When Dr. John Salerno – a protégé of “Atkins Diet” creator Dr. Robert Atkins – testified before the U.S.D.A. about plans for its most recent Food Pyramid revision, he spoke his mind: The food industry is corrupt and has supported recommendations that do not support the population’s health.
“Hidden sugar, preservatives and highly processed white starch are what are really causing our health epidemic in the United States and Canada, Mexico, Australia and the United Kingdom,” says Salerno, author of “The Silver Cloud Diet,” (www.thesilverclouddiet.com). “Obesity, diabetes, heart disease, cancer and Alzheimer’s disease are killing this country, and it’s not because people are eating too much organic natural fats.”
Since the initial popularity of the Atkins food plan some years ago, however, there have been critics of the low-carbohydrate diet.
The science was and is sound, says Dr. Salerno, who worked closely with Atkins on research. The problem was that the diet itself was not sustainable.
After the terrorist bombings of September 11, 2001, Dr. Salerno served as the Medical Director for the World Trade Center Landfill, a position that earned him a commendation from then-mayor Rudy Giuliani. In this capacity, he was charged with monitoring the health of the public workers assigned to manage the landfill where debris from the World Trade Center was transferred.
“The basic principles needed revision both to make the diet sustainable and to take into account the foods available today,” he says. How does a low-carb diet work? Salerno answers the most frequently asked questions:
• How is a low-carb diet today different from the Dr. Atkins plan? Thirty years ago, the food supply was less degraded. Now, low-carb dieters have to be more proactive about selecting chemical-free foods that are not highly processed. There are many more farming techniques today that introduce unnatural elements into our meats and vegetables, and there are many, many more highly processed foods on store shelves. We need to be vigilant about preservatives and additives; hormone-infused meat can wreak havoc on a body.
• What’s the first step? The Fat Fast Detox quickly puts one’s body into fat-burning mode. Adhering to the carb-free diet for two weeks will have participants losing five to 15 pounds and two inches from the waistline. Breakfast, for example, could include two large organic eggs and a side of bacon, sausage or ham, which can be washed down with coffee or tea with cream and sweetener. • What about eating out? Sustaining a low-carb diet is pretty simple when eating at restaurants. Take the burger out of the bread and skip the French fries. You’re good to go with grilled fish, roast chicken, pot roast, pork tenderloin, shrimp, scallops and pates.
• How can you eat on the run? A small amount of planning goes a long way. Boil eggs and keep them on hand for long car trips and office snacking. Add to that list jerky salmon, nuts and string cheese. These foods are dense with nutrients.
• Where can you find “clean” foods? Buy as “close to the ground” as possible, meaning choose organic produce, eggs and dairy. Inquire at farmer’s markets where they grow crops. Find a local provider for meats and fish if possible.
• Can you eat cake on a low-carb diet? As your health and vitality improves with lost weight and increased activity, you can introduce more carbohydrates into your diet.
• Are low-carb meals safe for family members who do not need to lose weight? What’s good for you – a broad and varied diet of unprocessed foods – is good for your family!
• When is the diet over? Eating foods that are healthy, unprocessed and natural is something you should never stop doing. However, if you feel you’re starting to gain excess weight, go on a detox regimen by cutting out carbs completely for one week.
• So, fat is good for you? Natural fat is the most nutrient-dense food there is. It’s lubricates your joints and helps your brain function at its best. It also keeps your hair shiny and helps prevent wrinkles. When you cut out processed carbs from your diet, you don’t need to worry about natural fat, which is an appetite suppressant. For the Silo, Dr. John Salerno.
It’s been almost a decade and a half since Casey Affleck’s I’m Still Here perplexed us all. On reflection, it is a piece of modern motion picture history and a masterpiece.
I say history because this just might be a first. Not even Borat with its pseudo-documentary style challenged moviegoers to discern whether what they were seeing was real or scripted. One thing is certain, Affleck’s film had us all believing that what we are witnessing on screen was in fact real. That’s because the film I’m Still Here was pitched, produced, filmed and shown worldwide as a documentary when in fact it wasn’t one. Or was it?
Plot Arc
A famous Hollywood actor will act no more and wants only to pursue his dream of becoming a rap music artist.
The Caper
While this film was being made- many people in Joaquin Phoenix’ circle including David Letterman, Ben Stiller and rap artist-producer Sean “Puff Daddy” Combs believed that Phoenix was going critical mass and turning his life away from cinema for good.
Stylistically, this film is a voyeur’s dream come true.
The camera follows him everywhere. Nothing seems set up or imagined. There isn’t much humor in this film unless you enjoy seeing a man seemingly self–implode and wreak havoc around insular members of his posse. (I laughed more than once.) Or, unless you cynically enjoyed David Letterman interviewing Joaquin and failing miserably in front of millions of live viewers. (I laughed more than once.)
How about watching Joaquin stalk Puff Daddy with his demo CD only to be told “we ain’t working together”?
Whatever hidden meanings are to be found, this is a dark, dark film that impacts so forcefully because Affleck’s vision peels away the layers of Phoenix’ psyche. To an unsuspecting viewer it might all be real and that allows the movie to offer two legitimate yet different meanings. If this pre-AI mockumentary/documentary can seem so believably real, then we need to question everything that we see and read because it proves that the recipes available for cinema are indeed powerfully manipulative.
No One Is Safe From The Brute Force Of Introspection
Joaquin’s best friend appears as loyal manservant and tragically flawed aspiring musician who feeds Joaquin’s desires and takes a bastion of abuse (you’ll have to see it to believe it). The story revolves and evolves around these types of dysfunctional connections and we are meant to endure it all. While doing so a powerfully subconscious investment in the characters is formed- it’s almost the same effect as slowing down at an accident scene and not being able to take your eyes off the situation.
Before watching this film I did not fully comprehend the impacts that media, fandom and an expectant audience have on a celebrity: Joaquin is mocked and misunderstood. And for what? For establishing a new persona and a new artistic goal. For example, after a filmed rejection by Phoenix and perhaps believing Joaquin’s behavior to be real, Ben Stiller wears a long hair wig, unruly beard and glasses for an Academy Award night schlock presentation. Hey, wasn’t that Steven Spielberg in the audience belly laughing along?
This movie’s effect is profound.
It’s a bag of emotional extremism, sympathy, repulsion, sorrow, and a dash of joy. It’s biblical in theme and it might not be such a stretch to suggest that Phoenix’ story mirrors aspects of The Mocking Of Jesus.
There are never enough positives to really help us feel good while trying to understand the point of it all. Even if Joaquin manages to discard his former celebrity actor self and transform we wonder if he will be any happier as a rap artist. He seems like he’s incapable of happiness, unless of course it’s all an act.
Is the film a cautionary tale about the ramifications of an a-list celebrity actor that turns their back on the Hollywood establishment? Does it suggest that we take inventory of our expectations and of our blind trust in the media complex? Should we now question what we think, see and believe? Watch this film and find out for yourself. For the Silo, Jarrod Barker.
Attract attention to your feet with these two new VENUS additions to the 2568’s collection.
Are you a shoe junky? If you are, you might take a special interest in 2568’s men’s and women’s new footwear line.
These shoes are comfortable classics with a twist: moccasins, loafers and boots, ballet and pointy flats, in unexpected materials and pattern featuring distinctive fabrics and leathers. Unique details also include colorful laces and decorative tassel bows. 2568 Shoes http://2568shoes.com are inspired by Guatemalan creativity found in garments, handbags and small leather goods.
Fun,bold and funky colour patterns. The Venus line from 2568 Shoes.
The Venus loafers and Vanessa flats come in five different patterns with colors ranging from dark blues and blacks to reds and oranges. The colorful fabrics can make any outfit and can easily transition throughout the seasons.
The Vanessa line from 2568
Sizes range from 8.5 to 12. Price points range from $79 [USD] and up, and for every shoe purchase, 2568 will send a free Guatemalan friendship bracelet. About the owners: Lorenzo Castellon is the Manufacturing/Business Manager and Jamie Lawenda is the Creative Director. The couple met on a job interview and thirty years later are married, have a child and own a sourcing and shoe Design Company.
Another Vanessa example
At first they created shoes and boots for other brands, including Sendra, a Goodyear welted high-end line of leather boots made in Spain. The couple continues to design and sell Sendra in the US.
The SAMOSA boot has a decidely Guatemalan influence. #goodlooking #boot
Cross-border shopper alert! The Venus loafers and Vanessa flats can be purchased at PiperLime, ThomShoes, ShoeInn and FreePeople. The Newman is available in four other colors: patent leather black and red, silver snakeskin embossed leather, and white leather.
One of my newest cheese loves is not a new cheese at all, but, actually, the traditional cheese of Spain. Manchego is a smaller wheel of Spanish sheep’s milk cheese that just makes the mouth water. It is regulated by Spain under the PDO (Protected Designation of Origin), which was granted through the European Union. (in a nutshell, PDO allows for exclusive food/geographical production so for example, in Europe, Parma Ham can only be sold and labelled as Parma Ham if it originated in Parma see link below for more CP ) This means that it must meet specific regulations in order to be called Manchego. It must be made from whole sheep’s milk taken from animals that have grazed in autumn in La Mancha province. Finished cheese must be aged from 60 days to 2 years. The milk must contain at least 6% fat and each stone, or wheel, of cheese must weigh between 2 and 3.5 kg.
There is a distinctive pattern engraved in the inedible brown rind of the cheese.
Originally, the Manchego curd was hand pressed in plaited esparto grass baskets. The grass was taken from the same fields where the sheep grazed, and the grass-flowers pressed into the top. Today, however, press moulds are formed using the traditional pattern and the grass baskets have been phased out of production. Still, the traditional zigzag is how you can recognize Manchego at your favourite cheese shop—and always look for the PDO label.
The inside of the cheese, or the paste, is an off-white that hints at golden. As the cheese gets closer to the rind, the colour progresses to more of an umber. Very small pockets of air are produced as the cheese ages and releases co2.
But enough of all this—the important part of Manchego is the taste. It has a wonderful, mellow flavour that is rich and subtle at the same time. There are slight hints of smoke, woody nuts, tobacco, honey and leather, and it finishes with the distinctive taste that only sheep’s milk can give you. Manchego can be served with olives, sundried tomatoes or hearty crusty bread. It pairs easily with a fine Rioja red wine or a fruity sherry—a wonderful way to stay warm on a winter’s evening.
Recently I heard that Manchego, cut in smaller chunks and dipped in honey poured on a plate, makes a fine conclusion to full meal. I tried this desert idea and the flavours of honey and cheese together are just wonderful. The smoky taste that coats the taste buds is a joy.
For the more daring, this traditional dessert of Spanish Manchego and honey also pairs well with a fine Cuban cigar. Enjoy your cheese.
Waaay back in 2007 the “Govinator” raised a few eyebrows at Ottawa’s Westin Hotel. After taking in a Sen’s hockey game, Arnold made an unscheduled stop for a 16$ Partagas Cuban
The Obelisk- MacKinley Monument near Buffalo City Hall
If you’re looking for a spur-of-the-moment day trip from Niagara, Canada side, I have the answer for you.
A visit to downtown Buffalo can be your answer. It’s about an hour away nestled on the American side of the Peace Bridge and it’s a place still oozing with charm. The older downtown area offers a step-back-in-time experience. Forget the Chicken wings; the historic buildings here make a statement about style and sophistication.
