Venice, ITALY – Known as “the most influential artist in Mexico,” Gilda Garza is an internationally recognized painter constantly pushing the boundaries between emotion and art. This award-winning Mexico native prepares to make history with a moving collaborative collection by sculptural artist Mario Furlan in a live exhibition at New Murano, Atelier Muranese.
“I have always put my entire heart and soul into my work,” shares Garza. “I’m extremely grateful to create real world impact through art – the thing I love most. It is a true honor to see my influence and efforts reflected in a once-in-a-lifetime glass rendition by the historic New Murano Gallery in Venice.”
Widely regarded as the master of Murano Sculptural Art, Mario Furlan will transform Garza’s epic pieces into three-dimensional glass structures before a live audience of exhibition attendees. The finished works will then display at the more than 1,500-year old Atelier Muranese studio. Through the presentation of glass masters, fine art, conceptual art, and collectible design, the Venetian gallery supports the creative vision of Murano/Venetian artisan culture. The “Glass Queen” exhibition serves their ongoing mission to expose the creative art process, from interpretation to object, using centuries-old skills of muranese high manufacturing.
In the US, Garza’s work can also be seen in an exclusive jewelry collection at Jason of Beverly Hills, Roberto Cavalli Haute Couture, and the House of Bijan on Rodeo Drive. Garza has been officially recognized for her cultural contributions by the Senate of the Republic constitutionally Chamber of Senators of the Honorable Congress of the Union in Mexico City.
The Gilda Garza Pendant. 18kt Gold with 2.41 Carats of White Diamonds. $14,995 USD/ $20/566 CAD
She is also acclaimed for donating $80,000 USD/ $109,800 CAD from the sale of a Vice President Kamala Harris-inspired painting to the World Woman Foundation, committed to empowering one million woman by 2030. Gilda Garza is famously recognized as the first artist to have an art exhibition on Las Vegas strip. Since then, she has showcased various collections in the iconic Caesars Palace Hotel.
Gilda Garza poses with one of her paintings.
Featured image- Playboy magazine chose Gilda’s art for the cover for the first art special edition.
New Amsterdam Records releases are special and Surface Image, the album-length composition for solo piano with 40-channel 1-bit electronics, composed by Tristan Perich and performed by pianist Vicky Chow is no exception.
“Surface Image is a stunning marriage of Perich’s inspired electronic aesthetic and Chow’s nuanced yet fiercely virtuosic playing. The line between electric and organic is artistically blurred, as the simple hand-wired electronics fuse with the individual notes of the piano on the same, expansive plane. Recorded at EMPAC’s sound studio by producer Argeo Ascani and mix engineer Jeffrey Svatek.”
A look at the performance set-up in “Surface” by Tristan Perich for a piano performance by Vicky Chow
Curated by Alexis Lowry Murray, “Audible Spaces” presents three sound installations that encourage participants to explore the subtleties of listening. Tristan Perich, Zarouhie Abdalian, and [The User] have each created immersive environments using seemingly uniform sounds that dissolve into tonal, tactile, and temporal variations as participants engage with them. Perich’s Microtonal Wall (2011), on view in the Cohen Gallery at the Granoff Center, demonstrates the extraordinary complexity that can be generated using only the most basic electronic tools. Drone-like from a distance, this 25 ft long sound field of 1-bit noise dissolves into 1500 unique frequencies.
Humans possess a great depth of capacity when it comes to altruism. Again and again, we demonstrate our tendency to reach out when others are in distress. Cultivating these instincts is one of the ways in which we connect with our own humanity. Studies have indicated that altruism is not entirely innate. Environment plays a key role in the development of the qualities of altruism. Practicing this trait strengthens not only our own individual ability to extend hope and help to our fellow species, it allows us to explore more deeply our own inner kindness.
“Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness.” –Martin Luther King, Jr.
Mark Guglielmo had just finished an exhibition at Villa Victoria Center for the Arts in Boston, Massachusetts when he decided to emphasize what he felt was a missing ingredient in today’s society- altruism. Guglielmo’s work tries to emphasize this message by piecing together photo collages to form a larger image. For another show, he used photos from his time spent in Cuba. To complement the work, Guglielmo conducted interviews which were then incorporated in the exhibition. The particulars of the work involved thousands of photographs. Guglielmo captured detailed images of every nuance of a person, place, or thing. From these, he painstakingly compiled what he refers to as “a 1000-D version of reality.”
A natural storyteller, Guglielmo says the audio portion of his work was important to transport people to Cuba. Guglielmo witnessed the changes to the island nation. He decided to record the perspective of the Cuban people when it came to the changes to their relationship with the U.S. Guglielmo kept his conversations informal and allowed Cuban residents to drive them in order to keep them safe from government targeting for speaking out.
The conversations revealed the daily lives of Cubans often in the context of wealthy western tourists vacationing in the shadow of extreme poverty. Political tensions between the U.S. and Cuba have interfered with plans to show the work there.
Bucanero en Playa Ancon | Buccaneer at Ancon Beach, Trinidad de Cuba, 2017, Photo-mosaic, 46 x 68 inches
Frank Juarez is the co-founder of the Randall Frank Contemporary Art Collection and project manager of the Randall Frank Artist Grant Program. Juarez says the Randall Frank collection began quite organically. Juarez and his high school and college friend Randall shared a lifelong affinity for art. When they wanted to work together, art was the common theme they shared. Together, they began a collection and strove to support artists from their area. In the early days, they worked under a tight budget, purchasing art quarterly and storing them in Randall’s home in Richmond, Virginia. The two began looking for opportunities to sponsor art events. Their first endeavor in this capacity was a mural project in Milwaukee’s Black Cat Alley. Randall Frank Contemporary Art Collection (RFCAC) hopes to one day create a public space where they can house their collected art and make it available to the public.
As they became more established, RFCAC decided the best, most direct way to support artists was through a grant program. RFCAC’s pilot program seeks to support artists in the Midwest and east coast regions of the U.S. The grant is presently privately funded. Juarez works in many capacities within the art world. He is a gallery director, curator, and educator. Randall works in the private sector as a chemist.
A Few Words to Keep in your Pocket: Soften your heart and open your mind to the possibilities of altruistic behavior.
For the Silo, Brainard Carey.
Featured image– Induction #1 by Tony Conrad (l) and Katrina by Rob Neilson (r) courtesy of Museum of Non-visible Art.
Although the smallest city to have hosted the summer Olympics, Helsinki’s functionalist structures were conceived as versatile recreational venues and have been preserved to become modestly emblematic of successful circular design 70 years later.
With functional design and sustainably-driven innovation as core priorities for Helsinki’s future, the city and the partners undertaking renovation work to the heritage sites have echoed contemporary architects and designers across the world using innovative design to renew rather than demolish existing buildings as the city grows.
Hanna Harris
Hanna Harris, Chief Design Officer, City of Helsinki, commented: “Helsinki’s Olympic landmarks are a source of great local and national pride, and are buildings that many of us have either grown up recognizing as part of the city’s fabric, or fondly remember for their original purpose. It is therefore of particular importance that we maintain and protect the legacy of these historic buildings, while reconceiving new uses and undertaking architectural updates that bring new life to former Olympic sites as sustainably as possible.”
Helsinki Olympic Stadium
Built in 1938 and intended to host the 1940 Olympic Games before its cancellation, the Helsinki Olympic Stadium, is an iconic landmark of independent Finland and Finnish functionalism. The stadium is the result of an open architectural competition held in the 1930s – a favoured design process in Helsinki – which was won by Finnish architects Yrjö Lindegren and Toivo Jäntti. Becoming a crown jewel of 1930s functionalist concrete architecture in Finland, and at the heart of the 1952 Games, the Stadium has since been re-envisioned as a multi-purpose sporting and events location.
