If your old enough to remember big ass tube tv’s or roof antennas dangling on the roofs of the neighborhood houses then consider this- theme songs from those TV shows can immediately bring back memories and nostalgia from your childhood or teenage life. That is pretty powerful stuff right? One of the reasons why many theme songs continue to be so memorable is because they’re truly unique, written and performed by top-notch musical talent.
But which iconic tune has had the most influence over the years?
By exploring IMDb’s 100 greatest TV theme songs, our friends at Spin Genie have revealed the composers and musicians who have accumulated the most success for their contribution to iconic TV series. Using this data we will analyze the total streams, monthly listeners, and estimated earnings in CAD dollars for the appropriate TV show theme tune.
We will also judge the TV series by reviewing IMDb ratings and Rotten Tomatoes scores, as well as the annual searches for each theme song. Sound fair? Let’s dig in.
PS If you have some spare time in between binging on your favorite TV shows, check out the latest online slots available on Spin Genie.
The most successful TV theme songs:
The Sopranos
Woke Up This Morning – Alabama 3
Royalty score: 8.43 out of 10
In first place is “Woke Up This Morning”, a song by British band Alabama 3 from their 1997 album Exile on Coldharbour Lane. Best known as the opening theme song for the American television series The Sopranos. “Woke Up This Morning” has over 37.9 million streams on Spotify, with estimated earnings of $231,206, and the band has 320,321 monthly listeners. The Sopranos is one of the most influential TV dramas, smashing IMDb ratings with a score of 9.2 out of 10. On Rotten Tomatoes, the drama received a 96% audience rating and recorded 24,600 annual worldwide searches for its theme song as of July 2024.
Get a Life
Stand – R.E.M.
Royalty score: 7.57 out of 10
Following up in second place is “Stand”, a song by American alternative rock band R.E.M., released as the second single from the album Green in 1989. It was used as the theme for the 1990-1992 Fox sitcom Get a Life, starring Chris Elliott. The theme song has amounted to 46.6 million Spotify streams with earnings of almost $284,100.
Get a Life is one of the top-rated TV series on our list, recording a perfect 100% audience rating on Rotten Tomatoes. The show also performed well on IMDb, with ratings of 8.1 out of 10.
The Fresh Prince of Bel-Air
The Fresh Prince of Bel-Air – DJ Jazzy Jeff & The Fresh Prince
Royalty score: 7.07 out of 10
DJ Jazzy Jeff & The Fresh Prince’s “The Fresh Prince of Bel-Air” rounds out the top three, heard in 1990 as the theme song for the NBC sitcom The Fresh Prince of Bel-Air. The lyrics were composed by rapper and sitcom star Will Smith, performing under his stage name, the Fresh Prince, with Jeffrey Townes producing the song under his stage name DJ Jazzy Jeff. Originally, composer and producer Quincy Jones pitched the song, but Smith wrote the lyrics after reading up on an episode script. Jones immediately loved it and accepted it as the theme song.
Further findings:
The song “The Fresh Prince of Bel-Air” from the sitcom of the same name is the most streamed theme song on Spotify, with a total of 123.2 million streams.
The Sopranos achieved the best IMDb rating of 9.2 out of 10, making it the highest-reviewed TV show.
M*A*S*H, an American war comedy-drama television series that aired on CBS from 1972 to 1983, has the most-searched-for theme song with almost 200,000 people searching for it. It’s a song that was written specifically for the show by Johnny Mande and Michael Altman and is called “Suicide Is Painless”.
From Stranger Things dropping the first teaser for its final season to Sex Education Season 4, September is shaping up to be an exciting month for TV fans. New research has revealed the most popular TV series and Stranger Things tops the list. *costs are listed in USD
Our friends at Spin Genie have looked at a range of factors including the cost of the pilot episode, annual Google searches, number of Instagram posts and TikTok views as well as the IMDb rating of the world’s most popular TV series to determine the most successful series of all time.
The most Googled TV shows:
Rank
Show
Annual Google searches
1
Stranger Things
191.3 M
2
Game Of Thrones
69.2 M
3
The Walking Dead
54.1 M
4
Bridgerton
22.5 M
5
The Witcher
21.7 M
6
Westworld
17.1 M
7
The Mandalorian
15.7 M
8
Narcos
11.0 M
9
Orange Is the New Black
10.3 M
10
13 Reasons Why
10.2 M
The most searched for TV show is Stranger Things, with over 191 million annual searches. The show is also Instagram’s most popular TV show with over 15.5 million hashtagged posts on the app.
