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Art

Artist Torkwase Dyson Uses Black Compositional Thought In Latest Exhibit At Gray

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 , Installation view of Torkwase Dyson, Errantry, 2024, at Art Basel Unlimited. Image courtesy Gary Yeh / ArtDrunk.

Installation view of Torkwase Dyson, Errantry, 2024, at Art Basel Unlimited. Image courtesy Gary Yeh / ArtDrunk.

Chicago Gallery

GRAY is pleased to present Torkwase Dyson: Of Line and Memory, the artist’s first solo exhibition in GRAY’s Chicago gallery. Installed over three distinct spaces, the exhibition debuts a monumental sculpture in steel and painted wood, an immersive installation of new paintings, and new cast glass and wood constructions. Of Line and Memory opens at GRAY Chicago with a public reception for the artist on November 8 and remains on view through January 25, 2025.

Dyson works across the disciplines of painting, drawing, installation, and sculpture, distilling the spatial and affective residues of diasporic histories to envision new modes of environmental liberation. Through an improvisational process of mindful abstraction, which she calls “Black Compositional Thought,” Dyson seeks to create work that is fluid, abstract, poetic, and open to possibility. “If there is systemic oppression, there must be systemic liberation,” says the artist, “and I am in that zone… trying to condition myself in this relationship of a transhistorical liberation practice.”1

Of Line and Memory draws from years of research and Dyson’s own spatial memory of navigating the waterways and urban architecture of Chicago. Using the South Shore Cultural Center, a lakeshore landmark with rich historical and architectural significance, as a point of departure, Dyson extracts, reduces, and refines architectural and visual cues into geometric shapes and painterly abstractions. According to the artist, “Of Line and Memory asks, as we move through dramatic and ever-changing geographies, what memories are stored in these new and improvisational choreographies?”

Down-down, 2018
Exhibited inTorkwase Dyson, 2021-22 Hall Art Foundation
Schloss Derneberg Museum, Holle, Germany

An immersive, dynamic interplay of materials emerges throughout the exhibition. The Clearing, a cantilevered steel, wood, and graphite sculpture in two parts, balances monumental, curved shapes upon the weight of rectangular steel bases. Dyson’s new paintings unlock a sense of “state change” between thinly poured layers of deep blues and reds, opaque blacks, and the shapes and lines of geometric abstraction. Likewise, her Hypershape constructions in glass and graphite-coated wood balance the solidity of wood and graphite with the translucence of cast glass.

Of Line and Memory underscores Torkwase Dyson’s deep commitment to transforming complex histories of diasporic and urban landscapes into powerful abstractions. The artist states: “the topography echoes familiar and enigmatic ecologies in my consciousness without the promise of stability. Embracing this indeterminacy, I think through how the transhistorical ethos of infrastructure space, both visible and invisible, resonates in liberation and world-building.”

ABOUT TORKWASE DYSON


American interdisciplinary artist Torkwase Dyson (b. 1973 Chicago) combines expressive mark-making and geometric abstraction to explore the continuity between ecology, infrastructure, and architecture. Working across the disciplines of painting, sculpture and architecture, Dyson deconstructs, distills, and interrogates the built environment, exploring how individuals, particularly black and brown people, negotiate, negate, and transform systems and spatial order. Throughout her work and research, Dyson confronts issues of environmental liberation and envisions a path toward a more equitable future. 

One of today’s most innovative artists, Dyson’s work has been the focus of solo exhibitions at ‘T’ Space Rhinebeck, New York; Mildred Lane Kemper Art Museum, St. Louis, Missouri; New Orleans Museum of Art, Louisiana; Colby College Museum of Art, Maine; Graham Foundation for Advanced Studies in the Fine Arts, Chicago, Illinois; Schuylkill Center for Environmental Education, Philadelphia, Pennsylvania; Suzanne Lemberg Usdan Gallery, Bennington, Vermont; Hall Art Foundation, Derneburg, Germany; and Serpentine Galleries, London, UK.  

Group exhibitions and biennials include the Liverpool Biennial, Liverpool, UK; Bienal de São Paulo, Brazil; Desert X, California; California African American Museum, Los Angeles; The Museum of Modern Art, New York; Studio Museum in Harlem, New York; Whitney Museum of American Art, New York; The Drawing Center, New York; Corcoran School of the Arts and Design, Washington DC; Smithsonian National Museum of African Art, Washington, DC; and Wexner Center for the Arts, Columbus, Ohio, among others. Her architectural sculpture Liquid Shadows, Solid Dreams (A Monastic Playground), commissioned for the 2024 Whitney Biennial, is on view at the Whitney Museum of American Art’s fifth floor terrace through February 9, 2025. Torkwase Dyson will create the conceptual design for The Costume Institute’s Spring 2025 exhibition, Superfine: Tailoring Black Style, at The Metropolitan Museum of Art.

