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Art

Biometric Sensory Art Experiences Inspired By Four Cities

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PURPLE are now working on a multi-city arts project in China and Hong Kong with The House Collective, a collection of uniquely intimate luxury hotels that includes Upper House in Hong Kong that was just listed as part of World’s 50 Best.

‘Encounters Across Cultures’ will be an immersive journey that travels across four dynamic cities: Hong Kong, Shanghai, Chengdu, and Beijing with The House Collective taking a stance on the importance of creativity within Chinese tourism.

The projects will feature singer-songwriter Vicky Fung, music producer TJoe, erhuist Chu Wan Pin, and the visionary new media artist, Keith Lam. Together, their work will harness the power of biometric data to craft mesmerizing musical compositions and awe-inspiring data sculptures that capture the very soul of each city. Below is a quick snapshot of the key elements of ‘Encounters Across Cultures’:

·        Vicky Fung and Keith Lam have created a series of multi-sensory data sculptures that follow four traveling artists – TJoe, Chu Wan Pin, and themselves – as they tour each city.

Data sculpture rendering

·        Creating a tangible journey for audiences, ‘Encounters Across Cultures’ will weave together these stories to create four musical pieces and data sculptures, designed with soundscape recordings of the musicians’ movements and biometric data, such as pulse and skin resistance.

Graphic Notation Keith’s Biometric data

·        The process includes Lam’s representation of this biometric data into emotive graphics, which Fung reshapes into musical tracks; the biometric data is then transformed into data sculptures that embody each traveller’s visceral sense of the city.

·        The House Collective’s four Houses will host the installations, capturing these private journeys into one shared experience for visitors.

This journey begins in October and continues until January, with specific dates for each location as follows:

• The Upper House in Hong Kong: October 9th to October 23rd

• The Middle House in Shanghai: October 30th to November 13th

• The Temple House in Chengdu: November 20th to December 6th

• The Opposite House in Beijing: December 14th to January 15th, 2024

THE HOUSE COLLECTIVE UNVEILS ‘BIOMETRIC’ SENSORY ART EXPERIENCES INSPIRED BY FOUR CITIES FOR THIS YEAR’S ‘ENCOUNTERS ACROSS CULTURES’

Artists and travelers collaborate to capture the heartbeat of four cities, inviting viewers to experience their emotive journeys across each city soundscapes through art, music, and technological forms.

The multi-sensory installations combine numerous art mediums to question whether technology is always a force disconnecting us from one another, or if it can reveal our innermost emotions.

October , 2023 – The House Collective, a collection of intimate luxury hotels, announces the third iteration of its biennial program ‘Encounters Across Cultures’ , which celebrates the immeasurable creativity fostered through multicultural and multidisciplinary collaboration. This year’s program explores the intersection of technology and the creative arts through four multi-sensory data sculptures and music tracks, inspired by biometric data captured during journeys across four cities — ‘Encounters Across Cultures’ will open at The Upper House in Hong Kong, travelling to The Middle House in Shanghai, The Temple House in Chengdu, and The Opposite House in Beijing.

“Art and culture are part of The House Collective’s core DNA and values. Since the launch of Encounters Across Cultures in 2019, we’ve worked with global artists to stimulate creativity and showcase the power of collaboration across borders. This program is not only an extension of The House Collective’s values, but we also hope to invite our guests to explore the beauty of cross-cultural connections, and to be immersed in this unique and sensory art experience together.” – Teresa Muk, Head of Brand and Strategic Marketing at Swire Hotels.

In their first ever collaboration, Hong Kong-based artist and music producer Vicky Fung and media artist Keith Lam have created a series of multi-sensory data sculptures that follow four travelers – guitarist TJoe, erhuist Chu Wan Pin, and themselves – as they tour the four cities. Creating a tangible journey for audiences, ‘Encounters Across Cultures’ weaves together all of these stories to create four musical pieces and data sculptures, designed with soundscape recordings of the musicians’ movements and biometric data, such as pulse and skin resistance. The process includes Lam’s representation of this biometric data into emotive graphics, which Fung reshapes into musical tracks; the biometric data is then transformed into data sculptures that embody each traveler’s visceral sense of the city. The four Houses will host the installations, capturing these private journeys into one shared experience for visitors. 

