The first rule is that if you’re going for a steak,it’s best to go to one of the best steakhouses in town. Cheaper places offer tasteless food, and you may just end up with MSG-laden steak that’s bad for your health and your taste buds.
If you only eat steak on special occasions, you may as well splurge on the best meat you can afford. These cuts include the rib eye, which is tender because of the high fat content. The filet is also flavorful and tender. You should also try the tender short loin, also known as the New York cut.
Of course, the taste of the steak also depends on where the meat comes from. American steak is tastier than European steak, while Japanese steak is extremely fatty. You may want to refrain from ordering a rib eye if you are ordering a Japanese steak.
It’s best if you order your steak rare to medium rare. This isn’t about snobbishness. It’s about the fact that when you cook steak to a degree more than medium the steak can become tough and very chewy. It’s not as enjoyable to eat.
When you cut meat and you’re right-handed, you hold the fork with your left hand while the knife is on the right hand. Hold the knife and the fork with the index fingers down the back of the utensils. You shouldn’t hold them like they’re pencils or by clenching your fists around them. You can then use the fork to hold the meat while you make your cut with the knife.
After cutting the meat, you have 2 options. One is the American style of transferring the fork to your right hand. You first have to put the knife on the plate without it touching the tablecloth. Then you use the fork in your right hand to spear the meat and place it in your mouth.
You can also use the Continental style of just using the fork in your left hand to spear the meat and take a bite. It’s quick and efficient.
You should cut each piece of meat one at a time. You shouldn’t cut more than once before you take a bite, as it’ll leave a mess on your plate. It may also tempt you to take more than 1 piece of meat into your mouth and that can be awkward when you’re having a conversation around the table.
For the best wine drink some good red wine. California wines are very good with steak.
Side dishes depend on your particular tastes. Sautéed spinach is excellent, while for some the best side dish is French fries. You may also want to try creamed spinach with fried egg at the top.
You should try to eat your steak with no sauces so that you can really savor the true taste of your steak. You can then add a bit of sea salt to flavor. For sauces, you candip your French fries into your favorite sauce to accompany the taste of the steak.
Of course, the true rule of eating steak is to enjoy yourself while you mind your manners. Etiquette isn’t really about blind obedience to the rules. It’s all about making sure that your dining companions (and everyone around you) enjoy the steak as much as you do!
What does the ingredients list above represent? It’s taken from the label of a popular name brand soap advertised with fresh faces, and as leaving no residue on the skin. Would it surprise you? Perhaps you recognized it, but thought well it’s being sold in stores so it must be safe.
The good news is that since 2006, Canadians have been provided with mandatory labeling on personal care products. Health Canada has even gone a step further providing a “hotlist” or list of prohibited or restricted chemicals . This is a huge step above our neighbours to the south, whom currently have minimal regulation on personal care products. Canada is on the right track, but is still a few steps behind the European Union, where personal care products are held to stringent guidelines.
The bad news is that even though there are guidelines set of by Health Canada, some of the products on the market today still contain chemicals, with similar structures to those chemicals that have been restricted. And if something shares a similar structure it is likely to interact with the human body in a similar fashion, thus causing similar health concerns.
What at can you do? The good folks at the David Suzuki Foundation performed a Survey of Canadians and their use of personal care products, and from this developed a “dirty dozen” of chemicals to avoid. Results of their survey demonstrated that 80% of products contained at least one ingredient on the list, and only 20% did not contain any. By visiting the www.davidsuzuki.org and searching “What’s Inside? That Counts,” you can download your own copy of the list, or even visit the mobile site when you are out shopping.
Why does this all matter? Many of the chemicals that are found in personal care products can bio-accumulate, meaning they can increase in concentration over time, and be passed on to our next generations. There is also well documented evidence of effects within the human body caused chemicals affecting the endocrine system. Within the human body endocrine disruptors have been implicated in neurological diseases, reproductive disorders, thyroid dysfunction, immune and metabolic disorders. Cancer is also another health concern that has been linked to many of the chemicals found in personal care products.
What about my health? As a naturopathic doctor I am always thinking from a preventative medicine point of view. The more I learn, I continue to look for natural/chemical free personal care products. Also important is optimizing your body’s innate ability to remove build up of chemicals through organs such as liver, skin, and kidneys. As always, prevention is the best medicine, and becoming a savvy consumer involves reading labels and asking questions. For the Silo, Ashley Beeton Bsc. ND.
In my lastSilo travel column, I featured five of my favorite travel destinations in Ontario within 250 kilometres of Niagara. Here’s another five, but this time “on the other side of the ditch”. First, I’d suggest if you travel into the United States frequently like I do apply for a NEXUS pass (www.cbsa-asfc.gc.ca/prog/nexus). This pass is available to Canadian and U.S. citizens and costs around $50.00. It allows you and every other occupant in your car that has the pass to quickly cross over the border and return. It’s saved me hours of waiting at the border. Also be sure to carry health insurance for travel outside of Ontario.
[The nexus card will save you time at US Canada border crossing but part of the application process involves finger-printing and the completed card uses the same controversial RFID technology used across parts of the US Mexico border CP]
Now let’s get down to business…….and in no particular order ;> Ellicottville, N.Y.
(120 kilometres from the Canada/U.S. border)
This is a place I go to two or three times a year because there’s always something happening. They have 11 festivals spread throughout the year. Ellicottville has a compact pretty-as-a picture postcard downtown. It’s void of big-box retailing. There are plenty of historic brick and wooden buildings that have been re-born as unique, quirky, crayon-coloured stores and restaurants www.ellicottvilleny.com or 1-800-349-9099
Randolph, N.Y.
(140 kilometres)
Not far from Ellicottville you’ll find the tiny village of Randolph. This village and the outlying countryside are deliciously peaceful. You’ll find a large thriving population of Amish families. As you drive the back roads, you’ll pass numerous styles of Amish horse and buggies. Loose your camera for this part of the trip. The Amish don’t like to be photographed. We spent all day visiting and speaking with these fine people who operate numerous businesses along, “The Amish Trail” that are open to the,” English”. Some of the places we visited specialized in toy making, farming, jams, pies, cheese making, quilting, pillows, and rugging. Forget your credit card. The Amish only accept cash and they’re closed on Sundays. www.NYAmishTrail.com or 1-800-331-0543
Hammondsport N.Y.
(250 kilometres)
I was originally trying to find Watkins Glen when I got lost and stumbled upon Hammondsport N.Y. What a hidden gem it turned out to be. This small community is nestled at the southern end of Lake Kueka and set in a protected valley in New York State’s Finger Lakes region. You can’t be in a hurry here. An old-fashioned town square anchors the village. Historic buildings snuggle side-by-side around its perimeter. The star attraction here is pristine Lake Kueka. There are also well maintained homes on the tree-lined streets date back to the 1800’s.Just on the outskirts of town is the Glenn H. Curtis Museum. It pays tribute to Glenn Curtis a pilot who took the first preannounced flight in America on July 4, 1908.In January of this year Budget travel voted Hammondsport the, “Coolest Small Town in America”. Well, so much for my hidden gem. www.hammondsport.org
Medina, N.Y.
(69 kilometres)
I have known some great breakfast joints in the past but Rudy’s Diner (closed Sundays) found in this friendly village along the old Erie Canal is one of the best. Just about everything here is made from scratch and reasonably priced in this converted 1940’s Sinclair Gas Station.
This town founded in the 1820’s echoes of the nineteenth century. Check out these things. Their beautifully restored downtown is very walkable. Don’t pass up seeing the Oak Orchard River Gorge and Medina Falls. It’s hard to find so ask a local. On the outskirts of town is the Culvert Road Tunnel. It’s the only arched roadway running under the Erie Canal. This narrow tunnel is like going through the eye of a needle! One must, is a visit to the Medina Railroad Museum (closed Mondays and major holidays).If you have kids they’ll love it and so will you. Tell owner Marty that George and The Silo sent you. www.medina-ny.com
So there you have it. Enjoy the remaining bit of Summer holidays and remember September and October are beautiful months. For the Silo, George Bailey.
Nancy Redstar explores the long-standing contact between American Indian tribes and extraterrestrial visitors through interviews with the tribes’ spiritual leaders and shares the wisdom and ET experiences of Dawnland founder Dana Pictou, Mayan daykeeper Hunbatz Men, Choctaw wisdomkeeper Sequoyah Trueblood, and Creek healer and artist Shona Bear Clark.
