Tag Archives: World Heritage Site

Earth

Great Barrier Reef: Australia to put in place urgent safeguarding measures requested by UNESCO

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Paris, June, 2023 – UNESCO welcomes Australia’s decision to implement urgent new protection measures to safeguard the Great Barrier Reef recommended by UNESCO. The measures include a ban on fishing with gillnets. The Australian government formalized its commitments in a letter addressed to Audrey Azoulay, the Director General of UNESCO this week.
 
“The Great Barrier Reef is a fragile jewel of world heritage. For many years, UNESCO has not ceased alerting the world to the risk of this site losing its universal value forever. We have proposed several concrete measures which provide a roadmap for tackling the problem. I am delighted that the dialogue between our experts and the Australian authorities has now resulted in a set of formal commitments,” said Audrey Azoulay, UNESCO’s Director-General.
 
For many years, UNESCO has sounded the alarm on the Great Barrier Reef.
In 2021, with regard to very worrying data on the reef’s poor state of conservation, experts at the Organization went as far as to recommend the site was inscribed on the List of World Heritage in Danger. This warning had global resonance.  

The fruits of a long process of discussion  
In March 2022, a UNESCO-IUCN joint mission travelled to the Great Barrier Reef in order to examine the reef in even greater detail, and to dialogue with all the relevant actors: public sector decision-makers, scientists and non-government organizations (NGOs). In their report, the experts confirmed that due to the threats posed by pollution, over-fishing and the rise in sea temperatures, the outlook for the Great Barrier Reef was worrying.   UNESCO and the IUCN also emphasized that the implementation of corrective measures could significantly improve the state of conservation of the reef, listing ten precisely-defined actions the Australian authorities should take.   In July 2022, Audrey Azoulay, UNESCO’s Director-General, met with the new Australian Prime Minister, Anthony Albanese and recalled the urgency of taking action. A discussion between UNESCO experts and the Australian authorities followed, with the aim of establishing an implementation plan for the ten priority measures including costs and timetable.   This process has just been completed. In a letter addressed to Audrey Azoulay, the Minister of the Environment, Tanya Plibersek announced that the urgent new measures for the protection of the Great Barrier Reef UNESCO had requested, would be carried out.
 
Key Measures  
In the letter the Australian government committed notably to: Create no-fishing zones in a third of the World Heritage site by the end of 2024, and to ban gill net fishing altogether by 2027; Reach water quality improvement targets by 2025, by significantly reducing pollutant discharges from farmers and industrialists, and restoring flora and fauna in drainage basins; Set successively more ambitious CO2 emissions reduction targets, in alignment with efforts to limit global temperature increase to 1.5°C. This comes in addition to the measures already announced by the Australian authorities in recent months.   UNESCO will closely monitor the effective implementation of these measures. The state of conservation of the Great Barrier Reef will be examined again by the World Heritage Committee at its 45th extended session (September 10-25, Saudi Arabia).
https://youtu.be/bb01n4uQZL0
Culture

Landmarks of Ancient Yemen added to UNESCO’s World Heritage List

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Paris, January, 2023 – The World Heritage Committee meeting in an extraordinary session on Thursday inscribed the Landmarks of the Ancient Kingdom of Saba, Marib (Yemen) on the List of World Heritage in Danger.


The Landmarks of the Ancient Kingdom of Saba, Marib, is a serial property comprising seven archaeological sites that bear witness to the rich Kingdom of Saba and its architectural, aesthetic and technological achievements from the 1st millennium BCE to the arrival of Islam around 630 CE.

Yemen’s recorded history started when it was known as Saba/Sheba three thousand years ago, on the main spice route from the east to Europe, and was rich and powerful. The Queen of Sheba’s visit to King Solomon appears in both the Bible and the Koran.


They bear witness to the complex centralized administration of the Kingdom when it controlled much of the incense route across the Arabian Peninsula, playing a key role in the wider network of cultural exchange fostered by trade with the Mediterranean and East Africa.