Public collections include the Art Institute of Chicago, Illinois; Hall Art Foundation, Reading, Vermont; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Long Museum, Shanghai, China; Mead Art Museum, Amherst College, Massachusetts; Mildred Lane Kemper Art Museum, St. Louis, Missouri; Smith College Museum of Art, Northampton, Massachusetts; Smithsonian National Museum of African American History & Culture, Washington, DC; Studio Museum in Harlem, New York; and Williams College Museum of Art, Massachusetts. Dyson studied sociology and social work at Tougaloo College, Mississippi, and received a Bachelor of Fine Arts in Painting from Virginia Commonwealth University and a Master of Fine Arts in Painting from Yale School of Art. Dyson lives and works in Beacon, New York.

PUBLICATION
The exhibition will be accompanied by a fully illustrated catalogue, to be published in 2025.


ABOUT GRAY


GRAY is a globally recognized team of art professionals devoted to fostering the development of historically important artists’ careers and to building outstanding art collections. Founded in 1963, GRAY has established its reputation as a resource for Modern, Postwar, and Contemporary art with prominent private and institutional clients worldwide. Known for producing critically acclaimed exhibitions and programming from its galleries in Chicago and New York, GRAY represents a roster of internationally recognized artists such
as McArthur Binion, Torkwase Dyson, Theaster Gates, David Hockney, Rashid Johnson, Alex Katz, Ellen Lanyon, Jaume Plensa, Leon Polk Smith, and Evelyn Statsinger.

1 Torkwase Dyson, lecture, SAIC Visiting Artists Program, School of the Art Institute of Chicago, March 7, 2023.

Featured image- Tuning (Hypershape, 311-520), 2018, exhibited in Torkwase Dyson 2022 Hall Art Foundation, Schloss Derneberg Museum, Holle, Germany

Culture

What Single People Need to Do Before Buying A Home

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The usual route to home ownership tends to start with meeting a special someone. When you’re a couple and you want to begin a life together, it makes more sense to get a new home for yourself. You may plan to get a roomier home for the two of you, and especially if kids are part of your plan in the foreseeable future.

What if you’re single? That doesn’t mean that you can’t get a house in Montreal, or a condo in NDG (Notre-Dame-de-Grâce) or anywhere else in Canada. Here are some tips that can help if you’re single and determined to buy your own home:

  1. Get your finances in order. This is the first and most important rule, as money will always be an issue for you especially since you don’t have a partner to share the expenses. It can be problematic to get a mortgage when you’re single since you’re less likely to repay a loan than two people together who both work for a living. So, pay off your credit card debts, raise your credit score, finish paying for your car, and have enough money to put down 20% of the house price as down payment.
  2. Have lots of money in the bank. What if you lose your job right after moving into your own home? You’ll need money for all your expenses while you search for a new job. You need some money in your bank account that’s equal to three to six times your monthly wages. Keep in mind that as a homeowner you have to pay for your home’s upkeep along with home insurance and property taxes. 
  3. Make sure to account for all your possible expenses. First-time owners are often unpleasantly surprised when they encounter expenses that they don’t normally deal with when they were apartment tenants. Home ownership can be very costly, especially when you have to remodel your home. It’s also difficult to estimate what you’d have to spend, especially when you have a backyard to maintain.
  4. See if a condo makes more sense for you. In general, a condo unit makes a lot more sense than an actual house if you’re still single. A condo will probably be located closer to where you work. It’ll also be located right in the middle of the city you’re in, so entertainment establishments are conveniently nearer. A condo building can have amenities that you’ll appreciate when they’re nearby, such as a gym or a salon. It also provides you with more social opportunities to meet new people so that you’re no longer single (if that’s what you want, of course).
  5. Be conscious about security. Security is another reason why condos work best for singles as they usually have guards in the lobby to keep out strangers. If you’re living in your own house, you may want to put in a strong lock on your doors and perhaps on your gate. You should make friends with your neighbours, who can call the police when they see strangers in your home when you’re not there. A security camera tied into your smartphone can help as well, though a dog can also be useful.
  6. Look for houses with a friend. Couples have the advantage of having someone to discuss their home options so that they’re more certain of their choices. If you’re looking for possible homes to buy, make sure you call a friend to come along. They can help you think logically so your emotions don’t get the best of you.

Of course, one “side effect” of having your own home when you’re single is that you generally become more attractive to potential partners. Just make sure you buy the right home when you can actually afford it, so you can actually enjoy your new status as a homeowner. For the Silo, Dimitry Karloff.