation, and the Art Gallery of Ontario (AGO) are pleased to announce their groundbreaking virtual reality (VR) collaboration, Small Wonders: The VR Experience. It will screen for a special four-day limited-run as part of The Metropolitan Museum of Art’s new exhibition, Small Wonders: Gothic Boxwood Miniatures, February 22-27, 2017 at The Met Cloisters (99 Margaret Corbin Drive, Fort Tryon Park, New York, NY 10040).
From February 24 to 27 during public hours, visitors can don a VR headset and explore a 3D rendering of a miniature boxwood carving from the AGO’s collection. The experience is free with general admission, reservations required, and marks a significant first for The Met Cloisters—the integrated use of VR to enhance the exhibition experience.
The exhibition Small Wonders: Gothic Boxwood Miniatures, which runs through May 21st, brings together for the first time some 50 rare boxwood carvings from museums and private collections across Europe and North America. The exhibition offers new insight into the methods of production and cultural significance of these awe-inspiring works of art. Small enough to fit in the palm of the hand, these tiny masterpieces depict complex scenes with elegance and precision. Without fail, they inspire viewers to ask how a person could have possibly made them, a question that can only be answered today and a challenge perfect for VR technology.
“Much of the success of new VR will hinge upon the quality of experiences being created. Everyone is searching for that sublime encounter one can only have in VR. With the boxwood miniatures and their high-resolution scans, we have found the perfect, transcendent landscape to explore in this medium,” says Ana Serrano, Chief Digital Officer, CFC, and Producer, Small Wonders: The VR Experience.
The AGO, CFC Media Lab and Seneca’s School of Creative Arts and Animation partnered to create Small Wonders: The VR Experience. Using one of the AGO’s micro-computed topography (micro-CT) scans of the miniatures, the creative and technical team led by interactive artist and designer, Priam Givord, developed an experience specifically for the HTC Vive platform. Viewers can explore the intricate carvings of the prayer bead from various angles and in detail otherwise inaccessible to the human eye. The soundtrack, Treasures of Devotion: Spiritual Songs in Northern Europe 1500-1540, echoes the ambience of the wider show. The result: VR enriches the contemplative and immersive experience.
Barbara Drake Boehm, the Paul and Jill Ruddock Senior Curator for The Met Cloisters said: “At first glance, the VR experience might seem anomalous in the medieval ambiance of The Met Cloisters. But, thanks to the efforts of the CFC Media Lab, Seneca and the AGO, VR opens a portal through which our visitors can tumble into a tiny world, and sense the meditative power that these centuries-old works of art were intended to convey.”
Small Wonders: The VR Experience was created by Lisa Ellis, Conservator of Sculpture and Decorative Arts (AGO); VR Creative and Technical Director Priam Givord (Interactive Artist/Designer); VR Producers Ana Serrano (CFC Media Lab) and Mark Jones (Seneca College); VR Technical Team Craig Alguire, Morgan Young (Quantum Capture) and Tyrone Melkitoy (Mobius Interactive); Composer/Vocalist Anne Azema, Artistic Director (The Boston Camerata); Narrator Gillian McIntyre; and Micro-CT Scanner Andrew Nelson, Associate Professor of Anthropology, Sustainable Archaeology (Western University).
The exhibition continues at The Met Cloisters through May 21, 2017, but the VR experience will only run during public hours, February 24–27. To learn more about the Small Wonders exhibition and to plan your visit, go to: http://www.metmuseum.org/exhibitions/listings/2017/small-wonders
At The Met Cloisters, Small Wonders: Gothic Boxwood Miniatures is made possible by the Michel David-Weill Fund. It was organized by the Art Gallery of Ontario, Toronto; The Metropolitan Museum of Art, New York; and the Rijksmuseum, Amsterdam.
Social Media
| Canadian Film Centre (CFC) @cfccreates.com | facebook.com/cfccreates CFC Media Lab (CFC Media Lab) @cfcmedialab | facebook.com/cfcmedialab |
Seneca College @senecacomms | facebook.com/senecacollegeArt Gallery of Ontario (AGO) @AGOToronto | facebook.com/AGOToronto |
The Metropolitan Museum of Art
@metmuseum | facebook.com/metmuseum
About CFC
The Canadian Film Centre (CFC) is a charitable organization whose mission is to invest in and inspire the next generation of world-class Canadian content creators and entrepreneurs in the screen-based entertainment industry. A significant economic and cultural driver in Canada and beyond, CFC delivers a range of multi-disciplinary programs and initiatives in film, television, music, screen acting, and digital media, which provides industry collaborations, strategic partnerships, and business and marketplace opportunities for talent and participants. For more information, visit cfccreates.com.
About CFC Media Lab
The Canadian Film Centre’s Media Lab (CFC Media Lab) is an internationally acclaimed digital media think tank and award-winning production facility. It provides a unique research, training and production environment for digital media content developers and practitioners, as well as acceleration programs and services for digital entertainment start-ups and related SMEs. The Silo founder and Digital Editor Jarrod Barker and contributor Arthur Maughan are graduates and fellows of the CFC Media Lab. Program participants have emerged as leaders in the world of digital media, producing groundbreaking projects and innovative, sustainable companies for the digital and virtual age. CFC Media Lab is funded in part by the Federal Economic Development Agency for Southern Ontario. For more information, visit cfccreates.com.
About Seneca
With campuses in Toronto, York Region and Peterborough, Seneca offers degrees, diplomas, certificates and graduate programs renowned for their quality and respected by employers. It is one of the largest comprehensive colleges in Canada, offering nearly 300 full-time, part-time and online programs. Combining the highest academic standards with work-integrated and applied learning, expert teaching faculty and the latest technology ensure Seneca graduates are career-ready. Find out more at senecacollege.ca.
