Tag Archives: Van Gogh

Heritage Auction Combined Fluorite Specimen With Associated Painting

Discovered at the Elmwood Mine, Carthage,Tennessee, USA
Discovered at the Elmwood Mine, Carthage,Tennessee, USA

Despite a production history spanning several decades, the number of exceptionally fine and large specimens that have been recovered at Elmwood is actually quite small. The mine is known for specimens combining Fluorite, Sphalerite and Baryte in aesthetic combinations which play off the different colors, forms and surface luster that each of these minerals brings to the mix.

Here, we have a significant Fluorite cluster of cubic form composed of pale yellow core material overlain with a thin veneer of violet color. Next to it is a radiating group of dark red Sphalerite crystals of pyramidal form and adamantine luster. To complete the ensemble, there are rounded Baryte aggregates of an off-white hue and granular texture, artfully arranged around the edges of the Fluorite, which is quite transparent, as any side or back lighting will prove, while the Sphalerite displays an almost metallic luster with glints of deep red that serves as a counterpoint to the two other minerals.

The Natural World has a long history of inspiring artists.

This museum quality specimen was hidden away in a private collection for many years and has just recently been cleaned with modern cleaning techniques to reveal the top level caliber of the piece. This is fresh to market, as it has never been offered to the public for sale. Condition is excellent with only minor nicks and chips. The specimen managed to captivate noted Dallas artist: J.D.Miller enough that he immortalized it via a acrylic painting reminiscent of the Impressionist works of Van Gogh and the like. The specimen is accompanied by this amazing painting, as well as a custom acrylic stand.

Opening bid with buyer’s premium was $125,000 (usd)


Overall Measurements: 10 x 12 x 8.5 inches (25.4 x 30.48 x 21.59 cm)
Painting Measurements: 52 x 64 inches (132.08 x 162.56 cm)
Estimate: $200,000 – $250,000.

An Artist Life Means Putting Your Guts Out Into The World

The formula for a life well lived might look something like this: Dive in head first > fail > repeat.

Life is a series of cycles. There is of course the broad cycle, we are born, we live, we age, we die. But within this scope are countless other cycles for every part and parcel of our time on the planet. The cycle of making mistakes, of continually pouring your guts out to the world and enduring the consequences, is one of the most important there is for artists. From this process you learn the most about who you are, and how you fit in the world. There will be plenty of moments when you are a total mismatch, when you throw yourself into the deep end and struggle to stay afloat. Under no circumstances should these moments be viewed as set-backs or failure.

Salvador Dali once said, “Have no fear of perfection, you’ll never reach it.” Take a minute to consider that. Really let it sink in. Let your mind internalize this notion and let it unleash a wave of relief through your whole body. What fantastic news this is, no matter what you do, no matter how long you live, you, I, we, not one of us, will ever be perfect. So how can you take this beautiful knowledge and use it to your own advantage? Once you are free from the restraints of perfection, how can this inform the way you continue on your path?

By adopting the formula above and not letting go no matter what.

You probably know stories about how mistakes have changed history for the better over and over again. The accidental discovery of Penicillin because scientists noticed that the mold on some forgotten fruit killed bacteria. Or the invention of silly putty (perhaps not on par with life-saving antibiotics when it comes to historic moments, but a great boon to childhood all the same) quite by accident in a military lab as scientists tried to create an inexpensive substitute for rubber. But have you ever really stopped to consider what these stories mean to an artist? How they can be freeing examples of the importance of making mistakes?

There is likely not a person out there who truly believes that perfection is attainable, but we are told far too often that we ought to strive for it. This leads to untold restraint, dissatisfaction, and who knows how many missed opportunities for glorious screw ups. Do not let this trap take hold of you. Throw your best and worst, craziest and most tame ideas out there for all the world to see. Who cares if you land flat on your face, as long as you’re still able to pick yourself up there’s no harm done.

As an artist you will be the recipient of rejection letters and emails. Stacks of them. Count on it. In every creative field, there are piles and piles of rejections to be gone through. Walt Disney was once fired for what his editor deemed a lack of imagination. Countless famous artists throughout history were rejected in their lifetimes, some only achieving posthumous success. Van Gogh, Manet, Turner, they all have in common that they faced painful rejection in their lifetimes. They also have in common that they didn’t give up their unique perspective on the world nor did they allow something as insignificant as rejection stand in the way of their forward momentum.

Collect your rejection letters. Create a special binder for them. Own them with pride knowing that you earned each and every one of them by putting a piece of yourself out into the world. Begin to think of rejection as a victory in itself because it means you tried. The moment you receive a rejection letter, consider that at that same moment, had you not tried, there would be nothing at all. Not trying isn’t really a way of avoiding rejection, it is simply a way of hiding from the world. You will never get anywhere at all if you don’t reveal yourself.

Artists are perhaps particularly vulnerable when it comes to the consequences of baring their souls to the world. Art is highly personal and the thought of making a mistake when the stakes are so intimately high can be enough to frighten even the boldest spirit. Rejection can feel like a very personal affront and can make it difficult to want to try again. It comes down to a choice really, to stay safe and make no progress, or let it all hang out and learn from every single mistake.

Just like with everything else in life, you will become accustomed to accepting rejection and mistakes as par for the course. There will come a day when you will leaf through your binder of rejection letters with a wisdom that can only be gained through the repeated process of failing. For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.