The refurbishment of the stadium, completed in 2020, respects the original architecture by preserving theangular concrete facade and original structure of the design. Additional features were added in a 20,000 sq m underground extension, and include sports facilities, logistical spaces, technical spaces, and an indoor running track. In addition, K2S Architects + Architects NRT improved public safety and comfort by adding new entrances to the stands, and a canopy to cover the stands almost entirely.
Amos Rex Art Museum
Originally designed as a temporary building to serve visitors to the Olympic Games, the Lasipalatsi (“glass palace” in Finnish) once housed commercial premises, restaurants, and a cinema. 2018 saw the completion of a five-year, €50 million project by Helsinki-based architecture firm JKMM to restructure the Lasipalatsi to house the Amos Rex Art Museum, amongst other public spaces.
At the heart of the museum, 13,000 cubic metres of rock have been excavated to create a world-class gallery space. The gallery is topped with a series of domes and skylights, which above-ground create a series of mounds that articulate the surface of Lasipalatsi Square. The mounds generate a playful landscape which invites residents and visitors alike to interact with the space, and are often used as grandstands, stages, or platforms for public events.
A programme of creatives are invited to also make use of this public space to produce site-specific work, such as The Nest, a sculptural installation by Japanese artist Tadashi Kawamata (7 May – 4 September 2022), in which reclaimed materials surge over the roof of the Lasipalatsi building and up the courtyard chimney.
Helsinki Airport
Built in 1952, Helsinki Airport saw nearly 2000 flights pass through during the Olympic Games, with guests including royalty, such as Dutch Prince Bernhard and Prince Philip of the United Kingdom, as well as Olympic sports teams from around the world.
Designed by Helsinki-based practice ALA Architects, the newest terminal extension aims to streamline the user experience and bring excitement back into air travel, with new departure and arrival halls that from 21 June 2022 centralise all flights under one roof, in addition to the introduction of next-generation security control and a new multimodal travel centre. New stores enliven the visitor experience such as Balmuir and Marimekko stores, a variety of restaurants, and the beloved Moomin Shop.
A central feature of the airport extension is a cross-laminated timber ceiling, made up of 500 unique pieces of Finnish spruce which slot together to form a feat of carpentry in an undulating structure that appears to float overhead. The terminal extension reflects a purposeful dedication to Finnish design and nature through the use of predominantly domestic materials. A freeform installation titled “Luoto” echoes the rocks and islets seen across the national landscape as a natural diorama featuring trees, plants, and stones as a memorable experience for visitors.
The redevelopment is due to complete in 2023, when a new baggage claim hall will be put into service.
Serpentine House
Designed by Yrjö Lindegren, also responsible for the Olympic Stadium, the Serpentine House in the Käpylä district of Helsinki is a highlight of Finnish architecture. The building of 189 residential flats was first constructed as part of the Olympic Village in 1951. The project to renovate the southern residential building ran from 2016 to 2018 and was led by architect Mona Schalin of Kati Salonen and Mona Schalin Architects. Serpentine House subsequently won the 2019 Finlandia Prize for Architecture, awarded annually by the Finnish Association of Architects, SAFA.
Despite its total length of 287 m, the design succeeds in avoiding a rigid and austere feel by setting the residential units in a fan-like arrangement that creates a series of private and sheltered garden spaces. The design team also worked in close collaboration with the staff at Helsinki City Museum and the city’s planning and building control departments to propose a sustainable refurbishment. The majority of the original windows and kitchen fittings were preserved and repaired and, significantly, the original natural ventilation system was retained. This energy efficient system will continue to reduce maintenance costs and prevent indoor air quality problems in the years ahead.
The City of Helsinki continues to demonstrate commitment to innovative, sustainable design and the transformational potential of architecture in shaping the city as ways in which to further improve its maritime character, create liveable spaces, and promote active citizenship.
Later in 2022, an Architecture Policy will be unveiled that formalizes the city’s relationship to architecture across landmarks, everyday buildings, coastal connections, and urban renewal.
Also in 2022, the design winner of the Makasiiniranta quality and concept competition will be announced, cementing plans for Helsinki’s most high-profile upcoming development that will house the new Architecture and Design Museum.
Instituting a new chapter for the city’s South Harbor – the last old harbor area to be transformed for public use in Helsinki, including the protected Olympic Terminal – the development of the 83,000 sq ft historic site will reconnect the expanding pedestrianized city centre with the shoreline as a new culturally-intensive destination. A separate architecture competition for the Architecture and Design Museum is set to launch during 2023.
Today the Phillips auction house will showcase a one-of-a-kind NFT that will certainly appeal to both art and automobile collectors.
As a part of its 20th Century & Contemporary Art Evening Sale in London, Phillips will auction a 1-of-1 Bugatti NFT, with a starting bid of more than 350k. The NFT is paired with a physical, handmade sculpture designed in rose gold by the iconic Asprey brand.
“This is the first masterpiece derived from the Asprey Bugatti partnership, following the hugely successful sell out of the smaller 261 collection, inspired by pop art and the current digital art movement. The NFT enables the artwork to link to two physical sculptures in the blockchain, preserving provenance and authenticity. The NFT is a secondary feature that simply enables the sculpture and artworks to co-exist together in a unique narrative, a moment in history for the art of Asprey and Bugatti.”
Ali Walker, Asprey Studio’s Chief Creative Officer
Raising fascinating questions around ownership and the object, NFTs and blockchain technology have become increasingly prominent aspects of our contemporary landscape.
You can read more about the the auction, which will take place around 2 p.m. ET today by clicking here.
The auction has drawn so much attention that an online sportsbook BetOnline.ag has even created odds for the highest bid, setting the “over/under” at 500k.
Asprey and Bugatti began its digital and physical collaboration more than three months ago when it announced an NFT collection in partnership with Exclusible. That collection consisted of 261 unique tokens with different color combinations.
Like today’s auction, each of the 261 NFTs from the “La Voiture Noire” collection were paired with handmade sculptures redeemable by the holder at a future date. The sterling silver sculptures were handcrafted at Asprey’s London workshop by master silversmiths so no two pieces will be identical.
From the Philips auction page: THIS LOT IS A “NON-FUNGIBLE TOKEN” (NFT) 35 Asprey Bugatti La Voiture Noire Token ID: 1 Contract Address: 0x9250…F0c4 Non-Fungible Token: ERC-721 PNG: 1.49 MB (1,565,152 bytes), 2835 x 6803 pixels Minted on 27 April 2022, this work is unique.
Please note the buyer of this NFT will have the option of ordering up to two physical sculptures, to be created by Asprey London Limited following the Auction.
“This exclusive partnership with Asprey will enable Bugatti customers and enthusiasts to enjoy our design values from a new perspective through this stunning Masterpiece. Featuring a Bugatti masterpiece at a prestigious contemporary art auction using NFT technology to fuse the art and the sculptures, embodies the spirt of innovation at Bugatti”
Wiebke Stahl, Managing Director of Bugatti International
Today’s physical item will be linked to the corresponding NFT via a QR code, serial number and color combination (unique base), and it will also include the Asprey and Bugatti logos. The physicals are expected to be redeemable in three months.
The current floor price on OpenSea is 12 ETH (At time of article, 1 ETHERIUM = $1,312.62 cad / $1,019.75 usd). The sales volume is 693 ETH, with an average sale of 10 ETH.
