Tag Archives: writers

Culture

Roadside Memorials Of Loss Are On The Rise

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One of Toronto based photographer Erin Riley’s series of photographs depicting roadside memorials in and around the GTA

Indeed, the prevalence of roadside memorials has increased significantly over the past several decades and there is little doubt that each of us has encountered them at some point. Roadside memorials are essentially visual manifestations of profound suffering and loss. They mark the site where a motor vehicle accident has occurred and the death that resulted from it (however , many memorials, especially in major cities, have little to do with motor vehicle accidents and more to do with cycling accidents, innocent bystanders or anything else that faithfully marks the site of passing).

In areas where large gravestones or plaques cannot be placed, for a variety of reasons, makeshift memorials take their place. These sites grow with each flower, ribbon or object and deplete with the wind, rain or snow; they are in a continuous state of flux. The organic quality of roadside memorials may directly reference the very epehemerality of life itself. Moreover, in their various forms and inclinations, they challenge Western society’s visual seperation of the living from the dead; therefore, as they subsist, roadside memorials carry the spectre of mortality into the public sphere, a space where even speaking of death remains taboo.

Post-mortem/momento mori photography during the Victorian age is a fascinating though dark and unsettling movement.

Roadside markers are a rural and urban feature- this marker is located on Front Road, near St. Williams, Ontario, Canada image: www.thesilo.ca

Encountering the idea of death may be one of the reasons why people take issue with the appearance of roadside memorials. For them, they represent a veritable “distraction” while driving, are considered “unsightly” or a “vandalism of public property”. For the families of the deceased, roadside memorials allow the opportunity to mourn their loved one(s) at the very place of their passing. The level of emotion generated by being near the actual site where a loved one has died is different from standing beside their final resting place in segregated communities of loss that are the modern cemetery.

Not only are roadside memorials, as markers of loss, important to the families and groups that maintained a relationship to the deceased, but they powerfully address the living by acting as memento mori (reminders of death). It is through them that one may better appreciate the present.

Toronto-based photographer Erin Riley’s series of photographs depicting roadside memorials in and around the Greater Toronto Area (GTA) specifically engages the publicization of loss and its visual manifestation. Riley’s images are strikingly beautiful and skillfully composed, yet they raise ethical questions precisely because they aestheticize markers of death sites by transforming them into visual objects to behold.  This theme was explored  in Jarrod Barker’s April 2010’s  Umwelt at the Norfolk Arts Center with a central piece depicting a virtual gallery memorial in conjunction with projected audio/video loop of a recently deceased Deer- struck down by a motorist, the piece becoming essentially a rural memento mori.

Happening upon a recently struck deer- Artist Jarrod Barker aestheticized the site by placing a white linen ‘shroud’ over the victim. This would later become a central piece in the installation of Umwelt April 2010 photo: J. Barker

Another question concerns the identification of deceased individuals and whether or not their names should be made public through the vehicle of art. That being said, Riley’s photographs do provide an eloquent record of roadside memorials within the GTA and speak to their social and cultural value. Ask yourself: where do you stand on this issue?

It would seem that, for the families of the deceased, roadside memorials serve the purpose of exactly that: the memorializatin of a life. [ “even” an animal life CP ] They also serve a function for the living, reminding us that life is fleeting and that the dangers of the road are real. Ultimately, rather than causing drivers to collide, roadside memorials may force drivers to more aware of the consequences of speed, negligence and drunk driving. May roadside memorials continue to stand where lives have fallen. For the Silo, Matthew Ryan Smith. 

Supplemental– http://www.rideofsilence.org/memoriam.php

 

 

Culture

The Long Road To Self Publishing

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Bookends worth having- courtesy of hiconsumption.com
Bookends worth having- courtesy of hiconsumption.com

It is amazing to me how many of us aspire to write and publish a book. If you don’t believe me, try this experiment. Mention to five people “I’m thinking of writing a book…” and then wait for the response. Among the (hopefully) positive comments you get back, I bet that three or four people will say “I’ve always wanted to write a book myself.” Even in today’s age of digital distribution it seems like writing a book – a real, in-the-hands book, is a dream of many.

I know for myself I’ve had that dream, too. I am quite sure I can trace it back to several years ago when I actually did author a book. It’s around 30 pages long, and I bound it with denim fabric wrapped around cardboard. It has illustrations and is written in a “choose your own adventure” style with choices that present themselves at the bottom of each page. It was typed with an old manual typewriter and the copyright page clearly indicates that copying or electronic transmission, of any form, is prohibited without the express written consent of the author. I think I was 10 years old at the time.

In my twenties I dreamed about writing a book on the history of the Amiga computer. I contacted several involved individuals for interviews, some of which I actually conducted and others which I just got a general “yeah, sure I’ll do that” response. The project sat on the back burner, only to be moved around to the side when my next project – a book about the history of two of my family members – reared its head. Research started, more family got involved. Yet, it has sat there. I’m still convinced I’m going to write that project (heck, it could even become a movie) but it sits there on the back burner with the other book. I envision the scenario is similar with all of those other people who say “yep, I’m going to write a book too”. Back burners around the world must be filled with these book projects. It’s a good thing that we are moving more towards a digital age because if all of these books actually got written it would likely overflow our libraries.

In my thirties I was approached by someone who had already written a successful book and had been interviewed by some very major radio and television stations. His previous publisher had ripped him off, illegal translations of the book were out there with no profits coming to him, and now that publisher was in the throes of bankruptcy. He had made some improvements, gotten new illustrations and was ready to release the latest version of the book. He just needed a new publisher. He was even going to provide camera-ready files, a term that doesn’t even apply anymore in the industry. He just needed someone to produce a cover and bankroll the whole operation. It wasn’t my own book, but it was a step into the world of publishing that I had dreamed of being a part of since I hammered out the keys on that old Underwood.

 

Food for thought: even JK Rowling and her first Harry Potter book were rejected....more than once.
Food for thought: even JK Rowling and her first Harry Potter book were rejected….more than once.

 

To say it didn’t work out as planned would be an understatement. The book did make it into Chapters, but the monies that were paid to the distributor seemed to evaporate as they also filed for bankruptcy. I did manage to get some of the books back. They currently serve as great insulation in my garage, and I’ve considered burning them for heat this winter. The problem lies with how the old model works. The publisher orders and pays for a large number of books, and then hopes the distributor gets them placed at retailers. The retailers may or may not sell them, and to pay for the ones they have sold, they actually return unsold ones – delaying paying anything until the interest in the book has passed. It’s a nasty, dirty business and one that I have no interest in dealing in again.

Yet the call of writing a book – of crafting something from scratch that comes from deep inside the brain – will not go away. It’s no surprise that many of us would love to take a manuscript and submit it to one of the big publishing houses and have them send us a big advance cheque, but if J. K. Rowling can write a hit like Harry Potter and still get rejection letters, what hope does the average citizen have?

Just like that old bouncing Amiga Ball, (seen here on Syd's shoulder) writing is about 'bouncing back' and 'rolling along' when inspiration wanes.
Just like that old bouncing Amiga Ball, (seen here on Syd’s shoulder) writing is about ‘bouncing back’ and ‘rolling along’ when inspiration wanes.

 

When I discovered the self-publishing site www.lulu.com, I thought it was definitely a dream come true. This site allows you to submit press-ready files and have a book produced for a very reasonable cost. In the past, the only way to get a reasonable unit cost (if at all) on a book was to order a minimum of 1,000 units. Now, the average size book can be purchased for 10 to 20 dollars, and it will be professionally produced and bound. How is this possible? Advanced technology has created what the industry calls print-on-demand and it has changed the game on how all of this works.

I wrote about lulu.com and the process itself several years ago and had a reader write back to me and asked about helping her get the files of her book ready. She had a very unique personal story and had, over the years, written the guts of a book about her experiences. She just had a Word file, however, and had no idea on how to produce the final layout document with a table of contents and so on. I told her I could help her out and provided a cost for her to do so and we took it from there.

The experience was a positive one overall. In the end, we had a few kinks to work out (and she always seemed to find something to change) but we produced a companion website and she ordered several copies of the book for her friends and family. It was a positive experience in the end because she now has her book in a real book format, and although she really didn’t sell that many copies, she did it because she always wanted to record her story on paper. She accomplished that.

It fired me up for working on my own projects. I couldn’t decide which one I wanted to tackle first, and then a more brilliant idea hit me out of nowhere. I started working on it. I didn’t have a gameplan other than knowing I was going to work on it until it was done. I was shocked to realize I had spent almost two years doing research alone, but I wanted to produce a quality product. Along my journey I talked to other friends who had also gone the self-publishing route, but had opted for a service called www.CreateSpace.com rather than LuLu. When I looked into the costs of manufacturing, I could see why. CreateSpace.com was much more affordable and for me this was especially important as I was doing a project that was full colour and has a limited audience.

So I switched, mid-book, to a new provider. I noted that CreateSpace.com is actually owned by Amazon, the world’s largest online book retailer. This has to be a good thing, but I’m glad I dug a little deeper into what challenges I might face as a Canadian. It turns out that you are going to need an IRS tax number in order to receive your royalties. That’s understandable. What is not, is the process. I tried calling and was on hold for what seemed like a lifetime, and I finally gave up. I tried faxing. The thing about faxing is you never really know what happens on the other end or where the piece of paper ends up. It’s also so 1999. I waited a few weeks and heard nothing. I tried calling back again and finally got through to someone who told me I actually had the wrong department and would be transferred. After a total of three hours on hold, I finally spoke to another person who asked me a couple of questions and I was a bit confused at the them (since they were not questions on the form). When I showed some hesitation, she went for the kill and referred me to faxing in the application to a different fax number than I had ever heard of. Eventually I just sent the fax to every IRS number I could find. Four weeks later, my number arrived.

I share my pain with you because I am glad that I started the process early on. I would have been devastated to have my project complete only to have it held up from selling due to a paperwork problem. If you are thinking about selling through a major channel like Amazon.com, you are wise to take care of this detail early on.

 

 

During the development of my book I took breaks. It can be difficult focusing so much on a single topic and it’s easy to lose your concentration and end up with a scattered project. A colleague approached me about putting together some simple-to-follow steps for a social media presentation I was working on, and I took the opportunity to turn that into a book. It is a small book, called “Mastering Social Media” but it was enough to get my feet wet about working with CreateSpace.com and the process. It turned out to be invaluable experience before my main book was ready.

This past July it finally happened. My book, “Collecting for Dragon’s Lair and Space Ace” was finally released and has been given all five-star ratings on Amazon. I am very proud of the book and all that it took to put together, but I know that the road to get there was not easy. It might seem like it, looking at the final product, but it took all of my experience with the previous books to get there. There are still hurdles… promotion is always a tough thing and reaching everyone you can with such a niche book will be a long slow road.

The best advice I have for those wanting to publish their own book is to just get out there and do it. There are so many options that exist now that the excuses for putting your work out there are now gone. It’s a different world out there – go live in it. For the Silo, Syd Bolton.

This article originally published in the print edn. of the Silo, Summer 2013.

Supplemental- 100 million images available for self-publishers.