Her book includes color photos of ET-inspired work by prominent Indian artists as well as traditional Indian art and petroglyphs depicting contact with “Sky Elders”
As humanity stands at the crossroads between the Fifth and the Sixth Worlds, American Indian wisdom keepers have recognized signs that they must now speak their closely held knowledge about extraterrestrial contact, their original instructions from the Sky Elders. These ET relationships have existed since the beginning of time. They have been depicted on ancient rocks and hides, embedded in creation stories, choreographed in sacred dances, beaded on wampum belts, and continued to this day through rituals and the tobacco blessing.
They show our planet back into balance with natural laws.
Exploring the unifying “Sky Elder” theme found in virtually every Indian culture, Nancy Red Star shares her profound interviews with wisdom keepers from several Native traditions and produced an exciting documentary film that offers their teachings on taking our rightful place among the peoples of the universe. http://www.nancyredstar.com/film.htm
Laying out a path for rebuilding our world, the Sky Elders’ original instructions initiate us into the possibility of a coming time of peace. Inviting all peoples to realize their Star ancestry, the women and men of proud lineage and inspiring wisdom who share their experiences here offer us a survival plan for walking into the next world. http://www.amazon.com/Star-Ancestors-Extraterrestrial-American-Tradition/dp/1591431433
The
individual’s role in combating climate change is becoming a prevalent
topic, following the release of the IPCC report this autumn. Leading by
example, NBA star Lauri Markkanen is taking a stance by changing his
daily eating habits. As his first action to combat climate change on a
personal level, the Chicago Bulls player has given up eating red meat.
“As
my first action for #DontChoke, I pledge to stop consuming red meat as a
concrete step towards minimizing my personal carbon footprint. Every
move counts, play your part”, Markkanen declares on social media.
Following
his #DontChoke collaboration with renewable energy company Neste, the
decision is an exemplary step in doing his part in the fight against
global warming.
Markkanen
explains, that having recently become a father has made the well-being
of the environment even more significant to him. Markkanen encourages
his fans to follow in his footsteps to ensure a better environment for
generations to come. “I want to do everything in my power so that my
child will grow up in a clean environment, like I did. This is a call to
all my fans to do their share”, Markkanen explains.
The
#DontChoke campaign is a call to action for individuals to do their
share in battling climate change. The NBA player kicked off the campaign
by shooting hoops with a basketball covered with a hand painted visualization
of this year’s heat map. Throughout the on-going campaign, Markkanen
will consider the elements of his own lifestyle and opt for more
sustainable alternatives. Leading by example, the NBA player hopes to
encourage others to make their own climate pledge.
There are nowadays millions of single men, and among those, many dream of meeting a woman from Eastern Europe. Indeed, these women are known to be extremely attractive, faithful, and ready to do anything to come to live in Europe. Many dating and marriage agencies have been created to cater for this niche, specializing in so-called international marriages.
Unfortunately, many scams are hidden among these agencies. The websites use the faces of superb young women as bait. Once the vulnerable bachelor is hooked by some carefully worded emails, he is asked for money to cover the cost of a plane ticket as well as the visa fee. The sums involved can go up to 1,500 or 2,000 €, depending on the naivety of the man, and there is generally no way to fight it legally.
Anti Arnaques, the First community dedicated to fight Eastern Europe romance scams
That’s why Anti-Arnaques was created, in order to provide a reliable verification platform to any man who has doubts about the sincerity of the person he is speaking to. It includes:
A unique identity verification system in 2 steps: the Express Background Verification, through the four major Russian social networks, and the Official Background Verification, through the public and private databases of Russian and Ukrainian citizens that are reserved to the official authorities.
A black list containing names and pictures of women known to have practiced scams.
Practical advice to identify risk scenarios.
A forum to exchange ideas on potential risky encounter situations.
Testimony of a scam victim
“Hello, I am Rui, I live in Portugal and I was a victim of a scheme. Nastya or Anastasiya Vorozhnina, living at Lomonosova 97-64, 428000 Novopokrovskoe Russia, deceived me. By mere chance, I only lost 200 €, as well as 24 photos. This scheme lasted about 5 months, but I always resisted to send the full amount of money she requested, which was around 800 € to start with.
I hope to my testimony will help someone, and prevent him to fall into such scheme. These women can be very sweet at the beginning: only after 2 or 3 months she started to ask money. She was an authentic professional, who already appears in your list with other names: if I had knew Antiarnaques.org back then, I would not have wasted so much time.”
Rui, 48 years old, scammed by A.V.
The website Antiarnaques.org (which means Antiscams in French) allows anyone who wants to date a Russian, Ukrainian or Slav women to check the identity of a specific woman. Antiarnaques.org also offers the possibility to check the reliability of any marriage agency, and to consult the black list of Russian women known for fraud.
About Dimitri Berezniakov, the creator of Anti Arnaques
Dimitri Berezniakov launched UKReine.com in 1998: it was the first dating site specializing in international marriages between men from France, Belgium, Switzerland and Canada, and Ukrainian women.
This allowed him have a ringside seat to witness the rise of Russian romance scams: he used to receive emails from men victims of these scams almost daily. Because of the magnitude of the problem, he decided to create Anti Arnaques in 2010, in order to offer a reliable solution to individuals wishing to verify the identity of Russian and Ukrainian women.
Anti Arnaques, le premier site francophone de lutte contre les escroqueries sur le marché de la rencontre russe
Le site Antiarnaques.org permet à tout individu souhaitant trouver l’amour auprès d’une femme russe, ukrainienne ou slave de vérifier l’identité d’une femme spécifique. Antiarnaques.org offre également la possibilité de vérifier le sérieux de l’agence matrimoniale choisie, et de consulter la liste noire de femmes russes connues pour escroquerie.
La rencontre de femmes russes, ukrainiennes et slaves : un marché florissant mais présentant de nombreux risques
On compte aujourd’hui dans l’Hexagone de 16 millions à 18 millions de célibataires, divorcés et veufs, ce qui représente un marché attractif et porteur (CIDJ.com). Et ce nombre ne cesse d’augmenter : le nombre de seniors et de divorcés étant en hausse, de plus en plus d’individus se retrouvent à chercher l’âme sœur.
Parmi ces millions de célibataires, de nombreux hommes rêvent de rencontrer une femme originaire d’Europe de l’Est. En effet, on leur promet des femmes fidèles au physique extrêmement attractif, prêtes à tout pour venir vivre en France. Une multitude d’agences matrimoniales s’est ainsi positionnée sur ce créneau, en se spécialisant dans les rencontres dites internationales.
Malheureusement, de nombreuses arnaques se cachent parmi ces agences. Les sites utilisent les visages de superbes jeunes femmes comme appât. Une fois le célibataire vulnérable hameçonné par quelques emails soigneusement rédigés, on lui demande de l’argent pour couvrir le montant d’un billet d’avion ainsi que les frais de visa. Les sommes en jeu peuvent monter jusqu’à 1 500 ou 2 000 € selon la naïveté de l’interlocuteur, et il n’existe en général aucun recours devant la justice.
Anti Arnaques, première communauté francophone luttant contre les arnaques sentimentales d’Europe de l’Est
C’est pour cela qu’a été créé Anti Arnaques, dont l’objectif est de fournir une plateforme de vérification fiable à tout homme ayant des doutes sur la sincérité de son interlocutrice. On y trouve ainsi :
Un système de vérification d’identité unique en deux temps : la Vérification Express, via des 4 principaux réseaux sociaux russes, et la Vérification Officielle, via les bases de données publiques et fermées des citoyennes russes et ukrainiennes qui sont réservées aux organismes officiels.
Une liste noire répertoriant les noms comme les visages des femmes connues pour avoir pratiquées des escroqueries.
Une liste noire des agences matrimoniales internationales connues pour pratiquer des escroqueries.
Des conseils pratiques et concrets pour identifier les scénarios à risque.
Un forum d’entraide pour échanger sur des situations de rencontres potentiellement à risques.
Ils ont été victimes d’arnaques et témoignent
« Tout a commencé par un mail, et des conversations dans lesquelles on parlait de tout et de rien. Je lui ai proposé de venir en France pour son anniversaire, et la cascade d’ennuis a débuté : pas d’argent pour payer le passeport, pas d’argent pour payer le visa…J’ai donc payé tous les frais. Une fois à l’aéroport, elle s’est soi-disant faiteî arrêter, on lui a interdit de quitter le pays à cause du crédit de son appartement. J’ai eu moult preuves de sa bonne foi, j’ai cru en elle, je me suis senti responsable, je me suis investi à fond. J’ai donné beaucoup beaucoup d’argent, et aujourd’hui j’ai tout perdu.