Asprey Bugatti NFT owners will be whitelisted for the Asprey Studio Club (ASC) Genesis membership in July. Genesis members will receive a physical gold signet ring with a founder edition engraving, along with special benefits such digital airdrops, whitelist for future drops, exclusive event/gallery invitations and more.
ASC members will also be able to display and offer for purchase their Asprey Bugatti NFT/sculpture on the first floor of the Asprey Studio showroom in the affluent Mayfair district of London.
Paris, 9 June 2022 – UNESCO is launching a scheme to support Ukrainian women artists who have had to flee their country because of the war, in partnership with the NGO Perpetuum Mobile. It will enable them and their children to be hosted and cared for by a cultural institution in the country where they have found refuge.
“The war has driven millions of Ukrainians into exile, the vast majority of whom are women and children. Among these people, women artists who have been forced to suspend their creative activities often lack material and financial resources to resume their work in their host country,” says Audrey Azoulay, UNESCO’s Director-General.
For this reason, UNESCO decided to launch a programme dedicated to Ukrainian women artists in exile, born of a partnership with the NGO Perpetuum Mobile, initiator of the Artists at Risk platform, which brings together cultural institutions in over 15 countries.
Audrey Azoulay
The artists concerned will be supported for a minimum of three months by a cultural institution in their host country.
They will be taken care of with their children in artistic residencies, and will benefit from support in terms of networking, visibility and the conception of new cultural projects.
(Left) Ukraine electro-pop duo Bloom Twins: “It has really affected us,” said singer Anna Kuprienko. “We’re talking to our family, we have a lot of friends and our second manager living there. We go back to the Ukraine quite a lot. We were only there two months ago. We were hopeful that this situation with Russia wouldn’t go where it has and that it would resolve.” (Right) Ukraine singer Khrystyna Soloviy : “We are a generation that has never seen the Soviet Union and was born in a free Ukraine. Ukrainians are not Russians, as said by the Russian government. We have a difficult, depressed history of Russian colonisation.”
The scheme will aim to provide them with the means to become autonomous by the end of their hosting period, whether they then choose to return to live in Ukraine or to settle permanently in their host country. UNESCO has already set aside $140,000 usd (about $177,000 cad at time of this publication) to finance the scheme, which should initially benefit some 30 artists and their children.
A new link in UNESCO’s emergency response
The programme complements the range of emergency measures already deployed by UNESCO since the beginning of the war to safeguard tangible and intangible cultural heritage, secure museum collections and combat illicit trafficking in cultural property.
UNESCO partner Freemuse
Moreover, since the beginning of the war in Ukraine, UNESCO has been monitoring the situation of artists in close consultation with artists’ networks and cultural actors in the country. This work is also carried out in coordination with international organizations involved in supporting artists at risk: PEN America’s Artists at Risk Connection, Perpetuum Mobile/Artists at Risk, ICORN, Freemuse, Prince Claus Fund and the PAUSE programme. For the Silo, Lucía Iglesias Kuntz, UNESCO Press Service.
Featured image: Face of War (Putin in bullets) co-created by Daria Marchenko, 35 now exiled Ukraine woman artist.
“Art is a lie that makes us realize the truth” –Pablo Picasso
Pablo Picasso (Spanish, 1881-1973) was one of the most well-known artists of the 20th century. Throughout his long and prolific career, Picasso both innovated and participated in important artistic movements such as realism, cubism and surrealism. In comparison to Vincent van Gogh, the infamous starving artist, Picasso was one of the first modern artists to achieve great wealth and celebrity in his lifetime.
Possibly the most important work that Picasso produced was Guernica (1937).
This large scale black and white mural (approximately 12 x 26 feet), was commissioned for the Spanish Pavilion in the 1937 World’s Fair in Paris and was completed by Picasso in under a month. In it, the artist depicted a catastrophic incident from the Spanish Civil War, wherein the Nazis conducted carpet bombing experiments on the town of Guernica, in the Basque region of Spain.
Historically, Spain had been ruled by a monarchy up until the 1930s, at which time it was replaced by a republican government that promised social and economic reform and a redistribution of goods and land. Spanish conservatives disliked this idea and headed by General Francisco Franco, they launched an insurrection that led to the Spanish Civil War. Aided by the Fascists and Nazis, General Franco assumed dictatorship of the country and ruled until his death in 1975.
During this time of turmoil, Picasso was not in Spain but working in Paris.
This is important to note when considering his choice of palette. He would have been paying attention to the events taking place in his native country largely through newspapers, transforming the black and white newsreel into a large scale canvas. Also, by choosing a dichromatic colour scheme, Picasso allowed the subject matter to stand out over colour.
Prominently positioned in this work is the Minotaur (a half-bull/half-man monster), an important symbol for Spanish people representing the tyranny of General Franco and his Nazi and Fascist supporters. Picasso used distortion in the imagery and figures to portray the horrors and suffering of innocent civilians massacred by the carpet bombing. This, in combination with the palette, evokes in the viewer the sensation of a stark nightmare, tying the work to the surrealist movement.
On a final note, Picasso was adamant that this work not be displayed in Spain until democracy was restored.
On loan to the Museum of Modern Art in New York, Guernica was returned to Spain in 1981. For the Silo, Eve Yantha.
Acousmatic music is defined by the use of recorded environmental, or “everyday,” sounds as raw compositional material; thus, questions regarding the relationship between sound and source (or implied source) are raised, leading to an investigation of concepts of mimesis in this music that stirs up nineteenth-century debates over absolute versus programmatic music.
Issues of sound and source and how they may evoke a sense of virtual space or place in the listener play a part in analyses presented for Dennis Smalleyj’s Wind Chimes (1987), Hildegard Westerkamp’s Cricket Voice (1987), Judy Klein’s The Wolves of Bays Mountain (1998), as well as a discussion of Yves Daoust’s Mi Bemol (1990) and Jarrod Barker’s Audiocosm (2008) and captured sounds employed in Jarrod Barker’s Insects (2008).
Such music poses special challenges for the music theorist and analyst, as conventional analytical tools often emphasize pitch structures and the study of scores—elements often absent in acousmatic music. Attention to listening as an analytic tool has therefore gained prominence within existing theoretical literature concerned with electroacoustic music in general and acousmatic music in…….. click here to read the full essay by Cathy Lynn Cox.
An interesting new trend is on the rise—colouring in a Bible.
What was once frowned upon, is now encouraged. This new trend is called Bible journaling. Bible journaling is the act of doodling in one’s Bible, as a way to creatively express one’s faith. However, some people choose to illustrate outside their Bible; as for some, doodling on the Bible itself is still prohibited.
Over the past few years, the movement has grown significantly with many online groups, forums, Facebook communities, blogs, and church groups creating groups where people share their Bible journal artwork, offer techniques, and provide a supportive boost.
People even discuss where to get Bibles with the largest margins so that there is room for their designs, creating an interesting demand on publishers and retailers.
Complete Guide to Bible Journaling: Creative Techniques to Express Your Faith (Fox Chapel Publishing), by designer, inspirational speaker, and author of the best-selling Zenspirations® book series Joanne Fink, was created in response to this amazing trend.
The book features the works of top Bible journalers, offers drawing tips, the best tools to use, and even offers traceable vellum sheets to use on your own Bible. For the Silo, Elizabeth Martins.
Eiko Otake performing at Bartram’s Garden on the Schuylkill River.