 

 

 

 

Culture

Ancient Zen Story About Re-framing Failure Applies To Grant Applications

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When thinking about grant writing, it helps to first consider this story that tells about luck. In it, a farmer’s horse runs away and all his neighbors come by to say what bad luck this is. The farmer replies “maybe.” His horse returns and with it brings wild horses. The neighbors all say what good luck this is to which the farmer says, “maybe.” The farmer’s son, attempting to tame one of the wild horses, is thrown and breaks a leg. Bad luck, say the neighbors, “maybe” says the farmer. At last the army comes to town gathering up all the able bodied young men to go off to war. Seeing the farmer’s son with his broken leg they pass on by.

The story ends here, but it shows that things are often connected in ways we can’t possibly predict. A Lebanese saying reaches toward the very same point, “Don’t curse your bad luck because it may turn out to be your good luck.” Again the message here is that you can’t possibly know whether a single event is truly good or bad.

Failure can and should be viewed through the lens of stories and phrases like these. When we stumble, it is easy to fall into the trap of thinking of this one moment as some sort of endgame. On the contrary, every so-called failure is nothing more than the next step in your journey.

Failure feels personal. When you have worked hard on something, poured your very soul into it, only to have things not come to fruition, it can feel like the universe is pointing a finger directly at your forehead. Putting things into some context is one way to start seeing the bigger picture.

Shakey Graves- Roll the Bones. Bandcamp.

Grant applications are quite probably one of the best examples of this. There is so much riding on any given application, whether it is for a specific project or an artist’s general practice. Grants are one of the ways in which working artists stay afloat and they are not only time-consuming, they can feel extremely personal.

Not receiving a grant can set off a cycle of emotions. Everything from wondering what is wrong with your work or your application, to convincing yourself that this is the last chance and there’s no point trying again. Let’s unpack these very common reactions and shed some light on the reality of the situation.

For any given grant you may apply to, there are countless others also spending long hours writing up their own applications. Grants range all over the place in size and popularity, so to speak. Even smaller scale grants (say, those offered by lesser known organizations or tightly specified to certain disciplines) will often attract many applicants.

While there are certain strategies when it comes to writing a good grant application, there is no single, objective way to ensure that yours will be the one chosen. When it comes down to final decision time, there is a level of subjectivity built into the process. Art for example, is not a quantitative subject and nor are grants being awarded via algorithm. Rather, they are being decided by panels of human beings with a range of subjective emotions about a field that is as unscientific as it gets.

For the reasons above, when you do not receive a grant, think of it in terms of the many, many other applications rather than simply in terms of what you personally did wrong. Do not ignore this as a learning experience and do reach out the grant organization for feedback whenever possible, but do not let “no” from one or even a string of grant organizations stop you in your tracks.

Instead, recall the story and expression above. Think of every grant, in fact, every action, as nothing more than a single ripple on the surface of the vast river that is your journey. When you do not get into a gallery, carry on and find others. Down the line when you look back, you will have the clarity to see the progression of events. When you are passed over for a residency, apply to three more. If a project doesn’t work out the way you thought it would, evaluate what happened, learn from the experience, and move on down the road.

Brainard Carey. image: elmcityexpress.blogspot

No one is claiming that this is easy. This isn’t about somehow detaching from your feelings and letting rejection slide like water off a duck’s back. Of course not. Rejection hurts. No matter how impersonal it might actually be when we are told no it isn’t a good feeling.

But remembering that every moment is just that, a single blip on the screen rather than a career breaking catastrophe can help you heal and recharge sooner after you’ve had a misstep. Carry the simple answer of the farmer with you at all times, “maybe.”

For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

Art

An Artist Life Means Putting Your Guts Out Into The World

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The formula for a life well lived might look something like this: Dive in head first > fail > repeat.

Life is a series of cycles. There is of course the broad cycle, we are born, we live, we age, we die. But within this scope are countless other cycles for every part and parcel of our time on the planet. The cycle of making mistakes, of continually pouring your guts out to the world and enduring the consequences, is one of the most important there is for artists. From this process you learn the most about who you are, and how you fit in the world. There will be plenty of moments when you are a total mismatch, when you throw yourself into the deep end and struggle to stay afloat. Under no circumstances should these moments be viewed as set-backs or failure.

Salvador Dali once said, “Have no fear of perfection, you’ll never reach it.” Take a minute to consider that. Really let it sink in. Let your mind internalize this notion and let it unleash a wave of relief through your whole body. What fantastic news this is, no matter what you do, no matter how long you live, you, I, we, not one of us, will ever be perfect. So how can you take this beautiful knowledge and use it to your own advantage? Once you are free from the restraints of perfection, how can this inform the way you continue on your path?

By adopting the formula above and not letting go no matter what.

You probably know stories about how mistakes have changed history for the better over and over again. The accidental discovery of Penicillin because scientists noticed that the mold on some forgotten fruit killed bacteria. Or the invention of silly putty (perhaps not on par with life-saving antibiotics when it comes to historic moments, but a great boon to childhood all the same) quite by accident in a military lab as scientists tried to create an inexpensive substitute for rubber. But have you ever really stopped to consider what these stories mean to an artist? How they can be freeing examples of the importance of making mistakes?

There is likely not a person out there who truly believes that perfection is attainable, but we are told far too often that we ought to strive for it. This leads to untold restraint, dissatisfaction, and who knows how many missed opportunities for glorious screw ups. Do not let this trap take hold of you. Throw your best and worst, craziest and most tame ideas out there for all the world to see. Who cares if you land flat on your face, as long as you’re still able to pick yourself up there’s no harm done.

As an artist you will be the recipient of rejection letters and emails. Stacks of them. Count on it. In every creative field, there are piles and piles of rejections to be gone through. Walt Disney was once fired for what his editor deemed a lack of imagination. Countless famous artists throughout history were rejected in their lifetimes, some only achieving posthumous success. Van Gogh, Manet, Turner, they all have in common that they faced painful rejection in their lifetimes. They also have in common that they didn’t give up their unique perspective on the world nor did they allow something as insignificant as rejection stand in the way of their forward momentum.

Collect your rejection letters. Create a special binder for them. Own them with pride knowing that you earned each and every one of them by putting a piece of yourself out into the world. Begin to think of rejection as a victory in itself because it means you tried. The moment you receive a rejection letter, consider that at that same moment, had you not tried, there would be nothing at all. Not trying isn’t really a way of avoiding rejection, it is simply a way of hiding from the world. You will never get anywhere at all if you don’t reveal yourself.

Artists are perhaps particularly vulnerable when it comes to the consequences of baring their souls to the world. Art is highly personal and the thought of making a mistake when the stakes are so intimately high can be enough to frighten even the boldest spirit. Rejection can feel like a very personal affront and can make it difficult to want to try again. It comes down to a choice really, to stay safe and make no progress, or let it all hang out and learn from every single mistake.

Just like with everything else in life, you will become accustomed to accepting rejection and mistakes as par for the course. There will come a day when you will leaf through your binder of rejection letters with a wisdom that can only be gained through the repeated process of failing. For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

Culture

A Cautionary Tale Of Picking Winners

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Think twice before picking. image courtesy of www.weddingunveils.com

It’s dangerous to pick winners. Everyone knows that and yet it’s difficult to not put your stamp, your intuition and your ego into choosing a winner. Heck, some folks even make a decent living out of it. They’re called critics and advertising executives and sometimes they’re known as a marketing committee.

But just for a moment let’s consider what it means to be in a position of influence- your very thoughts and words will ripple out and possibly affect opinion, access to resources and ultimately success or failure. Choosing winners should be done with the utmost caution. (Does anyone remember Dewey defeats Truman? Okay that is a bit obscure….what about the story of The Beatles being rejected by the first batch of record labels they approached? “Sorry, Lads- You’ll never make it in the music industry”).  This holds true for social media and the internet- no one and I repeat NO ONE should be promulgating  ‘accepted and preferred methods of blogging, tweeting, linking et al. After all, censorship is just another form of propaganda and that’s bad right?

The internet is perhaps the last true vestige of individuality, of a digital ‘Wild, Wild West’, of a digital ‘Gold Rush’. Choosing winners is not always a bad idea if it’s done without malintent. It’s a great form of entertainment (Dave’s Top10 list) and conversation and debate (Top 10 universities in Canada) but when a list is garnered based on subjective criteria (“Sorry, Lads- You’ll never make it in the music industry”)- one must question the motivation and prevent ‘cronyism’.

Reviews

New ‘Duct Tape DIY Book’ is Taking Crafting and Fashion World by Storm

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From the author of the #1 best-sellers, Tape It & Make It, Tape It & Make More and Tape It & Wear It comes the fourth book in this revolutionary “duct tape craft series:” Duct Tape Bags: 40 Projects for Totes, Clutches, Messenger Bags, and Bowlers (Clarkson Potter, July 2016). With the upcoming release of her new book, Richela Fabian Morgan is continuing to take the crafting and fashion world by storm, turning the humble roll of duct tape into the trendiest craft item since glitter glue.

Rachela Fabian Morgan AuthorEveryone from trendy teens to famous fashionistas can begin exploring the infinite uses this easy-to-follow guide provides to making handbags so fashionable, you won’t actually believe they’re made of duct-tape. Part art-piece, part usable accessory, Fabian Morgan shows how each of these gorgeous handbags can be recreated one manageable section at a time.

“About eight years ago, my kids and I were in our local hardware store when we spotted duct tape with patterns and colors,” says Fabian Morgan. “Since then, duct tape has been an obsession of mine. My daughter and her friends were my excuse to break out my vast collection of tape and try out different ideas for craft projects. Out of all the projects, the bags were the biggest hit! I started making bags for myself. So, it was only natural that I turned my attention to writing a book on duct tape bags. I wrote other books on duct tape crafts with a total of 242 projects spread out over three books, everything from housewares to costumes. Duct tape bags were on my radar. I had to write this book!”

Duct Tape Bags provides DIYers with 40 fun projects using duct tape, including:

  • Clutches and wristlets
  • Hobo and Shoulder Bags
  • Satchels
  • Messenger and Flap Bags
  • Tote Bags
  • And tons of other one-of-a-kind bags!
One of Rachel's Duct Tape Bags.
One of Rachel’s Duct Tape Bags.


Read more about Richela Fabian Morgan by using the links at the bottom of this article and:

  • Reveal what inspired her to begin crafting with duct tape.
  • See finished samples of the many bags included in her book.
  • Do print or video demos and step by step how-tos not only on her bags but any of the 240+ projects found in her duct tape books.
  • Provide the perfect summer duct tape projects for girls, boys and teens.
  • Look ahead to back to school: duct tape wallets, folders, book bags, pencil cases,  lunch boxes and more!
  • Find tips to incorporate recycled items in your duct tape projects.
  • And so much more!

With detailed step-by-step instructions and primers on duct tape “fabric,” different types of closures from magnet snaps to jeans buttons, and bag accessories like bows and luggage tags, Fabian Morgan catapults this trend from the streets into the stratosphere. A mix of pop art and urban style photos of each project and a cool vibe throughout will make you want to immediately roll up your sleeves and rolling out the duct tape for a bag of your own! For the Silo, Erin MacDonald-Birnbaum

Duct Tape DIY Designs2

About Richela Fabian Morgan: Richela Fabian Morgan began her duct tape odyssey 8 years ago with a simple bi-fold wallet, before writing the best-selling crafting books Tape It & Make It, Tape It & Make More, and Tape It & Wear It. She is an indie crafter specializing in paper, adhesives, and found materials, and has taught craft projects at elementary schools, public libraries, and charitable organizations around the U.S. Her next duct tape crafting book, Duct Tape Bags, will be published by Clarkson Potter in July 2016.