Canalside Fireworks, Fourth of July, Fireworks in Buffalo NY
Cool Architecture and Art Deco Stylings
Fantastic architecture abounds in Buffalo- here is Buffalo City Hall, a fine example of Art Deco styling
Old City Hall
Start your day of exploring with a visit to Buffalo’s Art Deco City Hall. It dominates everything in the downtown area. Built during the early 1930’s (at the height of the great depression) this is a must see. The building is open free of charge Monday to Friday between 8:30 am and 4:30 pm. Take the elevator to the 22tnd floor, and then walk the stairway to the observation area. You’ll feel like you’re on top of the Empire State building in New York City. You’re rewarded with an awe inspiring view of the city, Niagara River and nearby Fort Erie. Free tours of City Hall are offered Monday to Friday at noon. Just meet in the lobby and a volunteer will put you through your paces as he or she walks and talks about the history of this Buffalo charmer. I was convinced, I was in a time warp. Docent (an American term which usually refers to a historic tour guide),
The term docent is an “Americanistic term” but has roots in the Germanic language
Rick Smyth, a retired teacher explained the meaning behind the many murals and statues that adorn the inside of the building. He said, “They tell about the friendship between Canada and the United States that has extended since the end of the War of 1812″. Niagara Square
Outside City Hall is Niagara Square .Dominating the square is a monument built to honour the memory of William McKinley, the 25th president of the United States (1897-1901) who was assassinated in Buffalo at the Pan American Exposition in 1901. If you love old architectural buildings and their history you’ve hit the jackpot. Take your pick, the perimeter of the square beckons you. All of these century old buildings have stories to tell. Escorted walking tours can be arranged at www.buffalotours.org or 716-852-3300. Lafayette Square
Lafayette Square is three blocks to the east of City Hall. It’s a park in the centre of the downtown. The block, which was once square, is lined by many of the city’s tallest buildings including the Liberty Building, and Rand Building. The Buffalo and Erie County Public Library (www.buffalolib.org) is an interesting place to explore. You can a get a first hand glimpse of the manuscripts of the Adventures of Huckleberry Finn. by Samuel L. Clemens, better know by his non de plume, Mark Twain lived in Buffalo between 1869 and 1871. The library is open daily at 8:30 am, except Sunday, free of charge. This block is surrounded by the Niagara Frontier Transportation Authority’s Metro Rail light rail rapid transit, which runs about 12 blocks above-ground along Main Street in what is called the Free Fare Zone. Try it you’ll love it. The ride really is free. Live Theatre
You’d be hard-pressed to leave this area without visiting one of the many historical theatres that offers touring Broadway shows, concerts, opera, dance and classic film series. Shea’s Performing Arts Center (www.sheas.org) on Main Street, built in the style of 1926 European Opera House, has an outstanding line-up of live entertainment. Greats like George Burns and Frank Sinatra have performed here in the past.
Find a tall building downtown (like the City Hall building) for a great panoramic look of the skyline.
Where to Eat
When the hunger pains start to come on I recommend the Spot Coffee Restaurant (www.spotcoffee.com) at the corner of Delaware Avenue and Chippewa Streets. This independently owned coffee shop is more authentic than places like Starbucks. They have good reasonably priced food and plenty of it. Uneven floors, wood tables and exposed brick make this the perfect neighbourhood eatery. They open at 7 am and close at 11 pm. It’s where I like to hang out during the annual St. Patrick’s Day Parade. The parade takes place this year on Sunday, March 18 and begins at 2pm. Downtown Parking
Street parking is reasonable here. Be sure to carry lots of American 25 cent coins to feed the $1 an hour meters. Lot parking is about $8.00 for the day. For More Information TELL ’em The Silo sent ya ;> www.visitbuffaloniagara.com or 1-800-283-3256.
“It’s the tiny town of Defoy. Only a gravel road from the main highway, but about a half a mile down there is the wonderful “antiques dump” of Rene Boudin and his freres.” photos: P. Ross
By the winter of 1982, we had been going to the Harbourfront Antique market every Sunday for about a year, and were making a pretty good living selling things we had bought at local auctions and garage sales. Then one day, I read in the excellent and entertaining “bible” of Antique dealing “The Furniture Doctor” by George Grotz , that the village of Defoy, Quebec was mecca for the antique picker.
To quote “there’s a wonderful secret wholesale place up in the province of Quebec. It’s the tiny town of Defoy. Only a gravel road from the main highway, but about a half a mile down there is the wonderful “antiques dump” of Rene Boudin and his freres. And here under enormous sheds you will find literally acres of antique furniture, chests, and tables piled three to five pieces high”.
“…it wasn’t hard to find because it was near town, and his name was painted boldly on the barn.”
The book had been out quite awhile so there was no telling if this situation still existed, so I asked the old guys at the market if they knew of such a place. I got several reports of it’s glory days, followed by “of course that was years ago and nobody goes anymore. That being said they also all encouraged me to give it a go, and gave me “leads” as to who may still be active. We gathered up our courage, our baby, and what cash we had, and set off.
That first twelve hour drive felt like an eternity. It was a tired crew who pulled in late afternoon to a tiny motel in Victoriaville, Quebec.
Our first move was to look up Marcel Gosselin in the phone book because he was one of our most promising leads. To our delight he was listed, and he answered and told us where and how to come the next morning. It wasn’t hard to find because it was near town, and his name was painted boldly on the barn. Marcel greeted us warmly and proceeded to lead us to his main barn. There, behind the red and white cross doors was the biggest pile of dining chairs I had ever seen. About thirty feet across it reached to the top of the barn.
Through the hatch work of legs I could see tantalizing glimpses of a cupboard and some chests. Then he took us upstairs where in a loft he had sorted hundreds of chairs in sets of four, six, or more. Some were painted and some varnished. It was $45cdn each for simple painted chairs, $65cdn each for nicer pressbacks and/or varnished ones. We got a couple of sets knowing we would get about $150cdn-$250cdn each for these when refinished., Next I asked him about that cupboard I had seen in the giant pile downstairs. He told me all about it including the age, condition and reasonable price of $250cdn and told me he would extricate it and have it ready for my next trip if I wanted it.
I said I did, and then he didn’t even want a deposit.
“That’s not the way we do it down here. Your word is good enough, until it isn’t” Marcel (R) Phil (L)
“That’s not the way we do it down here. Your word is good enough, until it isn’t. I liked him immediately and knew he was a man I would enjoy doing business with.
Next he took us to the garage attached to his 100 year old frame house. The downstairs was filled with every kind of “smalls” including small boxes, glassware, pottery, antique clothing, folk art, etc, etc; and the tiny, about to collapse, upstairs loft was filled with hundreds of pottery washsets. There were some beauties, and this was a hot item at the time in Toronto. Prices ranged from $45cdn-$75cdn per set. We bought 8 of the nicest sets knowing we would get between $145cdn to $375cdn back home.
This was getting truly exciting.
We spent a terrific four hours or so with Marcel that first day and pulled away from his place, with half our money spent, and half our truck full of interesting, excellent quality, and reasonably priced stuff, not to mention the overwhelming sense of warmth, excitement and wonderment of that first glimpse into a Quebec picker’s life. We were hooked, and we knew it was the first of many more trips to see Marcel. For the Silo,Phil Ross.
Featured image courtesy of tourismecentreduquebec.com
Royalties Are Bullshit: A Musician’s Case For Basic Income….. “This song is Copyrighted in U.S., under Seal of Copyright #154085, for a period of 28 years, and anybody caught singin’ it without our permission, will be mighty good friends of ourn, cause we don’t give a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that’s all we wanted to do.”
-Woody Guthrie, copyright notice, This Land Is Your Land
Royalties are bullshit.
I say this as a musician, and as a songwriter. But let me go a step further: royalties have always been bullshit. The first problem? They’re not going to musicians, and they never have.
If money is being made, something is being sold. That something has to be a product, something that can be counted. Originally it would have been sheet music, before recorded music was widely available. Later on, it meant records, then tapes, CDs, downloads, streams, as well as licensing rights – use in a specific film, or for a particular commercial. There is a product. Someone is buying it. Some of that money goes towards the cost of producing, distributing, and marketing that product; some of it goes to the artist, as royalties.
Well, a little bit of it goes to the artist.
As Billboard notes, “An accurate map of royalty pathways would be a tangled mess.” It’s not easy to get paid.
Some royalties are set by the government, some are negotiated, some are paid through groups. For example, I license my music through TuneCore, which strikes deals with a series of digital music outlets, like iTunes and Spotify, each of which offers different terms of payment. Spotify pays artists, on average, $0.007 cents per stream.
Example of royalties earned for artist Jarrod Barker. Russian streamer Yandex awarded 8/100th of a penny for track streaming. Mr. Barker would need 99,992 additional streams to earn a dollar!
Beyond that, if you are “fortunate” enough to work with a major record label, there are restrictive terms and conditions. Techdirt quotes Tim Quirk of Too Much Joy explaining the Kafkaesque math [emphasis mine]:
A word here about that unrecouped balance, for those uninitiated in the complex mechanics of major label accounting. While our royalty statement shows Too Much Joy in the red with Warner Bros. (now by only $395,214.71 after that $62.47 digital windfall), this doesn’t mean Warner “lost” nearly $400,000 on the band. That’s how much they spent on us, and we don’t see any royalty checks until it’s paid back, but it doesn’t get paid back out of the full price of every album sold. It gets paid back out of the band’s share of every album sold, which is roughly 10% of the retail price. So, using round numbers to make the math as easy as possible to understand, let’s say Warner Bros. spent something like $450,000 total on TMJ. If Warner sold 15,000 copies of each of the three TMJ records they released at a wholesale price of $10 each, they would have earned back the $450,000. But if those records were retailing for $15, TMJ would have only paid back $67,500, and our statement would show an unrecouped balance of $382,500.
Of course, none of this is new, really. The history of artistsgettingscrewed by record labels is as long as the history of record labels, and includes everything from the creative math above to outright theft, failure to count sales, or inventive stunts like Fantasy Records accusing John Fogerty of plagiarizing himself. But bear with me, because it gets worse.
In the music industry today, there are a few people who are making money from royalties- and they’re making nearly all of it. More specifically, the top one percent of earners are taking in 77% of the recorded music revenue. Strikingly, these are many of the same artists who are now “at war” with YouTube. Artists such as Taylor Swift and Paul McCartney are convinced that YouTube is making money from their music by selling ads and subscriptions, and not paying adequate royalties. And they’re not wrong; YouTube is definitely making money by selling ads and subscriptions, and there’s no question that most of that is not going to the artists.
However, this is a stupid argument.
It’s a stupid argument because a tiny group of people that’s making the lion’s share of all recorded musical income is concerned that a new service doesn’t adequately compensate them; the major record labels feel the same way, of course. It’s a “war” that leaves out 99% of the musicians out there trying to make music and make a living, and it doesn’t really matter how they settle the conflict.
So let’s say, hypothetically, that we eliminate royalties. This raises a fundamental question.
How do we compensate and credit artists for their work?
I believe the answer is basic income, but first let’s take a closer look at that question. At a glance, it seems like it should be simple: pay them for their music. But what does that mean? It quickly gets complicated.
Part of the problem is that we as a culture equate value with ownership. If musicians have created a song, this thinking goes, and that song has value, they must own it, like any other form of property. But that’s ridiculous, and it’s pretty easy to see how quickly it becomes truly absurd.
For example, take a classic blues song, like Big Mama Thornton’s “Hound Dog.” Is that her tune? Yes! Does she deserve credit for it? Absolutely. Big Mama Thornton has a special place in blues history, and rightly so. But is it the first example of a 12-bar blues? No, of course not. Is it the first time someone used lyrics about a dog? Is it the first time someone used the call-and-response verse structure of a repeated first line and different last line? No, and no. And even though she made it a hit, the lyrics were by Leiber and Stoller. So which part of the song does she “own”? Is it just that specific recording? If so, how much does the bass player own, or the drummer? Do you pay royalties for playing it on the radio? What if it’s on the radio, and you tape it? What if you give that tape to a friend? I know, I know, nobody tapes anything off the radio anymore. What if you cover it in a bar? What if you sing it in your living room? What if you sing it in your living room and upload it to YouTube? What if you share the MP3? Where do we draw the lines?
Woody Guthrie, speaking from the folk music tradition, said “New words, new song.” Bob Dylan took that lesson to heart, both in early works like “Masters of War,” which took a melody from an English folk song called “Nottamun Town,” and in more recent releases. On Modern Times he lifted lines from a Civil War era Confederate poet named Henry Timrod, and used the arrangement of Muddy Waters’ “Rollin’ and Tumblin'” with re-written lyrics and the same title.
I don’t mean to discount Big Mama Thornton, or disparage Bob Dylan. I’m a big fan of both. What I want to illustrate is that “property” and “ownership” is a meaningless way to look at music, because it’s a living, inherited tradition. Everybody got something from somebody. Every electric guitar player owes something to T-Bone Walker, and T-Bone owes something to Blind Lemon Jefferson. Every folk singer owes something to Woody Guthrie and Pete Seeger. And more to the point, if you ask any great musician, they will tell you who they got it from. Eric Clapton tells people about Buddy Guy, but if you put a microphone in front of Buddy he’s going to tell you about Muddy Waters, BB King, Guitar Slim. The greats are always ready to turn around and credit the people who came before them, because that’s how a living musical tradition works.
So again: how do we compensate and credit artists for their work?
Splitting the question
One answer is to split up the question. When you think about it, it’s really two different questions. Let’s look at the second part first: how do we acknowledge and appreciate and credit the work that artists do? This is especially important because many important contributions to music, art, and human history generally, were made by people who get erased from popular culture- in particular women, LGBTQ folks, and people of color (Ma Rainey, for example, was all three). They are erased, in part, because there is money to be made by erasing them.