“The purpose of art is washing the dust of daily life off our souls.” – Pablo Picasso
Art is an imperative. Without it we can never truly examine our own circumstances or those of the people with whom we inhabit our small planet. Left unviewed, art languishes. Left without art to view, so does humankind. There are many who recognize the gift to the world that every artist has to offer. There are many who endeavor to do whatever they can to ensure those gifts are received by a grateful public. To stifle the artist’s voice is to silently say I care little about the fate of the minds of the masses. Art is essential. It is what fills the space between the rest of the din, making sense of a chaotic universe.
Bill Arnold splits his time between New York and Western Massachusetts. Since 1974 he has had a studio in Western MA and an apartment in NY. Arnold prefers to keep a foot in both worlds. Florence, MA is a small town near Northampton where there is plenty of space and the space is affordable. New York on the other hand is extremely restrictive in that a very small amount of space is prohibitively expensive. Artists require space not only to work, Arnold says, but space for their imaginations, “space to conjure.”
And so he maintains his Western MA studio.
The work he has done in that studio over the years has been varied and prolific. Arnold has endeavored, and often succeeded in getting his work into public venues including museums. He finds it thrilling to see his work in commercial venues. The first time he experienced this was in the 1970’s when he put roughly 1,000 photographs in 25 Boston city buses. There was no indication on the outside of each bus whether there were photographs on board so passengers didn’t know which buses were galleries inside. Because of the nature of the venue, more people saw that project than visited the Met, according to Arnold. In order to fund the project, he approached multiple museums getting them to agree to fund the cost of materials for the show provided he put on exhibitions in each city where the museums were located.
Arnold was both an exhibiting artist and a curator for this project. The project was well received, with weary commuters sometimes voicing their appreciation. From there, Arnold went on to do other bus shows. The format went viral long before viral was a thing. For another show, Arnold gave images to members of the audience who then organically began sharing the images with each other. Throughout his career, Arnold has turned traditional notions of exhibition on their heads. With the advent of digital advertising, the cost of printing has plummeted. Arnold uses this to his advantage. In 2018 he printed 10,000 newspaper inserts for the Daily Hampshire Gazette. As a student photographer, Arnold was encouraged to have a camera with him at all times. To this day he follows this practice. Arnold has photographed the same spot on his travels from NYC to MA for many years.
He intends to exhibit many photographs of the same place at the Bergen Street Station. Photography is accessible to everyone, Arnold says. Because anyone can make a photograph, anyone can also view a photograph and take something away. A series of photographs depicting old cars elicited stories from viewers of all kinds about cars they remembered and loved. To hear more about Bill Arnold’s thoughts on work and life, listen to the whole interview here.
Harry Philbrick left his position as director of the museum at the Pennsylvania Academy of the Fine Arts about two years ago. He then launched his own project called Philadelphia Contemporary. The nonprofit does pop-up exhibitions and performances throughout the city. The goal is to ultimately build a permanent space where the nonprofit can become a non-collecting, collaborative space. Prior to his position at Pennslyvania Academy of the fine Arts, Philbrick was director of the Aldrich. It was there that the idea for Philadelphia Contemporary began to percolate. He began exploring the notion of partnerships. Specifically long-term, sustainable partnerships that would allow the museum a broader reach. Upon relocating to Philadelphia, Philbrick realized there was a gap in the cultural ecosystem in that there was no large scale independent contemporary art museum. Philadelphia also seemed primed for Philbrick’s model in that the cultural environment is “unusually collegial.”
The first project was a partnership with Headlong Dance.
The project was titled The Quiet Circus in which the dancers took part in a year long residency on a pier. Each week dance pieces encouraged members of the public to join in. From there Philbrick and his small team created River Charrettes, a series of four pieces also set among the changing landscape of river banks. River Charrettes was an appropriate opening for Philadelphia Contemporary. The project embodied the idea of many people from different places coming together. Since then there have been readings and other events. At the moment there are many large scale projects in the works. An expanded staff has allowed for grander visions. The process of growth has been very deliberate, carefully adhering to the founding vision of the project.
Funding for Philadelphia Contemporary comes from many places. In order to run the organization, pay staff, and plan for the future, Philbrick has had to map out a plan from all he has learned over his years in the art world. Seed capital came from individual funders who believed strongly in the mission. More recently, Philadelphia-based foundations have come on board. For Philbrick, the key to his project is pushing forward the model for a nonprofit contemporary art space. Moving forward the same model applies, starting with individual funders and moving from there to foundational support. To hear more about Philadelphia Contemporary and arts organization funding, listen to the whole interview here.
A Few Words to Keep in your Pocket: Speak your art loudly. Do not settle for its slow demise. Bring it into the light, find allies, give your gifts to the world. For the Silo, Brainard Carey. Featured image- Francis Bacon’s London studio- in its relocated home in Dublin, Ireland.
Renowned Canadian photographer and digital artist T.M. Glass is no stranger to the spotlight: her unique method of mixing floral photography with digital painting to produce mesmerizing physical prints has succeeded in capturing plenty of attention from the media and wider artistic community.
In collaboration with The Campaign for Wool in Canada – our country’s foremost voice on the benefits of wool as a renewable, biodegradable, and eminently versatile fibre – Glass has created this digital painting in conjunction with The Campaign for Wool to celebrate the incredible properties of wool with a packed slate of special events and collaborations with fashion designers, artists, producers, and retailers.
“Wool on Wool” by T.M. Glass
This digital painting is a divergence from Glass’s usual subject matter with a distinctly meta twist: the work is a photograph of Canadian sheep, digitally painted in Glass’s trademark style, and printed on paper produced from wholly wool.
Intent
“In approaching this piece, my intent was to communicate the beauty of the sheep and its wool both visually and tactiley” said Glass, when asked about her work. “The choice to print on wool paper was not made out of novelty; rather, I think it establishes the physical presence of the subject of the photograph, creating a sense that the sheep is within arm’s reach of the viewer.” The print is now available for purchase- contact us for further details. For the Silo, Nicolo Blazier. Featured image: close up of wool and paper yarn via paperphine.com.
Contemplate the ways in which you approach and communicate with the world. Our interactions are shaped by context at all times, one moment calls for gentleness while the next requires a firmer approach. It becomes second nature navigating these nuances, we stop giving thought to the many personas involved in our experiences moment to moment.
From time to time, turn the mirror and allow the reflection to sink in. Do not approach with judgment, merely curiosity. Make contact with yourself and get to know once again what has been lost to habit. Investigate the uncharted waters of you, revealing a self you may not have encountered for many years.
The Zagreb, Croatia-based artist believes all that is needed is for each of us to wake up the creative part of ourselves. In her participation-driven work, she explores this idea extensively. In one piece titled Art and Box, audience members are invited to take a box containing dismantled pieces for an art exhibition back to their communities.
With the box comes a dancer who the participants can invite to collaborate on a performance piece at their local school, library, or any other place they see fit. In this way, and through much of her work, Kuluncic seeks unique angles from which to view how we communicate socially. Her work Collective Stranger traces lines within the Croatian community combining the experiences of women from many backgrounds all of whom fit into the category of oppressed and even ostracized populations.
Alison Jackson is no stranger to alternative facts. Her career is built on the voyeuristic relationship we have with celebrities. Jackson creates images using lookalikes that challenge our concept of what is real. Most recently she has created photographs featuring a Donald Trump lookalike for the series Mental Images. Jackson says, “my pictures ask where does the truth end and the lies begin…where the subjective triumphs over the objective.” He work spans many media including publishing, photography, television, and is exhibited in museums and galleries.
Rekindle a relationship with your true self. Lao Tzu, ancient Chinese mystic and philosopher wrote, “He who knows others is wise; he who knows himself is enlightented.” For the Silo, Brainard Carey.