Connect with Richela on:
Facebook: www.facebook.com/CraftyRichela
Twitter: www.twitter.com/CraftyRichela
Pinterest: www.pinterest.com/craftyrichela
Instagram: @richelafm

Duct Tape Bags will be released July 12, 2016 and can be pre-ordered from Amazon.com and all major booksellers. Contact marketingdirector@thesilo.ca for more details.

 

Art

Dealing with Reviewers’ comments in the Publication process

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This article focuses on the challenges for authors of dealing with an editor’s and reviewers’ comments within the manuscript publication process. The paper commences with an overview of the peer review process. The nature and style of comments from editors and reviewers is outlined and the inherent meaning demystified. Using a wide range of anonymised examples, sample comments are categorised according to their ease of being addressed and whether or not the author agrees with them and the need to respond highlighted. Advice is offered regarding the construction of a response document, outlining how editor and reviewer comments have been addressed in the revised manuscript and an example comprising both editor and reviewer comments and author responses provided.

The importance of this document in providing a clear audit trail of associated amendments to the manuscript and their justifications in response to the editor’s and reviewers’ comments is emphasised.
Céline Rojon and Mark NK Saunders

 Please click here to READ the full PDF article
Culture

Hole Up And Create Is Best Advice For Aspiring Writers

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"Do it for the love of it. Ignore the scary things you read about book publishing industry. In fact, don’t read news at all. They will only distract you from writing. Hole up and create." Ksenia Anske
“Do it for the love of it. Ignore the scary things you read about book
publishing industry. In fact, don’t read news at all. They will only distract you
from writing. Hole up and create.” Ksenia Anske

For aspiring writers-  I thought very hard about what to write, and decided to settle on a little advice for aspiring writers. Because if you’re one of those hopefuls, you might get scared too easily and give up. The world of book publishing is changing. It looks frightening. The big publishers are fighting for survival, buying off little companies, merging, you name it. Why? Because big companies like Amazon made it possible for anyone to publish a book.

And the world of indie books is growing. I can imagine any starting writer look at this, get the scare of her life and run and hide, and give up on her dream. Because how can you possibly make it? Moreover, how can you possibly make a living? It’s harder than ever to get through to agents.  It’s very intimidating to try to self-publish, with all these scary things to be done: finding an editor, a book cover designer, a text formatter, figuring out how the online uploading tools work, promoting your book once it’s published. If you have any kind of embonpoint in any part of your body, metaphorically speaking, it’s enough to lose it, and your brains too. Just by reading this you’re probably already getting scared. There is no way you will make it, is there? There is.

Let’s for a second imagine that none of this exists. Let’s think that writing a book is something you always wanted to do. Not to make a lot of money. Not to become rich and famous. Not to flaunt it into your former classmates faces at your high school reunion. None of it. Let’s imagine you simply always wanted to write a book because you have a story to tell. It’s bursting out of you. You can’t help it. Like a chronic tosspot with this irresistible draw toward alcohol, you simply can’t hold yourself back. May I say something to you? I might not have enough credibility, or clout, or whatever you want to call it. I have only started writing full time 2 years ago and have self-published only 4 novels so far, but I’ve

Ksenia Anske- "writer in bloom" CP
Ksenia Anske

been never happier in my life. In fact, I can’t remember the last time I saw a doctor. I started writing for therapy, and never in the million years did I think anyone would be interested in reading my writing. But people do! People read my books! Can you imagine? I still can’t. I still pinch myself. It’s a miracle. There is a lesson I learned from it, and I keep shouting it at every corner. I want to shout it here, to you, so that you will hear me. It’s very simple. You can do the same.

Don’t be intimidated by the amount of books already published (I know I am, still). Don’t worry about making a living (I know I am, still). Don’t even think about wether or not anyone will read your books (I think about it, too). That doesn’t really matter. What matters is, while you write your book, you get a high which no other drug can give you. You are so happy. When you hold your finished book in your hands, the only other experience that can be compared to it is maybe that of holding your child  in your hands for the first time. It is your child. It’s your story. You did it. Funny enough, if you write it for yourself, you’re more likely to find readers. If you forget about the business of book writing and think about the art of book writing, you will produce something extraordinary.

 

The Writers Retreat inspired by the garden retreats of two literary greats – Virginia Woolf and George Bernard Shaw – whose properties are under the care of the Trust. - See more at: http://www.scottsofthrapstonblog.co.uk/2012/06/a-magical-connection/#sthash.xvVzvEtp.dpuf
The Writers Retreat inspired by the garden retreats of two literary greats – Virginia Woolf and George Bernard Shaw – whose properties are under the care of the Trust. – See more at: http://www.scottsofthrapstonblog.co.uk/2012/06/a-magical-connection/#sthash.xvVzvEtp.dpuf

Know what it is? You will make yourself a little happier, and with that you will make people around you a little happier, and with that you will make the world around you a little happier. Now, imagine what happens when you write your second book, and your third, and your fourth. Do it for the love of it. Ignore the scary things you read about book publishing industry. In fact, don’t read news at all. They will only distract you from writing. Hole up and create. Pour your everything into it, do it so well, that people will want to see what the deal is about. It’s what happened to me, still happening. It’s what will happen to you. So go ahead, write that book. You know you want to. You know you can. I know you can. The rest will happen on its own. For the Silo, Ksenia Anske.

 

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Click to view on I-tunes
Reviews

Window Fishing Or The Night We Caught Beatlemania

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Window Fishing

A Silo Canuck Book Review

I’ve never particularly been a Beatle’s fan. I like some of their songs. I like a number of them very much, but if I was asked the now proverbial question, “The Beatles or The Rolling Stones?” I would probably say, Oh, I don’t know, maybe The Who? The body of work of Mark Knopfler. Massive Attack were massive for me.

But I was not a child of the sixties, “an age of assassins,” John B. Lee writes in his poignant and powerfully executed preface, when “[o]ur childhood martyred almost all the heroes that we’d had.” John F. Kennedy. Robert F. Kennedy. Martin Luther King (Malcolm X, not mentioned but later, yes). “The list is overlong,” Lee says. “It will not end.” I understand more fully than ever these life-shattering moments, for Americans and Canadians alike; for so many  Across the Universe . Into this near death of hope came The Beatles. The Beatles came to America, came on a Sunday night in January 1964 to The Ed Sullivan show and, and as Lee exclaims with no exclamation mark, “sang my life awake.”

It’s not a perfect looking book. Yet as I read, the grainy cover photo (by an unknown photographer) of four dapper mop-tops fishing out the window of their Seattle hotel—they literally weren’t allowed to leave—starts to resonate. It’s imperfection could be viewed as integral, evoking a time in music when moments of “perfect imperfection,” as Michael Shatte calls them in his essay, were more common in pop; “happy accidents” which would not be tolerated in this era of hyper-produced top-forty songs, when singers voices are routinely, digitally “auto-tuned” in the studio, and we get used to being disappointed when we hear them live. Then there’s lip-synching. I don’t need to go on. There is great music being made by great musicians right now. But that’s not what we’re here to talk about. This is about a particular moment in pop-music history, in cultural history, and many of the moments that followed.

PaulMcCartneyBlur

The book is selected and edited by John B. Lee, a Canadian poet and writer who has published more than fifty books and received over 70 prestigious awards for his work. If you haven’t heard of him don’t feel too bad. He tells me openly there is little money in poetry, reminding me it’s not about that anyway. If it was it probably wouldn’t be poetry.

If you haven’t read him it might be time to start: his verse and prose catch the beauty of rural life, farm life, family life, hockey, human sexuality—life. Just Google him. He’s from home, you know. Right around here, right around me, the Poet Laureate of Brantford, Ontario and Norfolk County, home as well to Alexander Graham Bell and Wayne Gretzky, a poet of sport. Like McEnroe was one of the poets of my youth, making tennis beautiful, thrilling, creative; revolutionary. How I tried to emulate him…

Window Fishing Cover

Window Fishing is about a time of Revolution, evolutions in culture, and about growing up in the thick of it all. I wasn’t here yet, but as I read this book I learn. It is a literary volume. The cover photo and torn ticket stub on the back page are its only images. Or are they? Because black words on white paper are also images. And the book’s words, artistically rendered, conjure images as well as ideas. It is poetry, and prose poetry, and personal essays; fine writing by a collection of fine writers.

I learn that for most of the men, who were boys then, pubescent, the Beatles were all about music: musical discovery, even ecstasy. And style too. There was style.

For the women who write about the phenomenon of Beatlemania, there was music too. Absolutely. But there was something else. Something profound: the awakening of sexuality. Even a kind of love. Suddenly I understand all the screaming and crying, the fainting. For emerging, young (straight) women, the Beatles were more than musical. They were also beautiful. Sexy. As Susan Whelehan puts it in her essay: “John. He was mine and I was his…I was going to be his FOREVER. And I am.”

While many parents of the day may have dismissed The Fab Four at first as a silly “boy-band,” we might say now, shaking their longish (for the time), round hair-cuts—singing “Ooooo!” and “Yeah Yeah Yeah!”—fact is from the beginning The Beatles were always at the very least competent, and obviously compelling, musicians. Writes Honey Novick in her probing, poetic essay: “You could actually dance to their music.” And we know they became more and more sophisticated as they progressed through their careers, eventually making challenging, often satisfying real art-music, the way Radiohead did for me in my 20’s.

All this beautiful literature about The Beatles and the 1960’s has inspired me to listen, finally, seriously, to the music. Even if you thought, at the time, “Yeah Yeah Yeah” was just bubblegum for kids, consider the lyrics. One friend to another: “You think you lost your love/Well I saw her yesterday. She says it’s you she’s thinkin’ of/And she told me what to say: She says she loves you.” She loves you man. Yeah! (Yeah! Yeah!). What more is there to celebrate? Ecstatically.

If you were there, or if you want to learn, or if you care about music or culture or the 1960’s or just literature, embrace the “perfect imperfection” of this unique and potent book. Some of the poems made me close my eyes and shut the pages. To savour, digest. Bruce Meyer made me cry. I was 8 years old when Lennon was shot. Assassinated. It made no impact on me then. I wasn’t really there yet. The book put me there, as close as I can ever come.  For the Silo, Alan Gibson.

Earth

Bird Eats Fruit To Get Drunk

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The waxwing-

Cedar Waxwings are sleek, masked birds found year round in our area with unusual red, waxy deposits at the tips of their secondary feathers. They are cinnamon-colored, with grayish wings and tails and yellow terminal tail-bands. They have distinctive crested heads, black throats, and black masks lined with white.
The Cedar Waxwing is one of the few North American birds that specialize in eating fruit. It can survive on fruit alone for several months. They also eat flying insects and can often by seen fly-catching, particularly over Haldimand and Norfolk County streams.