Je souhaite simplement que d’autres ne répètent pas les mêmes erreurs : je l’ai donc signalé sur Anti Arnaques, s’il vous plaît allez-voir, et faites attention ! »
Joël, 43 ans, arnaqué par E. T.
“J’ai commencé une relation par email avec Anastasiya, elle m’a complétement séduit en quelques semaines. Elle était extrêmement douce au début, puis a commencé à réclamer de l’argent. Par chance, j’ai flairé quelque chose de louche et ne lui ai envoyé que 200 €. J’ai ensuite réalisé qu’elle était présente sur la liste noire d’Anti Arnaques ! »
J’espère empêcher un autre homme de tomber dans le même piège ! »
Pierre, 48 ans, arnaqué par A. V.
A propos de Dimitri Berezniakov, le créateur du site Anti Arnaques
Dimitri Berezniakov a lancé UKReine.com en 1998 : il s’agissait alors du premier site de rencontres spécialisé dans les mariages internationaux entre des hommes originaires de France, de Belgique, de Suisse et du Canada, et des femmes ukrainiennes.
Cela lui a permis d’être aux premières loges pour assister à l’essor des arnaques sentimentales en provenance d’Europe de l’Est : il reçoit alors des emails provenant d’hommes victimes de ces escroqueries quasi-quotidiennement. Face à l’ampleur du problème, il décide de créer Anti Arnaques en 2010, afin d’offrir une solution fiable aux individus souhaitant vérifier l’identité de leurs interlocutrices.
“The growing flow of digital culture depends on the hidden protocols of its underlying systems. To explore how interfacing shapes spectatorship online, this pioneering study pinpoints experiences of flow through the friction of photo-based glitch art by Phillip Stearns, Rosa Menkman, and Evan Meaney.
Homing in on the viewer, these three cross-disciplinary case studies present and analyze material that is new to the art-historical context. In particular, they focus on how glitched artworks in online environments make viewers aware of their own activity within the flow, causing a break from the increasingly naturalized integration of system and individual.
Mysterious and Beautiful
When a glitch invites the viewer to try out different positions in relation to the system, a tactical spectatorship unfolds.” That’s the introduction text of Vandela Grundell’s book Flow And Friction: On The Tactical Potential Of Interfacing With Glitch Art. In simpler terms, our modern online life utilizes smartphones and digital cameras to not only represent who we are, but to present to others ‘how’ we are.
In the early days of computer, during the great Cold War and its technologically dependent Space Race this was known as a ‘glitch’.
Flow and Friction is a fascinating celebration of the mystery and the beauty that sometimes arises from glitched systems. 238 pages. Recommended. For the Silo, Jarrod Barker.
About one hundred years ago, millions were involved in war – a war later to be known as the War to End All Wars. It was a global conflict of brutality, propaganda and technological advance — a war of survival and humanity and courage.
Trench warfare forced soldiers to adapt to new technology and new techniques in order to survive – something my grandsons and I learned on a recent visit to the Canadian War Museum.
The helmet, the respirator and the Lee Enfield rifle were all introduced in 1916. The helmet was in response to shrapnel artillery shells. The respirator provided some defense against chlorine and phosgene gas. The Lee-Enfield bolt-action, magazine-fed, repeating rifle replaced the unsuitable and much hated Ross Rifle.
One hundred years ago, thousands of miles of trenches crisscrossed the western front. Between the opposing trench systems lay No Man’s Land — a battered killing zone across which soldiers had to move in order to attack.
Howitzers were used to pound trenches and targets at the enemy’s rear. The eight-inch Howitzer could fire an enormous high-explosive, 200-pound shell up to seven miles. The trajectory of fire was very high, with the shell plunging downward to deliver a devastating explosion.
Shrapnel shells were designed to burst in the air, producing a cone–shaped whirl of deadly metal. Soldiers suffered horrific wounds as pieces of shrapnel ricocheted inside the body, causing further internal damage and gaping exit wounds.
The Creeping Barrage was a key to victory on the Western front. This moving wall of artillery fire forced the enemy to remain under cover, unable to fire on the attacking infantry as they moved across No Man’s Land.
Control of the air was essential for victory on the ground. Canadians played a key role in the British air services as fighter and reconnaissance pilots, aerial observers, mechanics and flight instructors. The Nieuport 17, introduced in 1916, featured a powerful engine and a synchronized Vickers machine gun. It became one of the best allied fighter planes of the war.
Improvements in combat surgery and new techniques like blood transfusions meant almost 90 per cent of all wounded soldiers who received medical treatment survived.
Doctors learned to treat the terrible wounds of modern warfare, and served in the front lines or within range of enemy artillery. Causalities were so heavy that more than half of all Canadian physicians served overseas to meet the demand.
Canadian nurses were trained medical professionals, but nothing could have prepared them for the horror of battlefield wounds — more than 3,000 served in the Canadian Army medical corps. Their wartime service assisted women to receive greater recognition within the medical profession.
To pay for the enormous cost to equip our personnel overseas, the federal government imposed a business profits tax in 1916, and an income tax for individuals in 1917. Proposed as a temporary emergency measure, the income tax became permanent.
And, almost every city and town across Ontario and the country launched campaigns to raise money. Women worked without pay to provide countless supplies and gifts, including warm clothing, bandages and food.
To quote a popular phrase of the time, everyone was encouraged to, “Do your bit,” in support of soldiers and winning the war.
A century has passed, and we remember the tremendous impact of the War to End All Wars. For the Silo, Haldimand-Norfolk MPP Toby Barrett.
Busy moms share a common stress during the holiday season. There is too much to do, and not enough time to do it. The best way to reduce stress levels is to reduce expectations. The only woman obligated to entertain like Martha Stewart is Martha Stewart. By lowering personal expectations and opting for timesaving options, moms can reduce the pressure they put on themselves. The following are a few of Kleven’s holiday tips and tricks for busy moms:
Purchase holiday baking at fundraising bake sales or from community-based charities. Moms can stock up on a supply of festive treats while supporting worthwhile organizations. Get together with girlfriends for an afternoon of baking. Each woman bakes enough batches for herself and the others. Once cooled, everyone has a selection of festive baking that can be combined on disposable platters ready for gifts giving or holiday get-togethers. Offer to watch a friend’s children while she does her gift shopping. Get her to do the same for you. Shopping without children is faster and less stressful. Moms can also do their gift shopping online, in the comfort of their own homes.
Arrange to have the items shipped to a nearby neighbour or friend, where they can be stored away from prying eyes until just before the big day.
Money doesn’t have to be an issue. Re-gifted items make perfectly acceptable presents. So do homemade treats like cookies, flavoured popcorn, or peanut brittle. Check the internet for quick and easy recipes. Another gift that is sure to please the other moms on the list is an I.O.U. for a free afternoon of babysitting. The only cost to the giver is a few hours of her time, while her friend enjoys a quiet afternoon all to herself.
Simplify entertaining wherever possible. Meet friends for coffee and dessert at a local restaurant instead of at home. The holidays are about spending time with loved ones. Holding the festivities somewhere else ensures that everyone, even the hostess, gets to sit down and enjoy the visit.
If you do decide to invite friends and family to your home, have them drop by in the afternoon. Daylight get-togethers are far less formal. Ask guests to bring finger foods or purchase them ready-made. The selection and quality of hors d’oeuvres, vegetable and fruit platters available at grocery stores has come a long way in the past few years.
Rather than creating a pile of dirty dishes for afterward, pick up plastic cutlery, disposable plates, paper tablecloths, and napkins in festive patterns. For best selection, shop early. This holiday season, prepare for a house full of guests in advance. Borrow sleeping bags and air mattresses from family and friends and tell children they are all “camping out” in one bedroom. This creates extra sleeping areas for grandparents, aunts and uncles.
Over the next several weeks, make double batches of dinners like spaghetti sauce, chili, soups and casseroles. Freeze leftovers to thaw and serve during the holidays.
When planning for meals, go for the easiest alternative. Pick up a mixture of lunch meats and buns for self-serve lunches, and order pizza for dinner one night. By taking a more relaxed approach to the holiday season, busy moms stand a better chance of actually enjoying themselves instead of starting the New Year exhausted and disappointed. For the Silo, Colleen Kleven.