*featured image: “CREATIVE STRATEGIES” multidisciplinary research project 2010-ongoing Andreja Kuluncic.
Unbeknownst to many, some of the world’s best pornography doesn’t exist on Pornhub. Rather, it exists in famous museums around the world: The Louvre (France), The MET (New York City), The Prado (Spain), The Uffizi Gallery (Italy), The National Gallery (UK) and Musee d’Orsay (France), to name a few.
And with museums finally reopening around the world as pandemic restrictions are being lifted, Pornhub wanted to do its part to encourage people to enjoy every stroke of erotic art.
Pornhub is launching “Classic Nudes” to provide museum-goers with an interactive oral history of some of the most renowned erotic art in some of the world’s most famous museums. Pornhub is encouraging people to ditch those boring self-tour recordings and enjoy every single brushstroke of these erotic masterpieces with Pornhub Brand Ambassador Asa Akira.
New York – July, 2021 – Pornhub, the premier online destination for adult entertainment, today announced the launch of “Classic Nudes,” an interactive guide to discover and learn more about erotic art in some of the world’s most famous fine art museums – The Louvre (France), The MET (New York City), The Prado (Spain), The Uffizi Gallery (Italy), The National Gallery (UK) and the Musee d’Orsay (France). With museums finally reopening around the world as pandemic restrictions are being lifted, Pornhub wanted to do its part in stimulating the public to visit, explore and fall back in love (or lust) with these cultural institutions.
The public can tour each of the 6 museums – either in person or at home – via the Classic Nudes mobile website. The online portal guides visitors past the SFW masterpieces and gets right to the good stuff: representations of the naked body in all its artistic glory. Simply visit the Classic Nudes website on your device, select your museum, follow the map, locate the artwork, and listen, read, or watch along to its curated content.
Hungarian-Italian artist and porn legend Cicciolina stars in the promotional video for Classic Nudes. Pornhub Brand Ambassador Asa Akira serves as orator for the campaign providing an oral history of 30 erotic art pieces in this curated collection, while Pornhub amateur couple, “MySweetApple” brings 6 iconic artwork to life.
“There’s a treasure trove of erotic art around the world – depicting nudes, orgies, and more – that’s not available on Pornhub. These pre-Internet art pieces are currently sitting in museums, which we are now finally able to start visiting again as covid restrictions are starting to lift ,” said Asa Akira, Pornhub Brand Ambassador. “So as people start to head back to The Louvre or The MET, they can simply open Classic Nudes, and I’ll be their guide. Time to ditch those boring self-tour recordings and enjoy every single brushstroke of these erotic masterpieces with me.”
Classic Nudes follows previous artistic endeavors from Pornhub including the recently launched “Remastured,” an initiative that used modern A.I technology and machine learning to restore century-old erotic films into titillating technicolor.
Previously, the company commissioned contemporary art gallery Maccarone Los Angeles to present a feminist art show entitled ‘The Pleasure Principle,’ a pan-generational, sexually-charged exhibition of female artists whose work centers the erotic and disrupts the processes of content-cleansing that code certain images as profane, abject, or pornographic. Pornhub also hosted the online premier of SHAKEDOWN, the critically-acclaimed documentary art film centered around the Black lesbian stripper scene in early oughts Los Angeles by filmmaker and vanguard artist Leilah Weinraub.
Pornhub’s “Classic Nudes” campaign is a collaborative initiative with creative agency Officer & Gentleman.
Founded in 2007, Pornhub is the leading free, ad-supported adult video streaming website, offering viewers the opportunity to upload and share their own videos. With over 3 million videos and over 130 million visitors a day, Pornhub truly is the best adult site in the world. Pornhub has built the largest dedicated membership base in the adult community, averaging over 76 million monthly active members, offering viewers a fun and sophisticated social experience directly insite, complete with messaging, photos, achievement badges, and much more.
The Museum of Wild and Newfangled Art (mowna) Announces the Debut of an AI Experiment in Art Curation: “This Show is Curated by a Machine ?”
The free call for international submissions is now open for all to take part in an experiment that defines how we move forward with AI curation in an ethical way
NEW YORK (July, 2021) – The Museum of Wild and Newfangled Art (mowna) is currently designing an artificial intelligence curator for their final show of the year “This Show is Curated by a Machine 🤖” which directly answers the Whitney Museum of American Art’s curatorial question,“The Next Biennial Should Be Curated by a Machine.”
The curator, an AI bot machine, will learn to curate by looking at the data set from the 2021 mowna Biennial, an exhibit of an international pool of artists selected from 44 countries gathered through a free call for submissions process that ran from January through March of 2021.
The Biennial includes all forms of art made from 2019 to 2021. The machine will also learn from other data sets of recently made art. The AI machine will curate the show by looking at the text data of the submissions as well as the artwork files. There will also be human curators, so that a comparison can be made.
The show will be viewable at mowna.org, and a detailed writeup of the process, results, and thoughts about the future of artificial intelligence related to art curation will be made available. Early questions are available here in the mowna blog.
“We are interested in creating a machine that can curate in a diverse and ethical way, that is not founded in white supremacy or structures of inherent racism. Much of the art world is affected and effected by both of these issues. So mowna asks, is it possible to create an AI that looks at the art and curates with diversity, equity and inclusion? It is important to build this machine now, before other big tech companies design algorithms that erase the artist and define AI curation.” ~cari ann shim sham*, Co-founder and Curator of mowna.
“This Show is Curated by a Machine 🤖” marks the third online art experience by mowna, the first being its Opening Show now available to members in the mowna collection, and the second being the current exhibit, the 2021 mowna Biennial. The Biennial is mowna’s direct response to the gap in the art world seen after the coronavirus pandemic, and showcased art of all mediums that otherwise would’ve gone unseen. Tickets to the Biennial will be available until the show closes on September 22nd, and are sliding scale pay what you wish, after which “This Show is Curated by a Machine 🤖” will be installed and available for online viewing.
Artists may submit up to 10 works of art per submission and artists will be paid 70% of ticket and membership sales from the show, with the other 30% paying for the creation of the platform. There is no submission fee to apply, and all mediums of art are welcome. The works must have been completed after January 1, 2020. The deadline for submissions is August 20, 2021 at 12 PM ET. Contact The Silo for more information.
As the global community continually moves further into a multi-faceted technological way of life, the way art, across all mediums, is consumed, has been changing in ways to make art more accessible while remaining true to the integrity of all genres. mowna recognized this growing, transformational need pre-pandemic which catalyzed the formation and birth of the Museum of Wild and Newfangled Art to meet the ever-growing needs of an ever-changing art world.
mowna is at the center of the exponentially changing art world and makes it their priority to showcase art from all walks of life. With a mix of what is familiar and unfamiliar, patrons will see artists who’ve been curated by the Whitney or the MoMA along with artists available only on mowna.
“This Show is Curated by a Machine 🤖” will run from September 23, 2021 through January 31, 2022 at mowna.org. mowna exists to provide an international online platform for the most timely, diverse, and preeminent artists.
VIDEO ART. The name is equivocal. A good name. It leaves open all the questions and asks them anyway. Is this an art form, a new genre? An anthology of valued activity conducted in a particular arena defined by display on a cathode ray tube? The kind of video made by a special class of people—artists—whose works are exhibited primarily in what is called ‘the art world’–ARTIST’S VIDEO?
An inspection of the names in the catalogue gives the easy and not quite sufficient answer that is this last we are considering, ARTIST’S VIDEO. But is this a class apart? Read the full original and historic essay [in appropriately PDF electronic form] by David Antin by clicking here.