Cedar waxwings are very sociable, non-aggressive birds that often travel in flocks, though they may pair off during breeding season. It is very rare to find solitary waxwings. Because they frequently feast on overripe fruit, these birds can become “drunk” on the fermented juices. For the Silo, Dixie Greenwood.

 

Gaming

Writer Releasing Video Arcade Game Dragon’s Lair Book

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Collecting for Dragons Lair and Space AceBrantford, ON. The Personal Computer Museum is publishing a brand new book called “Collecting for Dragon’s Lair and Space Ace” (ISBN 978-1490383583) that covers two of the most loved LaserDisc video games ever made. Dragon’s Lair officially turned 30 years old on June 19, 2013.

Written by Syd Bolton, who (according to the CBC) has the largest collection of video games in Canada.

Collecting for Dragon’s Lair and Space Ace not only chronicles the hundreds of home releases of games, clothing, collectible merchandise, magazines, toys and more, but also includes an incredible amount of behind-the-scenes information on the development of the games which continue to see home releases right up until this year.

“Along with an introduction that’ll likely slap a nostalgic smile across your face, Syd Bolton has exhaustively aggregated and annotated virtually every Dragon’s Lair and Space Ace video game and merchandise known to modern man” says Marc Saltzman, syndicated gaming and technology columnist, author, TV and radio show host. “While it’s a specialist’s book, game enthusiasts, retro fans, and old folks will find it a fun read” says Steven Kent, noted video game historian and author of “The Ultimate History of Video Games”.

The book will ship next week (July 24, 2013) and can be ordered through the website

www.collectingfor.com, which will contain support materials for the book shortly. The book will also be available on Amazon.com next week. It is 170 pages, 8.5″x11″, full color and perfect bound.

Dragon’s Lair recently celebrated its 30th anniversary and was the first fully animated LaserDisc video game. It generated millions in sales and revived, for a short time, the ailing arcade industry. The follow-up, Space Ace, was released in the Spring of 1984. Unfortunately, the arcade business continued to decline. Both games have been available for home computers and game consoles since 1984 spanning hundreds of releases and also spawned many related items.

 

Interest in the franchise has continued to this day and there is even a new documentary film “Inside the Dragon’s Lair” in the works which is expected to release in 2014. For the Silo, by Syd Bolton. 

 

Culture

How To Start Blogging With Plastic Deerheads And Ironic Moustaches

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The trendy and kitschy Owl. images/photos: Charity Blaine
The trendy and kitschy Owl. images/photos: Charity Blaine

Blog writers are like Indie music that’s about to become “cool”, or rather, they are the people that enjoy the Indie music before it’s “cool”, in fact, they are most likely part of the reason it eventually becomes popular. Only it’s not just music. It’s everything. Lifestyle bloggers like EVERYTHING before it’s cool. Therefore, I, as a blog reader, know about everything cool before it is cool. I, am a blog world hipster, and I’m only partly ashamed to admit it.

To clarify, it’s not just the blogs themselves that set the trends; it’s also the only shops where bloggers sell their handmade goods, such as etsy.com. Years ago, I remember searching for kitschy little polymer clay earrings shaped like foods at etsy, today, when I no longer want them, they are available for a fraction of the price at popular stores such as Clare’s and Arden’s, although truthfully, they do look cheaper. The handmade versions look more like real food than the store bought versions.  You should never believe anything that doesn’t come with proof, so here are three substantial examples of bloggers, not retailers, setting the trends.

 

1)      Owls. I really hate owls. I don’t think they’re cute. I don’t understand the obsession at all, but so many places these days sell things adorned with owls. Don’t get me wrong, I realize that owls were popular years ago, but this is a reference to the current owl obsession. Forever21.com  and http://verified.codes/Forever-21 sells more than a dozen owl accessories so does Clare’s. Where did I first see an obsession with owls? In the blog world, for example, blogger Elycia Watson (loveelycia.com) from Hamilton, Ontario posted regularly about owls more than three years ago. All the blogs I initially read as a blogger were full of owls.

 

geometrics

 

2)      Geometric Shapes. Bloggers love chevrons, triangles, lines, squares, any simple shape that can be coloured pink or gold. This isn’t the best example, but two years ago, the Sidney Crosby  of blogs, A Beautiful Mess, did a ‘do- it –yourself’ project “making a geometric mobile”. It’s a clothes hanger with dangling wire triangles wrapped in yarn, basic and geometric. Most of the bedding at Urban Outfitters these days is adorned with chevrons and triangles. This also points to the ‘do- it- yourself’ trend. These crafty women have been doing it yourself way before pinterest made it popular. To sound even more hipster, I remember when pinterest first started, in those days, there were no weight loss schemes or a surplus of one direction photos, it really was mostly crafts and home décor, and bloggers used it to find inspiration for new blog posts. I love pinterest, so thanks again bloggers for being cool before it was cool.

 

deer heads

 

3)      Since I’ve already given four substantial examples I don’t really need a number 3, but just in case you still doubt, take a look at Faux Deer Head for your wall. Flipping through a home décor magazine lately, I found a photo of a plaster deer head, in the style of the mounted, taxidermy deer head that hunters would have on their walls. Currently, even Home Hardware sells them. Bloggers have been doing this for years. They even use old piñata heads. They give the deer head hats and jewelery. The Dainty Squid was one of the first places I really remember seeing this phenomenon. Kayla found a plastic deer head more than 3 years ago, plopped a wig on its head and called it beautiful.

So the conclusion is- if you really want to be ahead of the wave, read blogs, small, crafty, lifestyle blogs. By the time any of that stuff hits the mainstream, you’ll be really sick of it and you can officially embrace your inner hipster and tell everyone, while sporting an ironic moustache, that you liked all those things, including ironic moustaches, before they were cool.  For the Silo, Charity Blaine.  

Supplemental- Street Trends: How Today’s Alternate Youth Cultures Are  Creating Tomorrow’s Mainstream http://www.amazon.com/books/dp/0887308759

A 3D printer Photo Booth prints miniature versions of you http://tinyurl.com/mkw924 

 

Art

Fish Quill Poetry Boat tour returns to the Grand River

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Fish Quill 2013 - sponsor list

 

 

 

 

 

 

 

 

 Toronto, ON – A group of artists is setting out on a ten-day poetry and music tour by canoe down the Grand River in southwestern Ontario. For the fourth year running, the group, calling itself Fish Quill Poetry Boat, will be paddling from Elora to the Six Nations of the Grand River Territory and performing their work in cafés, arts centres, and heritage sites along the way. Fish Quill Poetry Boat in 2013 is comprised of poets David Seymour, Gillian Savigny, Leigh Kotsilidis, Linda Besner, and Stewart Cole, with London musician Grey Kingdom.

 

Fish Quill Poetry Boat will kick off the tour with a performance in Toronto on June 13th at 8pm at the TRANZAC Club. Scheduled stops for Fish Quill Poetry Boat are the Elora’s Beaver House on June 15th, West Montrose Kissing Bridge on June 16th, Waterloo’s Words Worth Books on June 17th, Cambridge’s Wired Up Pugs Café on June 19th, Paris’ Cedar House Martini Bar & Grill on June 20th, Brantford’s Station Coffee House & Gallery on June 21st, and Six Nation’s Chiefswood National Historic Site on June 23rd. With the exception of Toronto (8pm) and Elora (2pm) all performances are at 7pm. Cambridge’s performance has a $10 cover charge, and all other performances are free.

One notable stop on the tour is Chiefswood National Historic Site on June 23rd. Chiefswood is the only surviving pre-Confederation Native mansion in Ontario, and is the birthplace and childhood home of celebrated writer and performer

Tekahionwake, E. Pauline Johnson, best known for her iconic canoeing poem, “The Song My Paddle Sings.” The year 2013 marks the 150th anniversary of Pauline Johnson’s birth. Curator Karen Dearlove says, “We believe that the Fish Quill Poetry Tour is a great way to feature contemporary poetry and creativity at a site known historically for fostering literary creative dreams.” Fish Quill Poetry Boat will be sharing the stage at Chiefswood with local Six Nations writers and performers.

Fish Quill Poetry Boat is in its fourth year, and canoes are once again being lent free of charge by Paris-based outdoor adventure company Treks in the Wild. “A very cool idea,” says Andy Tonkin, canoeing guide and co-owner of Treks in the Wild, who will be coming along for the ride. The Grand River Conservation Authority and rare Charitable Research Reserve also sponsor the tour and will be giving presentations at select venues.

This year Fish Quill Poetry Boat has also put together an Indiegogo crowdfunding campaign. You can watch a video of Leigh Kotsilidis and Linda Besner explaining how the tour works-

As a reward for contributions made, donors to the campaign can receive perks, such an anthology of past and present Fish Quill Poetry Boat participants. So far, that’s fifty poets and musicians!   CP

 

 

 

 

Fashion

Glerups Ergonomic Shoes Make Summer Weddings Easy On Bridal Feet

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Getting married this Summer? The last thing you want on your wedding day is hot or tired feet for you or your bridal party. Ensuring a calm, collected and stress-free mood for weddings is critical for the seamless execution of anyone’s big day. So, when you’re struggling to think of a perfect bridal party gift, why not turn to something that encompasses all these feelings?

Glerups from Denmark, are the indoor shoe with the natural leather sole and are made from pure wool- natures all-round miracle fibre. For absolute comfort, wear your Glerups barefoot. Glerups are packable, portable and comfortable. The natural leather sole makes them kind on floors, kind on feet. From slip-ons, to shoes and booties, and Glerups come in styles for everyone.

Glerups provide the comfort of a slipper, but come in styles that cover your entire foot, like a shoe. They are also breathable, yet the natural wool keeps your toes warm and cozy.

“Glerups are a terrific accessory for any wedding party,” said Tim Stacey of Glerups. “The soft wool footwear is great to wear while getting ready for the big day, and they also make awesome bridal party gifts.”

 

If you're planning a winter wedding (and why not- this is a magical time of the year) Glerups will make sure you and your party are stylish, comfy and warm. CP image: nirvanaphotostudio.com
If you’re planning a winter wedding (and why not- this is a magical time of the year) Glerups will make sure you and your party are stylish, comfy and warm. CP image: nirvanaphotostudio.com

 

Warm – Glerups footwear is a unique concept based on the idea of using the natural characteristics of wool to its advantage. Unlike most materials which become cold when dampened, wool releases heat. The qualities of wool become entirely unique when worn directly against human skin; so naturally, it made sense to fashion house shoes from this material.  

Natural – Glerups are made from 100% natural wool. Glerups select wool that is gently washed in soft water and felted with steam to mimic the shape of your foot. Soft calfskin soles protect the house shoes for longer wear, while also taking the ‘slip’ out of slipper to provide a whisper soft, yet safe, step.

Beautiful – Glerups come in three styles for both men and women. The ‘slipper’ model embodies the classic characteristics of a slip-on indoor shoe. Get the warmth and comfort of on-the-foot 100% wool with the ‘shoe’ model Glerups. The shoe model provides the perfect comfort for colder floor surfaces, and won’t slip off.

 

Perfect!
Perfect!

 

Finally, for those looking for an all-around insulator, there’s the ‘boot’ style Glerups. The boot offers full foot coverage all the way up to the ankle. This style insulates your entire foot while still allowing bare feet! Block out the cold with boot style Glerups. Glerups also come in a variety of vibrant, earthy colours, making them a versatile choice that will suit anyone’s personal style.