Located in a semi-arid landscape of valleys, mountains and deserts, the property encompasses the remains of large urban settlements with monumental temples, ramparts and other buildings.

The irrigation system of ancient Ma’rib reflects technological prowess in hydrological engineering and agriculture on a scale unparalleled in ancient South Arabia, resulting in the creation of the largest ancient man-made oasis.

Marib Dam photos before and after the destruction. photo: German Archaeological Institute/Burkhard Vogt


The World Heritage Committee used an emergency procedure to inscribe this site on the List of World Heritage in Danger, due to threats of destruction from the ongoing conflict.


The List of World Heritage in Danger provides access to enhanced international assistance, both technical and financial, and helps mobilize the entire international community for the protection of sites.

Culture

Ukraine: How UNESCO Supports Odesa’s Heritage & Cultural Life

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Paris, 30 August 2022 – At a meeting with UNESCO Director-General Audrey Azoulay at the Organization’s Headquarters, Oleksandr Tkachenko, Ukrainian Minister of Culture and Information, announced that his country will request the inscription of Odesa on UNESCO’s World Heritage List. For its part, the Organization will deploy new measures to protect Ukrainian cultural heritage, particularly in Odesa and L’viv.

Since the beginning of the war, UNESCO has been deploying emergency measures in Ukraine as part of its mandate for education, culture, science, information and communication.

The Organization has mobilized close to $7 million USD/ $9.17 million CAD to date, provided numerous in-kind grants and made its experts available to advise professionals on the ground.

A working meeting was held at UNESCO Headquarters on Tuesday between Ms Azoulay, UNESCO Director-General, Mr Tkachenko, Ukrainian Minister of Culture and Information, and Ernesto Ottone, UNESCO Assistant Director-General for Culture, to ensure the proper implementation of these actions in the field of culture. On this occasion, the Minister also expressed new needs which UNESCO is committed to meet.

Image via artreview.com Artist I. Levi modifies existing artwork to reflect changes to old works caused by wartime damage that have occurred since the Ukraine War began. Inga Levi, March 15, 2020: The Willow’s Catkins have Blossomed, Klaipėda/ The House Window in the Obolon District after a Direct Airstrike, Kyiv, 2022, pencil

Inscription of Odesa on the World Heritage List

Oleksandr Tkachenko announced Ukraine’s decision to submit t the nomination of the Historic Centre of Odesa for inscription on UNESCO’s World Heritage List. Nationally recognized and protected, this site is located only a few dozen kilometres from the front line and has already been struck by artillery fire. On 24 July 2022, part of the large glass roof and windows of Odesa’s Museum of Fine Arts, inaugurated in 1899, were destroyed.

At the request of Ukraine, UNESCO has already mobilized international experts to provide technical support to the country so that this nomination can be examined urgently by Member States sitting on the World Heritage Committee, with a view of inscribing it on the World Heritage List and on the List of World Heritage in Danger.

The World Heritage Committee will also be recommended to add UNESCO’s World Heritage sites of Kyiv and L’viv, which are also under threat, to the List of World Heritage in Danger.

Image via artreview.com Inga Levi, March 5, 2022: Lviv’s view from the New Building / People are Hiding under the Ruins of the Bridge from the Russian Aircraft and Artillery, Irpin, 2022, pencil

UNESCO completes its emergency measures on the ground

In parallel to these steps and in view of the new needs expressed by professionals in the field, the Director-General announced at this meeting that UNESCO would strengthen its support to the city of Odesa by providing:

  1. Funding to repair the damage inflicted on the Odesa Museum of Fine Arts and the Odesa Museum of Modern Art since the beginning of the war, and to finance the hiring of additional staff dedicated to the protection of collections.
     
  2. Support for the digitization of at least 1,000 works of art in Odesa as well as the documentary collection of the Odesa State Archives, through the  provision of appropriate hardware.
     