The uninformed still think “Hound Dog” and “That’s All Right” are Elvis Presley tunes. And while Presley himself was quick to credit his influences, most people have never heard of Arthur Crudup, and everyone’s heard of Elvis. Sometimes people were erased several times over; early blues music was driven by women like Bessie Smith, Ma Rainey, and Sister Rosetta Tharpe, who were largely displaced by black men, who then had their music co-opted by white guys playing rock’n’roll versions of the same songs. Some made serious efforts to show people where the music had its roots – The Rolling Stones, appearing on the show Shindig in 1965, insisted that Howlin’ Wolf also get to perform. On the other hand, Led Zeppelin took Willie Dixon’s song “You Need Love,” and recorded it as “Whole Lotta Love,” without ever mentioning where they got it. It’s ironic, since Dixon himself was notorious for taking credit and royalties for other people’s work, often by offering to “take care of the paperwork” on a new tune.
So how do we make sure we credit and acknowledge artists? One way, I believe, is to end a system of compensation based on owning something that cannot be owned. In a system like we have now, where the focus is on ownership of a particular sound, or song, or style, there is a real financial incentive to take credit. In the case of the record labels, you can even get the actual rights to an artist’s songs. If we disconnect the money from the “ownership” of the music, we are removing part of the incentive to pretend that new music doesn’t freely flow from old music.
Universal Basic Income
To be clear, I’m not suggesting artists should not be paid. There are different ways to support artists, and the internet has allowed for a lot of direct interaction between artists and fans. There are crowdfunding sites like Kickstarter and Patreon, there are independent music platforms like BandCamp and CDBaby. They’ve got their advantages and disadvantages, but what I’m advocating is something simpler, more widespread and direct: universal basic income.
Universal basic income, sometimes called emancipatory basic income or simply “basic income,” is an easy idea to understand: you give everybody money. Everybody. Rich people, poor people, working people, the unemployed, the young, the old, everybody. Everybody gets a salary. It’s not a lucrative salary, but enough to make sure you can provide for yourself.
First, let me clear something up: this is not a wild, crazy, utopian idea. It’s a serious proposal, that is increasinglybeingtreated as such. Even Forbes ran a piece called “Universal Basic Income Is Not Crazy.” Of course, it works better if you already have some of the social framework much of the world takes for granted: child care, family leave, health care. But let’s leave those aside for a moment to look at basic income from the musician’s perspective. What is the impact for working musicians?
Quit Your Day Job
Many, if not most, working musicians [and artists CP] support themselves with a day job. This includes long-time performers with steady gigs, people who have gone on world tours and recorded on dozens of albums. Buddy Guy drove a tow truck into his thirties. Composer Philip Glass worked as a plumber and taxi driver until he was 41. Wes Montgomery worked in a factory from 7am to 3pm and played gigs until 2am.
Let me tell you: it’s not easy. As a musician, you already have to balance many competing demands: playing gigs, traveling, booking and promoting shows, recording new material, rehearsing a band. Being a professional musician is, effectively, more than one job already. Now try to schedule all that around a conventional job structure that wants you working at 8 or 9 in the morning, 5 days a week, regardless of where you played last night or when you got home. It’s hard to fit all of it in, and that’s without stopping to consider that it might be nice to sleep occasionally or even see your family now and then.
One reason basic income is sometimes called “emancipatory” is because it frees you from this burden. You’re still going to be out there hustling for gigs, scheduling sessions, trying to record and promote and – let’s be real – get paid. Basic income doesn’t eliminate the desire or possibility for people to make money by working, it just means you don’t have to worry about starving or getting evicted while you do it. And let’s remember, most of the money musicians make doesn’t come from royalties anyway. People are getting paid for gigs, for shows, for studio sessions, for tours, sometimes for merchandise or direct sales (in particular if you’re producing your stuff independently).
Make The Music You Want To Make
Musicians make compromises all the time. Sometimes it’s about timing: you want to put something out, and you can’t afford to wait, so you settle- you keep a take that could have been better, you scratch a song that needs a few more sessions to come together. Sometimes it’s about the sound: a record label wants to market you a particular way, a track needs to be “radio friendly” to get airplay. Sometimes it’s just about resources: recording and producing music, even with all the advances in digital technology, is a laborious, expensive process. For some players, there’s also the trade-off between taking gigs that might pay better but be musically unfulfilling (think wedding band or corporate events) versus pursuing a musical vision that might not have a ready-made market. And, of course, there’s that most precious of all resources, time, which is often given over in huge amounts to the aforementioned day job.
Basic income removes the immediacy of financial pressures, and frees up a lot of time. Does that mean we won’t have choices to make? No, of course not. There are always choices, and there are always constraints, and even if we get basic income that won’t turn time itself into a limitless resource. But it changes the balance of the decision.
Creative Liberation: Supported By Research
Right now, across the country, there are brilliant artists whose music could change and enrich our culture in ways we can’t imagine, and we don’t get to hear them. They’re stuck working day jobs, playing the gigs that pay the bills, and trying to fit their creativity into commercial constraints. Pause for a moment, and imagine the explosion of new sounds and ideas we can liberate with basic income.
As a musician, that paragraph felt intuitively true to me. However, a number of people who were kind enough to review an early draft of this essay suggested that my point might be better served if I backed it up with “evidence” and “examples.” Of course, there’s not exactly a one-to-one comparison available, so I’m going to draw on some similar programs and related ideas.
First: the MacArthur “Genius” grants. These fellowships are awarded to people who are already recognized to be exceptional; they provide a no-strings-attached stipend of USD$625,000 over five years. Obviously that’s a lot more than “basic” income, but they underpin the idea that simply providing creative people with resources allows them greater freedom to explore, discover, and create. In a review of their program and its effectiveness, The MacArthur Foundation found that 93% of the fellows reported greater financial stability (no surprise) and 88% reported an increased opportunity to express creativity. Three quarters felt it lead them to make riskier, more ambitious choices in their work.
Some might argue that the fellowships exhibit a selection bias, since they go to people already known to be creative. However, there’s good reason to believe that supporting the poorest and most marginalized offers even greater benefits. Dissent magazine recounts the history of the Federal Writers Project, which offered “unemployed” writers guaranteed income by giving a fixed salary to produce travelogues or other commissioned writings:
…with regular paychecks, FWP writers could experiment with more creative projects at the same time. Over the course of eight years, the program employed over 6,600 writers, including Nelson Algren, Jack Conroy, Zora Neale Hurston, Richard Wright, and Ralph Ellison. The FWP enabled new classes of Americans to become “professional” writers.
While employed by the FWP, these writers—most notably writers of color—wrote fiction that challenged the political status quo, and they revolutionized literary form in order to do so. To be sure, many of these writers developed their politics in pre-FWP years, but stable employment facilitated their political and artistic ambitions—by providing them with steady income, connecting them to other writers, and offering literary inspiration. From 1936–37, between posts at the Federal Theatre Project and the FWP, Hurston wrote her beautiful and troubling novel Their Eyes Were Watching God, a book celebrated today for its inventive use of black vernacular. Wright spearheaded the “Chicago Renaissance,” a creative community strengthened and supported by FWP projects in the state of Illinois. Meanwhile, in New York City, Ellison was conducting FWP oral histories when, as he reported it, he stumbled across a man who described himself as “invisible.” This encounter would be the genesis for his Invisible Man, surely one of the strangest and most significant novels of the twentieth century.
I recognize that the subjective self-evaluation of MacArthur fellows and even the impressive work of FWP authors can be considered, to some extent, anecdotal evidence. But there is also controlled research, and what it shows is the flip side of the coin: that poverty impedes cognitive function. Lead by Harvard economist Sendhil Mullainathan, the team found that “experimentally induced thoughts about finances reduced cognitive performance among poor but not in well-off participants.” They also found that farmers showed diminished cognitive ability before harvest, when they were poor, compared to after harvest when they were relatively rich. That’s after controlling for free time, nutrition, work effort, and stress.
If you’ve ever been broke and had bills to pay, this is not news. It’s hard to focus when you have a huge bill hanging over your head and no immediate prospect for paying it off. When you’re in a position of financial hardship, a portion of your brain is effectively set aside to repeating over and over again, “AAAH THE RENT AAAH THE RENT AAAH THE RENT.” Or the hospital bill, or the car payment, etc. You know the classic sci-fi trope that imagines what you could do if you could harness the full power of your brain? Turns out it doesn’t require genetic engineering – you just need to be able to pay your bills.
I would argue that we are effectively paying a cultural opportunity cost in the form of lost creativity. Coming back to music, anthropologist David Graeber puts it this way:
“Back in the 20th century, every decade or so, England would create an incredible musical movement that would take over the world. Why is it not happening anymore? Well, all these bands were living on welfare! Take a bunch of working class kids, give them enough money for them to hang around and play together, and you get the Beatles. Where is the next John Lennon? Probably packing boxes in a supermarket somewhere.”
The Robot Imperative – It’s Not Just About Musicians
I realize we’re covering a lot of ground here, and we’re about to talk about robots. So first, a quick recap
Royalties don’t go to (most) musicians.
Royalties don’t make sense because they rely on ownership of something that cannot be meaningfully owned.
This system of ownership creates financial incentives to take credit for other people’s work.
Eliminating royalties forces us to confront the fundamental question of how we credit and compensate artists for their work.
Basic income answers part of that question – compensation – while eliminating royalties removes, at least in part, the financial incentive to take credit.
Basic income liberates musicians from the constraints of a day job and the pressures of commercial music.
Evidence supports the idea that this liberation leads to more, and more adventurous, creative work.
In short, basic income separates the idea that people have value from the idea that they must own something valuable.
All of that has been true for quite some time, and in fact arguments for basic income are as old as Thomas Paine. But there is a huge, disruptive change happening that makes this a much more urgent question, not just for musicians but for everyone. Namely, robots. Robots and computer automation are about to eliminate huge numbers of jobs (think tens of millions). Some are in the news right now: Uber is testing self-driving cars in Pittsburgh. Driverless trucking is not far behind, taking 3.5 million jobs with it. And it’s not just truckers: designers, fast food workers, accountants, financial analysts, doctors, hotel concierges. Thousands of news stories are being written by robots. An Oxford University study estimates that 47% of total employment may be at risk. Even jazz musicians have to be worried.
In short, the day job could be going away, and not just for musicians. The question is, what will we do with these millions of people, once they’re out of work? Will we insist that truckers can all get jobs doing social media? Will a few wealthy people retreat behind high walls and leave the rest of us to fight for the scraps of employment through a fog of financial worry and expensive, short term trade-offs?
Or will we embrace basic income, recognize that people have innate value, and unleash a wild torrent of creative exploration the likes of which we’ve never heard before? For the Silo, Anthony Moser.www.anthonymoser.com
@mosermusic
PS – My music is available on iTunes, Spotify, YouTube, Bandcamp, and a host of other digital music services. If you catch me at a gig, you can buy an album for name-your-price. And if anyone ever uploads it to The Pirate Bay, torrent with my blessing. As Woody Guthrie would say, “Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that’s all we wanted to do.”
When I think about whether working from home is right for any person, I remember a story that Richard Kiosaki told in his book “Poor Dad- Rich Dad”. He talks about his two dads who had two very different mentalities about money. One had the mentality of an employee and the other of a business owner. Both dads believed they were giving correct advice although they were advising exactly the opposite.
His “poor” dad told him to choose employment because it offered job security and corporate ladder, where he could become somebody after years of being promoted. The “rich” dad asked him to choose the path of an independent business owner because that way he could work for something that he owns.
Of course when you talk to most people about starting your own business and having a passion about some new idea, you will get two main reactions.
There will be … The Naysayers – These are the people who will tell you, “you will never make it” and that you are “stupid to attempt the impossible”.
But then you will find people who are…
The supporters – These are the people who will say go for it. They say “don’t worry” and “we will be there for you when you need us”.
While you may have your questions and even your doubts, listening to the naysayers will never get you where you want to go. Listen to those who will ask good questions, who will give you good advice and support you if your desire is to do something unique and be your own boss.
The fact is, working from home has some fantastic advantages. 1. Flexibility When you are juggling a family and other obligations, having a work from home business is a huge bonus. Firstly, you can more easily accommodate your customers in all the different time zones. Rather than being tied down to a regular office hour routine, having the ability to work part time or full time, takes on a whole new meaning.
2. Your overhead costs are reduced You will save money on gas, the wear and tear your vehicle (not to mention the wear and tear on your nerves), office space and utilities. The reality is that with those savings you can be a lot more flexible in how you are pricing your product.