For more information on Glerups (www.glerups.ca ) or to order your own, please email marketingdirector@thesilo.ca for details.

 

Founded in 1993 by Nanny Glerup as a hobby to work in felt, the first Glerups product was her evergreen felted boot in a classic design of natural grey wool. Since then, Nanny has continued designing new products for glerups.dk. In every design we are trying to achieve the optimal mix between practical use and beauty through simplicity and materials of nature.  For the Silo, Stephen Murdoch

Politics

British Columbia Elects First Green Party Legislature Member

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Andrew Weaver
Andrew Weaver

GPO Green Party of Ontario leader Mike Schreiner made the following statement on the election of BC’s first Green MLA:

“I want to congratulate Green Party candidate Andrew Weaver for his historic victory in yesterday’s BC election. Andrew is the first Green ever elected in a provincial legislature in Canada.

Once again BC voters have made history two years after electing Elizabeth May as Canada’s first Green MP. I am happy and excited for Andrew and everyone pushing for a sustainable future.

I know Andrew will seize this moment to be a voice for change in BC, and he will work tirelessly serving his constituents in Oak Bay-Gordon Head.

I also want to commend Leader Jane Sterk and all BC Green candidates for a strong campaign. The Green movement in Canada is growing stronger. Mr. Weaver’s election is an inspiration for the Green Party of Ontario. GPO members are already working hard to bring change to Ontario by electing our first Green MPP to Queen’s Park.”  For the Silo, Becky Smit.

Earth

Harvesting Wild Leeks

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The author 'hard at it'- digging Leeks.
The author ‘hard at it’- digging Leeks.

It’s coq-a-leeky time. For the past several years my friend House and I go out to our secret spot in a nearby woods and harvest wild leeks.

They grow three quarters of the way down a steep hill so the element of  danger grows stronger every year with aging limbs.  Let me tell you,  it’s damn hard using a shovel on a steep hill when you can’t balance on  one leg.  Jeanine’s advice as I was leaving “try not to fall down the  hill”  Exactly.  I had my cell phone with me but realized that if either of us went down there would be no immediate rescue.

We made a pact to leave the fallen man behind and press on should disaster strike.  The  soil was wet this year, so it was an easier job digging them out.  It  only took us about an hour to fill our recyclable shopping bags. When we had successfully dragged ourselves back up the incline we  paused to sit on a fallen tree and observe the moment.  We discussed as  we always do how it would be great to build a camping platform at this  spot and retreat here when our “other” worlds became too much.  The  annual pipe dream.

As the sun filtered through the trees we watched the  dogs for awhile as they ran around with noses to the ground.  Then, as every year we validated the ritual as something important to us that we will repeat faithfully for as long as we are able. Pause. Time to make our way back through the difficult new growth.

It takes Jeanine a long time to clean the leeks, and take off the little hairy  bits on the ends,  but she doesn’t seem to mind.  We both know what’s coming.  That night we make our version of Coq-a-leeky soup, a perennial spring favourite of many cultures including the Scottish.   We get a pot of chicken broth simmering and drop in about 8 full cloves of garlic, and a couple of cut up potatoes. We let  that simmer until the potatoes are quite soft ( about 15 min).  Next we throw in the  chopped up wild leeks (use everything) and give it about another 10  minutes.  A little pepper, or soya if want to give it an Asian flavour.  But not so much as to cover the subtle flavor of the leeks. No oil or fat is involved and we love the flavor.  Most importantly, it is an amazing spring tonic.  I notice I have  better energy the next morning.

Jeanine talks about how in France it is common for people to do a “cure” from time to time.  Short of an absolute fast which can be debilitating and potentially dangerous, they simply restrict themselves for a few days to eating small amounts of only one simple, nutritious thing .  Some use fruit, others fish or vegetable stock, etc. Currently it is not the only thing we are eating so it can’t be considered a full cure, but we have been predominantly eating just the leek soup since, and will continue until it’s gone.

By the way, we wrap the cleaned leeks in paper towels and store them in the crisper.  There are a lot of other creative and delicious ways to cook these little treasures.  I recommend trying to get your hands on some while they’re in season.  It’s worth the effort.  For the Silo, Phil Ross. 

 

 

 

Culture

GTHA Traffic Hurts Farmers Trying To Move Food Through Region Quickly

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Like a column of ants- "Today, in the Greater Toronto and Hamilton Area, the average commute time is 82 minutes a day. Gridlock is a major issue affecting our province’s productivity." Ontario Premier Wynne image: us.123rf.com
Like a column of ants-
“Today, in the Greater Toronto and Hamilton Area, the average commute time is 82 minutes a day. Gridlock is a major issue affecting our province’s productivity.” Ontario Premier Wynne image: us.123rf.com

Where investing in transit can take us…….The first subway line in Toronto opened in 1954, the year after I was born. I still remember riding the subway with my grandmother as a little girl. I was wearing my white gloves because it was a special occasion. Everyone was so excited, so proud.

Today, in the Greater Toronto and Hamilton Area, the average commute time is 82 minutes a day. Gridlock is a major issue affecting our province’s productivity.

This is not just an issue of commute times for people in one region. Congestion in the GTHA hurts farmers who want to move food through the region quickly, truck drivers trying to get to the US border, tourists trying to visit and countless families who want to move from one side of the city to the other, without getting stuck in endless traffic.

Fixing transportation infrastructure will improve our lifestyle and our economy. It will also have a positive impact on our tourism, our natural environment and on the health of the millions of people who call this region home.

That’s why I know we have to move forward on this conversation.

But I don’t want anyone to think that transit or the GTHA is getting unfair attention or disproportionate investment.

And so it’s important to note that for the past 20 years, transit investment in Ontario has lagged well behind the funding we have put into the province’s road network, our bridges and underpasses.

That part of our transportation puzzle has received hundreds of millions a year; and in the past nine years, billions.

In contrast, there have been several years in that time period when the provincial government’s capital expenditure on transit was exactly zero.

There is a pressing need for change. That is not up for debate.

But when I listen to the rhetoric around transportation investment, I believe some politicians have made a short-sighted decision to avoid real solutions.

I know improving our daily commute is not about scoring political points. It’s about ensuring Ontario’s success. And that is my core responsibility as the Premier of this province.

People are ready to get moving. But to develop real momentum we have to change the way we talk about these investments.

We need to bring excitement back to the discussion of transportation infrastructure, and where it can take us, our children and grandchildren.

We have to talk about what we DO want. We want every part of this province to move quickly, safely and efficiently so that we can all benefit.

When it comes down to it, transportation investments will need tens of billions of dollars over the next twenty years. Our whole provincial budget each year is about $125B. 

And our spending on programs including education and health care is already tightly constrained, the lowest of any province.

We need to find dedicated revenue for these projects, because the money cannot be found elsewhere.

I  believe that any new funds must be directly tied to a measurable result. People need to know what they are paying for; they need to see where the money is going.

 

 

Whether the need is for new transit in the GTHA, light-rail lines in Ottawa, bridge repairs in Kenora or highway refurbishing in Huron County, we need to get this done.

We need to get Ontario moving.

So I will keep talking about what we can achieve for this great province. I will focus on the positive impact we can make through smart, fair investment.

But I need your help. Let’s tap into the desire for a safer drives, a better commute, cleaner air, a stronger economy. I know the will is there.  I know the support exists. And progress will be made.

Together we can get this done. Premier Kathleen Wynne

Ontario's Premier Kathleen Wynne
Ontario’s Premier Kathleen Wynne

 

 

 

Culture

Law Firms Should Nurture A Culture For Growth Factor

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Hillel pic Web

There’s a strong correlation between the growth of a law firm and the strength of its culture, according to a new survey published in February’s ABA Journal.

The most successful mid-sized firms are those that put a high value on their culture – how they do business and the written and unwritten rules for behavior, according to the survey conducted by TAGLaw and the Center for the Study of the Legal Profession.

“Firms in which everyone plays by the rules and values dictated by the leadership are more successful in part because, whether they realize it or not, they’re branding themselves,” says Hillel L. Presser, Esq., MBA, author of a new book, “The Lawyers Law of Attraction: Marketing Outside the Box But Inside the Law,” (www.lawyermarketingllc.com).

Branding – developing a unique, distinctive and consistent image — is vital for any lawyer hoping to stand out from the competition, Presser says.

It’s even more important to distinguish oneself in today’s post-Recession economy. Demand for legal services, revenues and rates have all dropped significantly since the Recession began in December 2007, according to a 2013 advisory by Hildebrandt Consulting and Citi Bank.

“The compound annual growth rate for revenues in the legal market was 9.8 percent leading into the Recession. From 2008 to 2012, it was 0.8 percent,” Presser says.  So how does a law firm – or an individual lawyer – develop a brand?

“In a firm, if you have a strong culture, start by giving it a closer look. What values define your culture? What rules govern interactions with clients? Do you have a collaborative team approach or independent individualistic lawyers?” he asks. “All of these answers will help you define your brand.”

 

Presser Book Cover Web

 

If you’re an individual lawyer, you are your brand. Your personality, your look, how you present your practice all contribute to your brand identity. To build a successful, strong brand, you need to be sure these things convey what you want them to – and more important, appeal to your market.

Presser offers these tips for building your brand:

• Identify your personality, your specialty and your target market: These form the basis of your brand and it’s important for all three to work well together. Presser defines his personality as “an innovator and educator who’s very social and very serious about financial protection.” His specialty is asset protection, and his target audience is all individuals with money, property or other assets that are not secured in the best way.

• Decide what will appeal to that target audience: If you already have clients, look for what they have in common – it will say a lot about what they value and, hence, what appeals to them. Everything from the clothes they wear to the cars they drive to the information they share about themselves offer clues to what they value. Maybe it’s reliability. Non-conformity. Social status.  Solid quality. Is that who you are? If so, make sure it’s reflected in your brand.

• Think about what makes you different from your competition. From soda companies to athletic apparel manufacturers, every industry includes rivals selling the same products. Through branding, they distinguish themselves to appeal to their target audience – to set themselves apart. What makes you different from other divorce, criminal defense or corporate attorneys? How does that fit in with your personality, specialty and target market?

• Look for ways to incorporate your personality into your practice.Everything from the furnishings in your office to the clothes you wear to your business card and website should incorporate the personality and values you want to convey. If the tone of the copy on your website is casual and light-hearted and you want your brand to say old-fashioned hard work and reliability, you need to have the copy rewritten.

Your brand will be the foundation for your marketing, so take the time necessary to ensure all of the elements work in harmony, Presser says.

“You don’t have to be everything to everyone – you can’t be,” he says. “So focus on your niche audience and what’s important to them as well as what’s important to you. It will make you more successful both in setting yourself apart and attracting the types of clients you want to attract.”

About Hillel L. Presser, Esq., MBA

Hillel L. Presser is the owner of Lawyer Marketing LLC, a company dedicated to helping lawyers effectively market their practices. He’s also the founder of The Presser Law Firm, P.A., representing individuals and businesses in establishing comprehensive asset protection plans. He is a graduate of Syracuse University’s School of Management and Nova Southeastern University’s law school, and serves on Nova’s President’s Advisory Council. He also serves on the boards of several non-profit organizations for his professional athlete clients. He is a former adjunct faculty member of law at Lynn University. For the Silo, Ginny Grimsley.

