Tag Archives: Walt Disney

Why Women Aged 50-59 Believe They Need To Look Young At Work

Dark spots can be treated with topical vitamin crèmes but much larger doses are needed since the vitamins oxidize when exposed to the air.
Dark spots can be treated with topical vitamin crèmes but much larger doses are needed.

Way back in 2013 a poll by Penn Schoen Berland revealed that women’s worries about wrinkles, dark spots and other aging  skin concerns aren’t all vanity. Forty-two percent of women ages 50 to 59 believed they needed  to look young to be successful at work.

“Increasingly, both men and women have anxiety about looking  older, but the good news is that science has developed natural tools to help us look younger longer,” say Drs. Rick and Arlene Noodleman, the husband-and-wife  physician team at Silicon Valley’s Age Defying Dermatology, national leaders in medical and cosmetic dermatology and  integrative medical treatments.

Something we all battle daily is damage from free radicals,  a term that has entered the public lexicon with little understanding by most people.

“Free radicals are oxygen molecules that have lost electrons through oxidation, making them unstable. If your body doesn’t have enough antioxidants to stabilize them and render them harmless, they can damage cell membranes, which eventually breaks down the proteins that support and plump the skin,” explains preventive medicine specialist Dr. Arlene Noodleman.

“We’re bombarded by free radicals every day”, she says. “We produce them when we metabolize food and even when we breathe. They’re also in the environment – diesel exhaust, air pollution, UV radiation (from the sun) and cigarette smoke are all major producers.”

“What’s worse, those free radical oxygen molecules are always looking to stabilize themselves by swiping electrons from stable molecules, which creates even more free radicals,” says dermatologist Dr. Rick Noodleman. “We have lots of natural defenses against free radicals, but as we age, we begin to lose them,” he says.

Some vitamins are antioxidants, meaning their molecules provide electrons that stabilize the free radicals.

Clinical studies have found that certain of these are effective in preventing damage, or correcting damage such as reducing wrinkles and dark spots. In certain cases, “taking your vitamins” means applying them on your skin so they can work from the outside-in, the physicians say.

Vitamin A – “There is significant scientific evidence that the form of vitamin A called retinoid, when applied topically, can treat damage caused by sun exposure,” says Dr. Arlene Noodleman. “It can soften fine lines and wrinkles and lighten dark spots.” In one study, subjects had significantly fewer fine wrinkles after applying a prescription-strength retinoid cream (0.1 percent isotretinoin) once a day for 36 weeks. “Of the over-the-counter retinoid products, Retinol appears most effective”, Dr. Noodleman says.

Vitamin C – “Vitamin C applied topically is much more effective than taken orally”, says Dr. Rick Noodleman. “That’s because vitamin C is relatively unstable — it quickly oxidizes when exposed to air and in certain other conditions. So, to get the full benefit, you would need it in much greater amounts than you would normally consume in a tablet. You can get that benefit by using a topical formulation,” he says. “Look for ‘stable’ vitamin C of the L-ascorbic variety, which offers the best protection against sun damage”, he states. “It reduces lines and wrinkles, protects against sun damage, and encourages production of collagen, one of the proteins susceptible to free radical damage. Importantly, collagen makes up 75 percent of our skin and gives it support and volume.”

Vitamin B3 – “As a ‘damage corrector’, test-tube studies have shown that vitamin B3 boosts collagen production and clinical studies have shown that it reduces dark spots”, says Dr. Arlene Noodleman. In one significant study, 50 Caucasian women applied a 5 percent vitamin B3 solution to one side of their faces every day for 12 weeks. They had a marked reduction in dark spots, redness and yellowing, and increased elasticity.

It might seem like "too much" but topical vitamin crèmes need to be applied relatively heavy in order for them to be effective.
It might seem like “too much” but topical vitamin crèmes need to be applied relatively heavy in order for them to be effective.

The two doctors advise that, for best results, people should buy these topical vitamin products at concentrations that have proved effective
– and use them for the length of time recommended.