Daniel Johnston is not a secret anymore. Thirteen years ago, in 2005, director Jeff Feuerzeig released the Sundance award-winning documentary on Johnston’s life “The Devil and Daniel Johnston,” his songs have been covered by renowned artists like Beck, Tom Waits and The Flaming Lips and he has also been featured in the 2006 Whitney Biennial of American Art. It seems that over the past few years the enigma that was Johnston has mutated into a proverbial “cult figure.” However this cliché is an inaccurate description. Where is the line between cult figure and pop culture icon drawn? The common theme found in essays and reviews on Johnston’s work is the examination of his mythology rather than the examination of his work. This type of analysis tends to do more harm than good: the myth swells while the work rusts.
The lack of critical texts on Johnston’s artwork is alarming considering that he has exhibited internationally and in his home country of the United States. Moreover, his work resides in numerous public and private art collections (including my own). Anyone even remotely familiar with Johnston’s work can recognize his assorted cast of unusual characters, symbols and motifs like Jeremiah the Frog (refer to images above and below), Vile Corrupt and the Dead Dog’s Eyeball. The latter image surfaces in Johnston’s early work as a result of a traumatic encounter with exactly that, a dead dog’s eyeball. In the book The Life, Art, and Music of Daniel Johnston, Johnston himself describes a childhood incident where he witnessed a dead dog hanging from a swing set: “He got himself caught on the rope and got hanged. I asked this girl where was her dog and she pointed over at him and said right there.” As the authors of the book point out, the same incident was addressed in lyrics from Johnston’s song “Catie” on the album Fun (1994):
I saw the dog hanging on the swing set
I asked the girl
Where was your doggie at?
I walked on down to see my grandpa yeah!
Well I’ve had a lot of horrors
And I’ve had a lot of fears
But the worst of horror
Is when there’s nothing here
What is fascinating about the reproduction of the dead dog’s eyeball in lyrics and illustrations is that it may be connected to the trauma Johnston experienced when first encountering the dead dog on the swing set. Trauma is characterized by an affective shock that has the capacity to wound the body and the psyche, which in turn causes anxiety, stress and other forms of neurosis. Seeing the dead dog’s eyeball during childhood might have registered trauma in Johnston that affects him well into his adult life and it could have taken the form of an obsession (fig. 4). In one particular drawing from his early work Johnston asks himself in bold text, “WHY DO I KEEP DRAWINGS [sic] THESE SILLY LITTLE EYEBALLS?” Here and elsewhere, the artist is consumed by flashbacks of the dead dog’s eyeball to the extent of being overwhelmed.
While Johnston’s manic depression and schizophrenia have been well-documented—and largely contribute to his mythic status—his encounters with trauma and its relation to his artwork have not. Keeping this idea in mind will help to better understand and appreciate the construction and trajectory of his characters, symbols and motifs. It may be time for writers, critics and scholars to take a step back, allow Johnston’s myth to rust and the impact of his work to swell. He is not a secret anymore. For the Silo, Matthew Ryan Smith, P.H.D.
Tarssa Yazdani and Don Goede, The Life, Art, and Music of Daniel Johnston (San Francisco and Colorado Springs: Smokemuse and Last Gasp, 2006). 33-34.
Random acts of kindness come in all shapes and sizes, something as simple as a smile to a stranger, or paying for the guy behind you in the cue at the coffee shop drive-thru counts. The idea is to leave someone, whether you know them or not, with a brightened day and a reminder that there are good people. There is an amazing movement happening in the artistic circles, created with the same purpose, it is called art abandonment and artists from all over are leaving behind their artworks anonymously.
“It’s something that I’ve done for a number of years now, albeit infrequently, usually on beverage napkins and the like,” says deMeng in an introduction to Art Abandonment on his blog. “About ten or so years ago I would walk to the same place by a river and leave a little charcoal drawing. So recently I started this activity up again…leaving little sketches with a note on the back”
deMeng acknowledged that he did not create the idea of art abandonment, but perhaps discovered its use as a random act of kindness as opposed to a political message used by many urban guerilla artists.
In fact, Haldimand-Norfolk artist Jarrod Barker created several guerilla art installations in Haldimand-Norfolk including one at Simcoe’s now demolished American Can property back in the summer of 2010.
deMeng outlined some of his theories behind the art of abandoning art and its purpose, including that its good for the heart and a little addictive once you begin and the simple fact that money is tight and giving a gift like this could encourage someone to continue to support the arts.
“I think it’s important to be able to let one’s art live beyond it’s creator, I love imagining what becomes of my art after it is gone…whether given or sold,” said deMeng.
“Some folks can’t seem to let go of their work, even when they sell it. This is a great way to learn to move on.”
The concept is very simple:
1) Create a piece of art.
2) Write or attach a note explaining it is a free gift, purposely left behind including contact information if you so wish.
3) Take a photo of your art and its place of abandonment and then sneak away unnoticed.
I myself am not an art abandoner, although if I had the time and resources I would, but I thought I could offer a unique opportunity for the abandoners I find so much joy in following on social media.
June 30, 2013 I will have departed to Peru for a ten day journey across a wide variety of landscapes including urban centers, Machu Picchu, and the Amazon rainforest.
I invited artists to send me their work in order to abandon on my journey, and I would share the photos of their abandonment locations with the artists as I continue my journey.
“Machu Picchu is on my bucket list,” said Burlington artist Heather Kuzyk who sent three art trading cards (atc) to be abandoned.
“So if I never perchance to make it there in body at least a part of my soul has been. ”I was excited by the thought of the photos I could take of the abandoned art on the Machu Picchu ruins with the beautiful Peruvian mountains sprawling in the background. Although I sincerely hope some of the finders will share of their discovery, I’m pleased just to imagine how excited I would be if I found something like that in such a magical place. For The Silo, Lacie Williamson.
Post-script: Remember to never install or leave behind work that contains string, toxic or synthetic materials, small pieces of plastic etc. Anything that can harm or interfere with the natural environment or wildlife must never be used.
Recent Ukrainian laws requiring that one in four songs on the radio be Ukrainian, not Russian or any other language, have met resistance from DJ’s who claim there is just not enough local talent. Ukrainian linguist and music lover Vira Vyrśka says there is plenty to choose from and shares her personal play list.
Can Ukraine legislate which language is spoken?
While we are on the topic of Ukraine’s aspiration to become free of Russian domination and partner with Europe, the political feud has bubbled over into new proposed language laws. But can you legislate which language people speak? Even some Putin critics disagree.
China’s pirate video underground
Unpaid subtitlers have made it possible for the House of Cards and John Stewart to become massive hits on the other side of the globe. So are they copywrite thieves or the last hold out against Chinese censorship? Meet Mr. Xia.
How beards explain international history
And you thought it was just hair. Beards have represented everything from religious extremism to masculine savagery and intellectual gravitas. A timeline of 3,000 years and 20 countries.
Yes, you can go to jail for writing poetry
Putin’s political opponents and courageous whistle blowers have been thrown off of buildings and shot in broad daylight. But they are not his only targets. Bad poetry, it turns out, is also a crime. Just ask Alexander Byvshev.
Egypt’s missing belly dancers
Where are the famous belly dancers of Egypt? A video tour of belly-dancing from its heyday in the 1920’s in Cairo to its current diminished status in the country where the art of belly-dancing was born.
The 14 best Middle Eastern musicians?
Break out your iTunes and Spotify. This list spotlight Middle Eastern music trending now in every country from Morocco to Iraq. This music will make your next dinner party or romantic evening.
Syrian warfare the computer game?
Russian game makers Cats Who Play released a new game this year based on the war in Syria in which the player must side with the regime. Did they get it right?
Chavez love culture
The cult of Chavez has only spread after his death, creating a “love culture” as annoying to some as a clingy ex-girlfriend in a small town who keeps showing up everywhere. For the Silo, Alisa Cromer.
Yes this post’s title bears repeating. The public’s appetite for failing public figures continues to be satiated. But beyond the face value of these stories, should the public have deeper concerns about their causes and what could they be indicative of beyond sexual obsession? According to Dr. David M. Reiss, what is more pertinent to analyze is the self-defeating, self-sabotage aspect of these actions, and essentially the unconscious self-hatred and hatred of anyone who cares for them (i.e., humiliation of a wife).
According to Reiss, “We are getting away from one on the true critical issue — masochism. It is the acting out of the self-hatred by politicians through their legislation and power that is actually infinitely more dangerous to the public than any particular sexual activities. What more don’t we know about their behaviors behind the scenes and what else may manifest?”
In addition, the so-called treatment for someone is nothing more than a publicity play to help “fix” the problem in the public eye. The idea of his going into an “intensive treatment program” for two weeks is a joke. Especially at age 70, with decades of this type of behavior, a program like that can’t do anything but perhaps a diagnostic evaluation and set a course for ongoing therapy – with a poor prognosis. Otherwise, it’s an insult to the idea of therapy to think that two weeks could be of any significant effect.