3. Testing,Testing When you realize that more than 50% of all new businesses fail, then testing out your new business without a lot of overhead is common sense. When you test and tweak your home business, you can determine its viability before you start investing a lot of money!
4. Tax Benefits Many people don’t realize the major tax incentives there are for having a home business and while the tax laws are different from country to country, some of the perks are:
– A percentage for rent or mortgage costs (for the space you use to operate your business)
– A percentage for utility bills such as gas, electricity, water
– Business operating software and management tools, which also includes webpages etc.
– Phone and communications, including internet expenses
and of course the biggest tax saving
The initial investment you paid to start your business
5. Experience A home based business will allow you to gain invaluable business experience and business skills such as internet marketing, identifying markets, learning how to market yourself and all the other traits needed to run a successful home business. This experience can be transferred to other projects that you wish to pursue.
6. Turning Creativity into a profit Creating a home business is the ideal way to turn your hobbies or passions into a business that will be unique to your talents and what you really love to do.
You also have to be realistic in understanding what owning a home business is all about! “Working from home”, it has a wonderful sound to it doesn’t it? I bet many of you have visions in your head of sleeping in, lazing around and working when the mood strikes you right?
Like anything else there are also challenges that you should take into consideration and create a plan on tackling them. Any problem can be solved as long as you are prepared for what is coming your way.
1. Motivation It’s great to be your own boss, but with no code of conduct to follow or formal routines to keep you on track, it’s easy to fall into the trap of putting off doing your business and procrastination. If you have an ineffective time management schedule, it makes it hard to reach your goals.
Solution Make sure that you follow your passion and this will help you with getting motivated and working extra time when needed. 2. Lack of privacy Unless you have a separate office set up, privacy can be a big concern. For example if you have created your office near the family room, and your house guests drop by, they will be near your work area. Your documents, work and even files can be fair game to everyone! Take that thought one step further and if you have kids, they will come in and distract you while you work
. Solution
Create your own workspace and set your own hours. Make everyone aware that when you are working you can’t be disturbed and if anyone needs your help they need to respect your schedule like everyone else.
Finding a workplace that offers privacy can be a challenge at first. We don’t recommend setting up a home office in your bathroom. CP image: guardian.co.uk
3.Learning When starting a home based business, you are going to have to develop a lot of new skills, which will take time. You will be wearing many hats and in the beginning you won’t be able to afford to hire specialists who can quickly and efficiently do new tasks to you. You will have to learn things which you never thought you would need to learn.
Solution This generally is a positive thing. You would never embark on new challenges if it wasn’t for your business. As the oldsaying goes, “knowledge is power” and along with building your business you are becoming an expert in new domains.
4.While its nice to be the boss, you will find that you will be facing unexpected situations you will have to deal with on your own. When you make a mistake you will be dealing with the consequences on your own.
Solution Being the Boss is rewarding but paying unnecessary bills for unqualified decisions is not fun.
“One of the most important leadership lessons is realizing, you are not the most important person or the most intelligent person in the room at all times.”
~ Mario Btali
5.Loneliness is a huge downside to running your own business at home. In the beginning you love the fact that you can get your work done, but after a few days or weeks, you may find that you are tired of hearing your own voice.
It’s a sort of dread that happens and you might turn to such things as web surfing or chatting with friends to relieve the nervousness you may experience.
Solution
In business you need to talk to people about your ideas and brainstorm to see if they are workable. Set up a “support system” early in your business, and you will find yourself not only running into less problems, but you will have someone to exchange your ideas with and have good conversation when you need to step away from daily tasks.
6. Legalities. Most people do not realize that whether you are “telecommuting” or creating a home based business, you need to be sure that you are covered by insurance, that you have checked zoning laws, and that you have the proper paperwork for taxes. Completing paperwork like NDA forms is important to safeguard your business.
Solution First don’t worry about not knowing all the legalities. The Government and your suppliers will quickly communicate to you what your obligations are. They will scream loudest, and you will comply with their demands. 7. Dependency. Most people do not realize that even as a business owner, you need to create team of people who you work with. In case of a car accident, you still want to come back to functional business and want to have someone who can handle daily tasks where you are not around.
Solution Have family, business partners or a team of supporters be involved early in your business, at the very least have part time bookkeeper or a person who will answer phones for you when you are away. 7. Balancing your life. Working at home can cause a lot of stress in your life, juggling the needs of your family with the needs of your work and for some people it can cause a lot of strain in their relationships. You will want to take vacations which will require someone to look after your business while you rest and recharge. You will need to plan for things like this, so you are not surprised by life, because life has a tendency to surprise us when we least expect it.
Solution Although business is important at all times, you will not be able to benefit from it if you are stressed, tired and sick. Implement periodic holidays and time away from your work. Leave your home far enough so you can’t do anything business related while you are away. This will provide you with time to recharge.
As you can see having a home business can be a very workable solution to creating a good income. However, like anything, you need to look at all sides of the equation. Ask yourself the question, will you take the advice of the “poor” dad and be the employee or the “rich” dad and choose the path of becoming an independent business owner.
For me, I chose to be an independent owner and I have never had any regrets!
IRVINE, Calif. – Waaaay back in Summer 2011, BenQ America Corp. announced that as the official gaming monitor sponsor of Major League Gaming (MLG), the world’s largest competitive video game league, it would be supplying monitors for the then upcoming 2012 MLG Pro Circuit Summer Championship that were held in Raleigh, North Carolina. At the tournament, hundreds of the top gamers from around the world competed using BenQ’s RL2450HT and GL2450HM monitors, designed specifically for professional gaming and engineered to meet the specific needs of eSports athletes. The GL2450HM was also featured in the Virtua Fighter(TM) 5 and Skullgirls(TM) Exhibition Tournaments, alongside the Pro Circuit competition.
At the 2012 MLG Pro Circuit Summer Championship, gamers — including BenQ-sponsored Team Dynamic and Manuel “Grubby” Schenkhuizen — competed for their share of nearly $215,000 in prizes playing the real-time strategy (RTS) games StarCraft(R) II: Wings of Liberty and League of Legends(R) on PC, and fighting games Mortal Kombat(TM) and SoulCalibur(R) V on the PlayStation(R)3 (PS3(TM)).
[Then] 26 year old Dutch professional videogamer Manuel “Grubby” Schenkhuizen and friend Cassandra. How good is he? Check out- http://www.sk-gaming.com/player/90-Grubby image:courtesy MechWarrior onlineThousands of spectators watched the tournament at the Raleigh Convention Center, and hundreds of thousands of fans watched the action online at www.majorleaguegaming.com/live.
For those retro system fans, there was even a Summer Championship that let fans get in on the action with Virtua Fighter 5 and Skullgirls Exhibition Tournaments, played on the good old PS3.
Anyone with a Raleigh Spectator or Competitor Pass could participate in these tournaments, which were sponsored by PlayStation. Winners of the best-of-three matches held the station until defeated and could re-enter as many times as they wished. The two players for each game with the longest winning streaks battled it out for $2,000 per tournament in the Finals on the
Fighting Games Main Stage.
Crowd shot from the MLG #gamerompfest
“The Summer Championship in Raleigh [was] sure to provide an exciting culmination to an amazing summer season, and we [were] honored to have our RL2450HT and GL2450HM in the middle of the action,” said Bob Wudeck, Director of Retail and e-Commerce at BenQ America Corp. “The fast response times of BenQ’s monitors result in high-action competition, while features such as the RL2450HT’s Black eQualizer help eSports athletes not just play the game, but conquer it. In addition, the incredibly low lag of the GL2450HM provides perfect timing in fighting and shooting games.”
Delivering a supreme RTS gaming experience, the RL2450HT was used for StarCraft II: Wings of Liberty and League of Legends PC games tournaments at the Summer Championship. The RL2450HT was engineered with input from the world-class StarCraft II professional gaming team, STARTALE, which is sponsored by BenQ. For top-level RTS gamers, the monitor features a 60-Hz refresh rate for smooth movement, an LED light engine for great color and low power consumption, and a 2-ms GtG response time with 12 million to 1 contrast ratio.
The RL Series RTS Mode maximizes StarCraft II visibility and optimizes color, while its Black eQualizer enables total visibility by allowing gamers to adjust the screen brightness without over-exposing white levels — revealing critical combat details with improved visibility in darkened areas. The RL Series Display Mode allows gamers to interchange between monitor screen sizes, while the Smart Scaling feature gives them the freedom to scale the screen manually to any custom size — from 17 to 24 inches — depending on their preferences. In addition, the unit’s adjustable height stand allows for optimal screen positioning.
The 24-inch-wide GL2450HM monitor is an ideal choice for console gaming platforms, featuring brilliant LED backlighting, a dynamic contrast ratio of 12 million to 1, and a 2-ms GtG response time that yields high dynamic videos without ghosting or other artifacts.
At a later MLG Summer Championship, console games Mortal Kombat and SoulCalibur V were played on the GL2450HM, in addition to Virtua Fighter 5 and Skullgirls in the Exhibition Tournaments sponsored by PlayStation.
Supporting competitive and competitive retro gaming, BenQ offered the monitors used in the tournament at special discount pricing available to all MLG tournament fans.
My head hits the pillow with little regard for the color of the sheets and the stains on the walls. Outside I can hear the bustling streets of Kolkata come to a standstill and in the far off distance I can make out the explosion of more fireworks, another festival. The mind turns to the weeks passed and again I can feel the slow process of realization and change occurring. Guilt is an awful feeling and more so when you are unable to identify that which you have done wrong.
The voices of those in the streets plague me as much as the faces and bare feet of their owners. “Please sir, no money, just milk for my baby.” I ignored the advances of another pleading mother. Why? Do I fear the scam of it? Not believe the legitimacy of such a plea? Not care that in her arms there lay a starving child screaming out from the pains of hunger? Or is it I am too overwhelmed to believe I am capable of doing anything in a country this size with a people this poor?
I lay for a long while as the moonlight casts its shadows upon my wall, not quite awake not quite asleep.
I see their waste high faces peering up at me, with no formal education, selling to me, begging me, joking with me. Those who I do speak with paint only the beginning of a picture; a life which I cannot ever fully understand, a life of struggle and hardship which exists to me only in the media and one they only know.
I see them playing cricket in the streets and asking me to join, happy to have a street to play in and a foreigner to practice English with. The simplicity in this humbles me. As a child I remember hearing bed time stories of men on their travels. Now I am a man on his travels imagining the stories of these children. For the Silo, Joshua Winter.
Once again I find myself Down in the Southern U.S checking out beautiful un-restored classic cars in their usual (usual here) worn out aged condition. With very little rust. It never ceases to amaze me the sheer quantity of classics down here. I look at such a wide array of any make or model. (people actually think that they have all been picked already!). One short cruise down one back-road down here and I guarantee that you will spot at least an old Chevy truck parked out back behind a house, in a barn, or just barely sticking out of an old garage that is coming down around it.
As an extreme car enthusiast, all I can say is that it is unreal.
This, not planned, but longer than expected trip to Georgia, brought me to see a sweet 1968 el Camino SS, with a 383 stroker engine and nice black interior. I almost got to look at an original, untouched 1963 split window Corvette, parked in a carport for like 20 years. Apparently under a couple inch thick layer of dust. Go figure it was gone before I even got there.
A teaser sneak-peek at the back end and side of the 1968 ElCamino. Complete with black interior and a 383 Stroker engine.
A couple of the more odd-ball cars I looked at were a 1985 Corvette on 20inch 140spoke knock-off rims ( I don’t understand this one!), and a metallic orange 85 Monte Carlo SS jacked up about 14 inches sitting on 24’s, and featuring real bullet holes that it received in a police shootout (the guy who had it, bought it from a police auction). Neat looking car.
I also met a man down here who had to have had about 6 or 7, 58-60 Corvettes in different stages of repair. With one I believe, 1959 Corvette completely restored, in a high-gloss black, with a mint convertible top, and factory 4speed standard (manual to our UK and European friends) transmission. He also had one 1958, close to finished. They were both sweet cars. I must also add that the other 4 or 5 were scattered around his property among scrap, building supplies, and bushes. It was quite a sight.
These very rare cars in abundance on this property.
I walked out behind his shop and he had a 1957 Chevy 210 Station Wagon with no engine, but complete interior down to the factory radio! This car just parked, with bushes and weeds growing around it. (I think I am going to buy this one to build with my son and daughter and keep as the Sunday cruiser). I’m thinking a nice, loud, built small block, flat-black paint, and white wall tires on gloss-red rallys. I love these cars!