About AGO
With a collection of more than 90,000 works of art, the Art Gallery of Ontario is among the most distinguished art museums in North America. From the vast body of Group of Seven and signature Canadian works to the African art gallery, from the cutting-edge contemporary art to Peter Paul Rubens’s masterpiece The Massacre of The Innocents, the AGO offers an incredible art experience with each visit. In 2002, Ken Thomson’s generous gift of 2,000 remarkable works of Canadian and European art inspired Transformation AGO, an innovative architectural expansion by world-renowned architect Frank Gehry that in 2008 resulted in one of the most critically acclaimed architectural achievements in North America. Highlights include Galleria Italia, a gleaming showcase of wood and glass running the length of an entire city block, and the often-photographed spiral staircase, beckoning visitors to explore. The AGO has an active membership program offering great value, and the AGO’s Weston Family Learning Centre offers engaging art and creative programs for children, families, youth and adults. Visit ago.net to learn more.
About The Metropolitan Museum of Art
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy. The Museum lives in three iconic sites in New York City— The Met Fifth Avenue, The Met Breuer, and The Met Cloisters. Millions of people also take part in The Met experience online. Since it was founded in 1870, The Met has always aspired to be more than a treasury of rare and beautiful objects. Every day, art comes alive in the Museum’s galleries and through its exhibitions and events, revealing both new ideas and unexpected connections across time and across cultures.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy. The Museum lives in three iconic sites in New York City— The Met Fifth Avenue, The Met Breuer, and The Met Cloisters. Millions of people also take part in The Met experience online. Since it was founded in 1870, The Met has always aspired to be more than a treasury of rare and beautiful objects. Every day, art comes alive in the Museum’s galleries and through its exhibitions and events, revealing both new ideas and unexpected connections across time and across cultures.
We sit in the grip of deep winter, snow reflecting the moonlight at last. At this time of the year, the earth slows down and so too can we. It is time for us to reflect as well, upon the year that has been and the year ahead. During these dark months, light becomes a precious thing. Something to celebrate and embrace as we pass the days. Everything we see is light and light informs art in a way that cannot be disentangled.
“Light is also about…the passage of time,” says Norwegian artist A K Dolven. Living on an island in Norway above the Arctic Circle has given her a unique perspective about the interplay of art and light. Her work examines intimacy and large social groups, the relationships of nationality, population, space, and how this changes the work she does. In her village of nine people, a piece of art takes on a very different character than it does in a large city such as Brussels or London. Dolven incorporates balance in its many forms in the world we live in. Political balance, social balance, life balance, and other delicate equilibriums contribute to the nature of her art.
Milovan Destil Markovic recently participated in a Belgrade-based exhibition titled “The Pleasure of Love in a Time of Hate.” His work for the exhibition was in the form of barcode paintings that touched on sexual intimacy. Markovic also uses his barcode paintings in a series titled “The Abduction of Europe” in which he takes a hard look at economic power struggles within the European community.
The paintings resemble street graffiti with economically and politically charged statements spray painted within the confines of a barcode structure. Markovic also creates what he calls Transfigurative Paintings. These works employ a medium that reflects the subject in some way.
Additional interviews include: Karl Haendel and Paul McDevitt
Winter can be a time for personal reflection. We can create a space where it is safe for our minds to explore new horizons through literature. What are you reading to pass the cold days and dark nights? Click here to add your books. User Carla Cruz has been immersed in The Mandarins by Simone de Beauvoir, while M Chevska seeks winter solitude in Magic Mountain by Thomas Mann.
Those interested in the opportunity to create a piece of permanent, public art can submit to Seattle’s Central City Connector Project. An artist or team of artists will be chosen to create artwork that defines the aesthetic of the Central City Connector Streetcar Line. Alte Schule Hohenstein has an open call to artists interested in a residency at their school in Germany.
As we run down the days until the world is reborn and spring returns, let us not forget to enjoy the respite of winter darkness. Invite light in when it presents itself and wrap your mind in the stillness of midwinter.For the Silo, Brainard Carey.
Brainard is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.
Spotlight image courtesy of urbanchristiannews.com
Supplemental– The History and Creation of the Barcode.
Back in 2017, eBay Canada and Kijiji Canada launched a test to bring increased visibility to Canadian eBay inventory: eBay listings for certain items located in Canada were integrated into search results on Kijiji – the #1 classifieds site in the country. Kijiji buyers were given the opportunity to connect with relevant eBay inventory, and eBay sellers were able to gain exposure to Kijiji’s more than 16 million unique monthly visitors.
Listing Ads Served Within Listing Ads
This inventory integration project was part of ongoing global efforts to create synergies across eBay Inc.’s businesses.
Canadian eBay sellers were asked to keep the following in mind regarding the inventory integration test:
#1. It was a test. We were adjusting listing integration parameters based on a variety of criteria – including Kijiji buyer behaviour and eBay listing performance – to ensure we are delivering the best possible experience for eBay sellers and Kijiji buyers. This test would evolve based on our learnings.
#2. The test was small-scale. Only one or two eBay items were shown in any given Kijiji result set, and only for selected searches.
#3. eBay sellers did not need to do anything at the time. eBay listings for inventory located in Canada were automatically made eligible for exposure in Kijiji search results. There was no opt-in process required; there were no additional fees required; and there were no account settings that needed to be adjusted.
Fast forward to today- if you are a Kijiji Canada user you may be surprised by how many eBay ads are now served as the test is now a permanent fixture. For the Silo, Russ Patterson, COO and Director of Product Management, eBay Canada.
Supplemental- Collectibles market has been hit hard.
Mr. Thrifter: eBay vs craigslist vs kijiji vs Amazon – Where should I sell my stuff?
