Whether you are a fan of comic books or not, this is an entertaining TED talk and here is why: it expounds the process of thought and observational connectivity in science and in the arts. Uh- what does that mean? In simpler terms, this short TED lecture explains how a scientific mind operates in the arts.
Narrator Scott McCloud is the son of a blind genius.
His Father was a rocket scientist and inventor for the US defense industry and his siblings are all working in the Sciences. Scott on the other hand, is a comic book artist.
At the start of his TED talk, Scott refers to his Father and explains that the ‘apple’ really doesn’t fall that far from the ‘tree’- it’s tough to fight genetics. He came to realize that working in Comic Books is actually not that different from working in Science and that our contemporary understanding of how we define art and understand media is wrong. It is, he says, one of interrelated connectivity based on thought and observation. In other words- Variantology.
This is a short lecture weighing in at a little over 17 minutes. Scott does an artful job of breaking down the ‘modus operandi’ of curious minds. He summarizes insight using a K.I.S.S. quadrant grid that shows that our processes of thought are indeed interrelated. Using a four-sectioned pyramid, he helps rearrange and reuse a mathematical formula- illustrating how the Classicist, the Formalist, the Animist and the Iconoclast are all just parts of the same formula of human experience and thought. As in scientific investigation and theorizing, creativity in the arts is powered by human experience and thought.
Things worth remembering.
Scott offers a “quick bake” recipe for meaningful results: Learn from everyone. Follow no one. Watch for patterns. Work like Hell. For the Silo, Jarrod Barker
Random acts of kindness come in all shapes and sizes, something as simple as a smile to a stranger, or paying for the guy behind you in the cue at the coffee shop drive-thru counts. The idea is to leave someone, whether you know them or not, with a brightened day and a reminder that there are good people. There is an amazing movement happening in the artistic circles, created with the same purpose, it is called art abandonment and artists from all over are leaving behind their artworks anonymously.
“It’s something that I’ve done for a number of years now, albeit infrequently, usually on beverage napkins and the like,” says deMeng in an introduction to Art Abandonment on his blog. “About ten or so years ago I would walk to the same place by a river and leave a little charcoal drawing. So recently I started this activity up again…leaving little sketches with a note on the back”
deMeng acknowledged that he did not create the idea of art abandonment, but perhaps discovered its use as a random act of kindness as opposed to a political message used by many urban guerilla artists.
In fact, Haldimand-Norfolk artist Jarrod Barker created several guerilla art installations in Haldimand-Norfolk including one at Simcoe’s now demolished American Can property back in the summer of 2010.
deMeng outlined some of his theories behind the art of abandoning art and its purpose, including that its good for the heart and a little addictive once you begin and the simple fact that money is tight and giving a gift like this could encourage someone to continue to support the arts.
“I think it’s important to be able to let one’s art live beyond it’s creator, I love imagining what becomes of my art after it is gone…whether given or sold,” said deMeng.
“Some folks can’t seem to let go of their work, even when they sell it. This is a great way to learn to move on.”
The concept is very simple:
1) Create a piece of art.
2) Write or attach a note explaining it is a free gift, purposely left behind including contact information if you so wish.
3) Take a photo of your art and its place of abandonment and then sneak away unnoticed.
I myself am not an art abandoner, although if I had the time and resources I would, but I thought I could offer a unique opportunity for the abandoners I find so much joy in following on social media.
June 30, 2013 I will have departed to Peru for a ten day journey across a wide variety of landscapes including urban centers, Machu Picchu, and the Amazon rainforest.
I invited artists to send me their work in order to abandon on my journey, and I would share the photos of their abandonment locations with the artists as I continue my journey.
“Machu Picchu is on my bucket list,” said Burlington artist Heather Kuzyk who sent three art trading cards (atc) to be abandoned.
“So if I never perchance to make it there in body at least a part of my soul has been. ”I was excited by the thought of the photos I could take of the abandoned art on the Machu Picchu ruins with the beautiful Peruvian mountains sprawling in the background. Although I sincerely hope some of the finders will share of their discovery, I’m pleased just to imagine how excited I would be if I found something like that in such a magical place. For The Silo, Lacie Williamson.
Post-script: Remember to never install or leave behind work that contains string, toxic or synthetic materials, small pieces of plastic etc. Anything that can harm or interfere with the natural environment or wildlife must never be used.
Last year’s indie best-selling graphic novel set to release the next installment in the breakthrough series. The second novel features an augmented reality app and introduces the character of actor Chad L. Coleman.