  3. New equipment to the Odesa Regional Administration for the in situ protection of cultural property: protective panels, sandbags, fire extinguishers, fireproof fabrics and gas masks will be delivered to the Department of Culture, Religion and Protection of Architectural Heritage. They will allow the recovery of public monuments and sculptures, which has been underway since the beginning of the war, to continue.

With a view to boosting the recovery of Ukraine’s cultural sector, the Director-General also offered the Organization’s support for the creation of a UNESCO Cultural Centre in L’viv, as requested by the city mayor. It would be a place for artists to meet and share experiences, and would host training programmes, various activities and events. A budget of $1.5 million usd/ $1.96 million cad has already been earmarked to finance its opening and operational costs over several months.

In addition, the Director-General of UNESCO decided to deploy a liaison officer in Kyiv to coordinate these actions. The officer will complement the team of local experts already working in the field. For the Silo, Clare O’Hagan/UNESCO.

Culture

Ukraine: UNESCO Statement Following UN General Assembly Resolution

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Paris, France 3 March – Following the adoption by the United Nations General Assembly of the Resolution on Aggression against Ukraine, and in light of the devastating escalation of violence, UNESCO is deeply concerned by developments in Ukraine and is working to assess damage across its spheres of competence (notably education, culture, heritage and information) and to implement emergency support actions.

The UNGA Resolution reaffirms the paramount importance of the UN Charter and commitment to the sovereignty, independence, unity, and territorial integrity of Ukraine within its internationally recognized borders, and it demands “that the Russian Federation immediately cease its use of force against Ukraine.”

The Director-General, Audrey Azoulay, fully concurs with the opening remarks made by the Secretary-General at the Special Session of the General Assembly, during which he said that “this escalating violence — which is resulting in civilian deaths, including children – is totally unacceptable.”

In addition, she calls for the “protection of Ukrainian cultural heritage, which bears witness to the country’s rich history, and includes its seven World Heritage sites – notably located in Lviv and Kyiv; the cities of Odessa and Kharkiv, members of the UNESCO Creative Cities Network; its national archives, some of which feature in the UNESCO Memory of the World Register; and its sites commemorating the tragedy of the Holocaust.”

“We must safeguard this cultural heritage, as a testimony of the past but also as a vector of peace for the future, which the international community has a duty to protect and preserve for future generations. It is also to protect the future that educational institutions must be considered sanctuaries.”

Consistent with its mandate, UNESCO demands the immediate cessation of attacks on civilian facilities, such as schools, universities, memorial sites, cultural and communication infrastructures, and deplores civilian casualties, including students, teachers, artists, scientists and journalists. These include women and children, girls especially, disproportionately impacted by the conflict and displacement. 

In the field of education, Resolution 2601 adopted in 2021 by the UN Security Council states that UN Member States are to “prevent attacks and threats of attacks against schools and ensure the protection of schools and civilians connected with schools, including children and teachers during armed conflict as well as in post-conflict phases”. The General Assembly Resolution of 2 March expresses grave concern at reports of attacks on civilian facilities including schools. In this regard, UNESCO strongly condemns attacks against education facilities, with the damaging of at least seven institutions in the past week, including the attack on 2 March on Karazin Kharkiv National University.

The nationwide closure of schools and education facilities has affected the entire school-aged population — 6 million students between 3 and 17 years old, and more than 1.5 million enrolled in higher education institutions. The escalation of violence hampers the protective role of education, and the impact may be far-reaching including in neighbouring countries.

In the field of culture, UNESCO underlines the obligations of international humanitarian law, notably the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its two (1954 and 1999) Protocols, to refrain from inflicting damage to cultural property, and condemns all attacks and damage to cultural heritage in all its forms in Ukraine. UNESCO calls also for the full implementation of UN Security Council Resolution 2347.