Dr. Rick Noodleman, a board-certified, Stanford-trained dermatologist, is an expert in the medical and surgical management of skin disease, aging skin, and advanced cosmetic techniques. Dr. Arlene Noodleman, board-certified in preventive medicine and fellowship-trained in integrative medicine, is a healthy aging expert who focuses on the whole person and strategies that facilitate the body’s innate healing response. Together,the  Noodleman’s created the Revercel cosmeceutical and neutraceutical product line which includes products containing vitamins in the amounts and forms scientifically proven to be effective. They include Eye Perfection and Intensive Repair Serums with Retinol and Vita-C Emulsion. For the Silo, Ginny Grimsley. 

Dead Media- 3D

A can of virtual reality

I’ve always been fascinated with stereo viewers. Once upon a time, when I was a wee lad, I visited my great-grandmother at her wee home in Jolly Olde England.  It turned out that she had the same regard for immersive technology as I did- she had a Victorian era stereograph viewer and a sick collection of  antique 3D stereo cards. Steampunk or what?

Victorian Stereograph ViewerYes, stereoscopy has been around for a long time. That contraption belonging to my great-grandmother was made of wood and had two glass lenses. It weighed so much I had to brace it on the floor, on top of a pillow, and lie in front, resting my head on my elbows. It was worth the effort. I could see ‘into’ the photograph and felt like I was transported into space and time. On a side note- I had this experience again decades later when I bought a heavily discounted (read: cheap) Nintendo Virtual Boy.

View-Master

This feeling of traveling outside of the body and experiencing a sense of virtual surroundings was shared by millions of kids and adults when the View-Master was first released in the late 1930’s. Here’s what Wikipedia has to say: “View-Master, since 1939, has been a device for viewing seven 3-D images (also called stereo images) on a paper disk. Although the View-Master is now considered a childrens’ toy, it was originally marketed as a way for viewers to enjoy stereograms of colourful and picturesque tourist attractions.”

Whatever the original intent was, View-Master has become synonymous with several generations of Pop Culture geeks and depending on your age, the sight of a black or red (or red and blue) View-Master conjures up images of Donald Duck, The Lone Ranger, or E.T., The Extra-Terrestrial.

Keep a bottle of eye drops nearby.
Keep a bottle of eye drops nearby.

Like most immersive technologies, educational and practical uses were developed. The U.S. Military used the View-Master as an aid in the identification of airplanes. The Gruber Company used the View-Master to develop human anatomy study guides. But for all of this, the best View-Master reels are 1960’s Batman and 3D stills from the original Tron film. Of course this is highly personal and your tastes may be different.

3D is back sort of…..although the last few years have seen North American releases of 3D blurays finally end (and no 3D televisions being manufactured), Europe continues to see new releases and these can be purchased online. This is a good thing.  Sure I can dust off the bluray 3D version of Tron (Tron: Legacy). and still enjoy it’s jaw dropping immersion but it’s nice to know that the newer releases such as Wonder Woman 1984 can still be added to the collection.

Oculus Quest 2

If 3D is dying a slow death the same can’t be said for it’s direct descendant. Virtual Reality gaming and simulation takes immersion to an entirely other level:  it provides a full 360 degrees of movement and viewing, complete with real world effects such as light and shadow movement and visual scaling.  If you haven’t already tried VR gaming then you are missing out. But that’s a story for a future article.

For the Silo, Jarrod Barker.

One of my personal fav's.
Tron 1982 ViewMaster Image

Disney Buys 21st Century Fox Readies New Streaming Service

Disney’s acquisition of 21st Century Fox means that the House of Mouse now controls a huge amount of our most beloved films and television series.

Announced in December 2017 and expected to take until at least 2021 to complete, this $66.1 Billion USD deal (that included taking on a size-able debt portfolio from Fox) ranks among the largest mergers of its kind in history.

We’ve compared these media giants, looked at the potential impact of the deal on both their own employees and the end user and demonstrated how Disney is looking to leverage this deal to break into new markets.

Read on to see how the merger will affect everything from television and the cinema box office to streaming platforms and sports broadcasting this comprehensive infographic from our friends at abcfinancial.co.uk.

Effects of Disney Buying 21st Century Fox

An Artist Life Means Putting Your Guts Out Into The World

The formula for a life well lived might look something like this: Dive in head first > fail > repeat.