“Life shrinks or expands in proportion to one’s courage.” -Anais Nin
Nature is born of sexuality.
The two are inextricable and inevitable partners. Where humans find fault with sex that does not suit their particular beliefs in what is right or wrong, nature transcends. There is no taboo in the natural world, there is no polite side-stepping of the rawness of nature. Nature simply is, in all its sensual glory.
Beth Stephens & Annie Sprinkle have collaborated for 17 years.
They recently showcased their film Water Makes Us Wet at Documenta 14. They were one of just 180 artists at the exhibition which takes place only every five years and draws in a million people. In conjunction with the film they exhibited visual art, performed Ecosex Walking Tours, and facilitated “sidewalk sex clinics.” Their film premier at the Gloria Theater was the only one to completely pack the house. For their Documenta Ecosex Walking Tour, Stephens & Sprinkle consciously began at the site of the first tree planted in Joseph Beuys’ 1982 Documenta project 7,000 Trees.
Their film is part art, part activism, a call to action, and a vision of how the future may look if we are careful with the earth as opposed to how it could look if we continue our ecologically destructive behaviors. Within the environmental activist movement, the two always felt a bit out of place. They felt the need to hide their flamboyance, their sexuality, and some of the details of their pasts. Because of this they began their own movement, an all inclusive environmental activism that encourages people to be themselves.
By allowing people to embrace their own identities and to infuse a little fun, they hope to create a movement that is sustainable and perhaps avoids some of the activist burnout that frequently effects those constantly fighting for the future of a healthy planet.
For the film, and throughout their work, Stephens & Sprinkle have unabashedly embraced and exposed their own bodies. In so doing, they show both their vulnerability and their strength as well as embrace their advancing age. Sprinkle, who is now 63, was once a pornographic film actress. She finds that showing her 63 year old body has pushed more limits than anything she’s ever done. “I think that taboo does need fixing,” she says.
During the making of the film, Stephens & Sprinkle were in a serious auto accident which features in the documentary. The two were seriously injured and hospitalized but eventually walked away. The wreck served as a metaphor for the universality of “eco-sinners” in that even the filmmakers were driving around in an old, polluting van.
The two describe the incident as romantic and remarkable and say it has given them a new lease on life. The accident was a result of another driver’s distracted driving. The film as a whole is a look at the issues facing the planet, some of those perpetrating them, and ways to think about the problem. “What we really hope with our film is that people leave the film thinking about the issues we’ve presented but also feeling like well, there is something I can do in my personal life.”
The term “eco-sexual” was originally used by dating sites and subsequently in a book titled Eco-sex: Go Green Between the Sheets and Make Your Love Life Sustainable by Stephanie Iris Weiss. Stephens & Sprinkle took the term and created an art movement around it. “We like to think that all sex is eco-sex including human on human because we are the earth, we’re not separate from the earth…we acknowledge all the sexuality that is going on around us.” At UC Santa Cruz where Stephens is a professor, the two established E.A.R.T.H Lab which stands for Environmental Art Theory & Happenings. There they incorporate some of the principles of ecosexuality in the programs they run. For the Silo, Brainard Carey.
Twelve years ago to the day, back in the year 2009 – a Video game called #Minecraft was unassumingly released. The sandbox video game became the second best selling PC-based game in history and was bought by Microsoft for $2.5B usd in 2014.
In keeping with our look back celebration, let’s check out this wonderful book for Minecraft lovers everywhere: Beautiful Minecraft ($19.95, 112 pp., 4C, hardcover).
As they pore over the pages in this remarkable collection, Minecraft lovers of all stripes will find themselves immersed in a world of astonishing creations like floating steampunk cities, massive alien worlds, detailed classical sculptures, fantastical landscapes, and architectural marvels. The sculptures and scenes throughout the book are built from thousands to millions of blocks and represent months and even years of design work on the part of their creators.
I wanted to show how a video game can become a true artistic medium…how players can become artists.
“Beautiful Minecraft is the sort of thing that fans of the game are sure to love because it brings them even closer to the game they love,” said No Starch Press founder Bill Pollock. “Since my first visit to MineCon in 2011, I’ve been inspired by the passion Minecraft fans have for something that is much more than a game. Beautiful Minecraft shows us how in game creations can be high art, and the results are nothing less than amazing.”
For the Silo, James Delaney-author, managing director of BlockWorks: a team of Minecraft artists from around the world. BlockWorks has created artwork for companies like Disney, Microsoft, Warner Brothers, and The Guardian.
Publisher: No Starch Press
Author: James Delaney
Print ISBN: 978-1-59327-765-9
Price: $19.95
Specs: 112 pp., 4C, Hardcover
You Might Also Be Interested In:
The Game Console by Evan Amos
The Arduino Inventor’s Guide by Derek Runberg and Brian Huang
The Hardware Hacker by Andrew “bunnie” Huang
About No Starch Press
No Starch Press has published the finest in geek entertainment since 1994, covering topics like LEGO, hacking, science, math, and programming for all ages. Our titles have personality, our authors are passionate, and our books tackle topics that people care about.
Who is Sir Norman Foster? A British born architect world renowned for his ground-breaking interpretations of neo futuristic and post-modern design, that’s who.
Perhaps most famously known for designing and constructing “The Gherkin” tower in London, England at a cost of 138 million pounds. This office building is sure to turn the heads of tourists and Londoners alike.
If you were to ask a tour guide where to see art in Toronto once the city opens back up post-Covid, they would likely tell you to get tickets for the Art Gallery of Ontario. While the gallery is a wonderful place to see new exhibitions and long-standing collections, it’s not the only spot that the city has to offer. After walking through the halls of the AGO, you should check out these other cultural venues and events:
Graffiti Alley
Graffiti can turn outdoor spaces into sprawling art galleries. Take an afternoon to venture over to graffiti alley to see a series of increasingly bold and colorful murals adorning the backs of buildings. You can grab a hot coffee from one of the nearby cafes and then take a stroll through the unconventional art collection.
Nuit Blanche
Graffiti Alley turns a part of a neighborhood into a gallery. The festival Nuit Blanche transforms the entire city of Toronto into an interactive gallery for a single night. This year the celebration takes place on October 5th. You can see everything from beautiful zen gardens to riveting dance performances to participatory installations. The art projects span across neighborhoods from downtown to Don Mills.
The Drake
One of the cultural destinations that always participates in Nuit Blanche is The Drake. They are partners with the festival, along with the Canadian Art Foundation, the Museum of Contemporary Art (MOCA) and the IMAGES Festival.
All of the six Drake venues are the perfect spots to experience art, all while enjoying a tantalizing dinner or sipping a strong drink. Go to The Drake Hotel on Queen West to feast on appetizers like hand-cut steak tartare or charred octopus before exploring the location’s gorgeous art collections. You’ll find the collection One Way Out by the artist Greg Ito displayed in their lobby and café. Ito uses paintings, installations and sculptures to delve into the concept of escapism. So, you can finish off your specialty cocktails and get transported to a fantastical destination.
The Hotel has the multifaceted performance venue known as the Drake Underground. The cultural hub hosts musicians of all genres to get crowds screaming and dancing until the early hours of the morning. It also hosts poetry slams, where you can hear the city’s up-and-coming spoken word artists compete for the top performance of the night. You can see a full list of what’s going on at The Drake Hotel here.
If you’re looking for a low-key way to spend your afternoon, head to the Drake Mini Bar across the lobby from Drake One Fifty in the Financial District. The venue manages to pack a lot of art into a small space. It’s been a solo exhibition site for the visual artist Rajni Perera in the past and now features the conceptual work of Thomas Trum. The artwork is displayed on murals and tabletops, so you can drink in the thought-provoking images and mood-altering colors while sipping on a freshly-made mojito.