“I do not see the biometric data that we have collected as cold and lifeless data points – instead, each biometric moment is a representation of the traveler’s thoughts and feelings through their movements, and their changing reactions as they enter new environments. We wanted to share our heartbeats, our senses of touch and sight, with everyone through this immersive installation so that they could really feel exactly as we did in each city.” – Keith Lam, Program Artist.

“While we may come from very different backgrounds and live in different places, when I studied the biometric data, I instead found that we were all experiencing many of the same feelings and emotional journeys. The installation brought us closer together, as I felt totally connected to the person on the other side.” – Vicky Fung, Program Artist.

“Earlier this year, we celebrated the brand’s expansion in Tokyo through a cross-disciplinary dance performance that tells the story of honored tradition, modernity, harmony and new possibilities. For this year’s Encounters Across Cultures, The House Collective continues to tell cross-disciplinary stories, pushing the boundaries of innovation and delving into the dynamic realm of Art Meets Tech. Through these programs, we aim to share unforgettable experiences with our guests and expose them to locally curated artistic flavors, where we offer the comfort of being Houses not Hotels.” – Dean Winter, Managing Director of Swire Hotels

Viewers are invited to take a seat on the multi-sensory data sculptures, where they can be immersed in the music created from the biometric data. The result allows viewers to interact with their sense of touch, sight, and sound as they explore the installation.

Spread across the four Houses, ‘Encounters Across Cultures’ will run at The House Collective throughout October, until the beginning of next year. For more details, please visit the website at https://www.thehousecollective.com/en/art-and-culture/encounters-across-cultures-2023/.

The Upper House Hong Kong

The Middle House Shanghai

The Temple House Chengdu

The Opposite House Beijing

Keith Lam Programme Artist

Vicky Fung Programme Artist

About The House Collective

The House Collective by Swire Hotels is a group of refined, highly individual properties that defy comparison. Each uniquely imagined, The Opposite House in Beijing, The Upper House in Hong Kong, The Temple House in Chengdu and The Middle House in Shanghai were designed for seasoned travelers who seek a different, intimate and personalised experience in luxury travel. Each House is a sophisticated, singular piece of design, created by talented architects and designers, that reflect the unique qualities of their surroundings.

Program Creators

Keith Lam – Media Artist

Media Artist and Co-founder and Artistic Director of Art & Technology studio Dimension Plus. His works have won awards at international art festivals, including Prix Ars Electronica and Japan Media Arts Festival. His works have been shown around the world at top museums and art festivals including Hong Kong Museum of Arts, The National Art Centre at Tokyo, OK Center for Contemporary Art, Ars Electronica Festival, The New Technological Art Award Biennial at Belgium, FILE, ISEA, National Taiwan Museum of Fine Arts, National Taichung Performing Arts Center and Hong Kong Art Festival.  

Vicky Fung – Artist and Music Producer

Artist, music producer, singer-songwriter and curator, Vicky has always presented uniqueness and novelty in her works with a strong sense of emotional synchronicity. A Clore Fellow of 2023, she has worked with many prominent music artists in Hong Kong with an impressive list of music awards from media and professional associations and seeks to develop her interest in socially engaged art projects. In recent years, she has ventured into multi-media creation, including “Utopia…Momentarily” (2016) in the New Vision Media Festival, interactive virtual reality experience “Silili and The Tree” (2021) and immersive art and music performance “Soul Walk” (2022). 

Joel Kwong – Media Art Curator

Joel Kwong is a media art curator, writer, producer and educator based in Hong Kong. She is currently the Program Director for Microwave International New Media Arts Festival, and the founder of SIBYLS – a creative Arts x Tech consultation and production agency. Most recent produced and curated projects include Reimagines Heritage (online portal) (2023), Out of Thin Air – HK Film Arts & Costumes Exhibition at Hong Kong Heritage Museum (2023). Juried around Asia include VH Award (South Korea) (2022), and Siggraph Asia 2020 (South Korea) etc. She has given lectures in many Hong Kong tertiary institutions and universities and has also given talks at international art festivals including Ars Electronica in Linz, Transmediale in Berlin, and ACT Festival in Gwangju, South Korea. 