 

Reviews

netTALK DUO Go-Anywhere telephone device now available for Canada

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Tiny, powerful digital telecommunication device. NetTalk Duo WiFi.
Tiny, powerful digital telecommunication device. NetTalk Duo WiFi.

 

 

 

 

Miami, FL – – netTALK.com, Inc. (“netTALK”; OTCBB: NTLK), a telecommunications, consumer electronics and cloud technology company, announces that the  netTALK DUO WiFi, the world’s first wireless VoIP telephone device, is available at leading national Canadian retailers.

The netTALK DUO WiFi works absolutely where you can access a WiFi connection.  Unlike other voip devices, it does not rely on a computer or a router to function taking it to new heights of convenience and portability.

 “Never before have Canadians had access to a portable wireless VoIP device such as this.” commented Anastasios ‘Takis’ Kyriakides, President and CEO. Since it works anywhere there is a WiFi connection, netTALK DUO WiFi is light years ahead of the competition, which is why throwing the switch and turning off high phone bills, forever, should be an obvious choice across Canada.”

 “netTALK has demonstrated its commitment to the Canadian market over the last few years with helping Canadians save money on their phone bills with the original netTALK Duo” continued Kyriakides.  “Now with the netTALk DUO WiFi, not only can they continue to save lot’s of money without having monthly phone bills or contracts, they can truly cut their phone cord as well.”

Aside from working anywhere with a WiFi connection, the netTALK DUO WiFi includes all the features Canadian netTALK customers have come to know and love including:

    ·        Free Canadian Phone number

    ·        Fire Your Phone Company, No Contracts or Monthly Bills!

   ·         Free Call Waiting/Caller ID/ Call Forwarding

   ·         Free Voice Mail to Email    ·        

             Free True Canadian E911

The lowest cost, flat-rate international call plans in the industry. Fax-friendly service. Live customer service and technical support.

Anastasios 'Takis' Kyriakides, President and CEO of netTALK Canada. Mr. Kyriakides is no stranger to innovative technology- he is the inventor of the world's first language translator and also invented the first hand held optical scanner and PC VGA card. #solid!
Anastasios ‘Takis’ Kyriakides, President and CEO of netTALK Canada. Mr. Kyriakides is no stranger to innovative technology- he is the inventor of the world’s first language translator and also invented the first hand held optical scanner and PC VGA card. #solid!

Mr. Kyriakides concluded, “The DUO WiFi takes ‘cord-cutting’ to new heights, eliminating even the need to tether the device to a computer. It can go anywhere, with the same phone number and the same great service. Reaching new heights in technological innovation, the netTALK DUO WiFi offers unbeatable value, call quality, features and customer service. Now that’s something to TALK about!”

 The netTALK DUO WiFi carries a suggested retail price of only CA$74.95, which includes a full year of service. Setup of the netTALK DUO WiFi takes just a few minutes and works anywhere in the world with an internet connection.

 The netTALK DUO (the original device from netTALK) and the new netTALK DUO WiFi are winners of PCMag.com and Laptop Editors’ Choice awards, and officially designated “Business-Ready” by PCWorld. The netTALK DUO is a revolutionary VoIP telephone device and digital phone service.

 Bottom Line? The tiny netTALK DUO enables free nationwide calls to any phone in Canada and the U.S. from anywhere in the world, as well as low-cost, flat-rate international calling plans and a variety of other features, detailed at www.netTALK.com. No computer is necessary to make calls using the netTALK DUO, as it simply plugs directly into a modem (or computer).  The netTALK DUO WiFi is the next step in the evolution of the netTALK DUO, by operating from any WiFi connection.

 netTALK offers the following calling plans for the netTALK DUO and netTALK DUO WiFi (prices do not include tax):

Basic Call Plan: Free calling throughout Canada and U.S.; one full year included FREE with netTALK DUO and as low as CA$39.95 plus taxes for each additional year.

 North America Add-On: Unlimited calling to the U.S., Canada, Mexico, and Puerto Rico as low as CA$5.85 plus taxes per month.

International Add-On: Calling to 60+ countries, including China,India, Brazil, UK, France, and more for as low as $10 per month (plus taxes).

The netTALK DUO WiFi is now available at leading national Canadian retailers; contact marketingdirector@thesilo.ca for the location nearest to you. Visit www.netTALK.ca CP

Culture

Professional salons respond to Canada’s “Teen tanban” legislation via JCTA

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KELOWNA, B.C. – The Joint Canadian Tanning Association (JCTA) as the representative voice for Canada’s professional salon sector, responds to the Ontario government’s introduction of a “teen ban” on UV light exposure.

“Ontario’s  professional salon sector is disappointed that this legislation was brought forward. JCTA salons have long instituted standards which restrict access for youth, unfortunately due to the actions of a few bad apples within our industry who do not share the JCTA’s commitment to client protection, the government has felt the need to respond.” said Doug McNabb, JCTA President. http://tanresponsibly.ca/find-a-salon/

image: thefrisky.com
image: thefrisky.com

 

 

 

 

Professional salons, which comprise the JCTA’s membership, already mandate professional control over UV light exposure, age-based restrictions and the continuing education of salon workers. As a result, teenagers currently make up between 2 to 5% of salon sales. http://tanresponsibly.ca/professional-standards/

People who visit JCTA salons are by and large educated adults who look to patronize an establishment that cares as much about their health as they do- that’s why they don’t mind paying a few dollars more for top notch service. Additionally that is why teens have never been a significant market for us. All too often they refuse to take the long term steps needed to build a tan safely and as a result visit non-professional salons which do not limit exposure. Today we see the result of that.

Moving forward, the JCTA is eager to work with government to ensure that regulations under the act do not impose unnecessary red tape on small businesses, who continue to struggle in a difficult economic environment.

 “The JCTA is not opposed to the age based restriction – we currently have one in our professional standards. Our only concern at this point is to ensure that regulations under the act get it right and do not add unnecessary red tape to small businesses.” said Doug McNabb, JCTA President. Ontario’s indoor tanning sector currently comprises over 1000 small salons, operating in every corner of the province. Together these providers (mostly female operators) employ thousands of workers and generate millions of tax dollars for the province.

To Ontarians following this story all I can say is be smart about your choices. http://tanresponsibly.ca/ As an adult tanner you should only visit a professional salon – one that has a current JCTA sticker in the window – and never ever use a self-serve bed. Trained and industry certified operators controlling the equipment is one of the best ways for you to minimize risk.

This simplified diagram shows the spectrum of light. Tanning beds use UV ultra-violet light. At extreme frequencies, UV light can destroy cellular tissue- the JCTA represents professional tanning salons in Canada and works to ensuring safety for all users. The recent move by the Canadian government to ban "teen tanning" is has upset the JCTA.
This simplified diagram shows the spectrum of light. Tanning beds use UV ultra-violet light. At extreme frequencies, UV light can destroy cellular tissue- the JCTA represents professional tanning salons in Canada and works to ensuring safety for all users. The recent move by the Canadian government to ban “teen tanning” is has upset the JCTA.

 

 

 

 

The Joint Canadian Tanning Association (JCTA) is a national non-profit organization created to increase understanding of the professional tanning industry’s scientifically supported position that regular moderate ultra-violet exposure from sunshine or sunbed in a non-burning fashion is part of a responsible lifestyle that recognizes both the inherent benefits and the manageable risks associated with ultraviolet light exposure.  For the Silo, Steven Gilroy Executive Director JCTA

Supplemental- It is difficult to contextualize the full story of tanning beds especially in terms of any possible associated health risks. Studies can show no health risk, little health risk, moderate health risk and severe health risk. These studies are greatly variable and depending on the subjects age, gender, health and tanning frequency and although the technology is the same for tanning salons, conditions and equipment can vary. The JCTA works towards ensuring safety standards are met by members. Check with your tanning salon to ensure that they are JCTA members in good standing.

http://hps.org/documents/Tanning_Salons_Fact_Sheet.pdf

Vintage

Top Heritage Buildings In Kitchener Waterloo Include ‘Lady Gaga’ Hotel

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TORONTO- Five years ago, a Group of provincial Masonry experts selected its top masonry heritage buildings in the Kitchener-Waterloo, Cambridge region in conjunction with the North Waterloo Region Branch of the Architectural Conservancy of Ontario. These buildings that define Kitchener-Waterloo (K-W) and Cambridge are known for their distinctive beauty, history and longevity.

The Walper Hotel- stopping point for Lady Gaga and in the past Eleanor Roosevelt, Louis Armstrong. photo: Nick Stanley
The Walper Hotel- stopping point for Lady Gaga and in the past Eleanor Roosevelt, Louis Armstrong. photo: Nick Stanley

 

With an enduring presence that shapes the landscapes on which they were built, these heritage buildings were selected by industry experts as the finest examples of masonry design in the tri-cities of southern Ontario. “Heritage buildings made of brick, block or stone are the longest lasting and most architecturally significant designs in any community,“ says Jack Prazeres, President of MasonryWorx. “Landmarks like these move people with their iconic beauty.”

Prazeres went on to say, “Often built with locally quarried stone and clay for brick, many of these buildings not only define their communities through their design but also their material – they are true reflections of the geography on which they stand.”

The yellow-hued brick for example is a hallmark of this region that creates a sense of place like no other part of Ontario. The yellow-coloured brick comes from calcium rich clay mixed with limestone from the Niagara escarpment.

“Although none of our top masonry heritage buildings used the yellow brick, because in the past it was not considered as high quality as red brick, the yellow brick deserves honourable mention for the regional distinctiveness it has created,” Prazeres says.  “There is no doubt however that this regional brick has stood the test of time and has helped define Waterloo Region.”

Jack Prazeres, President of MasonryWorx- photo courtesy Ministry of Citizenship
Jack Prazeres, President of MasonryWorx- photo courtesy Ministry of Citizenship

The criteria used to choose the top buildings included: durability, aesthetic appeal, craftsmanship, and the best use of masonry products in their architectural design.