Incredible art exists outside of galleries. You can see it sprayed on the backs of buildings in a narrow alleyway. You can spot it in a sprawling festival. And you can find it the hottest hotels and eateries, where even your menu feels like it should be framed. For the Silo, Mila Urosevic.
This time around in comic news we are looking back at the Journey into Mystery comic auction from Heritage Auctions.
What made this auction particularly interesting is the fact that pricing was reasonable and grading conditions were meticulous. Not always the case on other online auction sites (E-something, Kiji-something), Heritage Auctions or “HA” take great pride in the fact that their faculty includes not only comic fanatics but also experts in antique books and printing. It’s safe to say that ‘what you see and what you read’ here is ‘what you get’.
What about the comics?
In my opinion, Tales of Mystery starring the Marvel character Thor is still an undervalued comic book, even with all of the Marvel movie appearances. Consider that the first run Thor series was benefited by the pencil skills of Mr. Jack Kirby. Jack is an icon in the comic book collector world. Unique style? Check. Quality character poses? Check.
Sure, we all know the main reason for the comic was to set the stage for Thor (introduced by the way in 1962’s Tales of Mystery #83) but there’s also the less considered crossover appeal of major stories (and covers) utilizing such Marvel characters as Magneto , The Incredible Hulk and even Hercules.
Tales of Mystery, like other comics from the early 1960’s, has a naivete and a simple message: Good guy half-god deals with life and an identity crisis. And that’s the fun factor.
It’s been almost sixty years since Marvel introduced the comic character Thor.
That’s a long time. Thor is still around, starring in major motion pictures and wielding the mighty mjolnir. He’s not going away. So if you have the money, investing in one or more of these books is not only a fun move, it’s a wise move. Sure to increase in value. For the Silo, Jarrod Barker.
Back in 2005, composer Lewis Spratlan and I began work on an opera inspired by Louis Kahn. Kahn, who excelled in music and once considered becoming a composer, was especially cognizant of how sound works in a physical space. “Space has tonality,” he often said. Kallick, a professor of music at Amherst College, made recordings of the “acoustic envelope” at several Kahn buildings, which were employed in composing the work’s prelude and interludes.
Composer Jenny Kallick
Key elements from Spratlan’s music were integrated into this electro-acoustic music, creating a seamless connection between the narrative world of the characters and the sounding spaces that filled their dreams. Opening in the ruins of Rome and ending with the healing waters at Kahn’s Salk Institute, ARCHITECT: A Chamber Opera narrates the dramatic arc of Kahn’s journey from dreamer to master builder.
Click the link below to read about Spratlan discussing the project with Frederick Peters, board chairman of New Music USA, which supports composers, performers, and audiences of new American music. For the Silo, Jenny Kallick- Amherst College.
Vivant Books brings to the world a very exclusive breed of coffee table book. Their Deluxe Editions are not only fine art coffee table books, but also include collectible works of art at a price most art lovers can afford. A select number of Deluxe Editions contain original artwork by the artist that is featured. Not only does this component differentiate VivantBooks amongst other publishing companies, but it also enables expansion of an art collecting demographic.
“We found that sold separately, an original piece by the artists we feature in our deluxe packages could range anywhere from $3000 to over $100,000,” says Mia Benenate “What we want to do and what the artists are really interested in, is broadening the audience that is able to acquire a piece of their work.”
Vivant’s book features internationally renowned artist Brett Amory. Amory has gained extensive acclaim for his haunting, mesmerizing series, Waiting. His work is often depicted as architectural and structurally elegant, stark and emotive. Waiting focuses on the transition of individuals in precise moments of existing. The lush book, which contains a collected array of work which includes the Waiting series, was first offered earlier this year by a release party at the Clift Hotel in San Francisco. Deluxe Editions includes the collected works, a biography, excellent essays by luminaries such as Gwynn Vitello and an original piece of artwork by Amory himself.
In this age of digitalization Vivant Books presents fine art in a way that’s both elegant, stylish and inventive. Upcoming Vivant Books will feature such artists as Kimberly Brooks and Gottfried Helnwein.
Brett Amory — Limited Edition
95.00USD
Brett Amory, the American artist who rose to international acclaim for his “Waiting” series is featured in this deluxe coffee table edition. Alongside four-color reproductions of the artwork, the book includes a biography and selected essays from art world luminaries and patrons. Hardcover book housed in a full-color protective sleeve.
Deluxe Edition with original artwork also available.
Since the collapse of the Berlin wall in 1989, the countries of eastern European have exploded in a painful big-bang that has changed the geography of Europe and Asia drastically. The new Russia was born, now being part of the Community of Independent States (CIS) that replaces the former USSR. The guitar fraternity in Russia has been living for more than 70 years in total isolation, prevented from being in touch with the West. The presence of many types of the instrument that we call “guitar” has been a constant one in Russian music life in all periods, having very old origins. But only recently has this guitar world started opening to western Europe, and we still know far too little about Russian composers for guitar and Russian guitarists. It was quite difficult for me to get information about some Russian guitarists, due both to the ever-present difficulties in communication (it is still difficult just to send a fax to Moscow during the day time)and to the problems of language comprehension.
The Guitar of the Czars- a new English summary redaction
In the past, references to the Soviet guitar world in Western music literature were always very scarce, and only in recent years has a subtle breath from that guitar world started blowing beyond the Urals. I wish to thank especially the guitarists Mikhail Goldort from Novosibirsk (central Siberia)and Piero Bonaguri, teacher at the Conservatory of Rovigo (Italy) as well as the composer Umberto Bombardelli, who helped me in collecting more information.
At the beginning there was the domra
The guitar was not the only known plucked instrument in Russia; two other instruments at least are worthy of mention: the domra and the balalaika. The domra is nowadays known in two variants with three or four metallic strings and in different sizes. It has a triangular shape, is tuned by fourths,and is played by means of a plectrum.
It is the most ancient plucked instrument, having been imported by the Mongols during the 13th century. Its tremolo is similar to the one of the Neapolitan mandolin and its range is large, due to its having 16 frets up to the junction of the neck. It is now employed both as a solo instrument and in an orchestra,together with the balalaika .
The balalaika has a peculiar triangular shape and three strings, among which two are tuned in unison and the other a fourth up. It appeared first during the 17th century. It was able to oust the domra in popularity, thanks to the preference of the Czars. It is played both by fingers and with the plectrum; from the last years of the Nineteenth Century it has existed in different sizes which cover all the frequency spectrum of the orchestra.
The guitar appeared in Russia during the 18th century, in a society far behind the European one in development. However, at the first half of the 19th century it was already known as a national instrument: the Russian guitar. Its own peculiarities were the tuning by thirds on the notes of the G scale,and having seven strings. It is known by the tender-sounding name of “semistrunaia” (a composite noun made from
“sem’ ” =seven and “struny” = strings).
Its popularity grew among the people of all ranks, both middle and upper class, as described by many Russian poets and writers. There are also many variants of this main type, in number of strings and dimensions.By studying the surviving photos of Russian guitarists of the last century, re-published in the volume Guitar in Russia and USSR (see photo in the full PDF article linked below), we see that the guitar with 7 strings on the neck and 4 strings outside of the neck was very popular. The famous photograph of
Valerian Rusanov, one of the first Russian guitar historians, with his 11-string guitar is significant in this respect. This instrument shared favor with the six string guitar (the so-called“shestistrunaia“, from “shest,” which means “six” ) tuned as in the West, and many other types. Continue reading full article PDF by clicking here. For the Silo, Marco Bazzotti.