Life is a series of cycles. There is of course the broad cycle, we are born, we live, we age, we die. But within this scope are countless other cycles for every part and parcel of our time on the planet. The cycle of making mistakes, of continually pouring your guts out to the world and enduring the consequences, is one of the most important there is for artists. From this process you learn the most about who you are, and how you fit in the world. There will be plenty of moments when you are a total mismatch, when you throw yourself into the deep end and struggle to stay afloat. Under no circumstances should these moments be viewed as set-backs or failure.

Salvador Dali once said, “Have no fear of perfection, you’ll never reach it.” Take a minute to consider that. Really let it sink in. Let your mind internalize this notion and let it unleash a wave of relief through your whole body. What fantastic news this is, no matter what you do, no matter how long you live, you, I, we, not one of us, will ever be perfect. So how can you take this beautiful knowledge and use it to your own advantage? Once you are free from the restraints of perfection, how can this inform the way you continue on your path?

By adopting the formula above and not letting go no matter what.

You probably know stories about how mistakes have changed history for the better over and over again. The accidental discovery of Penicillin because scientists noticed that the mold on some forgotten fruit killed bacteria. Or the invention of silly putty (perhaps not on par with life-saving antibiotics when it comes to historic moments, but a great boon to childhood all the same) quite by accident in a military lab as scientists tried to create an inexpensive substitute for rubber. But have you ever really stopped to consider what these stories mean to an artist? How they can be freeing examples of the importance of making mistakes?

There is likely not a person out there who truly believes that perfection is attainable, but we are told far too often that we ought to strive for it. This leads to untold restraint, dissatisfaction, and who knows how many missed opportunities for glorious screw ups. Do not let this trap take hold of you. Throw your best and worst, craziest and most tame ideas out there for all the world to see. Who cares if you land flat on your face, as long as you’re still able to pick yourself up there’s no harm done.

As an artist you will be the recipient of rejection letters and emails. Stacks of them. Count on it. In every creative field, there are piles and piles of rejections to be gone through. Walt Disney was once fired for what his editor deemed a lack of imagination. Countless famous artists throughout history were rejected in their lifetimes, some only achieving posthumous success. Van Gogh, Manet, Turner, they all have in common that they faced painful rejection in their lifetimes. They also have in common that they didn’t give up their unique perspective on the world nor did they allow something as insignificant as rejection stand in the way of their forward momentum.

Collect your rejection letters. Create a special binder for them. Own them with pride knowing that you earned each and every one of them by putting a piece of yourself out into the world. Begin to think of rejection as a victory in itself because it means you tried. The moment you receive a rejection letter, consider that at that same moment, had you not tried, there would be nothing at all. Not trying isn’t really a way of avoiding rejection, it is simply a way of hiding from the world. You will never get anywhere at all if you don’t reveal yourself.

Artists are perhaps particularly vulnerable when it comes to the consequences of baring their souls to the world. Art is highly personal and the thought of making a mistake when the stakes are so intimately high can be enough to frighten even the boldest spirit. Rejection can feel like a very personal affront and can make it difficult to want to try again. It comes down to a choice really, to stay safe and make no progress, or let it all hang out and learn from every single mistake.

Just like with everything else in life, you will become accustomed to accepting rejection and mistakes as par for the course. There will come a day when you will leaf through your binder of rejection letters with a wisdom that can only be gained through the repeated process of failing. For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

Mickey Mouse Animation Cel Brings Ninety Eight Thousand Dollars At Auction

An incredibly rare piece of animation history, an all-original, unrestored production cel and master background from Walt Disney’s 1935 classic “Mickey’s Service Station,” featuring Mickey Mouse and Goofy, realized more than $98,000 USD http://click.ems.ha.com/?qs=a0b6f777c8e9164555c159500ceacad54ad319a092d48c8921bd30eb14370065a07914702d97f374  at Heritage Auctions in New York on July 1, as part of the company’s $1.28+ million Animation Art Signature® Auction, at the Fletcher-Sinclair Mansion (2 E. 79th Street, at 5th Ave.).