In this respect, UNESCO is gravely concerned with the damages incurred by the city of Kharkiv, UNESCO Creative City for Music, and the historic centre of Chernihiv, on Ukraine’s World Heritage Tentative List. UNESCO deeply regrets reports of damage to the works of the celebrated Ukrainian artist, Maria Primachenko, with whose anniversary UNESCO was associated in 2009.

UNESCO condemns also the attack that affected the Babyn Yar Holocaust memorial, the site of one of the largest mass shootings of Jews during World War II, and calls for the respect of historic sites, whose value for education and remembrance is irreplaceable.

In order to prevent attacks, UNESCO, in close coordination with the Ukrainian authorities, is working to mark as quickly as possible key historic monuments and sites across Ukraine with the distinctive emblem of the 1954 Hague Convention, an internationally recognised signal for the protection of cultural heritage in the event of armed conflict.  In addition, UNESCO has approached the Ukrainian authorities with a view to organising a meeting with museum directors across the country to help them respond to urgent needs for safeguarding museum collections and cultural property. In cooperation with UNITAR/UNOSAT, UNESCO will be monitoring the damages incurred by cultural sites through satellite imagery analysis.

In the field of access to information and freedom of expression, UNESCO recalls its previous statement underlining obligations under UN Security Council Resolution 2222 to protect media professionals and associated personnel. It further notes, as in the same resolution, “media equipment and installations constitute civilian objects, and in this respect shall not be the object of attack or of reprisals, unless they are military objectives”.

In this respect, UNESCO is deeply concerned about reports of the targeting of media infrastructure, including the shelling of Kyiv’s main television tower on 1 March 2022, with multiple reported fatalities, including at least one media worker, as well as cases of violence against journalists and attempts to restrict access to the Internet.

In a conflict situation, free and independent media are critical for ensuring civilians have access to potentially life-saving information and debunking disinformation and rumours.

At the request of a group of Member States, the UNESCO Executive Board will hold a Special Session on 15 March “to examine the impact and consequences of the current situation in Ukraine in all aspects of UNESCO’s mandate”.

UNESCO designations and sites in Ukraine

Featured image: One of the 7 UNESCO World Heritage Sites in Ukraine (Crimea): Ruins of Chersonesos. Photo: Dmitry A. Mottl Creative Commons.

Travel

Crop Circles And Sacred Sites Of England Tour

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Most patterns in crop circle formations are not readily visible from ground level but details can be noticed and pathways lead to contemplation, relaxation and discovery. Did you know that in Summer 2011 The Silo visited a crop circle in Port Dover,Ontario, Canada? Check back later- we will upload a photo soon CP
Most patterns in crop circle formations are not readily visible from the ground.

Most tangible of Earth mystery
Created anew each year
On underground currents of energy
By sacred sites do appear –
Bedazzle us with your beauty yet again!

 

There are few mysteries more accessible than crop circles. Each spring and summer these enigmatic patterns appear overnight in crop fields, particularly around the Avebury landscape temple in Wiltshire, England. Whenever possible we enter these beautiful creations within hours of their forming, when the energy of a genuine formation is at its strongest. Cosmic works of art, ET communications in sacred geometric format, pranksters’ hoaxes, spiritual guidance or a warning voice from Gaia, whatever your opinion crop circles are fascinating and truly remarkable.

We have access to the information network that provides breaking news on the latest formations. Some days expert researchers will join us in the circles to share their knowledge and perspectives with us, showing us what to look for or how to dowse for any energy present. You may want to sit quietly in meditation, try and discover what the pattern is (often difficult to tell from the ground inside a formation) or dance with the flow of the lain stalks. Everyone reacts differently to crop circles but no-one can ignore them.