Tjoe Man Cheung – Guitarist

Tjoe Man Cheung, London-based musician and producer working across with artists across UK and Europe, including Brown Penny and PYJÆN, and in different festivals across the world. Alongside, Tjoe also initiated his own solo music projects and has founded NTBM (a jazz collective formed by emerging musicians from around the world) and his solo music projects. A graduate from the Musicians Institute, Tjoe was inspired and nurtured under the tutorship of Scott Henderson, Allen Hinds, Brad Rabuchin and Daniel Gilbert, with influences of jazz, funk, blues and pop. 

Wan Pin Chu – Erhuist

Wan Pin CHU is an international award-winning Erhuist and film composer based in Hong Kong. Wan is recognized as a versatile performer with rich emotions and limitless virtuosity in his music. In the UK, he is the first Chinese instrumentalist to perform in The Duke’s Hall in Royal Academy of Music and have performed in over hundreds of concerts all over the world including UK, US, France, Netherlands, Switzerland, Japan, Malaysia, Philippines, Hong Kong, Mainland China, and won an impressive list of national and international music competitions. Chu is is also a dedicated composer and have participated in the scoring of many films, televisions, games and commercials. 

15th Anniversary of Audiocosm

Art

How Award Winning Math Professor Inspires Students And Family

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RAPID CITY, SD- Professor Travis Kowalski starts most days with a squiggle.

For the past eight years, the South Dakota School of Mines & Technology math professor has carried on a family tradition started by his father, who would ask the young Travis to make a squiggle on a piece of paper. From that squiggle, his father would create a drawing. Often, Kowalski’s father would give him a squiggle and the two would sit together drawing.

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Nowadays, Kowalski uses a napkin and markers in his “squiggle game,” and the recipients are his two daughters – Liliana, 13, and Maia, 9. Kowalski says he started the tradition when Liliana was entering kindergarten, hoping the lunch napkin art would make her transition to school easier.

Each evening or early in the morning, Kowalski encouraged his oldest to draw a squiggle on a napkin. The next morning, he turned the squiggle into colorful drawings and slipped it into her lunch box. Once Maia arrived, Kowalski began doing the same for her. “She expected it,” he says.

It’s not exactly what most people expect from a math professor at an engineering and science university. But Kowalski, a Ph.D. who currently serves as the interim head of the Department of Mathematics at SD Mines, says math and art co-mingle perfectly.

His drawings range from a buffalo against a bright pink sky (drawn May 6, 2019) to an astronaut in space (Jan. 24, 2019), to Kermit the Frog (Dec. 7, 2018), to the composer Bach at his harpsichord (May 14, 2018). Kowalski posts both the starting squiggle and the finished product on his Facebook and Instagram pages.

The two social media platforms are filled with vibrant, colorful drawings often accompanied by clever taglines – a bear holding up a paw and asking, “I would like some salmon, please” and a praying mantis playing a video game under the title, “Playing Mantis.”

Known on campus for his colorful Hawaiian shirts and clever math-related ties, Kowalski is the professor whose office walls are covered with unique visual art. He’s the kind of professor who sneaks his labradoodle Cauchy, named after French mathematician Augustin-Louis Cauchy, into class the last day of the semester to play out an obscure (to the general audience at least) mathematics joke. He’s the math teacher who so passionately talks about the subject that even the least math-minded people can’t help but get excited.

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And he’s good at what he does in the classroom. So good that Kowalski was recently awarded the 2019 Burton W. Jones Award by the Mathematical Association of America. The award recognizes post-secondary level math instructors nationally who “foster student excitement about mathematics.”

“It’s cool and humbling to be part of that group,” he admits.

Donald Teets, a Ph.D. professor in the SD Mines math department, is a previous winner of the award and the person who nominated Kowalski. In his nomination, Teets writes, “He is, (in this writer’s opinion) the best teacher in a department devoted to teaching excellence.”

This is hardly the first recognition for Kowalski, Teets says. In 2014, Kowalski was awarded the Benard Ennenga Award, which honors one SD Mines faculty member each year for teaching excellence; and in 2017, he won the George Polya Award from the Math Association of America for his College Mathematics Journal article, “The Sine of a Single Degree.”

“His lecture based on ‘The Sine of a Single Degree’ is as good a mathematics lecture as you will ever see!” Teets wrote in his nomination.

Teets says the thing that makes Kowalski so good at this job is his enthusiasm, noting that students consistently rate him on classroom surveys as “the best math teacher I’ve ever had.” He’s “innovative,” constantly striving to engage his students and utilize technology into his teaching, Teets says. “Like Superman wears the big ‘S’ on his chest, Dr. Kowalski deserves a big ‘I’ for Innovator.”