We may never know who the artist is that made the auctioned off cel. Walt employed young, pretty women to work in the inking and cell departments. image: still from an early 1940's Walt Disney film explaining how cartoons were being made (watch this below)- "hundreds of pretty girls working in a brightly lit, air-conditioned room" says the narrator. CP
We may never know who the artist was that made the auctioned cel. Walt Disney employed many young, pretty women to work in the inking and cell departments. Image: Still from an early 1940’s Walt Disney film explaining how cartoons were being made. CP

100sOfprettyGirlsInkingDepartmentSaysDisneyVintageFilm

“It’s an extraordinary price for an extra ordinary piece,” said Jim Lentz, Director of Animation Art at Heritage. “This is really a Holy Grail piece of animation and one of the best I’ve ever seen, from one of the best early Mickey cartoons and one of the very last black and white Mickey cartoons before Disney changed everything by going to color.” Besides the rarity of the cel and the background, it is also believed that this is the only known black and white production cel featuring Goofy in private hands. In the classic cartoon Mickey (voiced by Disney himself), along with Goofy and Donald, do their best to find a squeaking sound in Pete’s roadster. Naturally, they take the car apart looking for the source of the annoying sound, which turns out to be a cricket.

The Bullwinkle Show Storyboard

One of the great surprises of the auction came in the form of a set of 1961 storyboards from The Bullwinkle Show (Jay Ward Studios), three extremely rare trimmed storyboards by Roy Morita for the episode “Buried Treasure,” on Ward Inc. storyboard paper, which crushed its $750+ USD pre-auction estimate to finish, amidst very spirited bidding, at $44,460 USD. One panel features Rocky and Bullwinkle, one has a close up of Bullwinkle, and one is an amazing drawing of Frostbite Falls, Minnesota, with the handwritten notation “B+R House” and an arrow pointing out the specific abode.

Disney Aims To Put Star Wars Films Back On Track

Disney’s Michael Eisner, George Lucas and Mickey Mouse at the 1987 opening of Star Tours. Photo: Associated Press

The recent news of Disney’s acquisition of Star Wars was met with both trepidation and cautious optimism. For those from my generation and older (that would be the 40+ crowd) the release of the first three episodes in the Star Wars universe weren’t exactly over the moon with how it all unfolded. We all knew the basic plot points of how we got to a New Hope and The Empire Strikes Back, but the inclusion of some surprise extras (Jar Jar anyone?) left many of us shaking our heads.

Before you start thinking this is going to be yet another bashing of Episodes I, II, and III let me say that the films are not as bad as most people say they are. Sure, the acting is a bit stiff but it’s made up of all of the stuff that we loved the first time around: interesting characters, worlds we had never been to before, space ships and amazing special effects. After spending a good amount of time in my own Star Wars room in my home contemplating what went wrong, I came up with the following conclusions.

When the first Star Wars came out, I wasn’t even quite six years old. I vaguely remember seeing it, but it wasn’t until The Empire Strikes Back came out that I really fell in love with the world. I was almost nine, and turned nine during the time of its release. In fact, I remember seeing the film 13 times that summer of 1980. The only other thing I remember from that summer was the release of the song Funkytown which will forever (for me) be associated with the film.

Looking in the rear view mirror, it doesn’t seem that long ago (30 years seems like a short time somehow) but it was definitely a different world back then. I was able to take the bus by myself to downtown Brantford to see the film at the Capitol Theatre (now replaced with the beautiful Sanderson Centre for the Performing Arts). It was also a time when seeing films at the theater was something that lasted for weeks and months because fewer films were produced and home video releases were a relatively new thing. For a child, the time between the episodes seemed pretty much like an eternity.

There was little coverage of the Star Wars universe on television at the time. The film may have been mentioned periodically as breaking box office records, but the only ability to return to the universe outside of the theater was to save up your allowance and get your hands on as many action figures as you could. There were never enough funds to buy everything there was, either. It seemed like Kenner released new figures every week and the ships – oh the ships – they were just to die for.

Just a small part of Syd’s Star Wars collection.

I asked for a Millenium Falcon for Christmas in 1980. It was the coolest and best toy there was, but my parents could not afford it – or they couldn’t find it. So instead, I got the “put it together yourself” model version of the Millenium Falcon. Although it wasn’t really what I had wanted (you could not put your figures inside and play with them) I did end up spending a lot of time with it. Paint, stickers, and a cool battery operated light at the back that lit the whole thing up better than the Christmas tree made this a toy I grew to enjoy over time. In fact, it’s one of the few things that I cannot find from my childhood – I am not sure whatever happened to it but fortunately the rest of my Star Wars toys are intact and can be enjoyed anytime.

