Tag Archives: video

Why Not Laserdiscs In The 2020’s?

In this, our new high tech world, a lot of people may think I’ve gone decidedly crazy.

I’ve always wanted the man cave ‘aka’ cinema room to have a nostalgic feel to it. I started collecting videos at the tender aged of 11. All my friends growing up called me videoboy lol because I was the go-to-guy to get films from on vhs videotape but one format that always intrigued me was laserdisc.

A Little History

LaserDisc (often abbreviated as LD) is a home video format and the first commercial optical disc storage medium, initially licensed, sold and marketed as MCA DiscoVision in North America in 1978.  No one can say for sure if the disco craze at that time was responsible for its early name or if it was simply a play on the word ‘disc’. Whatever the reason, the early DiscoVisions have distinct cover designs which make them quite collectible and they have a certain unique retro-funk all of their own.

Although the format was capable of offering higher-quality video and audio than its consumer rivals- VHS and Betamax videotape, LaserDisc never managed to gain widespread use in North America, largely due to high costs for the players and video titles themselves and the inability to record TV programs. It was not a popular format in Europe and Australia when first released but was popular in the 1990s. By contrast, the format was strongly embraced in Japan and in the more affluent regions of Southeast Asia, such as Hong Kong, Singapore and Malaysia, and was the prevalent rental video medium in Hong Kong during the 1990s. Its superior video and audio quality made it a popular choice among videophiles and film enthusiasts during its lifespan. The technologies and concepts behind LaserDisc were the foundation for later optical disc formats including Compact Disc (CD), DVD and Blu-ray (BD).

A Little Boasting

LaserDisc had a number of advantages over VHS (and Beta) videotape. It featured a sharper picture with a horizontal resolution of 425 TVL lines for NTSC and 440 TVL lines for PAL discs, while VHS featured only 240 TVL lines in NTSC (VHS HQ offered 260). It could handle analog and digital audio where VHS was mostly analog only (VHS did have PCM audio in professional applications but was uncommon), and the NTSC discs could store multiple audio tracks. This allowed for extras such as director’s commentary tracks and other features to be added onto a film, creating “Special Edition” releases that would not have been possible with VHS. Disc access was random and chapter based, like the DVD format, meaning that one could jump to any point on a given disc very quickly. By comparison, VHS would require tedious rewinding and fast-forwarding to get to specific points.

Please be kind! Rewind!

LaserDiscs were initially cheaper than videocassettes to manufacture, because they lacked the moving parts and plastic outer shell that are necessary for VHS tapes to work, and the duplication process was much simpler. A VHS cassette has at least 14 parts including the actual tape while LaserDisc has one part with five or six layers. A disc can be stamped out in a matter of seconds whereas duplicating videotape required a complex bulk tape duplication mechanism and was a time-consuming process. However, by the end of the 1980s, average disc-pressing prices were over $5 USD per two-sided disc, due to the large amount of plastic material and the costly glass-mastering process needed to make the metal stamper mechanisms. Due to the larger volume of demand, videocassettes quickly became much cheaper to duplicate, costing as little as $1 USD by the beginning of the 1990s.

LaserDiscs potentially had a much longer lifespan than videocassettes. Because the discs were read optically instead of magnetically, no physical contact needs to be made between the player and the disc, except for the player’s clamp that holds the disc at its center as it is spun and read. As a result, playback would not wear the information-bearing part of the discs, and properly manufactured LDs would theoretically last beyond one’s lifetime. By contrast, a VHS tape held all of its picture and sound information on the tape in a magnetic coating which is in contact with the spinning heads on the head drum, causing progressive wear with each use (though later in VHS’s lifespan, engineering improvements allowed tapes to be made and played back without contact). Also, the tape was thin and delicate, and it was easy for a player mechanism, especially on a low quality or malfunctioning model, to mishandle the tape and damage it by creasing it, frilling (stretching) its edges, or even breaking it.

My NTSC/PAL hybrid player.