After a panel discussion by masonry professionals working with brick, block and stone, MasonryWorx selected the following five 
Kitchener-Waterloo and Cambridge buildings to honour for their masonry heritage 
value:

Galt Collegiate Institute – This Cambridge landmark was founded in 1852, when it was known as the Galt Grammar School, a highly reputable private school for boys. Today, the symmetrical building designed in the Scottish Baronial style houses a public secondary school. The building, which is constructed from fossilized limestone quarried from on-site riverbanks, underwent several additions between 1859 and 1923.

http://gci.wrdsb.ca/

Gore Mutual Insurance Company head office — The 1935 Neoclassical Revival head office of the historic Gore Mutual Insurance Company in Cambridge features impressive exterior fieldstone walls and a beautiful interior finished in at least four types of marble and locally supplied granite. Stunning features of marble and fieldstone also grace the 1955 addition to the building.

http://www.goremutual.ca

Wilfrid Laurier University, Lyle S. Hallman Faculty of Social Work– First known as St. Jerome’s College, the two buildings on this property in Kitchener were built in 1907 and 1909. The buildings are handsome and well-preserved examples of Neo-Classical architecture. The features of the 1907 Duke St. building include the monumental central pavilion with pediment, coupled columns, front entrance, window openings and brickwork. Features of the 1909 College St. building include the brickwork and window openings.

http://www.downtownkitchener.ca/news/wilfrid_laurier_faculty_social/

Walper Hotel – A parade of notable guests from Eleanor Roosevelt and Louis Armstrong to Pierre Trudeau and Lady Gaga have dined and slept at this hotel at King and Queen Streets in Kitchener. Established in 1893, the building cost just $75,000 to build. Guests could have a room, three meals a day, a pitcher of water, gas lamp lighting, a spot to hitch their horse and use of one of the hotel’s common area bathrooms for just $4.50 per week. With its delicate brickwork over the arched windows and elegant cornices, it is the city’s best example of hotel architecture.

http://www.walper.com/the_hotel.html

Wissler-Cascaden House The simple Mennonite Georgian style popular with Pennsylvanian settlers inspired the design of his two-storey house in Waterloo.  It was built in 1842 by John Wissler, a pioneer from Lancaster County, Pennsylvania. He helped establish the hamlet of Lexington thanks to his tannery and the many businesses and trades that sprouted up to support it. The current owners have given a great deal of time, effort and care to the extensive restoration of the house which portrays a faithful representation of early Waterloo. For the Silo, Vickie Fagan. 

http://www.historicplaces.ca/en/rep-reg/place-lieu.aspx?id=10658

The Georgian Style: Constructed in 1842, Waterloo's Wissler-Cascaden House. Compare (search our site) with the Lynnwood Heritage Property housing the Norfolk Arts Centre. CP
The Georgian Style: Constructed in 1842, Waterloo’s Wissler-Cascaden House.

 

Supplemental- MasonryWorx is the trade association of brick, block and stone masonry industry professionals. Its membership includes product manufacturers, suppliers and skilled professionals from across Ontario, and the organization is committed to providing home buyers, homeowners, architects, engineers, builders and government leaders with accurate, timely information about the use and benefits of brick, block and stone products.

Culture

Woodland Cultural Exhibit Formed Engaging Look At Six Nations

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BRANTFORD, ON –– The Woodland Cultural Centre is proud to announce the launch of their first exhibit for 2013, “Spirit of Community: People and Neighbourhoods”. This all-new exhibit will officially open Monday January 21st, 2013.

Exploring the heart of Six Nations, this exciting exhibit examines the community, people, places and landscape that make it so unique. Featured in this exhibit are some of the finest examples from Woodland’s historical photography archive, as well as contemporary works by artists Anthony Henhawk Jr, Patricia Hess, Brenda Mitten, and Shelley Niro. The contemporary and historical material work together to create an engaging look at the Six Nations community.

An historical council house photograh from the Woodland historical photography collection.
An historical council house photograh from the Woodland historical photography collection.

 

“Understanding the roots of a community is so important to understanding it as a whole”, said Janis Monture, Executive Director of the Woodland Cultural Centre. “With the help of these amazing artists, I feel that we’ve been able to create a comprehensive portrait of Six Nations and its people.”

Running until March 31st, 2013, “Spirit of Community: People and Neighbourhoods” will officially open Monday January 21st, 2013 upon the opening of the museum. All visitors are invited to learn the history, and experience the culture of Six Nations.

Established in 1972, the Woodland Cultural Centre has been an integral cultural and educational centre within the Brantford and Six Nations communities. Its goal is to protect, promote, interpret, and present the history, language, intellect and cultural heritage of the Anishinaabe and Onkwehon:we people. Providing several permanent and short-term exhibits, the Woodland Cultural Centre also focuses on language and cultural preservation that includes several special events such as arts and crafts workshops, Snowsnake tournaments, and much more.

 

Culture

North American Society A Madhouse Says Former US State Hospital Doctor

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deranged "Joker" killer James Holmes
According to reports, deranged “Joker” killer James Holmes (in this July 2012 courtroom photo courtesy of thesun.co.uk) still believed that he was the fictional comic book and film character The Joker.

“Insane” has a clear meaning when we can look at it next to “sane” in the real world. Unfortunately, that has become more and more difficult to do, says Mike Bartos, former chief of staff at an American state psychiatric hospital for the criminally insane.

“It’s not just because the media rely so much now on bizarre behavior to entertain their audiences,” says Bartos, author of “BASH” – Bay Area  State Hospital – (www.mikebartos.com), a fast-paced tongue-in-cheek novel that stems from his decades of experience as a mentalhealth-care professional.

“Take a look at what have become the ‘normal’ problems in modern America – some of them could be textbook examples of psychological dysfunction.”

Case – or rather, cases – in point:

• Obesity epidemic: Denial, compulsion, addiction and sublimation are just a few mechanisms at work in the psychology of a largely obese population. Sublimation is the mature defense activity perpetrated when socially unacceptable impulses, such as sexuality, are redirected, in this case to the consumption of salty, fatty and sugary food. With more than two thirds of the U.S. population and almost two thirds of the Canadian population [http://tinyurl.com/78o9z66 CP] either overweight or obese, there is nothing sane about this health crisis.

• Banking: The financial crisis that changed the world in 2008 can be largely owed to a cluster of “too big to fail” U.S. banks and their employees who thought they could continuously repackage terrible debt loans. Meanwhile, unqualified customers snatched up properties they couldn’t afford. This was an undiagnosed mega-scale gambling addiction. Many in the financial world knew it simply could not be sustained but the players continued to ante up.

• Climate change: Denial, denial, denial. The raw data from objective scientists overwhelmingly tells us man is largely responsible for warming global temperatures, yet we continue to use fossil fuels and to fill landfills with methane-producing waste. It’s a classic case; we completely ignore symptoms and evidence to maintain the status quo.

What the Bradley Report had to say about Rush Limbaugh's much-publicized addiction to oxycontin
What the Bradley Report had to say about Rush Limbaugh’s much-publicized addiction to oxycontin

• A drugged nation: Marijuana, a natural relaxant, is outlawed in most states while tobacco and alcohol – responsible for incalculable violence and sickness, as well as tens of thousands of accidents and deaths each year – are lucrative and legal vice industries.  Meanwhile, some pharmaceutical companies and physicians encourage substance abuse and chemical dependency by promoting pills to ease the inevitable emotional and physical pains that come with life.

“Many of my psychiatric patients suffered from addiction to both legal and illegal drugs. Sometimes it was hard to tell which came first, the addiction or the other mental health issues,” Bartos says.

“The legal or illegal status of certain drugs seems to be completely arbitrary — much like the behavior of a patient suffering psychosis,” he says.

 

photo: usrecallnews.com
photo: usrecallnews.com

 

• Spoiled-brat adults: Narcissistic Personality Disorder isn’t only now accepted in society, it’s widely encouraged and celebrated, Bartos says. Reckless driving and road-rage are just two examples in which individuals are so self-absorbed, they believe their time and sense of entitlement are more important than the lives and safety of others. Throw on top of that our obsession with plastic surgery, need for constant attention on social media, and pre-occupation with consumer brands and we have pandemic megalomania.

• War: America [with on again -off again support from allies such as Canada,England and NATO allies CP] has been at war for 10 years now, and leaders cannot say with any precision what the US is doing with its current campaign in Afghanistan, nor what was accomplished with the last one in Iraq. It’s as if government leaders have a masochistic, sociopathic relationship with one percent of the U.S. population – the military, and their families. Young men are shipped off in the prime of their health, and often return physically or mentally damaged, if they come back at all.

“Is this sane?” Bartos asks.

Mike Bartos is currently in private psychiatric practice in the San Francisco Bay Area where he lives with his wife Jody.  He has several decades of experience in the mental health field, including serving as chief of staff at a state hospital for mentally ill patients convicted of violent crimes, where he focused on forensic psychiatry. Bartos is a former radio show host and newspaper columnist. For the Silo, Ginny Grimsley.

Supplemental- Oxycontin and the opium epidemic of the 21st century

 

Reviews

Canuck Book Reviews- Irma Voth

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There are several cover variants for Toews novel, but we like this one.

Miriam Toews’ Irma Voth follows the trials and tribulations of a rebellious, yet eager to please, 19 year old young woman from a strict Mennonite community near Chihuahua. The story begins with Irma recalling the failure of her marriage to local Mexican man. Irma provides the reader with a brief glimpse into her past while she pines over her botched marriage. Her family’s mysterious and seemingly unexplained relocation from the Canadian prairies and her father’s disapproval and disownment over her marriage are vaguely addressed. The story, told by Irma, weaves her past with her present in an effort to understand her situation and the situation of those around her. In her attempt to reason and understand her surroundings, Irma reveals what she knows and what she longs to understand.

As Irma guides the reader through her interactions with the family and community that has cast her aside, the reader catches a glimpse into her very foreign and complex world. As the story unfolds, different characters are exposed. Irma’s younger sister, the 13-year-old Aggie, sees her older sister’s life as an adventure and longs to follow in her footsteps—however resistant Irma may be to this. Aggie’s innocence seems to mirror what Irma has lost in her recent actions and through her actions, the reader can understand the difficulty facing Irma: protecting her sister vs. letting her find her own way, no matter what mistakes she may possibly make. The reader cannot help by admire Aggie’s eagerness and lust for life. Irma robustly contrasts this and the reader is left to try to decipher Irma’s motivations.

Miriam Toews was born in 1964 in the Mennonite town of Steinbach,Manitoba. Did you know? Miriam was a CBC freelancer making radio documentaries. photo: Carol Loewen from www.randomhouse.ca

The novel is told through the eyes of Irma. Much of the dialogue and action is driven by Aggie’s character. Irma takes the position as an observant watcher, but through her actions and inner musings, drives the plot and offers the reader a detailed insight into her past. Not until the end does Irma take a long overdue aggressive stand and make bold moves for reasons she feels justified in. With an ending that will resonate with any reader, this novel tells a haunting tale of moral obligations and maturity.

Sarah Purdy is an educator and a book and literary reviewer for The Silo. Search “Sarah Purdy” from our site to read more Canadian book reviews.

Fashion, Sci-Tech

Scottevest intro’s i-phone interactive tech fleece Jacket

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Touch transmissive inner jacket fabric? Hell yeah!

Ketchum, ID – What happens when the greatest thing to ever hit SCOTTEVEST’s electronic shelves gets redesigned? We can’t wait to tell you…

SCOTTEVEST, Inc. has been known for over a decade for our ingenious pocketed clothing marketed toward travelers, gadgetphiles, photographers, and urban adventurers. Over the years, each successive product improves upon previous versions, as indicated by the software-style numeric naming system.

SCOTTEVEST transforms the way you will use your clothing, yet again, with the introduction of the Fleece 7.0 Jacket, available now as a pre-order and shipping October 31, 2012.

The Fleece 7.0 is the successor to our signature jacket, the Fleece 5.0, which quickly became a staple in many SCOTTEVEST customer wardrobes. The Fleece 7.0 features a revolutionary new patent pending pocket, the Quick Draw pocket, inspired by our good friend and London based blogger, Documentally. [Christian Payne – @Documentally CP]

This allows you to access your iPhone 5 (or other smartphone) through the Clear Touch Fabric in the hand warmer pocket, which is something you truly need to test out for yourself. We believe this will fundamentally change the way you interact with your mobile devices. You can plug it in to your wired in headsets or use Siri and FaceTime right through the clear touch fabric, without ever removing your phone from your pocket.