David M. Reiss is a practicing psychiatrist for 30 years and recognized internationally for his expertise in character and personality dynamics. He has performed more than 10,000 psychiatric evaluations; evaluated and treated patients from diverse social and cultural backgrounds, and from every occupational field. He is an in-demand lecturer and has been published and covered in academic journals as well and general consumer media. For the Silo, Alyssa LaManna.
In her youth, Wendy E. Slater found her greatest gift of expression in poetry- and then went dormant. Years later, on a trip to Scotland, the fount reopened. She had been through a crucible of chronic illness that forever changed her, launching Slater on a quest for meaning and life reexamination. That quest opened a gateway into self-healing that resulted in 20 volumes of simmering, soul-searing and spiritual poetry that deftly points humankind toward a new awareness of our Oneness with all humanity, nature, the cosmos and the divinity.
Slater’s breathtaking dive into self-scouring, cleansing and finally transcendence offers hope for all who have been pulled down by the forces of self-blame, self-judgment and self-sabotage. The beauty of her soothing words and healing revelations clears the way for a new path to life-altering Unity, emerging from the alienation of separation.
Her awakening journey began first in the 1980’a where as a student studying science, she became increasingly aware of the inter-connectedness of all things. Struck down by an undiagnosed chronic illness in 1991 that incapacitated her for five years, she turned to alternative healing techniques when allopathic medicine failed her. This widely ranging exploration of holistic health and spiritual practices opened her eyes to a new way of being, brought forth consistently by healers from all societies and eras- an existence without “the false archetype of perfection.”
Says Slater, today a gifted alternative healer herself: “When blame and self-judgment are transformed, healed and cease to be, we have reawakened without myth, the mythos, of separation.”
It was on that one heart-opening trip to Scotland in 2001, that the poetry coalescing inside of her during that healing period began to pour forth. In subsequent trips to spiritually enriched landscapes, the words found their way to paper. Slater calls her work “Vision Quest” Poetry.
Into the Hearth, Poems-Volume 14, is actually the first of her volumes to reach publication. And it is already a widely-acclaimed Amazon.com #1 Bestseller:
“This is a very dangerous book of songs. You will find yourself overwhelmed, engulfed, and swept away into the very intimate heart fire of Wendy Slater, the feminine heart fire of love, and in the end you will be left in ashes, totally in love without any object whatsoever, yearning for more.: ~ John A. Perks, Author of “The Mahasiddha and His Idiot Servant,” Ven. Seonaidh Perks, Celtic Buddhist lineage
“Wendy E. Slater is that breed of poets who open our eyes, our hearts, and our minds with a warm arm around the shoulder, a sympathetic and empathic delivery that instantly binds the reader to her. These poems, quite simply, are eloquent, not only because they are offered with a desire to invite us to join her on the path to enhanced perception of the world and our place in it, but also because she manages to infuse that sense of spiritual respect that is so often absent in contemporary poetry.” ~Grady Harp, Amazon’s Hall of Fame, a Top 100 Amazon reviewer.
In the Hearth by Wendy E. Slater is available from Amazon.com and also on Kindle. To learn more about “Vision Quest” Poetry visit Traduka.com
TORONTO — In March 2019, the Royal Ontario Museum (ROM) brings visitors an exhibition of rarely-seen royal treasures from Marwar-Jodhpur, one of the largest former princely states in India. The ROM will be the final North American destination and the exclusive Canadian venue forTreasures of a Desert Kingdom: The Royal Arts of Jodhpur, India. This exhibition, organized by the Museum of Fine Arts, Houston, with the collaboration of the Mehrangarh Museum Trust, India, will be on display from March 9 to September 2, 2019.
“As a leading centre for scholarship and expertise in South Asian art and culture, we are delighted to give visitors the unprecedented opportunity to explore a part of India’s rich cultural history that has rarely been seen,” says Josh Basseches, ROM Director & CEO. “This landmark exhibition will not only captivate audiences, it will also offer a deeper understanding of India’s artistic heritage and its continuing influence today.”
Treasures of a Desert Kingdom features nearly 250 artworks and objects from the kingdom of Marwar-Jodhpur, located in the northwestern state of Rajasthan. The exhibition traces the kingdom’s cultural history as it was continually reshaped by cross-cultural encounters. Lavishly-made ceremonial objects, opulent jewellery, textiles and tapestries, palace furnishings, architectural treasures, and a monumental 17th-century court tent showcase the history of Marwar-Jodhpur and the Rathore dynasty that ruled the region for more than 700 years.
Drawn primarily from the collections of the Mehrangarh Museum Trust and the private collections of the royal family of Jodhpur, the exhibition marks the first time that most of these treasures have been seen beyond the palace walls.
Dr. Deepali Dewan, the exhibition’s coordinating curator and ROM’s Dan Mishra Curator of South Asian Art & Culture says: “This exhibition will be a special experience because most of the treasures are coming from Jodhpur itself. Treasures of a Desert Kingdom tells the story of an incredibly dynamic, cosmopolitan, and influential kingdom that saw art and culture as a critical aspect of rule. Jodhpur flourished, despite the odds of being in the middle of a desert, because they made strategic alliances, opened their borders, and allowed for a diverse culture. These are lessons still relevant today. This enthralling presentation demystifies our notions of life at the royal court, while highlighting India’s multifaceted past and its contemporary cultural landscape. There will be something familiar and something surprising for everyone.”
On view in Garfield Weston Exhibition Hall, Treasures of a Desert Kingdom: The Royal Arts of Jodhpur, India explores numerous thought-provoking themes, including the cross-pollination of new ideas through art and culture; the strong influence of women in the royal court; the importance of royal patronage; and the powerful role of art as tools of diplomacy.
The ROM engagement follows the exhibition’s run at the Museum of Fine Arts, Houston and the Seattle Arts Museum.
Treasures of a Desert Kingdom: The Royal Arts of Jodhpur, India is a separately ticketed exhibition. ROM Members enjoy free admission and exclusive opportunities to experience ROM exhibitions and programs. For the Silo, Anne Vranic.
Featured image- MFAH Exhibit Peacock in the Desert photo: Houstonia
My name is Olga and I’m a Virtual Reality VR artist/sculptor based in Toronto,Ontario. In 2016 I was hired by Google to create VR experience for YouTube Plus event. This was my first introduction to Google Tiltbrush. I live painted the Toronto skyline in front of hundreds of people.
Since then I was involved in Google projects and many other events and conferences. My VR works were featured on national media chains such as the CBC and Space Channel. I would very much like to share them with you as well. Since Russian is my native language, I often prefer to speak through video and if a picture is worth a thousand words then a video must be worth even more.
I am very passionate about this new medium. I have talent and humor and would love to work on big VR / AR art project. Perhaps there are others like me, looking to collaborate? I would be happy to hear from you.
Put Breastfeeding on the map! As a species, we have survived because of breastfeeding. With the advent of corporations devising infant formulas to help moms who return to work, or to help moms who can’t breastfeed, and to help dads feel bonded to their babies – formula in Western Society has become the expected way to feed your baby.
But does the choice to breastfeed or formula feed define your ability to be a mom? Absolutely not.
So, why do we celebrate World Breastfeeding Week for an entire week around the world (First week of October in Canada)?
We celebrate what has been passed down to us through evolution (or creation). We have breasts to feed our children. They weren’t positioned to hold up strapless gowns, nor were they created for the purpose of pleasing our mates.
There have been 2 or 3 generations in Canada who haven’t breastfed. Much knowledge has been lost.
Thanks to the La Leche League and more recent peer-to-peer groups, mother-to-mother support is filling the hole made by the lack of breastfeeding knowledge among family members, and the relative lack of medical information in our medical systems. For years, doctors and hospitals have been visited by formula company representatives. This does not make the doctors knowledgeable about breastfeeding. They only learned to give a bottle when there was an breastfeeding issue.
Many doctors today still do the same thing. Push the formula and don’t give mom breastfeeding support. I’ve heard them. Clients also tell me. They need support in their choices, not a heartbreaking way out.
There is no money in breastfeeding. A Lactation Consultant could spend time visiting doctors like formula companies do, discussing the risks to formula feeding (and those risks are many and documented). She would not have money to leave freebies at the office – pens, measuring tape, free samples. There is no money for breastfeeding promotion.
How will the doctors and nurses learn? I know recent grads from medical schools who were given 3 hours of breastfeeding education over the course of their studies. Clients who take classes with me also get 3 hours but I wonder which is of better service?