You probably noticed the first photo in this post right? Well, on a previous trip down here about two years ago I caught wind of a guy in Tennessee who apparently had 19, (that’s right!!! 19!) 1957 Chevy cars.
I couldn’t believe it when I got there and I don’t think too many people can say that they’ve seen nineteen 1957 Chevys all in one spot. It was incredible.
This guy had acres and acres of farm with cars tucked away everywhere you looked. 1951 Fords, A 59 Chrysler, 38 Chevy coupe, 59 International pickup, a 1929 Chevy Hot-rod, an I think 1930 Nash, all kinds of cars and trucks that you never see. In nearly original condition. My actual favorite here though, was his personal “parts getter” 1929 Chevy Truck Rat-rod, it was clever right down to the piston rad cap that stuck out of the hood. I really liked this one. The cool thing about finding all these cars is meeting their owners and hearing all of their stories. Car people are usually fun to hang out with, especially in the south.
1929 Chevy Truck “Rat Rod”.
I’m coming back with a friend who bought a 1966 Big back window, Chevy custom-10 short-box. Its not a half bad truck. He’s gonna fix it up. Maybe add a small block V-8. We’ll see. I’m heading back to Canada tomorrow. Goodbye t-shirt days in January, goodbye five dollar all-you- can eat buffets, goodbye three dollar smokes and goodbye constant, rare car sightings. Oh well, I always know that there will be future adventures in the deep south. Checking out sweet old cars for people, and telling them where they’re at. It’s always cool to have someone ask if I know of an old car they have been looking for and can’t find, and I can tell them “I can give you the phone number of a guy who’s got one of those”. It’s always very cool to have someone bring you a new project. So many possibilities with every car that rolls in…
An interesting new trend is on the rise—colouring in a Bible.
What was once frowned upon, is now encouraged. This new trend is called Bible journaling. Bible journaling is the act of doodling in one’s Bible, as a way to creatively express one’s faith. However, some people choose to illustrate outside their Bible; as for some, doodling on the Bible itself is still prohibited.
Over the past few years, the movement has grown significantly with many online groups, forums, Facebook communities, blogs, and church groups creating groups where people share their Bible journal artwork, offer techniques, and provide a supportive boost.
People even discuss where to get Bibles with the largest margins so that there is room for their designs, creating an interesting demand on publishers and retailers.
Complete Guide to Bible Journaling: Creative Techniques to Express Your Faith (Fox Chapel Publishing), by designer, inspirational speaker, and author of the best-selling Zenspirations® book series Joanne Fink, was created in response to this amazing trend.
The book features the works of top Bible journalers, offers drawing tips, the best tools to use, and even offers traceable vellum sheets to use on your own Bible. For the Silo, Elizabeth Martins.
As a technology writer for the Silo, I am always focusing and thinking about the evolution of technology. I write about how computers and video games have changed over the years, but of course, many other things change around us and the one I have been thinking about a lot lately is shopping. ( Consumers Distributing may be back, the relaunch namesake follows us on Twitter )
CD had some serious PPMP’s (Portable Personal Music Players)- notice how the colour and graphic schemes are totally late 80’s/early 90’s?
When I was a kid, I remember getting the Consumers Distributing catalog and taking it into my room to read thoroughly. Of course, I tended to go directly to the toys section and more specifically I looked at the video games and computers. I dreamed about the day I would own some of these items, and I patiently saved my pennies from my job as a paper route carrier. Life can be tough when you are 12.
Started in 1957, Consumers Distributing tried to save costs for consumers by creating a warehouse like environment that allowed them to operate in smaller locations.
Customers would typically shop through a catalog (which they could take home or use in-store) and fill out a request form. This form was taken to the counter where a customer service representative would go fetch your item(s) and ring up the sale.
At its peak the chain would grow to 243 outlets in Canada and 217 in the United States. By 1996, however, the customers were fading as frustration grew with items being out of stock (or, more accurately, the customer perception was that items were always out of stock). In 2006, the company appeared to emerge from bankruptcy protection but little has been done to revive the stores to the way they once were.
Nothing says vintage or captures the ‘aura’ of shopping in a Consumers Distributing store quite like a polaroid.
Even though the end of the chain could be considered a failure, the evolution of the concept continues to this day. Stores like Home Depot and Costco operate in a warehouse-like environment, there are just no catalogs.
Canadian retail giant Hudson’s Bay Company also thought it was a pretty good idea since they purchased and ran a competitive chain of stores called “Shop-Rite” that were open from 1972 to 1982.
.At its peak, Shop-Rite had 65 stores in Ontario before conceding defeat to Consumers. It wasn’t the competition that was really the problem, it was the concept.
With the recent closing of the retail operations of Blockbuster and Rogers Video, we are seeing another step in the evolutionary process. Decades from now, people will probably think it was quite strange to obtain our movies from a retail store because everything will be digitally beamed into our homes and the physical disks and tapes we use now will be completely gone.
My friend Dave Thielking is a lot like me and he remembers the days when we were kids flipping through those catalogs.
So when he obtained some old catalogs I knew we could work together to put them online and share with our other friends who remember the old days of shopping and the great toys and items we wanted to save our pennies for. The result is a new website called the Consumers Distributing Archive and you can find it at http://www.cdarchive.ca.
We are never going to be able to stop evolution – of any kind – but it doesn’t mean we have to like it, or that we can’t go back to the way things were even just for an afternoon or two. For the Silo, Syd Bolton.
SUP- Stand up paddling is a popular sport along the Grand River system. image: grandriverrafting.ca
Is the water level in the river going to be okay for canoeing or kayaking on any given weekend?
This is a common question that people call the GRCA to ask. It is also an important question. Usually what they mean is ” will there be enough water?”, but occasionally, there is actually way too much water for most people to canoe or paddle safely.
Fly fishermen too need to check river levels so they are safe and don’t get swept off their feet by a strong current.
An angler will likely move to a different area rather than take a chance. As an organization, the GRCA does not make recommendations as to appropriate water flows for recreational activities along the Grand River and its tributaries because there are many variables to consider. Some people have the expertise and training to enjoy high flows that could be fatal to inexperienced and ill equipped paddlers.
Very low flows make for slow going as there may not be enough water for the canoe to float and it may need to be pulled to deeper water at certain times. A skilled paddler will be able to read the water to find the deepest water and will have fewer problems. Some people have a bad day if they have to step out of their boat even once, while others are more tolerant of low flows. That is why there is no definitive answer to this question.
Appropriate water levels are a favorite discussion among paddlers. Those who paddle regularly have their own personal chart, whether it is in their head or on a spreadsheet.
Checking flow information
Many avid river recreation enthusiasts in Southern Ontario bookmark the River Data section of the GRCA’s website and check it when trip planning. This is one of the most visited sections on the GRCA’s website and provides hourly updates on river flows from 39 gauges on the Grand and eight tributaries. Some gauge information is also posted on an Environment Canada website that includes rivers in other parts of Canada, but the GRCA site has data for more gauges from this
watershed.
The main chart here is called the Flow Summary.
Recreational users should pay attention to the column headed “flow.” This one is measured in cubic metres per second or cms. If the rate is 10 cms, that means that 10,000 litres of water is moving past the flow gauge each second at this part of the river. The cms gets bigger as the river moves towards Lake Erie. There are huge changes in river flow due to seasons, weather, ice jams and dam operation.
Compare this to the “summer lowflow” which is the average flow during the dry summer months and you will see in relative terms how much water is flowing down the river. Following this Flow Summary is a list of sections of the rivers and tributaries with graphs. For example, one of the most popular sections of the river for a day trip, Cambridge to Paris, a paddler would check the Galt gauge on the “Middle Grand River“section. The graph will tell you if the level is going up, down, or holding steady. Occasionally a flow gauge does not operate and the information can be inaccurate, so the information is provisional. There is also a River Flow Information line that is updated regularly and can be reached at 519-621-2763, ext. 2511.
Photo by Judi Thompson
Outfitter information
There are several local outfitters in the area and they have cut off levels, when they stop canoe rentals. Canoeing the Grand in Kitchener has a safety section on their website with a five step rating chart for paddling. This scale goes from “Excellent” to “No Go” with five levels, depending on the paddler’s age, skill, expertise and river conditions.
Grand River flow rates chart
When river flows skyrocket
As the graph above shows, the Grand River may not give much warning of a sudden increase in river flows, which is why the GRCA must sometimes issue high water safety warnings to the public. This is the flow information from the week of May 2 to 9 from a few years ago. Note that it shows heavy rain on Thursday night May 3 in the northern part of the watershed meant flows ballooned from 8 cms to 120 cms within a couple of hours, as the data from Marsville shows. The GRCA issued a warning after the storm. The rainwater gushed down the river and by the afternoon of Friday May 4, flows were dropping at Marsville but skyrocketing at West Montrose. By Saturday May 5, the river flows in Brantford were extreme and then they peaked at York on the southern Grand on Sunday.
A final important note, Dams can make the impact of a rainstorm less severe but they don’t eliminate flooding or high flows.
For the Silo ,Janet Baine, GRCA Communications Specialist
In this game, has The Dark Knight become (dare we say it) too dark?
Batman: Arkham City Review – Rated T (for Xbox and Play Station)
Welcome ! I am going to begin this review with a confession: I am a retro gaming fan and somehow have missed out on a number of wonderfully aging titles. In fact, I had never played Batman: Arkham Asylum. It’s not that I was never interested, in fact quite the opposite, but our paths just never seemed to cross. Before beginning Batman: Arkham City I figured it was best to equip myself with some knowledge of its precursor. With an effortless search of Google I quickly found myself lowering my head in shame for all that I had missed out on. Nevertheless, I managed to convince myself that this was an opportunity to go against the grain, travel the road less traveled and yes, play out of sequence!
And so begins the adventure and the review. . .
After reading the necessary details and other reviews for Batman: Arkham Asylum I had a pretty good hunch that it’s follow up, Batman: Arkham City would be nothing short of fantastic. This game is a true indication of how far video games and their technology have come and the possibilities that still remain. Now, I could dive in to the guts of the game and discuss graphics, weaponry and overall gameplay but that would be jumping on the band wagon (which I’ve already determined is not my game plan). Instead, I feel there is something else that stands out above all other criteria: the theme of filth and decay. Darkness and death consumes Arkham City, its people and even Batman himself.
From the game’s beginning we are placed in a world that is full of shadows, crime in every dark corner, filth and grime smeared on every surface yet somewhere, within this dismal world, an intricate story unfolds.
A section of Gotham city has been walled off and is home to some of the city’s worst criminals and madmen, each of whom are fighting for power and fighting each other for it. With only a few far fetches Batman: Arkham City represents a world not unlike our own.
Take Hamilton, Ontario, Canada, for example.
It has its own areas of the city that are run down, considered ‘ghetto’ and known for acts of crime. Imagine if the mayor decided to build a wall around these areas and seclude them. The people within those walls are now left to fend for themselves – finding their own food, shelter, warmth and safety. It is only a matter of time before those communities begin to deteriorate more and more in to a state of delusional chaos. Stores shut down and become abandoned, buildings are neglected and covered in graffiti, and even the weeds are breathing new life now that there is no city maintenance.
If you can imagine such a scenario and the feeling that one might experience living in such a place, then you now know what playing Batman: Arkham City is like. I think that’s part of the reason why I enjoyed this game so much. Unlike almost every other video game, I could actually see Arkham city as a feasible scenario within our own world, hell, our own city! Furthermore, this allowed me to really sink my gaming fingers into Batman’s character and get a feel for what it might be like to be the cape crusader of Steel Town.
Some of the greatest things about Batman are his gizmos and gadgets which I used religiously throughout the game.
Soaring high above the city and the smog I could see crimes happening and swoop in on un-expecting villains and their goons. Whether I was using my trusty zip line to quietly whiz from point A to point B or using the cover of darkness to conceal my presence, I was using my surroundings, my city – my home. Or perhaps I should say what was my city and what used to be my home. Like the city of Arkham, Batman too deteriorates as the game goes on. His suit and cape become more battered and torn the more fights he’s in and the more evil he defeats. Once again I can only draw on the parallels of our own local cities and communities. Living within the confines of a dying city is a great recipe self-deterioration both physically and mentally.
When it comes to villains, enemies and ‘bad guys’, Batman: Arkham City I applaud you.
I was happy to see appearances by the Joker, Penguin and even the Mad Hatter! However, these guys are not quite how I remember them to be from the cartoons as a kid. No, no – these ugly, vile villains are far more disturbing. Each character that we encounter looks as though they are decaying in some way, shape or form. Some have cuts and scars all over their bodies, while others are losing their minds with insanity. Some just visually look broken down, worn out and even dead (much like the city they are trying to run). Each character has their own story to tell adding to your understanding of the plot and overall game.