However, we didn’t stop there. Here are some key features that make the Fleece 7.0 so unique:

23 innovative, purposeful pockets for are perfect for gadget lovers, travelers and photographers on the move! Speaking of pocket innovations, this updated style also includes a new iPad/tablet pocket design, which adds extra security and better ergonomics when pocketing a large device.

The In-and-Out Pocket debuts on the Fleece 7.0, allowing you to access the interior chest pocket from the exterior of the
jacket. An updated eyeglass pocket with both top and zippered side access contains a cleaning chamois with a map showing each of the jacket’s many pockets.

Wear the jacket of the ‘near future’ right now: SeV Fleece Jacket7.

Since the sleeves are removable with cleverly hidden zippers, a dual-access back lumbar pocket has been included to hold them if
you are wearing the Fleece 7.0 as a vest. Oh, did we mention that the Fleece 7.0 can turn into a vest? Inside, just in case you need to “show your papers” or “stow your papers” in a hurry, we have highlighted the travel documents pocket with a red zipper and a locking zipper pull, making it nearly impossible to pickpocket. No. Making it impossible to pickpocket (unless, perhaps, you are a really sleeper and hang your jacket in the closet).

Our typical level of attention to detail continues inside with a silky lining and a subtle “fractal” design comprised of our logo
in shades of black and gray. Ergonomic zipper pulls make getting into your pockets easy (even with gloves). Totally stealthy, the Fleece 7.0 is black with gray accents and has NO reflective piping. And if stealth isn’t your thing, it’s also available in a limited edition Red version.

The Fleece 7.0 is now available for pre-order on our website www.scottevest.com and is now shipping. This is just the beginning of many more incredible advances in the SCOTTEVEST clothing line. As the weather begins to cool down in your part of the world, things are definitely heating up at SCOTTEVEST…stay tuned!

About SCOTTEVEST
SCOTTEVEST is one of the world’s leading travel clothing companies, and was named the #41 apparel e-commerce site in 2011
by Internet Retailer Magazine and #77 fastest growing Consumer Products & Services Companies by Inc. Magazine. SeV specializes in stylish jackets, shirts and pants with a unique hidden pockets for travelers, and a patented system of conduits
and pockets for carrying, using and enjoying personal electronics. SCOTTEVEST is the first clothing company to provide
a pocket for the iPad®.

Please see the embedded photos to get a better understanding of our patented pocket feature that allows you to utilize your
electronic device without removing it from the pocket, keeping your hands warm at all times. Be sure to test it out for yourself
on the actual garment!

www.SCOTTEVEST.com

 

 

Comics

NORMANDY A Graphic History Of D Day

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“What a glorious book, vivid, accurate, utterly bewitching.” – Alex Kershaw, bestselling author of The Bedford Boys: One American Town’s Ultimate D-Day Sacrifice

Zenith Press and writer artist Wayne Vansant (Marvel Comics The ‘Nam) offer up 103 entertaining pages in the almanac sized Normandy A Graphic History of D-Day. Tastefully spread out over 15 Chapters, this factual graphic comic tells the story of the Allied invasion of German occupied Europe.

There aren’t any consultant or researcher credits listed in this book but it plays out in a fairly accurate way, with a chronology that starts with the initial Allied paratrooper assault and then the storming of the five D-Day beaches: Utah, Omaha, Gold, Juno, and Sword. Fans of WW2 history know the rest: once ashore, the allies had their work cut out for them as the Germans fell back and defended all the way into Berlin.

Here’s what www.armchairgeneral.com had to say about this books accuracy:
“As with any overview, how much new information a reader learns will depend on how knowledgeable that reader already is on the subject, but Normandy‘s attention to the details makes it worthwhile for adult readers. One of the elements that impressed me most was that the book isn’t just about the Americans. Actions of the British, Canadians, Poles, Free French, and, of course, their German opponents are also given more than just a passing nod.

While some of its chapters cover big-picture subjects (no pun intended, for once) like “Bloody Omaha” or “The Cobra Strikes,” the heart of this book is in its anecdotes about individuals or small groups, such as the story of Stanley Hollis of Britain’s 6th Green Howards using a Sten gun and hand grenades to capture a German bunker, or Michael Wittman’s rampage with his Tiger tank at Villers-Bocage, or Free French soldiers phoning family and friends from the outskirts of Paris to say they’d be home soon.”

Normandy has a suggested retail price of $21.99 Canadian funds and is available at http://www.amazon.ca/Normandy-Graphic-History-Invasion-Fortress/dp/0760343926 For the Silo, Jarrod Barker.

Culture

First Nations reader sends letter outlining FIPA Canada-China trade concerns

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November 1, 2012 His Excellency the Right Honourable David Johnston, C.C., C.M.M., C.O.M., C.D. Governor General

Your Excellency:

I am going to start with this quote i read today “I am a Canadian, free to
speak without fear, free to worship in my own way, free to stand for what I
think right, free to oppose what I believe wrong, and free to choose those
who shall govern my country. This heritage of freedom I pledge to uphold
for myself and all mankind.” – John Diefenbaker.

Now as a proud First Nations citizen of Canada, I strongly urge you to use
your discretionary reserve powers as the Head of State of this country and
to suspend Stephen Harper as Prime Minister and to dissolve Parliament in
order to preserve and protect our democracy. The method in which Prime
Minister Harper negotiated in secret the Canada-China Foreign Investment
Promotion and Protection Agreement (FIPA) and his refusal to have any
debate or discussion on it in the House of Commons is extremely
undemocratic. There are many who believe he no longer nor ever acted in
the true benefit of Canada as a whole, i speak for myself and for my
peoples, as i know many will be, or would have wanted to, sending letters.
The First Nations are only just getting word out with regards to the full
effect this will have on our peoples. We are begging for our
Constitutional Rights given to us through our treaties. I see Elders
crying, these people lead our communities not the false leaders imposed on
us. i cry as i write this…our Elders gave a unanimous decision to reject
any deals to use our lands. We have been closed out of any trade
agreements, some based on technicalities…now to quote from of the
government documents our growing youth population (which is getting
healthier) is excepted to be “400,000” these children are what we fight
for. Our beliefs are that we are here as maintainers or caretakers of this
land. Mother Earth will be here long after we leave, our children’s
children should not have to “maintain” our messes. I was raised outside
the First Nations community, taken away as a child isolated(almost
literally) from people for around 6 years of my life, i had school and i
had my sister but i was forced to spend a lot of time alone, plus
physical/psychological abuse, i am one of the lucky ones. But our
communities are only just starting the healing process, and on top of that
educating ourselves. We need to be able to Listen to our Elders, our
Elders are begging for our Treaty rights and I do know “hear” news of our
tribal leaders asking for the same.

All citizens of Canada have a democratic right to be informed and consulted
on any such far reaching agreements especially when they have the potential
for very dire repercussions as does FIPA. In ratifying this agreement,
which provides communist run corporations the power to sue Canadian
governments at all levels should our laws and policies impede their
expected profits, it is not only completely contrary to the best interest
of Canadians it in fact serves to undermine the very core of our democracy.
By ratifying this agreement, Prime Minister Stephen Harper is providing
Chinese corporations the ability to challenge and overturn our laws and
strike down our democratic process and that is without question an attack
on our democracy and our ability to be sovereign country. The vast majority
of Canadians strongly oppose this agreement but their Conservative Members
of Parliament choose to follow party lines rather than to represent their
constituent’s wishes. The people of Canada have lost confidence in the
Harper Conservative Parliament and our elected representatives refuse to
act accordingly. One of the Governor’s General most important
responsibilities is to ensure that Canada always has a prime minister and a
government in place that has the confidence of the people who elected the
Parliament. For the sake of Canada and Canadians, please execute your
duties and suspend Stephen Harper as Prime Minister and dissolve Parliament.

The above is a quote from a fellow citizen, but I have done research.
Everything I have been looking up over the last month with regards to
environmental amendments and First Nation goals are extremely disturbing,
and to mention on top of those are budget indiscretions and the
environmental impact he has allowed to happen. I am not someone that can
sit on the sidelines and not do something or say something when you know
something being done is wrong. What the Conservative government is doing
to Canada is wrong, what he has planned for the First Nations communities
is wrong. This government can not be allowed to continue on with it’s
agenda.

Sincerely
Lenore Gold
From the Cree Nation and a Canadian Citizen

*The Silo is a non-partisan online and print publication and welcomes open-forum debate and comments. The opinions expressed in letters to the Silo are not necessarily those of the Silo.

Culture

Canada’s New ePassport Contains Biometric Chip?

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Canada states that new ePassports do not contain biometric data but the ICAO (see supplemental) set standards for passports internationally and do require biometric data. “..1.3 ICAO’s adoption of a blueprint for Biometric ID in MRTDs in May 2003, after extensive
work undertaken since 1997, represents an important step forward in machine- assisted identity
confirmation. This involved the selection of facial recognition as the globally interoperable biometric
FAL/12-WP/83 – 2 –
technology, in combination with contactless IC chips for data storage in a logical data structure (LDS),
using a modified public key infrastructure (PKI) scheme to prevent unauthorized alteration…” from http://www.icao.int/Meetings/FAL12/Documents/fal12wp083_en.pdf
Gatineau, Québec, October 26, 2012 – Foreign Affairs Minister John Baird today announced that Canada’s new ePassport will be full of iconic images that will make Canadian passports more attractive and more secure.

“The new ePassport will be more reflective and representative of who we are as Canadians,” said Baird during an event at the newly renamed Canadian Museum of History. “These images showcase Canada’s history and the building of our great nation while adding essential new security features for the 21st Century.”

The new images will also serve to keep the Canadian passport one of the world’s most secure travel documents. The complexity of the images is – first and foremost – a security feature that makes the passport more difficult to counterfeit.

“Our government is tremendously proud of Canada’s rich history. We urge all Canadians to learn more about the events and people that shaped Canada and the great sacrifices made to secure our freedom,” added Baird.

A look at the inside of the new Canadian ePassports image courtesy of ppt.gc.ca

Countries around the world review their passport designs and security features periodically to stay steps ahead of counterfeiters. The new-look ePassport will help facilitate legitimate trade and safe, secure travel which, in turn, helps create jobs, growth and long-term prosperity for Canadians.

The first 5-year ePassports will be issued in select locations during the first quarter of 2013. Production will ramp up through the spring resulting in the full availability of both a 5- and 10- year ePassport in early summer.

For a look at [ more of ] the images included in the new ePassport, please visit the new section on Passport Canada’s website, which features images and descriptions of the new passport design: www.pptc.gc.ca/eppt/photos.aspx?lang=eng.

Supplemental- International Civil Aviation Organization sets standards for ePassports. Standards require biometric data

Canada follows UK 2010 lead with new ePassport http://www.homeoffice.gov.uk/media-centre/press-releases/new-uk-passport-unveiled

UK ePassports do contain biometric data: http://news.bbc.co.uk/2/hi/uk_news/4776562.stm

Toronto Star reports that the new Canadian ePassports will no longer be made in Canada but will be subcontracted to a Netherlands firm