This is one reason why we celebrate breastfeeding for a week: We need to let people know about the damage the marketing of formulas has done to our psyche and to our general health.
This is not about being “mom enough.” This is about remembering that biologically and physiologically speaking, the normal way to feed our children is by breastfeeding. Celebrate World Breastfeeding Week in October. This is not about any ‘mommy wars’ which are born and bred by the media. This is about helping women feel happy in their choice to breastfeed – under a blanket or not. This is about getting letting every know that breastfeeding needs to be seen and celebrated, if only this one week a year. Stephanie MacDonald.
If you are considering taking your first steps onto the property ladder, you basically have a choice between purchasing a condo or purchasing a house. Which is right for you depends on your circumstances and wants/needs.
A condo encompasses more elements of apartment living which can have both its benefits and drawbacks, and it is important to weigh these up before you make a final decision and take on what is a huge financial undertaking. Why not check out the Mirvish + Gehry condocomplex to see an example of what’s on offer and then come back here to find out more about the pros and cons?
#1: No Mowing the Lawn
One of the biggest pros of living in a condo is that there is very little to look after aside from the general cleanliness of your home, and even then, there’s not a whole lot of that in comparison to a house. Less square footage means less cleaning and no garden means you don’t have a lawn to mow, a garden to tend to or a roof to repair when things start to go wrong. This leaves you with more time to do things which you truly enjoy.
#2: A True Sense of Community
When you are living in a condo building, there’s a true sense of community between you and your fellow residents, especially when there are communal areas such as lounges and game rooms. This is much better than living in a street where people keep themselves to themselves and don’t get involved with each other. You will make more friends and develop relationships.
#3: It Can Be Quite Noisy
The obvious downside to living in a condo vs. a detached house is the noise factor. When you live in a condo, you are adjoined to other people’s homes and sometimes there can be problems arising due to noise. Although modern condo buildings have good sound insulation, it’s not perfect and this is an important consideration if you are somebody who doesn’t like the slightest bit of noise from other people.
#4: You Can’t Choose Your Neighbours
Although you can’t pick your neighbours with a house, it’s easier to avoid them. When you live in the same block as neighbours whom you don’t like, avoiding them can be difficult as you are forced to share certain parts of the building with them. Although there can be a great sense of community, this can work in the other direction and be more of an inconvenience than anything else.
When it comes to deciding between buying a condo and a house, the decision can be very hard to make. It requires a lot of careful thought before you dive into it – you’ll probably be living in your condo for several years and it’s important to make the right choice. There are many other pros and cons associated with living in a condo vs living in a house, so before you commit to anything, carry on doing your research. For the Silo, Dimitry Karloff.
If you enjoy French fashion, art and film and coloring books, sharpen your pencil crayons and prepare to be inspired by two French icons of unparalleled creativity: fashion designer Yves Saint Laurent and playwright and filmmaker Jean Cocteau in these two funky adult coloring books.
“The chicest stress reliever ever.” —Buzzfeed
This elegant, imaginative colouring book explores the dynamic, fanciful creations of iconic fashion designer Yves Saint Laurent, who headed the House of Dior at age twenty-one before launching his own design house at age twenty-five.
The book’s line drawings for colouring are based on many of fashion designer’s original sketches for dresses over the years. In these pages, one can see the breadth and versatility of his creations with designs inspired by harlequins and the Carnival of Venice, Pop Art and Mondrian, and the cultures of Asia, Africa, and beyond. Colourists have much breadth and versatility to design creations of their own, with the accompaniment of full-colour photos of the dresses for reference.
This book is produced in conjunction with the Fondation Pierre Berge-Yves Saint Laurent, dedicated to preserving and promoting the history of the House of Yves Saint Laurent.
JEAN COCTEAU COLOURING BOOK
The Jean Cocteau Coloring Book brings the fanciful, elegant world of artist, playwright, and filmmaker Jean Cocteau to life, serving as a primer on the work of this inspiring artist.
As a playwright, Cocteau is best known for The Human Voice (1930); as a filmmaker, he directed Beauty and the Beast (1946) and Orpheus (1948). A prominent member of the Paris avant-garde (1910s), he formed friendships and professional relationships with Picasso, Stravinsky, Gide, and more. His paintings and graphic art were playful, fantastical expressions exploring mythological themes and subjects, personal portraits, and domestic scenes.
Cocteau’s graphic drawings are ready to be coloured in, alongside original illustrations for reference. Also included are images from the original film poster for Beauty and the Beast, playful doodles that Cocteau included in letters to his lover Jean Marais, and drawings of Parisien women, cats, sleeping figures, circus performers, and other figures emanating from Cocteau’s imagination. For the Silo, Cynara Geissler.
Yves Saint Laurent Coloring Book
ISBN: 978-1-551526-39-3
$12.95 list USD | CDN
US distribution by Consortium
Canadian distribution by UTP
Canadian sales by Ampersand Inc.
Jean Cocteau Coloring Book
ISBN:978-1-55156-40-9
$12.95 list USD | CDN
US distribution by Consortium
Canadian distribution by UTP
Canadian sales by Ampersand Inc.
For as long as I can recall, I’ve wanted to write original music, never being a fan of jumping into a covers band and playing someone else’s music. I never understood why anyone would want to, apart from maybe doing a remake or remixing a song. I’ve done a few stints, and have friends currently in covers bands… fantastic players and performers.. and I respect that…. but it’s just not for me. Usually I find that the instruments themselves are the drivers that motivate and provide me with the inspiration for ideas that might eventually become songs on an album. That’s even more relevant now with all the choices one has in electronic instruments, VSTs, DAWS, etc.
Years ago, electronic instruments were far less intuitive and user friendly, but we managed to squeeze every ounce of functionality they offered to break new ground and explore things not otherwise possible on acoustic instruments. With Voice Industrie, I write and produce all the songs, mostly because I know what I’m after, and to a lesser extent because nobody has ever offered to co-write a VI track. I’m not entirely sure how that translates in the grand scheme of things lol…. But here we are six albums into it since 1992.
My name is Alain Levesque and I am primarily a self-taught drummer who “learned his chops” by playing along to Pink Floyd, Yes, Genesis and King Crimson records many years ago. Suffice it to say Bill Bruford quickly became my idol and mentor. I loved how he approached drumming then and right up until the day he retired. I was determined to form or find a prog band to play with until Gary Numan came along and then things changed. I became fascinated with synthesizers and electronic music and began producing crude experimental electronic works in addition to maintaining my role as a drummer/songwriter for a prog trio we named Roboxis. Fast forward to 1992 after a few short-lived projects and solo outings, and the formation of Voice Industrie, which included 2 drummers on electronic pads and 2 keyboardists armed with what resembled an entire music store’s synth department.
Back then “VI” performed live only about 4 times a year, including some very memorable outings with 2Unlimited, KMFDM, Cassandra Complex, Assemblage23, SNFU and many other very good established or upcoming bands. Today, VI consists of a trio that includes a full time drummer on a Simmons SD2000, a keyboardist and myself on Simmons and Nord pads, Keyboards and vocals. We recently held the “Dreams Of Flight” album release in Edmonton and Calgary. While VI has ventured south to the USA, we have yet to travel overseas. Maybe next year?
The Technology We Use And Embrace
In the early days I owned a Star instruments “Synare3” pad and was happy messing about with that, until the Simmons SDSV electronic drums arrived in 1984 everything really opened up. I was able to play melodies on those pads with sticks in hand while holding down the kick/snare back beat with my feet. I could contribute melodies and play harmonies to guitar or keyboard lines. Great fun, until the draw of commercially viable music lured away my mates, and thus Roboxis was to be no more. I continued to acquire synths and Simmons gear as it came available, making the task of creating music from a drummer’s perspective somewhat less difficult, and ultimately managed a decent studio filled with electronic drums, racked modules and keyboard gear.
Through the years the equipment roster has undergone changes and upgrades, but with much of the now vintage gear still serving my needs. The first two VI albums were written on and recorded directly off an Ensoniq ESQ-1 and Ensoniq EPS. A change to Cakewalk DOS (!!) was made at album #4, and I have used a number of DAWs [Digital audio workstations commonly known as ‘recording on a computer or laptop using a software program CP] until really finding my groove with FL Studio and Cubase.