Now, if we take a minute, once again this is not unlike the people within our own communities. Okay, we may not have a Riddler running around town leaving giant green question marks on things or gigantic science experiments who can shoot lightning bolts at us but every person has their own background and a story. All these details help explain why they are the way they are and why they live their lives the way they do. For all we know, there are Jokers and Penguins living amongst us, walking our streets and plotting their victories. Scary thought.
Another great addition to the game is the inclusion of Cat Woman and Robin characters.
Each character has their own missions and side tasks to complete apart from Batman. The world still stays the same but the stories become completely different. For example, if you are playing as Cat Woman the side missions that the Riddler has littered all over Arkham are different yet unique to your character in comparison to the tasks given to Batman. Inevitably, you are playing an entirely different game depending on the character you choose. The upside to this is being able to play as a character that you yourself might have a better connection with. Personally, I loved playing as Batman but Cat Woman did connect with my female side and added a certain finesse to my gameplay.
Besides Catwoman, another of The Bat’s fem fatale nemesis makes an appearance in Arkham City- the lovely Harley Quinn
So, I find myself with yet another finished game to add to the shelf however, there still remains a vacant slot for which to place the predecessor of this game. Playing out sequence and blazing my own trail did not seem to hinder how I played Batman: Arkham City, in fact I was able to grab the concept of Batman: Arkham Asylum quite well with help from various hints and stories provided by characters throughout the game.
Not every video game you partake in has the ability to draw you in and allow you to become immersed in its world. Batman: Arkham City however, does just this. Every aspect within this game from the setting, the characters and the missions themselves all have incredible attention to detail, making its world more realistic.
Don’t get me wrong, I love burrowing into the world of fantasy every once and a while. I love being taken into a world where there is no comparison to the world outside my window and furthermore, fantasy worlds require you to play with a different type of gameplay and mindset. But then again, those games don’t necessarily evoke the same response or feelings that a gamer might experience while playing a game that’s hits a little closer to home. The realistic components to Batman: Arkham City is what did it for me. The frightening parallels, the visuals and the overall story within this game gave me goose bumps.
If there are two pieces of advice I can give to my fellow retro gamers it is this: I encourage you to do as I did and every once in a while throw caution to the wind. Play to the tune of your own gamer heart and don’t be afraid to start in act three in a five act play. Also, don’t hesitate to drench yourself in all that an old video game has to offer. Take your time, smell the fumes of sewer smog and embrace the dark shadows that lurk in every corner. After all, you’re Batman – you laugh in the face of danger. For the Silo, Holly LaRue.
A thousand UFOs are reported each month and are usually seen with lights or as bright orbs. They often appear to be signaling their presence. I have been told by high ranking personnel that UFOs definitely have a religious aspect involved in their presence. Most are friendly but some have their own agenda. The Ten Commandments has instructions for mankind to abide by rules or laws that mankind should use when they travel in space such as do not kill and steal.
The Bible frequently mentions lights.
“You are the light of the world. Let your light shine before men, that they may see your good deeds and praise your Father in heaven.” Matthew. 5:14-16: The Bible promises life after death. Are these ships here to pick up human souls as they die? People’s bodies are known to lose less than an ounce at death.
“A fourteenth century fresco of the Madonna and Child by St Giovannino, in the Palazzo Vecchio in Florence, attributed to the 15 Century school of Filippo Lippi. A UFO hovers in the distance. A blow up of this fresco reveals details of the UFO including port holes. It seems to indicate a religious involvement between UFO’s and the appearance of the Christ Child. ” from disclose.tv
Ralph Waldo Emerson wrote, “The soul comes from without into the human body, as into a temporary abode, and it goes out of it anew … it passes into other habitations, for the soul is immortal.”
Angels in Starships
There are thousands of books about angels and first hand contacts with humans. The book “Angels in Starships” tells of Angels or aliens in Italy. The book states, “And now the facts: Giorgio, Tina, Paolo, and other friends have a number of ‘eye-to-eye’ contacts with space brothers, with rides in starships, and with conversations, in which it is revealed to them that they are the so-called ‘angels’ of the Bible, or mediators and messengers of those who served God’s will, and still serve, to reveal the truth to men of Earth, and to guide them on the path toward higher development. During the encounter their car received tremendous heat and the engine was severely damaged.
In the course of such meetings, the group received important revelations and messages of utmost seriousness, which concern all the inhabitants of this afflicted planet. The invitation to follow paths to a better way of life is well advised, for the time of great catastrophes and dreadful happenings about which the Apocalypse speaks is coming nearer; the day in which “one will be taken away and the other left behind.”
On the occasion of one of these unusual meetings, the Earthly friends, who had been entrusted with messages and teachings, and had been guests on the flying saucers and the starships, were allowed to have the wonderful experience of visiting a distant planet.
A few examples of UFO encounters : In Indian Sanskrit, space vehicles are generally called ‘Vimanas.’ Cicero, in the 43rd chapter of his “De Divinatione”, writes of ‘balls in the heavens’; Julius Obsequens, in “Prodigia”, writes of ‘flaming shields’, and these descriptions occur likewise in Aschylos, Plutarch, Seneca, and Valerius Maximus. and Xenophon. Dio Cassius related that, at the first landing of the Romans in Great Britain under Aulus Plautus in the year 43 B. C., a round object flew like lightning from east to west. Roman soldiers had UFO like objects on their shields.
‘Dark globes’ were seen over Basel in the Middle Ages, and similarly, there were ‘airships’ in the skies of the United States toward the end of the 19th century. During World War II, ‘balls of light’ and so-called ‘foo-fighters’ followed both the Allied and the German aircraft. For the Silo, George Filer. Search “Filers Files” for more about UFO’s
1966 Chevrolet C-20 Custom pick-up. Found in a wrecking yard in the Mojave Desert by the author.
Lloyd’s 66 Chevy C-20 Custom is the epitome of the classic story of finding a sweet ride, a diamond in the rough. Just tucked away somewhere conspicuous collecting dust down south. I found this truck in a wrecking yard in the Mojave Desert being neglected for over 12 years. Imagine the looks on the guys faces that walked by this old truck in the yard if they could see what it turned into now. (funny enough, this is the same yard in which I found my own personal truck of the same body style over 25 years ago.)
I went to California and worked on this truck for 3 weeks to get it running and road worthy before making the epic over 2500 mile trip back to WC Kustoms in Windham Centre. First thing was the engine. I took that dirty, tired, old 350 and swapped it out with a fresh Crane Cams build-up 60 over 350. I gave it a nice shiny new classic Chevy orange paint job and topped it off with everything chrome (edelbrock endurashine carb, high-rise intake, and Mr. Gasket chrome dress-up kit.) To make sure that you really know when it’s passing you, I added some Flo-tec headers and sold him a Magnaflow Stainless dual exhaust kit (the kit was installed by Queensway Garage in Simcoe.)
For outside looks, this sweet 66 got a stock, two-tone custom, color scheme using two 2011 factory Chevrolet colors. A wicked combination of Metallic Blue and Silver to make this truck as colorful as the character that owns it. Inside it also received a blue, back-lit Equus tach and gauge set. In pure Lloyd style one of the first additions was blue street-glow lighting. Deleye’s in Simcoe also installed a chrome custom trim kit, painted grille and front bumper, and a rear roll pan bumper that looks really good. This truck is a vast contrast from the old farm trucks that many would attribute this body style to.
If you’re a retro gamer and Grand Theft Auto (San Adreas) fan, you should consider changing up the default tow-truck with the ’66 Chevy C-20 pickup.
For the Silo, by Robb Price.
WC Kustoms in Windham Centre, Ontario can be reached at 519-410-8308.
Maybe Groundhog Day can become a National or Provincial Stat Holiday because February 2nd isn’t officially known as Groundhog Day. Technically it isn’t a National Holiday. It isn’t a Provincial Holiday. [Is Quebec the only province with a Provincial Holiday? CP] But maybe it should be. Groundhog Day isn’t an exclusive celebration that targets a specific demographic such as Family Day. It isn’t religiously or politically motivated. It doesn’t specify Muslim, Buddhist, Marxist, agnostic or atheist beliefs. It is inclusive, quirky, wacky and fun. There is no need to worry about political incorrectness.
Caddy vs Gopher…i’m betting on the gopher
Maybe Groundhog Day can become a rallying point for Ontarians. Groundhogs are robust creatures. They handle our long winter with style. Groundhogs might be cute but they are also tough!
Maybe the Groundhog can become Canada’s national animal. Does anyone remember the politician who wanted to make the polar bear our national animal? Most of us aren’t likely to run into polar bears. It’s that old adage: “Out of sight, out of mind” and since we’re more likely to see a groundhog and associate with a groundhog it is an ideal choice. Incidentally Canada’s national animal is the beaver. Another obscure animal that most of us have never seen.
Maybe Groundhog Day is spiritual after all. If a Holiday need to be justified on a basis of spirituality or community consider the following short list:
Mysticism (Shadow casting or lack their off = Long range weather forecast)
Fatalism (Let everyone believe that an animal can come out of the ground on a specific day and tell us how the next six weeks will turn out)
Anthropomorphism (Groundhogs can really see? Can they talk? How do we know if they have seen their shadow?)
Human/Animal Communication or Telepathy (Groundhog interpreters/ Groundhog whisperers? Are they specific to Wiarton, Punxsutawney?)
For the Silo, Rick Fess. By the way, groundhogs are no joke. They can carry rabies and pose a direct threat to our crops.
Graphic Classics use a variety of styles and each work has a unique identity.
MOUNT HOREB, Wisconsin- Graphic Classics, the acclaimed series of comics adaptations of literary classics from publisher Eureka Productions, has had multiple titles included in the Diamond Distribution Core Curiculum List. Of the nearly 100 books on the list, 23 were from the Graphic Classics series, including VOLUME 2: ARTHUR CONAN DOYLE, VOLUME 4: H.P. LOVECRAFT, VOLUME 8: MARK TWAIN, VOLUME 18: LOUISA MAY ALCOTT, and VOLUME 22: AFRICAN-AMERICAN CLASSICS.
To help educators and librarians select materials to fit into their Common Core Standards curricula, Diamond Book Distributors have created the Diamond Graphic Novel Common Core List. Arranged by grade level, the Diamond Graphic Novel Common Core List offers 98 graphic novels from our publishers that will fit into a Common Core curriculum, along with resources including Library Classifications, Subject Headings, and Core Standards which apply to each book. The list is intended both as an aide to educators and librarians and to show that Diamond supports the Common Core Standards as an effective tool to prepare students for the challenges in college and the workforce.
Graphic Classics publisher Eureka Productions has also partnered with Overdrive and Comics Plus: Library Edition to make Graphic Classics digital editions available to libraries across North America and around the world. Among the library systems which have already started carrying digital editions of Graphic Classics are the Boston Public Library, Seattle Public Library, and the Dayton Metro Library.
Library users can borrow digital editions of Graphic Classics from their local library system for reading on smart phones, tablets, and computers. Digital editions are also available to consumers through the ComicsPlus and Ave Comics apps. Check with your local Library for Graphic Classics digital editions. CP
My book, Money: Whence It Came, Where It Went, tells us that “The study of money, above all other fields in economics, is one in which complexity is used to disguise truth or to evade truth, not to reveal it.
The process by which banks create money is so simple the mind is repelled.”
Graham Towers, the first Governor of the Bank of Canada, explained the process by which banks create money: “The manufacturing process consists of making a pen-and-ink or typewriter entry on a card in a book. That is all. Each and every time a bank makes a loan, new bank credit is created – new deposits – brand new money.
John Kenneth Galbraith- mystic or curmudgeon? image: poorwilliam.net
Broadly speaking, all new money comes out of a bank in the form of loans. As loans are debts, then under the present system all money is debt.”
Money created by banks and other financial institutions is interest-bearing debt. They create the principal and expect their money to be returned with interest. We can’t create interest the way they create the principal, so we must obtain it from some other money that was also created as interest-bearing debt. There is never enough of this money in existence at any time to pay off all of our collective debt. More interest-bearing money must continually be borrowed into existence.
In 2013, not so long ago, the ratio of household debt in Canada, including mortgages and consumer debt, was more than 160% of disposable income after mandatory deductions and income taxes and this statistic will keep growing with each year. The federal debt in Canada then was more than $600 billion, and interest payments on the debt in 2011-2012 cost $31 billion dollars or 11 cents of every tax dollar. Now in 2019, the federal debt has grown to $768 billion.