Taking the second spot is Game Of Thrones which receives nearly 70 million Google searches each year. The series was a worldwide success, with media attention lasting for eight years while the show was on air, drawing over 18.1 billion TikTok views and 13.8 million Instagram posts.
The Walking Dead takes the third spot with 54.1 million Google searches annually. The Walking Dead revolutionised the zombie apocalypse genre and captured the attention of millions of viewers across the world.
The research also revealed the top 10 most successful TV shows of all time:
Rank
Show
Pilot Budget
Google Searches
Instagram Posts
TikTok Views
IMBD Rating
Success Score
1
Game of Thrones
$10.0M
69.2M
13.8M
18.1B
9.2
9.64
2
Stranger Things
$6.0M
191.3M
15.5M
130.2M
8.7
8.10
3
The Mandalorian
$12.5M
15.7M
2.4M
4.6B
8.7
7.86
4
The Walking Dead
$3.4M
54.1M
7.9M
21.0B
8.1
7.50
5
Narcos
$2.5M
11.0M
722.3K
44.7M
8.8
6.43
6
Bridgerton
$7.0M
22.5M
737.0K
17.4B
7.4
6.19
6
Westworld
$25.0M
17.1M
410.0K
277.7M
8.5
6.19
8
The Witcher
$10.0M
21.7M
1.3M
3.3B
8.1
6.07
9
House of Cards
$5.0M
7.0M
454.4K
145.3M
8.7
5.84
10
The Crown
$13.0M
589.2K
571.3K
5.1B
8.6
5.83
Game of Thrones tops the listof the most successful TV shows, scoring 9.64 out of 10. The series is the highest-rated of any of the TV shows on the list, with an IMDB rating of 9.2 out of 10 and has also inspired 13.8 million Instagram posts, the second highest total of any shows.
In second place is Stranger Things with a score of 8.1. The popularity of this series has influenced the charts, with Kate Bush’s Running Up That Hill re-entering the charts after appearing on Stranger Things. The series has more Google searches and Instagram posts than any other show in this study, even though the pilot episode budget was just $6 million.
Rounding out the top three with a success score of 7.86 is The Mandalorian. The Disney+ exclusive’s third season stars Pedro Pascal, and the show’s pilot episode is reported to have cost $12.5 million. The series has 15.7 million annual Google searches, 2.4 million Instagram posts and an impressive 4.6 billion TikTok views.
Further findings:
Vinyl has the most expensive pilot episode of any of the TV shows profiled. Created by Mick Jagger and Martin Scorsese, the first episode cost a reported $30 million but failed to generate enough attention for a second season.
When it comes to TikTok, The Walking Dead tops the list as the most popular TV series totalling more than 21 billion views on the platform.
Narcos has the cheapest pilot debut of the series profiled, costing $2.5 million. Despite this, the show has gained a following of fans and has over 722,000 Instagram posts about it. Narcos also achieved a high rating of 8.9 on IMDB.
The cast and crew of STAR TREK CONTINUES finished principal photography on our series a few months ago, and we are working at warp speed to put all of the finishing touches on Episodes 9, 10, and 11 – which will complete our salute to The Original Series.
And while we are all sad to see STAR TREK CONTINUES come to a close, we have committed to our supporters that these last three chapters in our story will be finished and released this year. That means three more upcoming premieres of the continuing voyages of the Starship Enterprise.
Episode Nine is in sound design and will have a debut screening at the end of July at Florida Supercon in Ft Lauderdale. We’re so honored to announce some very familiar names in guest starring roles for Episode 9, including John de Lancie and Anne Lockhart.
Of course, John needs no introduction. His character will be among the first to appear on our Planet Set (constructed with support from our crowdfunding campaign).
Anne Lockhart may be best known to science fiction fans for her role as “Sheba” on the original Battlestar Galactica, but she has also been in hundreds of other productions and commercials – including a recurring role in Chicago Fire on NBC. (And, of course, her Mom was June Lockhart, the matriarch of Lost in Space!)