I have a few “go to” VSTs but still draw on sounds generated by vintage outboard gear such as the Simmons SDS7, SDE, MTM, Korg Wavestation, Ensoniq VFX-SD and others for inspiration. I quite enjoy randomly layering multiple instruments with MIDI to see what ensues, like playing the Nord Drum2 and Simmons SD2000 MIDI’d to a VST or Virus TI. I am never quite sure what will ensue. For the past few albums, I have forced myself to toss away familiarity when writing. Only by subjecting oneself to discomfort and unfamiliar territory will one experience unexpected results. This couldn’t be more true with the latest album, where a lot of it emerged from accidents and bending the rules lol. I love that!
Let’s cut right to the chase: Do you know what’s in your lunch? We were curious, so we decided to investigate further.
We tested popular foods such as Cheerios, a Tim Hortons bagel, Ritz crackers and Fontaine Santé hummus and the results were overwhelming: 80 per cent of the foods tested contained the harmful chemical glyphosate. Glyphosate, Canada’s top-selling weed killer and key ingredient in Monsanto’s product Roundup, is of particular concern because of its links to cancer.
The unchecked use of glyphosate and widespread contamination of the foods that you and your children eat every day is not acceptable.
Just last month, a California court ruled that Monsanto’s glyphosate–based pesticide, contributed to an American citizen’s cancer. The court case revealed documents showing Monsanto manipulated scientific research and downplayed the risk of its products for decades. This case is just one of several thousand lawsuits against Monsanto (now owned by Bayer).
In Canada, the Pest Management Regulatory Agency (a department of Health Canada) recently reauthorized glyphosate for another 15 years. We are calling on the federal government to bring our outdated toxics and pesticide laws into the 21st century and remove harmful chemicals like glyphosate from our food. With your help, we can make this happen. For more information check out this report at whatsinyourlunch.caFor the Silo, Muhannad Malas.
Finnair and Helsinki Airport have been connecting East and West for 35 years via Helsinki. To celebrate this achievement, the two have released a short film, the first one of its kind – made by an airline and an airport. The short film East and West Side Story speaks of meaningful encounters that take place when people travel.
East and West Side Story follows a famous writer in need of personal privacy, while the whole world wants to have her in the limelight. The story plays on three continents, spacing from the US to Korea and ending in Finland. As the film’s title East and West Side Story suggests, the film has two directors: Young-Wok Paik aka “Wookie” comes from Korea and Johan Storm from Sweden. The two directors both give their point of view on the same story, produced by B-Reel Films (Bergman: a Year in Life). The leading roles are played by Anne Bergstedt (Boardwalk Empire, Black Swan) and Jae Hoon (One Day Maybe).
East and West Side Story is an excellent example of modern companies using branded entertainment to tell more emotional stories and reach an even wider audience around the world. The short film premiered last night in a very special event at Helsinki Airport, where an aircraft hangar was turned into a movie theater for one night. The guests were hosted by Renny Harlin, the established Hollywood filmmaker and one of the most sought-after directors in China.
Artificially intelligent humanoid robot, Sophia, will make her first comic convention appearance at the first annual Ogden UnCon June 7-9, 2019. Sophia the Robot, the masterpiece of Hanson Robotics (www.hansonrobotics.com), has captivated nations and has become an internet sensation. Sophia has met with world leaders, addressed the United Nations, appeared on TV shows such as The Daily Show and The Tonight Show starring Jimmy Fallon, and has graced the cover of Cosmopolitan, ELLE magazine, and more. Now, this modern marvel is coming to Ogden, Utah to meet her fans and kick off Ogden UnCon’s first event.
Ever since her unveiling in 2016, Sophia has quickly rocketed to stardom. Sophia is Hanson Robotics’ most advanced human-like robot, created by combining breakthrough innovations in robotics, AI, and artistry. The epitome of artificial intelligence, Sophia is endowed with remarkable expressiveness, aesthetics, and interactivity, and can simulate a full range of facial expressions, track and recognize faces, and hold natural conversations with people.
Just like Ogden UnCon, Sophia shares a remarkable, unique and unexpected story that captivates and surprises, making her the perfect headliner for our inaugural year.
“Sophia is the personification of the comic con spirit.” says Russ Adams, Ogden UnCon founder. “She is science fiction, fantasy, technological marvel, and superhero come to life. And we are honored she is making her geek-dom debut at Ogden UnCon.”
Fans attending Ogden UnCon will have the chance to engage with Sophia as she greets them on celebrity row, performs on multiple panels and parties with other celebrities and VIP ticket holders at the UnCon VIP Party. Other celebrities such as Naomi Grossman of American Horror Story, Amy Hill of Preacher, Neil Kaplan of Voltron: Legendary Defenders, and many more who have yet to be announced, also round out the show’s guest list.
“Ogden UnCon is going to be a huge event for Ogden,” shares Ogden Downtown Alliance’s Danielle Collier, “not only will it bring guests to share in all Ogden has to offer, but it will drive our local economy, add excitement in a different realm and create an opportunity to celebrate arts and culture.” This three-day event will bring $700,000 USD in economic impact to local businesses.
Ogden UnCon is focused on bringing unconventional shows, panels, workshops and celebrity guests to Northern Utah. As Ogden’s “Untamed & Unconventional” popular culture con, this convention seeks to inspire and support local artists while entertaining and thrilling our community.
Innagural Ogden UnCon June 7-9, 2019 Ogden Eccles Conference Center 2415 Washington Blvd, Ogden Utah 84401
Tickets for Ogden UnCon go on sale October 1, 2018. To see a full celebrity lineup and purchase tickets visit OgdenUnCon.com. Stay up to date with happenings and announcements by following @OgdenUnCon on Facebook, Twitter and Instagram.
Hanson Robotics Limited (HRL) is an AI company dedicated to research, robotics and the creation of the world’s most realistic humanoids. We quest to create robots with intellect, empathy and wisdom, traits future AI technologies and robots will need in order to solve some of humanity’s toughest problems. Led by renowned roboticist, sculptor and former Disney imagineer David Hanson, HRL recently received the prestigious 2018 Edison Prize for Robotics. For more information, please visithttp://hansonrobotics.com.
A few years ago, in September 2015, 193 countries signed up to support the UN’s 17 sustainable development goals for our planet and the people that live on it. The all-encompassing plan included promises to end poverty, feed everyone, create stability and peace, provide quality education and protect the future of our world. Every man, woman and child on the planet were invited to play their part to turn 17 goals into action and the promises into reality.
Goal 4 promised to achieve inclusive and equitable quality education for all. “OECD countries have generally been successful in guaranteeing adequate infrastructure and near-universal access to basic education,” says Andreas Schleicher, Director for Education and Skills at the OECD. But he notes that participation in education is not enough “to ensure the knowledge, competence, skills and attitudes that are necessary to increase individuals’ well-being and the prosperity of modern societies.” He adds that the OECD’s programs have a key role to play “in the achievement of – and measuring progress towards – SDG 4 and its targets, as well as other education-related SDG targets.”
“Just because poverty or pollution or climate change happen in another country far away, that does not mean that we are not part of the cause of these problems and their necessary solution.” — Thomas Gass
Since September 2015, education leaders and other influencers around the world have encouraged schools to promote all the goals. We’ve talked to teachers that acknowledge there’s nothing like real world challenges and case studies which allow students to apply the knowledge skills and dispositions they will need to succeed in an interconnected world.
How are we all doing so far? What have leaders learned from the implementation journey, and as a new school year begins, how can we build on those lessons to improve our efforts to achieve our planet’s plan moving forward?
Thomas Gass was appointed by the UN Secretary-General as Assistant Secretary-General for Policy Coordination and Inter-Agency Affairs in UN DESA and he took office on 3 September 2013. The Global Search for Education welcomes Thomas Gass.
“Educators have an essential role in making sure the SDGs become a real social contract with the people.” — Thomas Gass
Thomas, please share one or two of the most important lessons you have personally learned spearheading the SDG’s implementation process thus far? It’s simple: The SDG’s are not a run-off-the-mill development strategy for big international organisations to fix the problems in the South… The SDGs are a shared vision of humanity – they are the missing (vision) piece of our globalization puzzle! This means that they can only be implemented if everyone is involved: Governments of course, but also municipalities, private companies, schools and universities, local organisations and individuals – everyone. Now, that can only happen if the people know about them… So mobilization and advocacy are crucial. The SDGs must become a new social contract between leaders and the people.
Leaders agreed that we must change the way we deal with the weakest among us, i.e. that we take the greatest care of those who are weak. What more would you ask of the leaders of rich and poor countries in terms of being good role models for this important part of the vision?