The five largest banks in Canada reported more than $27 billion in combined net income for the 2012 fiscal year.
Canada’s central bank, the Bank of Canada, claims to “regulate credit and currency in the best interests of the economic life of the nation”, and to mitigate “fluctuations in the general level of production, trade, prices and employment”, yet the purchasing power of the Canadian dollar has dropped steadily since the Bank of Canada was founded in 1934. As a store of value the dollar has not performed very well. It should also be noted that Canadian banknotes ceased to be redeemable for gold in 1929.
Bank of Canada notes are fiat money that the federal government declares to be legal tender, and the Bank has a monopoly on the issuance of bank notes. These notes are supplied to financial institutions to satisfy public demand. Chartered banks in Canada are no longer required to maintain statutory cash reserves for the loans they make. According to some estimates, Bank of Canada notes add up to less than 2% of the total amount of loans made by the banks and other financial institutions.
Money created as interest-bearing debt is scarce from the moment it is created, which curtails its effectiveness as a medium of exchange. Every dollar comes into existence as interest-bearing debt, and the overall cost of interest is reflected in the price of everything we buy. This is not to suggest that interest should be banned or that interest rates need to be controlled by a central bank. Anyone should be free to lend his or her savings at a mutually agreeable rate. Equity financing, with shared risks and rewards, is another option.
What is being suggested here is that we ask some fundamental questions about the monetary system and the function of money.
Are you able to use your goods, services, labour, knowledge, skills and abilities to obtain enough money to purchase other goods and services?
Are you able to obtain credit when you need it and are also willing and able to pay it back? Are you able to negotiate an agreeable price for credit and loans? Are you on a treadmill of debt, no matter how hard you work, how many expenses you cut, or how hard you try to save?
Are your savings secure and retaining their value?
Money is basically credit, like an IOU. Our ability to exchange our goods and services should not be hampered by the price of credit or an inadequate supply of money. Anything physically possible is financially possible. We can extend credit to anyone who wants to purchase anything from us and who is willing and able to provide us with a mutually agreeable amount of his or her goods and services. In essence, goods and services pay for other goods and services.
A mutual credit clearing system is an alternative method that can be used to facilitate reciprocal exchange.
Members of a credit clearing association have a trading account where an ongoing record is kept of their sales and purchases, their credits and debits. Every transaction includes a credit entry for one member and a debit entry for another, but interest does not have to be paid when an account temporarily has more debits than credits. Credit is extended to members from the rest of the traders in the group, and the major benefit of this system is that members can obtain interest-free credit. In the long term every member is expected to provide as much as they obtain. It all balances out within the community of traders. It’s all a simple matter of bookkeeping.
Direct credit clearing systems can be operated on a fee-for-service basis to cover expenses and to compensate those who provide this service. Nobody is ever forced to join any trading group and members are also free to leave when their debts are clear. Anyone can start their own credit clearing service, which allows competition between associations based on quality and price of service. Associations can also cooperate with each other to increase the number of potential trading partners and broaden the range of goods and services that are available.
Credit does not have to be scarce or expensive. We can control our own credit and allocate it as we choose. Are your best interests being served by the money you use? For The Silo, John Kenneth Galbraith.
When I think back to the 1980’s I have mostly fond memories. It was time of great fun and discovery for me personally. I had both Commodore and Apple computers and a hairstyle that is happy to remain in my past. I listened to cool groups like “Twisted Sister” and wouldn’t publicly admit that I enjoyed “Culture Club”. Being in high school, I was painfully shy and didn’t have a lot of success with girls.
Apple had a pretty similar experience if you think about it. They were a little shy and reserved, but very much loved by those who understood them. They didn’t go out much – choosing to stay in schools and in a very few select homes. They had their share of identity crisis’ in the early 80’s and tried to break free with a whole new persona called “Macintosh” in 1984.
They walked around confused between educational, business, and recreational use and staggered out of the fog towards the end of the decade.
The 1990’s brought about a new confidence and independence. I had started a business just at the end of the 80’s and took my experience to heart as I tried to find the right niche for me. I knew that computers was where I was meant to be and grew a business from nothing to exceptional sales in a short time.
Steve Jobs and Apple’s Macintosh Computer.
I also saw the market hinge and my sales erode and I wasn’t quite able to move fast enough to recover my previous glory.
Apple saw their market share grow and decline in the 90’s as well. They knew that computers were where they were meant to be, but they couldn’t decide if they were the company to make them. They tried licensing out their operating system to others in a move that ultimately
muddied the market and left their loyal customers wondering just exactly where they were going next. Following graph courtesy of www.saypeople.com
The 2000’s became a year of maturity for me. More confident in the path I was following, I followed my dreams to open a computer museum and finally saw it through in 2005. I refocused my energies with my passion for video games to acquire the largest collection in Canada while at the same time educating others along the way.
I worked my way towards a global following for those that have shared my vision. Apple made the move from niche computer to dedicated
music device, to a more advanced smart phone in the 2000’s. They grew their loyal following in the computer market by making some radical
changes to their core operating system and integrating their new consumer devices flawlessly. They became the company they had always
dreamed they could be.
Today, I ’m following my dreams and am no longer the shy, awkward guy I was in high school. I ’m successful and I ’ve moved on from “Culture Club”. My life is very interesting because I like to keep one foot in the past to enjoy the good times, while putting another foot forward into the exciting future.
The best is yet to come, and I think the same is true for Apple. For the Silo, Syd Bolton. Check out www.pcmuseum.ca in Brantford,Ontario.
The white trillium is a spring wildflower with 3 distinct leaves and petals. It has been the provincial flower of Ontario since 1937 and is also the logo of the Ontario Government. It’s white flower is seen as a symbol of peace and hope.
While it is a popular belief that it’s illegal to pick the White Trillium in Ontario, in reality they are only protected in provincial parks and land owned by conservation authorities. However, if the leaves as well as the flower are picked, the plant could die as it no longer has any means to produce the energy it needs to take it through the winter into another spring.
Sometimes mutant plants with green striped petals are found in White Trilliums. These plants are diseased — infected with parasitic mycoplasmas that cause the greening. Over time, the mycoplasmas will cause deformity in the petals and eventually the death of the plant. For the Silo, Dixie Greenwood.
Mutated Painted Trillium. by Roger Grinnell (Burnsville, NC) NOTE- the four leaves courtesy: www.dougsgreengarden.com
You have probably always wanted to write a book. You have probably tried to start writing it several times and gave up. Or maybe you did write it, but it didn’t quite turn out the way you wanted it to. You have most likely been scared and frustrated by the writing process, as well as exhilarated and thrilled. And you probably wondered how you could tell exactly what you wanted to tell, and tell it well.
I’m not going to give you an answer to your burning questions. I’m still searching for it myself. But I will maybe alleviate your pain in sharing with you my own search on the way to telling my stories in the best way I can. After four years of writing full-time, I have turned a corner and am no longer scared. No, this is a lie. I am scared, but being scared no longer stops me. And the answer is simple: study the craft of writing. How? By doing it and by learning how others did it before you.
When I started out, I charged ahead like mad, high on the possibility of writing my very first book and actually doing it. I disregarded rules and channeled my inner self on the page, believing it was true art (not that I understood what that meant). I was fine for a while. But on my fourth book I got lost and quickly finished it because I didn’t know how to make it better. And on my fifth book I got stuck and had to scrap everything and reengineer my entire writing process. Why? Because I ignored the rules. I thought writing was an expression of something intangible and divine that couldn’t be touched lest it be wrecked by such rudimentary and boring things as plotting, theme development, grammar, character arcs, etc. And I was wrong, and maybe because you read these lines you will trust that what I’m sharing with you is true and will spare yourself the pain I went through (or maybe you won’t, but you will remember these lines when you hit rock bottom).
Know what they expect 😉
Writing isn’t some nebulous ethereal substance to be caught from the air and randomly spun into a story. Writing is both an art and a craft, and the two can’t be separated from each other. If you’re a painter, you must know the types of paints and brushes you use. What would happen if you didn’t? Same with writing. The boring grammar is not boring at all. It’s a wonderful tool to help you say exactly what you want to say the best way you can. It’s a tool that you have to learn and allow yourself to be awkward with, at first, and keep practicing until you master it, and it becomes a skill that you don’t have to think about.
Jemaine Clement as frustrated author Dr. Ronald Chevalier in Gentleman Broncos.
That frustration we talked about, remember? It comes from the feeling that something isn’t right, but you can’t pinpoint what exactly. Studying the craft of writing will show you what’s wrong and how to fix it. Without it you’ll be lost and tempted to give up.
But there are so many ways to write! You might be thinking. There are writers who plot, and writers who don’t! You’re right, of course. But here is what I’ve learned. Until you study the rules of your craft, you won’t know how to break them. And by not studying the rules at all you’re robbing yourself of a chance to learn how to tell your tale and tell it well. You might get lucky and stumble on it. You might not. Are you willing to spend days, months, years groping around in the dark? That’s what I did, and it’s not an easy road. I nearly quit writing altogether several times, that’s how bad it got.
So where do you start? You start by doing and learning. What do I mean by that? Simple. Start writing your tale. Just start. When you get blocked and don’t know how to proceed, look at what’s stopped you and study it. Read about it. Is it grammar? Revisit your grammar. Is it sentence structure or style? Read about style. Is it your character who gives you trouble? Study how to write characters. Plot problems? Learn about plotting. And so on. You will find that every time you get stuck you will get unstuck, and with new knowledge keep charging forward. You will see that learning how to write well takes time, and you will allow your tale to be bad and awkward and messy, because you will know that it’s normal, and this is what will keep you from quitting. That’s huge. I wish someone told me this when I started.
I had to find out for myself. I hope my telling you this now will keep you from quitting. We need your tale. We want to read it. So tell it. And while doing so, learn how to tell it well. It may be that it’ll take you ten bad tales to arrive at one good one. Or maybe twenty. Or thirty. But never give up. Do and learn, do and learn, and you will get there. And now I’m done telling you my tale about how I learned that to tell my tale well I needed to study how to do it. Your turn.
This is the most famous painting in the history of art. It is titled the Mona Lisa but it’s original name was Monna Lisa- a short form of “Madonna” or “my lady” but thanks to a spelling error we know this work as the Mona Lisa. Painted by Leonardo Da Vinci in the years 1503-1507, there are actually three different versions painted beneath the visible version. In one hidden version (discovered using xrays) she is seen clutching the arms of a chair. image/info courtesy of prlog.org
Every year 8.5 million visitors see the renowned work of art that is the Mona Lisa. It is a vision that graces t-shirts, calendars, coffee mugs, and art history books worldwide. Still, among those millions, I would wager that few are those that have left Paris remarking on the wall on which Mona is placed. More on this later….
Did you know that the Mona Lisa is the only work of art to be stolen from the Louvre( in 1911) and recovered? Not only that, but in 1956, it was attacked with acid and, in that same year, cut open with a rock thrown at Mona’s elbow. It would seem that times haven’t changed much either. In 2009 a coffee mug was thrown at it by a gazing woman.
Art hygiene: the Mona Lisa is protected by bulletproof glass while on display at Paris’ Louvre photo: Gilli8888/flickr
Time has provided the foresight to maintain Mona’s beauty. With 2 centimeters of bullet proof glass and an inner casing protecting against heat and humidity the artwork seems safe. But what about the wall ‘holding’ the Mona for all of us to admire?
Take a look at these choppers…are they healthy enough to support a Mona Lisa smile? Pay attention because we’re about to switch gears and talk a little oral health.
As a dentist I am prone to notice the wall and that famous Mona Lisa smile. That smile, seen on TV and used in advertising everything from vacations to toothpaste, would be worth little without considering the healthy gums and bone that keep it in place. In other words, without noticing the wall. Years spent in my business have taught me, that if not protected properly, a smile can be stolen from us, chipped, and worn away with acid leading to very costly repairs. If you value your smile then the bullet proof glass is a worthy investment.