John de Lancie, Chuck Huber (McCoy) and I will each be guests at Florida Supercon. So we hope you might plan a trip to Fort Lauderdale to enjoy the world premiere screening of “What Ships Are For,” at the end of July. Details about the screening will be on the Supercon website.
Finally, our remaining episodes constitute an exciting two-part story that will not only finish out our series, but bring an exciting and satisfying conclusion to the original five year mission of the Enterprise. Episode Ten is set to premiere at Salt Lake Comic Con (the weekend of September 21) and Episode Eleven will have its debut screening at New York Comic Con October 6.
Keep this comm channel open for more info about our final installments. And again, thank you to all of you for your enthusiasm and support for this “love letter to Star Trek”. John De Lancie Beaming In To STAR TREK CONTINUES
With Episode 9, STAR TREK CONTINUES adds another feather to its cap — versatile actor, comedian, singer, director, and producer John de Lancie. Well-known to fans for his strong Trek background, de Lancie met STAR TREK CONTINUES founder Vic Mignogna on the convention circuit, and Mignogna offered him a role in the production.
“Vic asked me if I’d be interested in appearing in STAR TREK CONTINUES, and he told me a little bit about the show. I asked him to let me read the script, and I was immediately impressed with it. It’s definitely classic STAR TREK, because it’s a secular moral story and one that I think is particularly poignant in our current times. I believe the material is the most important thing, and this is really good material.” Episode 9 is penned by Kipleigh Brown, who appears as Lt. Smith in the series.
De Lancie says he’s “also very sympathetic to people who put together their own projects. I know how much work it is. And in this case, Vic has his hands in every element of the production. It was an easy choice to say yes because I knew I could be somewhat helpful in a modest sort of way. And I knew I would be acting in an interesting story.”
Strange New Worlds
De Lancie said he didn’t really have any preconceptions about STAR TREK CONTINUES, since he had not seen any of the series’ episodes.
“I have to say legitimately that I was really impressed,” once he joined the production crew on set in southern Georgia. “There is a lot of attention to detail, and a lot of love went in to all of this.”
He said that he was surprised and “got chills” as he walked the halls of the Enterprise.
“I had the feeling that I was on a historic set, even if it is a facsimile of the original. These were the identical colors to what was used in the 1960’s, when they were trying to sell color TVs. And the other thing that struck me is that these sets have a certain 1960’s look, from the gadgets to the crew quarters. This had the same look of all the shows that I used to watch as a kid.”
Growing up in the 1950’s, de Lancie said that he didn’t watch that much television, and in fact his parents had taken the TV away. “I had a real problem with reading, so my parents just took the TV out of the house.” De Lancie’s escape was Saturday afternoon science fiction movies at the theater.
For Episode 9, de Lancie is careful not to reveal any plot details when describing his character, except to say that there are elements of the character that are revealed as the story unfolds.
“He is a character not unlike many of us. He has recognizable human traits and deep-seated prejudices.”
De Lancie came prepared for his role, just as he is for any acting assignment, and spoke his first lines on the Planet Set that had just been dressed into a lush forest environment.
Convention Capers
A frequent guest at conventions throughout the world, de Lancie had just returned from FedCon in Germany when he spoke to STAR TREK CONTINUES.
“I really do enjoy meeting the fans at the conventions. I enjoy being up on stage and answering the questions. And I enjoy having drinks later with the actors. But what is becoming wearisome is the travel – especially if you go overseas. It takes your body about three days to adjust to a new time zone, and then the event is over and you’re heading back the other way.”
Travel has certainly been on his agenda of late for another reason, since the entire de Lancie family recently returned from a big journey.
“My wife was in Burma, teaching. So I went with her. Then we went to Vietnam, and then our kids joined us in Japan and the whole family took a boat trip. I was back for a couple of days, did a convention in Phoenix, and then it was off to Bonn, Germany,” for FedCon.
Ponies, Dragons, and Video Games
The busy actor has another fan base, far different from those who appreciate his Trek credentials. For the past six years, de Lancie has been the voice of a dragon named Discord on the cartoon series My Little Pony: Friendship is Magic.