Hello Siloites (Siloers?) my name is David Bradford and I would like to share my art story with you, one involving augmented reality artwork that I have recently activated on the International Space Station and Mars as part of my Go Love Universally initiative. This is the first fine art activation of its kind in terms of distance (62,368,540 miles, to be exact) is aptly called Future. In case you were wondering, Yes there will be a Guiness World Record attempt based on this achievement.
A look to the stars. My next (virtual) canvas with new augmented reality fine art activation, titled, Go Love Universally.
This art initiative comes at a time in which much of the world is still under travel restrictions due to COVID-19 and was designed to include everyone around the planet and those orbiting, watching from above. Born out of exploring a way to express and distribute fine art to the public while using consumer technology, I started with using bus stops as fiducial markers (QR codes) in Philadelphia, New York City, San Francisco, and London.
When I was asked to initially introduce my augmented art initiative in the Philadelphia Weekly, I said that while I’ve been social distancing, I came up with a way to share positive messages with people using AR and recognizable visual triggers found easily around Philly.
It is a way for a mass amount of people to interact with their surroundings in a safe way that also creates positive feelings through the messages being communicated.
Within two weeks of launching Go Love Universally, I took my art initiative into space, bringing the art from Philadelphia to Mars. For curious consumers of this activation, all pieces can be viewed at select locations using the Artivive app, a free augmented reality fine art app available for iOS and Android.
Steve Morrison, co-host of Philadelphia morning show Preston & Steve (93.3 WMMR), said to me: “Hey, this is pretty cool! What if the aliens in They Live just wanted to spread positive messages? Well, you have a potential answer with this project. Kudos to you, Sir!”
Go Love Universally is an ongoing project, as future collaborations with artists are to be announced.
PORTLAND, OR. August, 2020: Discogs, the world’s record store, today released its list of the Top 10 Most Popular Records released in July 2020.
The following rankings — the 10 most popular albums overall and the 10 most popular albums by genre — are determined by how many people worldwide have added these items to their record collections on Discogs. Discogs’ abundant data is made available from the over 400 million items cataloged in the Collections of its 7.3 million users. On average, the Discogs Community is adding 7 million items to their Collections monthly and has passed 12.8 million releases in its open-source user-driven Database.
It’s been nearly two years since we moved into our new digs in Boulder, Colorado. The most exciting part has been watching our recording/mastering studio, led by engineer Gus Skinas, come to life. Gus is a close friend and one of the nicest and most humble gents around. The world knows Gus from his work on projects for Pink Floyd, The Rolling Stones, Stevie Wonder, Elton John, Al Kooper, George Harrison, Queen, Joni Mitchell, Chick Corea, Frank Zappa, and The Police (to mention a few). His talent is unmatched, and we’re proud to have him in the hi-fi family.
A few days ago, we made a big step forward. With Gus at the helm, PS Audio has launched our much-anticipated music label: Octave Records.
Almost every time I give a tour at the new facility I get questions about Octave. With hundreds of labels out there, what makes Octave different? You and Paul make components, why the expansion into recording? Are you just doing this because it’s cool?
Guilty as charged!
In truth, we started Octave Records for the same reason we design audio components—because we know we can make a difference. We know we can produce albums with superior sonic quality and we also remain keenly aware of the challenges faced by so many music creators. Labels have been known to sacrifice quality for profits and for mass-market appeal. For albums-sold, most labels compensate artists with pennies on the dollar. Oftentimes, labels insist on owning the artist’s music. We believe the music deserves high-quality presentation and that the artists deserve to be honored for their contributions. It’s the artists, after all, who give rise to our entire industry.
So we decided to build a label the way we think it ought to be. Octave Records uses the finest studio equipment, all centered around the acclaimed Sonoma DSD recording, mixing and mastering system. We asked Gus to personally craft each recording. And to better support musicians, Octave Records covers 100% of the studio, mixing, mastering, production, distribution and marketing costs. We also provide artists with a direct-share of retail revenues, which are ten to twenty times that of other labels. At Octave Records, the artists own their music, and we give them creative control. They’ve earned it…and we get to enjoy the fruits of their labors on our hi-fi systems!
“Along with our dedication to producing the best-sounding recordings available today, Octave Records offers a different kind of business model,” said Paul McGowan, PS Audio CEO. To support musicians, Octave covers 100% of all studio, mixing, mastering, production, distribution and marketing expenses so that artists may directly share in retain sales revenues – while also retaining ownership of their music.”
It’s with great pride that we announce the first album from Octave Records: Out of Thin Air, a solo piano performance from renowned pianist Don Grusin.
Offered in SACD, native DSD (DVD-Audio) and CD formats, you can learn more about Octave Records and listen to samples of Grusin’s new album here https://www.psaudio.com/products/out-of-thin-air/ If you are interested in picking up a copy of this limited edition, they are available with world-wide distribution (direct from us in Boulder), however, this album is not available for digital download at this time.
I hope you enjoy listening to the album as much as we have enjoyed making it. This is the first of many. For the Silo, Scott McGowan.
Real life: In the 1960’s Communist Russia and the United States were in a race to be the first nation to safely land a man on the Moon.
Nicolas Wetterwald’s latest graphic novel mixes the real life with what-if and serves up an enjoying account of an alternate history: one where the USSR beats the Americans and lands a cosmonaut on the Moon. Based in fact as much as imagination, many readers will be surprised to learn just how close the ‘race to the Moon’ was. The Russians bet everything on a mighty N1 rocket that differed from the American Saturn V by relying on a complicated massive ring cluster of thirty engines, each one dependent on the other in order for a successful launch to occur. Development began on the N1 in 1959 and by 1968 US reconnaissance satellite photographs showed that the Russians were (almost) ready to launch.
Looking at the book cover there is something warmly familiar about Wetterwald’s drawing style. It took me a minute to place it. There is a strong Jean Giraud (Moebius) influence- especially his spacesuit and futuristic designs from his Heavy Metal magazine panels.
Astronaut by Moebius
The story begins with a crisis and then a flashback in a fine style of writing that serves the form of graphic novels very well. Text ‘balloons’ are clearly differentiated between characters thoughts and conversations. This creates a fitting lonely mood- unlike the Americans, the Russians planned on sending a single cosmonaut to the Moon surface. There is also an ingenious use of text ‘balloons’ with small lightning like points to signify an electronic transmission or radio transmission. Small details like this create an eerie atmosphere and it is easy to relate to the protagonist.
Don’t be fooled into thinking that this comic is more documentary than entertainment. It has a brisk pace and the setting of Cold War Russia makes for an almost spy like setting. There are adult themes to be enjoyed here too- and this graphic novel is targeted appropriately towards adults.
There is much to like about Nicolas Wetterwald’s 1969 The Phantom Odyssey especially as we find ourselves celebrating the approaching fiftieth anniversary of the successful first landing of man on the Moon. With all the hype and nostalgia around that landmark event the release of this comic book couldn’t have been planned better. Hard copy recommended and available from Amazon ISBN 9781793906069 or try the Kindle edition for only $7.49 USD. For the Silo, Jarrod Barker.
Alison Jackson
“Beautiful Minecraft is the sort of thing that fans of the game are sure to love because it brings them even closer to the game they love,” said No Starch Press founder Bill Pollock. “Since my first visit to MineCon in 2011, I’ve been inspired by the passion Minecraft fans have for something that is much more than a game. Beautiful Minecraft shows us how in game creations can be high art, and the results are nothing less than amazing.”
Russian music life in all 