By focusing on in-office prevention and care the need for extensive intervention is often averted. It is more time and cost effective to put up and maintain a very impressive wall for your work of art than it is to meticulously rework the masterpiece. This analogy holds true for your teeth, gums and your smile. Maintenance is the greatest security from acid and coffee alike and with it, your smile can continue to break the ice… but I wouldn’t count on 8.5 million visitors. That may be a little more than any of us can chew. For the Silo by Dr. Peter Gunn. Dr. Gunn’s practice is in Port Rowan, Ontario. www.facebook.com/caredental
In my lastSilo travel column, I featured five of my favorite travel destinations in Ontario within 250 kilometres of Niagara. Here’s another five, but this time “on the other side of the ditch”. First, I’d suggest if you travel into the United States frequently like I do apply for a NEXUS pass (www.cbsa-asfc.gc.ca/prog/nexus). This pass is available to Canadian and U.S. citizens and costs around $50.00. It allows you and every other occupant in your car that has the pass to quickly cross over the border and return. It’s saved me hours of waiting at the border. Also be sure to carry health insurance for travel outside of Ontario.
[The nexus card will save you time at US Canada border crossing but part of the application process involves finger-printing and the completed card uses the same controversial RFID technology used across parts of the US Mexico border CP]
Now let’s get down to business…….and in no particular order ;> Ellicottville, N.Y.
(120 kilometres from the Canada/U.S. border)
This is a place I go to two or three times a year because there’s always something happening. They have 11 festivals spread throughout the year. Ellicottville has a compact pretty-as-a picture postcard downtown. It’s void of big-box retailing. There are plenty of historic brick and wooden buildings that have been re-born as unique, quirky, crayon-coloured stores and restaurants www.ellicottvilleny.com or 1-800-349-9099
Ellicottville NY- top- late Summer bottom- mid Winter
Randolph, N.Y.
(140 kilometres)
Not far from Ellicottville you’ll find the tiny village of Randolph. This village and the outlying countryside are deliciously peaceful. You’ll find a large thriving population of Amish families. As you drive the back roads, you’ll pass numerous styles of Amish horse and buggies. Loose your camera for this part of the trip. The Amish don’t like to be photographed. We spent all day visiting and speaking with these fine people who operate numerous businesses along, “The Amish Trail” that are open to the,” English”. Some of the places we visited specialized in toy making, farming, jams, pies, cheese making, quilting, pillows, and rugging. Forget your credit card. The Amish only accept cash and they’re closed on Sundays. www.NYAmishTrail.com or 1-800-331-0543
Stay cabins along the Amish Trail in Randolph
Hammondsport N.Y.
(250 kilometres)
I was originally trying to find Watkins Glen when I got lost and stumbled upon Hammondsport N.Y. What a hidden gem it turned out to be. This small community is nestled at the southern end of Lake Kueka and set in a protected valley in New York State’s Finger Lakes region. You can’t be in a hurry here. An old-fashioned town square anchors the village. Historic buildings snuggle side-by-side around its perimeter. The star attraction here is pristine Lake Kueka. There are also well maintained homes on the tree-lined streets date back to the 1800’s.Just on the outskirts of town is the Glenn H. Curtis Museum. It pays tribute to Glenn Curtis a pilot who took the first preannounced flight in America on July 4, 1908.In January of this year Budget travel voted Hammondsport the, “Coolest Small Town in America”. Well, so much for my hidden gem. www.hammondsport.org
Heritage architecture and vintage ooze at Maloney’s Pub in Hammondsport
Medina, N.Y.
(69 kilometres)
I have known some great breakfast joints in the past but Rudy’s Diner (closed Sundays) found in this friendly village along the old Erie Canal is one of the best. Just about everything here is made from scratch and reasonably priced in this converted 1940’s Sinclair Gas Station.
This town founded in the 1820’s echoes of the nineteenth century. Check out these things. Their beautifully restored downtown is very walkable. Don’t pass up seeing the Oak Orchard River Gorge and Medina Falls. It’s hard to find so ask a local. On the outskirts of town is the Culvert Road Tunnel. It’s the only arched roadway running under the Erie Canal. This narrow tunnel is like going through the eye of a needle! One must, is a visit to the Medina Railroad Museum (closed Mondays and major holidays).If you have kids they’ll love it and so will you. Tell owner Marty that George and The Silo sent you. www.medina-ny.com
So there you have it. Enjoy the remaining bit of Summer holidays and remember September and October are beautiful months. For the Silo, George Bailey.
Xandra “Sunny” Moon, author of “The Power of the Titz…a woman’s journey back to her self”
It’s not hard for women in midlife to feel like they belong to the Island of Broken Toys, says Xandra “Sunny” Moon, a self-described liberated, 18-wheeler-driving, 40-plus babe.
“There are thousands of beautiful mothers, wives and ex-wives out there who feel like they’ve lost their sexuality – I know because they tell me as I travel the country and get to know them,” says Moon, author of “The Power of the Titz…a woman’s journey back to her self”(www.sunnymoonspowerworld.com). “My mission is to let them know they can get it back!”
Like the many of the women she meets in her travels, Moon suffered physical and emotional abuse as a young woman. After raising four children and enduring an unhappy marriage for several years, she fell into a deep depression, she says. But several steps took her out of despair, and by the time she climbed out, she was happy, confident and back in touch with Sunny, she says.
Moon lists the ways in which women 40 and older can rediscover their “inner babe:”
• Embrace your sexuality!: It’s not just a “Mrs. Robinson” stereotype – older women do make for better, more participatory sexual partners. Older women have more self-possession; they’re not as callow and tend to have more character both in personality, intrigue and in sexual performance. Women 40 and older are also more forthright, which can be a major turn-on, especially for younger men in need of direction.
Younger women are still deciding what sex means to them, whereas older women are more likely to appreciate it for its own sake.
• Education and employment: Perhaps the most important vehicle for Moon’s self-empowerment is her continuing education. Gaining her GED and furthering her education at a university allowed her to support herself with a good job. Past generations of women were overwhelmingly reliant upon their husbands for financial support.
Having your own income allows women the power to choose their relationships, and not remain stuck in one.
• Remember your old social life?: A big part of relocating your inner diva is remembering the good times you had as a teen and 20-something – back when you had your first appletini, your first date at a fancy restaurant and, yes, your first day-long hangover.
In many ways, these things are like new again. Under-appreciated mothers and wives tend to live primarily for others, but now it’s time to reclaim those fun nights out with the girls and catch some time for yourself.
• Cosmetic surgery: This is still a touchy subject for many ladies. Moon’s first rule is to have cosmetic surgery only for yourself – not for someone else, and to ensure you are in good enough health to withstand the rigors involved with surgery. Other important considerations include realistic expectations, potentially catty responses from girlfriends, short- and long-term consequences, such as time off work and maintenance, and whether or not you really want larger breasts or a botoxed brow.
• Dating outside your comfort zone: Maybe now is the time to consider other types of partners — perhaps those of a different ethnicity or maybe even a different gender. Now is the time to be adventurous and explore new avenues.
• Health/Diet/Exercise: Of course, feeling and looking attractive is important to you – so be healthy! Nothing is better at giving ladies that can-do attitude than a nice workout. Being selective about what you eat is as important as being selective about who you date; you want a lover and diet that will treat you right.
“We have but one life,” says Lee Abzu, Moon’s second husband, soul mate and coauthor to her books.
“If you’re single and in your 40s, 50s, 60s or older, you can either wait around for the kids or grandkids to come by and visit, or you can get out there and regain the vitality and lust for life you used to have.”
About Xandra “Sunny” Moon
Xandra “Sunny” Moon is a survivor who came into her own after age 40. As a younger woman, she endured rape, unlawful imprisonment, mental and emotional abuse, and divorce. She has worked 14 years as a truck driver, during which she has spoken with thousands of woman near or at midlife.
After raising her four children, she continued her education at Idaho State University and eventually married her second husband and soul mate, Lee Abzu. She now counsels women who are seeking rebirth. For the Silo, Ginny Grimsley.
Women’s Studies scholar Becca Anderson has gathered the wisdom from a chorus of fabulous femmes for this one-of-a-kind advice book. From housewives to Hollywood starlets, from standup comedians to startup entrepreneurs, from feminists to Facebook queens, these badass women offer unvarnished and unabashed opinions about love, life, word, men, and sex and share their very frank and forthright thinking on the wild world of relationships.
This delightfully dishy gathering of gal pals is like having a heart-to-heart with 200 of your closest friends. Garrulous girls and loquacious ladies from every walk of life unleash their wicked wit in this humorous and enlightening compilation and tell it like it is.
Price: $15.95 usd ISBN-13: 978-1633536937
Topics include What the World Needs Now, Love Hurts, Lost Love, and Are Men Really Necessary and cover sex, personal ads, blind dates, break ups, weddings, and the prerequisites for the perfect kiss.
Sidebars include quizzes, love and sex bucket lists and topics like “Size Really Does Matter,” and “Cry Me a River, The Weepiest Romantic Movies Ever.”
Wait, there’s more–true tales about wild women of yore that entertain as much as they enlighten.
From Anais Nin to Lily Tomlin, from Amy Bloom to Dorothy Allison, from Drew Barrymore to Chrissy Teigan and beyond, there’s no shortage of sass, sarcasm, or sizzle and a few shocks along the way! For the Silo, Brenda Knight.
What people are saying about Badass Women Give the Best Advice:
These bold bon mots are a solid roadmap for living a full love. I, for one, will be taking to heart all the advice from these very wise and wild women–silver screen queens, comediennes and brilliants writers. You actually can get what you want, provided you listen very closely. Nina Lesowitz, author of The Party Girl Cookbook
“Sometimes we women need quotes and pick-me-ups to get motivated or to have our spirits lifted. Badass Women Give the Best Advice is a book for and about women (no men allowed!). This is not a book that you read once and put away. It’s good as a conversation starter or to refer to when you want to feel big on girl power. Oshun, the Yoruba goddess of love, sensuality, and beauty is just one of the women we learn about in this book. There’s also quick rundowns on writer Simone de Beauvoir, advocate Amelia Bloomer, and much more. So fun!” Heck of a Bunch Blog
One of the biggest influences that the internet and social media has on the automotive industry is the now ease of finding hard-to-find parts and procedures. Go on Google, type in your year, make, and model, followed by the part or procedure you are looking for, and in the results you are bound to find (at the very least) a forum, web group, or page dedicated to your vehicle specifically. What this means to you is that now you can discuss (with others who love the same vehicle as you) parts, repair procedures, styling, or just why you love your vehicle so much! What this also means is that you now can draw from a vast pool of knowledge from others who share your same interest.
So be it a complicated repair or common problem, you can usually chat with someone who has already been there and done that. (a majority of the time) and a lot of the forums usually have step by step procedures with pictures. This came in handy for me last month when a certain silver Smart car I know had starting issues. The first problem? Where is the starter? This may sound dumb but, Look under the bonnet (hood under the trunk) and you tell me where the starter is. I would bet 5 bucks that you could not, even from underneath. Unless, you have messed with one, prior. The next Issue, where the heck is this starter supposed to fit out? Lastly, How do you even get to the bolts that hold it in?
Luckily for me, there are many Smart car pages based out of the U.K. and one really good one I found, had many members who were very knowledgeable in this topic, this page also had step by step detailed instructions along with very clear pictures. This is substantial considering that one cannot even get a repair manual for these cars, almost nobody has parts listings OR interchanges for any of these cars with a model year prior to 2008 (this car being a 2006). Who knew that to change this starter there was insane procedure including dropping the engine and removing the intercooler system. A bunch of people on this page had already been through this and had come up with a very efficient shortcut. This saved me hours of time. All this from a free membership. Here are a few Facebook pages that I follow:
“Restoring Old Cars” – a lot of classic car posts, “Lifted Trucks USA”- lots of pics of lifted trucks lol, “Chevy Chevelle”- Lots of Chevelle pics, ”Chevy Militia”- jacked up Chevy truck pics, and my two favorite ones “Bow-tie Society”- for everything Chevrolet, also where Ford and Dodge Trollers come to get put back in their respective places. And “Black Crow Car Education System” –this guy posts all kinds of cool classic auto industry pics, vintage, and artistic mechanical pics. All of these pages are very cool. Check em out by searching them on Facebook. Till next time. For the Silo, Robb Price, WC Kustoms.
It’s been almost a decade and a half since Casey Affleck’s I’m Still Here perplexed us all. On reflection, it is a piece of modern motion picture history and a masterpiece.
You have probably always wanted to write a book. You have probably tried to start writing it several times and gave up. Or maybe you did write it, but it didn’t quite turn out the way you wanted it to. You have most likely been scared and frustrated by the writing process, as well as exhilarated and thrilled. And you probably wondered how you could tell exactly what you wanted to tell, and tell it well.
you get stuck you will get unstuck, and with new knowledge keep charging forward. You will see that learning how to write well takes time, and you will allow your tale to be bad and awkward and messy, because you will know that it’s normal, and this is what will keep you from quitting. That’s huge. I wish someone told me this when I started.