“Yes, there are conventions for My Little Pony. But it’s a very different fan base. I like particularly talking with the little kids. They have a hard time imagining that they’re looking at someone their grandfather’s age who plays a mischievous dragon. It’s also an unusual fan base, in the adult world. I did a documentary about that. I like the show very much, because it also has a sort of secular morality attached to it. You don’t need to have a religious text to be the source of a moral lesson. There are a lot of unusual people involved with My Little Pony. I talk to a lot of people in the military who just like looking at something bright, happy, and upbeat,” de Lancie says.
In addition to the My Little Pony TV series, de Lancie has also voiced his character for a Pony video game. And he’s worked as a voice actor for games like World of Warcraft, StarCraft 2, and others.
“While I don’t play video games, I was asked a few years ago to do voices for one. I’ve watched my kids over the years play a lot of games. I’m a big history buff, so one thing I really liked about the game Assassin’s Creed was the fun way they went back in time with very detailed representations of Florence and Constantinople.
“I like the fact that doing video games keeps me current in the minds of people who are 20 years old,” he adds. Guest Star Anne Lockhart Comes Full Circle with STAR TREK CONTINUES
An actress and voiceover artist with literally hundreds of credits to her name, veteran performer Anne Lockhart will be a guest star in Episode 9, which will have a debut screening in late July.
Lockhart is best known to science fiction fans for her groundbreaking role as Sheba in the original Battlestar Galactica in 1978. Now her travels take her to another science fiction universe. An invitation to join the cast came from STAR TREK CONTINUES creator Vic Mignogna.
“I’ve known Vic for a couple of years. He called me one day and said that he had an idea to talk about regarding STAR TREK CONTINUES, which was a guest starring role in an upcoming episode. And I asked him what took him so long! It’s such an honor to be in an episode, because I’m a fan. I love the whole look and the concept of it. And the fact that I got asked to be part of that universe is amazing,” Lockhart says. “I was there before I’d even read the script!”
Lockhart loved working with fellow guest star John de Lancie on the episode, and it was actually the second time that both had worked together.
“We did the first two-hour episode of EMERGENCY, a long time ago. I don’t think he remembered being in that one with me. He played a doctor, and I was his patient – rescued from a burning building. I remembered him because he was so dear. Working with John is joyful. There are so many actors who just show up and do it in their sleep. But not him.”
Lockhart has built an impressive resume over several decades of TV, film, and commercial work. Her first series was Lassie in the late 1950’s, as a child actress. Years later, Glen Larson, the creator of Battlestar Galactica approached Lockhart about a role in proposed series.
“The role of Sheba was written for me. I knew Glen Larson because I had done episodes of the The Hardy Boys for him. He sent me the barebones pilot script for Battlestar Galactica. And basically it was about a bunch of guys and a girl who came in every few pages and said ‘don’t forget your laser gun.’ I turned it down,” Lockhart explains. She was recovering from a fire that had burned down her house and was living with her mom (TV actress June Lockhart) at the time.
“Glen said he could always rewrite the character, and the script went through several re-writes.” Lockhart loved the revised script and came aboard the Battlestar.
“Jane Seymour didn’t want to do a series. So they killed her character. The character of Sheba was so strong and so wonderful to play – and it was nothing like the original script. I ended up with a better character.”
Being in space was nothing new to the Lockhart family. Lockhart’s real mom played Maureen Robinson on Lost in Space, the mother to a family traveling the stars. Some days, Anne and her sister were dropped off at the 20th Century Fox lot to wait for their mom to finish her work and do homework in her dressing room.
“I remember one day there was a chunk of time when Billy Mumy (who played Will Robinson) had nothing to do. We just took off and wandered the Fox lot for two hours, exploring the sets of shows like Peyton Place. And then we finally wandered back. My mom was panicked. And so was Billy’s mom,” Lockhart laughs as she recalls the memory.
Currently, Lockhart stays busy with the recurring role of a dispatcher on Chicago Fire, a role that she has to reprise at the drop of a hat. “There are some times when they’ll call me over the weekend and say that I have to be in Los Angeles on Tuesday.”
She worked out the schedule to come to southern Georgia and the new planet set of STAR TREK CONTINUES for her role in Episode 9.
“We worked our tails off. Vic shot over twenty pages in three days. That’s just insane. But that shows how good he is. It shows how good the crew is. I was just so overwhelmed with the commitment and the people who were there volunteering their time, just out of love. It was really a wonderful experience.”