The key here is time. As a child, I spent a lot of my time in the Star Wars universe, even when I wasn’t in the theater. I used to tie a string from our tree to the neighbours railing and have Luke and his friends escape from the Stormtroopers and the evil Darth Vader in the nick of time, over and over again. It didn’t matter that we couldn’t afford those ships, I built my own from cardboard. I used pop cases as the base and made egg cartons into seats. I painted control panels and lights onto cardboard pieces that I fitted into the ships. I played out my own scenarios in these contraptions of my own imagination and created adventures that even George Lucas hasn’t thought of yet.

That is why Episodes I, II, and III – released at first when I had not quite reached my 28th birthday – would never capture my imagination, my mind, or my heart in quite the same way. Sure, I saw Episode I a number of times when it first came out and then bought the DVD (and the VHS, and now the Blu-ray) and I’ve seen it a few times since 1999. However, I did not build ships and think about the movie during over 75% of my free time. Life, bills, and a million other things were crowding my inner child. While Episode I was a fun (albeit short) trip back into that Star Wars universe, there was absolutely no way it was going to be as good or as fulfilling as the universe was the first time around.

With Disney at the helm, I hold cautious optimism that I can once again be transformed into being a child with a huge imagination and a roomful of action figures and cardboard boxes. Even if it is for only two hours, there is nothing that will ever replace or come close to my memories with Luke, Han, Leia and Darth from the 80’s. Star Wars helped shape the person I am today and there is nothing that will ever change that. Not even a new Princess in the Castle. For the Silo, Syd Bolton.

 

 

Another Million Dollar Movie Poster Auction

The stunning three sheet movie poster for the lost 1926 Paramount big budget silent film The American Venus realized $35,850 to lead the day in Heritage Auctions’ July 25-26 Vintage Movie Posters Signature Auction in Beverly Hills. The auction realized, in total, more than $1.45 million. All prices include 19.5% Buyer’s Premium.

Controversy surrounds this 1932 Disney cartoon- in one scene, Mickey Mouse is seen using a cigarette lighter that has a painted swastika on it. In 1932, the world did not fully understand the significance of the swastika as it would relate to the rise of Naziism. image: Heritage Auctions

“Demand was steady and prices were, overall, quite good across the more than 1,300 lots we featured in this auction,” said Grey Smith, Director of Movie Posters at Heritage. “We saw a trifecta of focuses in this auction as collectors went after early Hollywood, Disney animation and Universal Horror. At the end of the day, we were all quite pleased with the solid results.”

The American Venus (Paramount, 1926) three sheet is a film that is now lost to history, minus a few trailers. What is known about it, however, is that the poster spectacularly features Louise Brooks, though this was only her second film appearance. She was relatively unknown at the time and her role in the film was very minor. The producers, however, obviously realized her star potential as they featured her exclusively on the poster. Brooks would go on to become one of the most iconic female stars of the late silent era.

“Brooks crafted a personal style that left an indelible mark on 1920s popular culture that’s still imitated today,” said Smith. “She achieved a cult status rarely garnered by entertainers of that time and is clearly a star that still resonates with collectors at the top of the hobby.”

Vintage posters were emotional, engaging and uniquely hand-crafted before hitting the printing press. image: Heritage Auctions

Rare and early Disney posters always create a stir when they appear at auction and the presence of a 1932 United Artists one sheet for Disney’s The Wayward Canary, depicting Mickey and Minnie Mouse, set collectors buzzing on its way to a $26,920 final price realized. Released in November 1932, the same year that the Academy awarded Disney a special Oscar for his creation of a nationwide phenomenon, Mickey Mouse, this is a key addition to any top Disney collection.

Universal Horror posters are still the gold standard in movie posters and this auction boasted several prime pieces from the top films of the genre, including a beautiful pre-war 1935 Belgian one sheet for Bride of Frankenstein, James Whale’s sequel to his 1931 masterpiece Frankenstein that quickly became a classic in its own right, realizing $20,315 from a determined collector, while a 1943 one sheet for Frankenstein Meets the Wolf Man — often cited as one of the best posters in the Universal horror cannon — was the subject of intense collector interest before finding a new home at $15,535.