As for Kowalski’s artistic talents, Teets is equally as effusive. “As a person who can barely draw recognizable stick figures, I am in awe of Travis’s artistic abilities.  It’s a great complement to his extraordinary skills in mathematics!” he says.

Kowalski grew up in California, raised by a draftsman father and a “crafty” stepmother. “My dad drew all of the time,” Kowalski says. “That was the home I grew up in. You drew.”

In college at University of California, Riverside, Kowalski majored in art. To finish off an academic requirement, he enrolled in Calculus 2. A good student in high school, he had already taken an advanced placement Calculus 1 class. He was class valedictorian, but “I worked hard at it. I was not a prodigy,” he says with a laugh. 

He still remembers the Riverside professor’s name who taught his first college math course – Albert Stralka. He “taught in a way I hadn’t seen before,” Kowalski says. “There were ideas behind the math.”

When he got an A in that class, the professor convinced him to take Calculus 3.

Next, the professor suggested he take topology, which is the study of geometric properties and spatial relations which are unaffected by the change of shape or size of figures. “It’s the geometry of shapes under change,” Kolwaski says. “That class blew my mind.”

The rest is history – after topology Kolwaski changed his major and embraced a love of mathematics. But he never left his art behind, and it’s important to understand that the two subjects go hand-in-hand, he says. “Half of mathematicians do what they do because they think it’s pretty,” he says of the geometry of math.  

As a math professor at SD Mines, Kolwaski admits that “I still like to sit and draw things, but I don’t have as much time anymore,” he says.

That’s where his morning squiggle drawings come in. 

Each one of Kowalski’s squiggles for his daughters takes about 15 to 30 minutes from start to finish. “The first part is to see something,” he says. He spins the napkin around, looking at the squiggle until he “sees” the picture that will emerge.

Mia tends to draw extremely elaborate squiggles, sometimes lobbying for a specific outcome – for instance a unicorn. Other times, his daughters will bring home requests from friends for specific drawings.

Liliana has saved all her napkins over the years, storing them in a plastic container in her room. That made it a little easier for Kowalski when she came to him recently to say, “What with my school schedule being so busy and my lunch break so short and closet so full of the ones you’ve already made me – which I love, thank you – I just don’t think you need to make me lunch napkins anymore.” Kowalski playfully posted her words on social media with an image from Boromir’s death from “Fellowship of the Rings” with arrows sticking from his heart.

Kowalski says his older daughter relented, most likely after an intervention from his wife, and is continuing to play the squiggle game. He’s glad, hoping that both of his daughters will always remember the squiggle game and maybe even carry it on with their own families one day.

“It’s definitely a great memory about my dad,” he says. “Hopefully it will be the same for them.”  For the Silo, Lynn Taylor Rick.

Sci-Tech

PUSH TURN MOVE Book Focuses On Interface Design In Electronic Music

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Coming to Kickstarter April 18th. Meet the designers, makers, musicians and their instruments and learn how they have shaped the world of electronic music. Richly illustrated with a unique collection of sketches, photos and graphics and with a foreword by electronic music visionary Jean-Michel Jarre.


The book’s essence is to celebrate innovative interface designs, provide a categorization of gear and explore the functional, artistic, philosophical and aesthetic world of user interfaces in the context of making and performing of electronic music.

Featuring exclusive interviews with: Roger Linn, Dave Smith, Keith McMillen, Richard Devine, Suzanne Ciani, Olivier Gillet, Ean Golden, Brian Crabtree, Matt Moldover, Axel Hartmann, Dorit Chrysler, DiViNCi, Skinnerbox, Native Instruments, Ableton, Teenage Engineering, Roland, Elektron and many more.


A wide range of landmark pieces of equipment is featured along with chapters on design principles, interface elements, visualization of sound and instrument and controller concepts such as grids, touch and modular. PUSH TURN MOVE is the very first of its kind in both scope and depth. Please sign up on www.pushturnmove.com or follow along on http://fb.me/pushturnmove/

PUSH TURN MOVE is written by friend of The Silo-  Danish designer, author and electronic musician Kim Bjørn and edited by Mike Metlay, editor at Recording Magazine and Paul Nagle, reviewer at Sound on Sound Magazine.

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