 

 

This part of England is also home to some of the world’s most powerful ancient sacred sites including Stonehenge, Avebury and Glastonbury. We will take time to truly experience these places of power including exclusive access to the world famous Stonehenge for a private visit outside of normal hours. Being based close to the World Heritage Site of Avebury Landscape Temple we have daily access to such sites as Silbury Hill, West Kennet Long Barrow and the Sanctuary. In historic Glastonbury we will visit the Abbey, Chalice Well and the Tor.

We’re also offering a pre-tour extension to attend the prestigious Summer Crop Circle Lectures where you will hear fascinating presentations and meet the presenters as well as all the other ardent ‘croppies’.

 

May we recommend Track 7 Disc 2's "Trampled Underfoot" for listening to while walking through your Crop Circle? ;)
Track 7 Disc 2: “Trampled Underfoot”

 

Tour Highlights:

• Visits into crop circles
• An optional helicopter flight over these exquisite patterns
• Private out-of-hours access into Stonehenge
• Attendance at the world’s leading Crop Circle Conference with International researchers
• Visits to some of England’s most powerful sacred sites

Supplemental- Crop circles discovered West of Port Dover, Ontario?

We would have liked a higher vantage point. We saw geometric patterns in the crops. These patters were not visible the day before. This field was cut within 24 hours of this photo being taken. image: Mith Media/The Silo all rights reserved

 

 

 

 

 

 

 

 

 

 

 

 

 

Art

Ontario Beach Zoomorph Profiled In Mexico City University Of Art Publication

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Artist Jarrod Barker, was recently invited to take part in MUCA-Roma’s Ala Afuera project. Based in the Roma district of Mexico City, MUCA is a University Museum of science and art. What made this project doubly exciting was the opportunity to show case a part of Barker’s home internationally.

The curators asked for a submission of 3 images and accompanying explanatory write-ups that “from your perspective, show a form of relationship between humans and the rest of nature.” This topic aka- Umwelt is not foreign to Barker who installed an exhibition of that name in 2010 at the Norfolk (nee Lynnwood) Arts Center in Simcoe,Ontario.

 

Long Point Seal Tamer Concept- J. Barker
Location: Long Point, Norfolk County, Ontario, Canada
Long Point is a world biosphere. I know this because the United Nations has told me so. But for several months of the year Long Point is transformed. Under certain winter conditions, Long Point looks less like a marshy, swampy bird watchers paradise and more like an arctic shore. At least on the South West side. When I visit Long Point during these times, I react to the environmental changes. I see things differently. I feel things differently. A sun bleached tree stump becomes a seal. A marsh reed becomes a baton. A flint pebble becomes a ball. Natural transformation through the changes of the seasons is a holistic experience.

 

After the selection process, if successful- one of the artist submitted images and write-ups was selected for transformation into a postcard and incorporated with the other artist submissions. The goal was for the Ala Afuera team to mail out the postcards to other international Museums of art and science and Contemporary Art institutions as a connective gesture to highlight MUCA and the work of the artists involved in this project and to bring awareness to our human/nature relationships.

 

“The objective of the project Allá Afuera (Out There) is to gather a mosaic of images that represent
ways of understanding the relationship we humans have with the rest of nature. From bucolic or
passionate points of view to other more threatening myths and taboos, amazement, fear, the absurd,
and maybe even indifference. We do not intend to cover all possibilities, but through images as a direct
reading form, show that there are multiple ways of looking at this Bond.

Three times a year we will present a collection of postcards, with 18 images each, gathered in a
biombo format. After two years we will complete the edition of six collections, with a total of 108 ways
of understanding, 108 points of view, and 108 forms of defining our relationship with what is out there. “

Ala Afuera which translated mean’s “Out there” began mailing out the works a few weeks ago.  For the Silo, Stephanie Bordega. 

For more information and to request postcards please contact-
Allá Afuera (Out there) project Gonzalo Ortega and Jeronimo Hagerman
MUCA ROMA MUSEUM (University museum of science and art, Roma district, Mexico City)
allaafueramucaroma@gmail.com

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