LaserDisc players also had several advantages of VHS and other format playback machines. Some models, such as my Pioneer CLD-1850 are able to playback both NTSC movies and PAL movies. Since I live in the UK- this means that I can buy Laserdiscs from America or Japan (or anywhere in the world that uses NTSC video) and they will play in my machine. Try doing that with VHS or DVD. Another important innovation for Laserdisc was the fact that it was the very first home video format to offer Dolby Digital Surround Sound- often referred to as AC-3 on Laserdisc jackets and hardware. Many fans of Laserdisc are still enjoying this feature because some movies such as the Alien AC-3 LD were released with their original cinema surround mix on the AC-3 Laserdisc and those mixes are unavailable on today’s modern formats such as Blu-ray or UHD Blu-ray. Many early LD players can even be modified to turn them into AC-3 LD players.

The Death And Re-birth Of Laserdisc

By the time of the advent of the DVD, LaserDisc had declined considerably in popularity, so the two formats never directly competed with each other. In fact, combination LD/DVD players were introduced into the marketplace and continue to be quite popular with collectors as these players tend to be flagship models with advanced features such as digital 3D comb filters and digital frame memory and effects. It’s too bad that I couldn’t afford the format at the time , and I really don’t know why I’ve decided to pull the trigger now as Jez would put it lol.

Prices on the used market are still quite high on these combi players but other machines are affordable and the LD’s themselves can usually be found at affordable prices with exceptions for the ultra rare and more obscure releases.  I can’t say exactly

Some of my LD collection.

what has me so excited again about Laserdisc and why I’m back in the hunt but I really like the way the discs are packaged in big vinyl like slips, they look so cool. The artwork has totally sucked me in. I’ve started my journey, but I don’t know where it will end. And of course that journey has to begin with Schwarzenegger LD’S. “Get to da choppa! Hurry!”  

For the Silo, Anneal Butt- member of Laserdiscs & Hardware Enthusiasts on Facebook.

Featured image via highdefdigest.com

how YouTube Stars Make Millions Without Leaving Home

Over the past few years social media stars have made a fortune online, using YouTube to create their own brand. Take a look at how they’ve made their careers and the money that they’re making. From top YouTubers to the celebs you’d forgotten started their careers online, here we take a look at the secrets to online fame and fortune.

Take a look at some of the biggest YouTube stars making millions online and find out if you could do the same! Did we miss anyone? Leave us a comment at the bottom of the post and let us know who is your favorite.

YouTube Stars Infographic

Highest End Media Streamer Offers Optional Flux Capacitor Upgrade

Wolf Audio Systems Announces Its Luna R High Fidelity Audio Servers

JACKSONVILLE, FL,  — Wolf Audio Systems, a company dedicated to providing the ultimate in digital music source components today announced the introduction of its Luna R Audio Server, created to deliver the finest-available high-resolution and streaming audio playback. Leveraging technology and infrastructure developed for the award-winning  Alpha 3 SX class of audio servers, Wolf has refined the second generation of the Luna to achieve audio quality levels previously found only in Wolf’s full-sized server lines.

Upgrade

The Wolf Luna R is, first and foremost, engineered to deliver extraordinary audio performance. Utilizing the same silicon architecture found in the Alpha 3 SX, Wolf’s second-generation Luna brings the Luna line much closer to Alpha and Red Wolf-level sound quality. The redesigned Flux Capacitor master clock is an optional upgrade; by operating at a high 24MHz clock rate, the Flux Capacitor ensures more accurate reconstruction and transmission of digital audio.

Depending on the option chosen, the Luna R features either an audio-modified Windows 10 Pro or new, proprietary Linux-based WolfOS operating system. The Luna R offers 2TB storage capacity (expandable to 32TB), 24-bit and DSD playback capability, an upgraded Flux Capacitor 24 MHz master clock and additional improvements. The Flux Capacitor creates one of the most perfect USB Audio signals with less jitter and better accuracy, for a more natural and more involving musical presentation, whether in stereo or multichannel PCM and DSD.