The promise to leave no one behind is the most difficult commitment of this new social contract. It requires that we all seek to understand who the most vulnerable people are and what risks they face, and then systematically empower these people and build their resilience. Political as well as economic leaders need to understand that sustainability has been redefined: If a significant economic or social group is left behind, our development is not sustainable. By the same token, we are fooling ourselves if we think that any single country or private company can be “sustainable” by itself. The SDGs demand that we are honest with ourselves about our ecological and social footprint! Just because poverty or pollution or climate change happen in another country far away, that does not mean that we are not part of the cause of these problems and their necessary solution.
“Know your #SDGs/#GlobalGoals and hold adults and leaders accountable for them, push back if they try to make you believe that your country, language, tribe or family is greater or more deserving than the others, and look for opportunities to make a difference yourselves.” — Thomas Gass
What more would you ask of educators in the work that lies ahead?
Educators have an essential role in making sure the SDGs become a real social contract with the people. I have the highest esteem for those committed educators who are bringing the SDGs into the classrooms, and educating younger generations to become global citizens. I firmly believe that this can be done as part of any teaching subject or class. I encourage all educators to join movements and co-create resources such as teachsdgs.org, GCEDclearinghouse.org, etc., and to encourage OECD/PISA to align their Global Competency criteria to the SDGs by 2018.
And finally, perhaps most important – what is your message to youth for the school year ahead on their part in the planet’s plan?
Here is my message:This world is your world to share and enjoy. As Mahatma Gandhi said: “The world has enough for everyone’s need, but not enough for everyone’s greed.” Know your #SDGs/#GlobalGoals and hold adults and leaders accountable for them, push back if they try to make you believe that your country, language, tribe or family is greater or more deserving than the others, and look for opportunities to make a difference yourselves. Thank you Thomas. For the Silo, C. M. Rubin.
Back in 2012 The Silo reported on a dark novel titled Zurabia. That book held a plot that seems less like fiction with each passing year. Corrupt bankers, a practically valueless dollar, hyper-unemployment and underemployment, home-grown terrorism, the uptick in natural disasters and the overall lack of trust in our most important institutions – these are some of the reasons all North Americans should be very, very concerned, according to author Peter Dash a world-traveled researcher for Harvard University’s Center for International Affairs.
“I predict a brutal world ahead of us,” says Dash, author of “ZUrabia,” a book about rogue forces taking over the world’s most important institutions. “Unfortunately, I have been right since my research at Harvard in 1986, when I questioned the viability of government institutions to meet general needs and growing problems, both domestically and abroad.”
The pragmatic holiday shopper this year will purchase items to safeguard their families against these threats, which have been long in the making and won’t disappear quickly, he says.
“Terrorism wasn’t inaugurated with 9-11; extremism in Muslim sects has been growing for decades, and Neo-Nazi groups are starting to flourish in failing states like Greece,” he says. “The dollar has been steadily losing its value since the creation of the Federal Reserve in 1913; climate change has been on the radar for quite a while; and there have been greedy bankers since, well, banks have existed.”
“If you’re confident that everything is sure to be okay, then you’re not paying attention,” he says.
He offers a four-point survival strategy for holiday and everyday shopping:
• Gold is good: The dollar has lost 95 percent of its value in 100 years, and it will continue losing value. As
the Reserve continues to flood money into the system, thereby reducing current or potential value, more inflation is inevitable, acting as yet another tax on wages. So, collect and buy any gold that you can and consider spending federal notes while they’re still worth something to businesses. Think about your
jewelry, and buying more. Silver is a good option if gold is too expensive, and there are Exchange Traded Funds, or ETFs, that are backed by physical gold. A reputable banker or broker can help explain for those who are interested. “TD Ameritrade or Charles Schwab may be good places to start getting information on gold and silver ETF trading,” according to Dash.
• Inflation: Spend your money now or smartly invest it before you lose it. Remember, banks often give clients less than one percent on many accounts, but inflation on food and real items we use, like gasoline, are going up by much more. In essence, your banker is stealing your money through the assistance of the Fed, which is killing your savings rate by cheapening money. As if to pour salt on this wound, the bank,
in many cases, lends money at four percent or higher. Rerouting some bank savings/wages by investing in canned food, for example, may protect you against the scourge of food inflation, as well as other disasters.
• Worthy purchases: With food and water, a failed society puts a premium on additional goods. They include home insulation, gardening tools and materials, computer programs and language learning kits – perhaps Spanish or Chinese – because of the increasing prominence of other cultures. Guns, security systems and other measures to protect one’s home will likely prove extremely valuable should law enforcement be spread too thin, or fail as an institution.
• Buy in bulk: Places like Wal-Mart or Costco will help you get the most value with large purchases of food. It’s important to be well-stocked if something happens that results in the emptying of grocery markets, but remember to have adequate space in your house, apartment or cabin for a “safe” room, which is part of a sound strategy for protecting you and your family.
Peter Dash has been a teacher, professor and corporate trainer for the last 17 years, working in Saudi Arabia, the former Soviet Union and China. He has an applied science degree in forestry from the University of British Columbia and a Masters in applied teaching from Southern Queensland in Australia. He was a researcher in world (dis) order and youth groups at Harvard University’s Center for International Affairs, started by Henry Kissinger. He follows the investment field intensely, focusing on commodity funds and trends.
Fifteen percent of his book’s royalties will go to needy students consistent to the many years Dash has worked in assisting voluntary youth organizations. He lives on a small tropical island that is stocked with the finest well water, fish and food. Dash invests in Gold ETFs and commodity trading companies.
Rejection. “We lived in Northern New Mexico. I was standing in front of our house drinking a cup of tea. I heard the car drive up and the door bang shut. Then he walked around the corner, and without warning, he told me he was having an affair and he wanted a divorce. I remember the sky and how huge it was. I remember the sound of the river and the steam rising up from my tea. There was no time, no thought, there was nothing–just the light and a profound, limitless stillness. Then I regrouped and picked up a stone and threw it at him.” -Pema Chodron, When Things Fall Apart
This quote, about the moment Pema Chodron’s life began to change, the moment she experienced true groundlessness, applies to so many circumstances in life. Whether we are experiencing the rejection of a lover or spouse, or rejection from a gallery, grant application, art school, the list goes on and on, it is not uncommon for it to feel like the ground has slipped from beneath your feet. When the floor opens up and swallows you whole, it is human instinct to close up, distract, do whatever it takes to make the feeling go away. These are the moments when we must strive the hardest to open up and soften, allow whatever we are feeling to wash over us, and let that be okay.
If you are an artist, you may have tried applying for a grant. You may have given up after a rejection letter or two. But do you know that for every twenty grant applications you complete, you might receive one or two. Might. There are absolutely no guarantees, and the grant writing field is highly competitive. It is important to understand this going in and to have not only a system to keep churning out applications (because, after all this is an important part of many artists’ income and should be treated as such) it is also absolutely critical that you have your head firmly on your shoulders prepared to deal with the pain of rejection.
Let’s face it, rejection always feels personal. You put a piece of yourself out into the world only to have someone tell you it isn’t what they’re looking for. This hurts. And again, that’s OK.
What is important is that you never let the hurt get the best of you. Do not internalize rejection. Remind yourself that you are one of many. You are relying on the subjectivity of a person or group of people, and just because you do not win favor does not mean your art isn’t any good. Rather, it means your art wasn’t what they were looking for on that day for that particular thing. Accept this and move along.
Often, rejection has nothing at all to do with you. This is very difficult to get the mind around. Very often rejection is about the unspoken details being sought that someone else might happen to present.
Buddhist thought teaches us to accept groundlessness, work with it, allow ourselves to sit with it. We are all in the habit of glossing difficult emotions. We self-medicate sometimes with substances, or by tuning out and not letting the hard stuff in. Begin to notice when you start to check out and see how it feels to just be still with the difficult stuff.
Learning to deal with rejection will serve you in many ways. You will find the strength to continue your mission no matter what happens, and you will do so with grace. You will learn that just because you are not chosen one time doesn’t mean you shouldn’t try again. Often, grants and galleries invite those who are not chosen in one round to apply again. And again. The people who run things like this understand what you must begin to internalize–that it really isn’t about you.
If you begin to incorporate these things into your consciousness, eventually they will become part of the fabric. You will begin to live by the new way of thinking you have cultivated. A mindset that puts rejection into perspective and allows you to pursue your forward momentum no matter what.
Life is full of rejection, big and small. Hiding away won’t get you far. Choosing the path of least resistance may seem like the easy way but it is a road to nowhere. Remember, if you are an Artist choosing to make your art into a career, it means putting the most intimate pieces of yourself out into the world for all to see. It is a warrior’s path and requires a warrior spirit. For the Silo, Brainard Carey.
Brainard is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.