Like William Shatner, Anne Lockhart has a fancy for horses and has raised thousands of dollars of the years with rodeos benefitting autistic children. And she serves on the board of directors for the Thousand Oaks, California Kingsmen Shakespeare Company.
“It’s been several years since I’ve appeared on stage with Kingsmen. It was started by my friend Lane Davies, and literally it started with a dirt stage and two lights. Now it’s one of the premiere Shakespeare companies in the country. My children have grown up performing with me. It was so cool to go there, thrown down your blanket, and see Shakespeare presented in a very contemporary way. We did Julius Caesar, but set in a city like New York. It was like The Godfather. We did The Merry Wives of Windsor as if it was the swinging London scene of the 1960’s. It’s not just a bunch of people in togas,” says Lockhart.
While she has seen some rough cuts of the episode, Lockhart says she’s looking forward to the public release of Episode 9.
“This was kind of like a dream come true for me. Being part of the STAR TREK universe is something I’ve looked forward to doing. I adored STAR TREK. And Lost in Space, to be honest, kind of became a comic book. STAR TREK was always just my favorite.”
For the Silo, Vic Mignogna -Captain of STAR TREK CONTINUES
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LOS ANGELES – Toei Animation Inc. will debut an English subtitle simulcast of Dragon Ball Super on multiple digital platforms on October 22nd. For the first time, fans in North and Latin America, South Africa, Australia and New Zealand will be able to view Dragon Ball Super simulcast. Since its debut in Japan in July 2015, the hit follow-up to one of the greatest anime series of all time has been eagerly awaited by followers around the world. Through non-exclusive streaming partnerships with Crunchyroll, Daisuki.net and Anime Lab, Dragon Ball Super will finally be available.
Kicking off on Saturday October 22 at 9:00pm EST, viewers of Crunchyroll, Daisuki and Anime Lab can log in for a non-exclusive English-subtitled simulcast of episode 63, “Don’t Define Saiyan Cells! The Curtain Rises on Vegeta’s Intense Battle!!” which leads into the thrilling conclusion of the “Future Trunks Arc.” Audiences will get to join Japan live during the broadcast, and then tune in weekly for future new episodes.
Crunchyroll: USA, Canada, Australia/New Zealand for subscription viewing on demand (SVOD) and advertising video on demand (AVOD). Latin America and South Africa can only be viewed on SVOD.
Daisuki.net: USA, Canada, Australia/New Zealand for SVOD & AVOD
Anime Lab: Australia and New Zealand for SVOD & AVOD
Dragon Ball Super’s fourth arc features the return of Future Trunks. Hunted by a mysterious being bent on destruction, Future Trunks is brought into a fight spanning time and space. Episode 63 follows Future Trunks’ epic battle against Goku Black, and Goku’s acquisition of the powerful “Evil Containment Wave” technique.
To prepare for episode 63’s debut, viewers will also be able to stream the entire Future Trunks arc (the arc begins at episode 47). Then, starting on October 30, the complete series will roll-out, with 10 episodes released a week at a time.
“Patience always pays off, and we’re delighted to finally share Dragon Ball Super with our fans around the world. And believe me when I say there’s more to come. Stay tuned for additional exciting news before the end of the year!” said Masayuki Endo, President of Toei Animation Inc.
About Toei Animation Inc.
Based in Los Angeles, Toei Animation Inc. manages the film distribution of Toei’s top properties, including Dragon Ball all series, Sailor Moon, One Piece, Saint Seiya, and many others to North America, Latin America, South Africa, Australia and New Zealand. Toei Animation Los Angeles office further handles all categories of consumer product licensing based on its film and television brands within these territories. For more information, please visit http:www.toei-animation-usa.com or contact marketingdirector@thesilo.ca.
Do you have Dragonball stuff to share with us? Send us your webcam/smartphone camera feed now (or uplink us with your media files) by clicking here- [vidrack align=”right”]
Toei Animation Co., Ltd
Toei Animation Co., Ltd. (Jasdaq:4816) ranks amongst the world’s most prolific animation production studios. The company’s operations include animation development and production, and worldwide marketing and program licensing with sales offices in Paris, Hong Kong and representative office in Shanghai. Since its founding in 1956, Toei Animation Co., Ltd. has produced more than 11,000 episodes of TV series (more than 200 titles) and more than 215 long feature films. For more information, please visit http://www.toei-anim.co.jp.