Versatile and Compact

The Luna R has a sleek, half-rack design that fits easily into any audio system. It can play back a wide variety of stereo and multichannel audio formats including FLAC, WAV, AIFF, ALAC, SACD, DSF, DFF, (PCM) from 16 – 32 bits, 44.1, 88.2, 96, 176.4, 192, 384, and 768 kHz audio, and DSD DoP and Native up to DSD1024.

At the heart of the Luna R is Wolf’s Windows-based operating system. Users can also opt to utilize WolfOS Linux-based operating system, based on Ubuntu software. The WolfOS features a custom kernel that offers the lowest I/O latency possible, keeps the audio functions isolated from the rest of the server and works seamlessly with the Luna R’s output circuitry. The Luna R includes 2TB of SSD (solid state drive) storage capacity for ultra-fast access to all content. An optional 32TB of expansion capability can also be added internally, while the Luna R can interface with external hard drives and any NAS system via the network. The Luna R’s Teac Blu-ray transport, now standard on Wolf audio servers, enables users to rip CDs and play audio discs in DVD and Blu-ray. The drive can also burn discs for storage or transport.

The SX Upgrade

The Luna R incorporates a host of additional refinements to ensure ultimate audio performance. These upgrades are the result of a collaboration between Wolf Audio Systems, Stillpoints and eXemplar Audio. The refinements address the areas of micro-vibration control, electrical grounding and radio frequency interference (RFI) suppression. For example, the server incorporates Portals, a new patent-pending type of grounding-noise conditioning, to remove MHz- and GHz-frequency power contamination and deliver a new level of clarity and resolution. Stillpoints internal standoffs are used to attenuate internal micro-vibrations, while constrained layer damping materials reduces ambient vibration to the case and non-critical componentry. Audience OHNO high-purity oxygen-free copper internal wiring ensures maximum signal purity.

The Luna R offers easy access to its musical content via HDMI and DisplayPort for use with a television and/or monitor. Its wireless connectivity also allows the user to control all functions using a wireless keyboard, mouse or tablet, or via a home automation system remote control, and also remote access via web browser and iOS/Android applications.

Like all Wolf Audio servers, the Luna R is compatible with a wide range of audio applications and streaming audio formats including Roon, JRiver, Audirvana, Qobuz, Tidal, Deezer and others. The server can connect to a TV or monitor to display album cover art, artist, track and album information and more. It offers a full complement of USB, Ethernet, HDMI and IR inputs and outputs, ensuring compatibility and full function for years to come.

The Luna R is currently available in black or silver finish at a retail price of $4,500 usd with 2TB of storage, and $5,000 usd for the Luna R Pure Digital Edition, with the Flux Capacitor included and 4TB of storage. The unit can be supplied with optional Stillpoints Mini SS isolation feet at an additional $500 usd.

Portable Motion Activated Camera Replaces Peep Holes

MAC200 Home Security Camera Time LapseThe PHV MAC is an ‘electronic peephole’ for your home security that takes images of anyone or anything that is out front.

Its ambient light sensor allows images to be taken up to 30 inches from the door. This battery-powered device features an LCD screen on the inside of the door to display the photos, which stores still shots as well as video on a Micro SD card and includes dates and times of when the sensor was activated. The batteries inside last for 9,000 triggers, and can be powered for a little more than 6 months. The playback feature allows you to view a time-lapsed video with all images with one press of a button.

The MAC 200 can function as a separate security camera for your home. The portable, motion-activated camera can store up to 14 months of images. You can watch over 8 hours of images with a condensed, time-lapsed 1 minute video. There are three capture modes you can choose from: motion-activated, time lapse capturing, and a hybrid mode that includes both. Activity can be set to sense anywhere between 20 feet to 320 feet between the three different modes.

 

The view from your door, inside your home.
The view from your door, inside your home.

 

 

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