When TREADWATER Vol. 1 was released in comic book stores in July 2015, it was just another self-published indie title among many others. At the end of the month, this was no longer the case.
When the sales figures came in a month after its debut, TREADWATER found itself on equal footing with the likes of The Walking Dead when they first started out. According to Diamond Comic Distributors TREADWATER managed to achieve 90% of Walking Dead’s sales, while outperforming other popular franchises like Dark Matter in their respective opening months.
TREADWATER is best described as a dark and mature sci-fi action drama. It is a pre-apocalyptic story that takes place in a plausible dystopian future, where a global economic crisis splinters political alliances and plunges the world’s nations into crime and disorder. As the dual forces of anarchy and totalitarianism sweep over the world, six antiheroes are recruited into a privately funded special operative program in an attempt to keep the world from tearing itself apart.
Part of the ugly charm of TREADWATER lies within its ability to predict current events. The isolationist politics of the world’s leading nations, as exemplified by the rise of Trump in the US and BREXIT in the UK; the attempted coup in Turkey, along with its backlash in the form of a dictatorial powergrab; the increasing civil unrest in the US and the terrorist attacks in Europe – all these developments find their parallels in the world of TREADWATER.
Yet Morgan Rosenblum and Nat Prinzi, the creative minds behind the TREADWATER franchise, take no pride in the accuracy of their grim predictions. Their primary goal is to create an engaging and believable superhero story, which avoids the pitfalls of the genre, while staying true to its roots. This is why the story of Treadwater is driven by its larger-than-life, yet deeply imperfect characters, rather than merely a clever premise or unlikely plot twists.
The new installment of the graphic novel, TREADWATER Vol. 2, will be released in late 2016. Along with the novel, the TREADWATER team will debut its own augmented reality app for smartphones. When pointed at the comic book, the app will immerse the readers into the world of TREADWATER by bringing its characters to life in front of their eyes.
The AR app is not the first step that Rosenblum and Prinzi have taken in the direction of interactive storytelling. The TREADWATER franchise already consists of a motion comic, a video game and an interactive website, which lets its users “hack” into Treadwater’s secret database, allowing them to explore their coveted network.
The ability of the creative duo to inspire and impress their audience has led to the inclusion of TREADWATER Vol. 1 into the curriculum of West Aurora High School in IL. It is now being taught in their creative writing class alongside of Orson Welles.
The appeal of the TREADWATER franchise goes beyond high school students, as actor Chad L. Coleman has become a character and a partner in the TREADWATER franchise. Best known for his roles as Tyreese in The Walking Dead, Dennis “Cutty” Wise in The Wire and now Tobias Church in Arrow, Mr. Coleman’s character will see significant development in the second volume of the graphic novel. The new installment will also introduce the character of Holly Wolf, a celebrity cosplayer and 2015 Geek Fantasy Woman of the Year, who also joined the TREADWATER franchise as a supporting character.
Key Dates in 2016:
October 6-9: Come visit us at New York Comic Con. You’ll find us at booth 2314, where you’ll be able to interview the creators of TREADWATER, actor Chad L. Coleman and cosplayer Holly Wolf among others. You’ll also be able to experience the entirety of the TREADWATER franchise, including the Beta Version of our very own PS4 video game.
October 1-21: Special pre-order promo period for TREADWATER Vol 2. Each pre-order will come with a digital copy of the bestselling graphic novel TREADWATER Vol 1 to help the new readers get caught up to speed with the story. Additionally our readers will get a limited edition single issue, signed by its writers, creators and artist. Thirdly, they will also receive a digital collector’s edition of the “Treadwater Dossiers” Character Art Book.
In the 1987 the Dutch auteur film maker Paul Verhoeven created a movie unlike any other. He called it Robocop and I’m old enough to remember watching this dark comedy sci-fi masterpiece when it was brand spanking new.
This film and its sequel (humbly titled: Robocop 2) continue to resonate and influence today’s art and culture. Sometime this year or perhaps next, in the real-world city of Detroit a ten-foot tall Officer Murphy (aka Robocop himself) statue will be unveiled- 26 years after Verhoeven chose Detroit as the setting for a near future city on the brink of disaster due to the privatization of that city’s police force and its resulting corporate mismanagement.
It seems OCP, Detroit’s police force, have no choice but to create a half-man half-machine cyborg in hopes of not only a public relations coup but with an eye on a bright future of profitable policing. Enter the complicated messages stitched into Robocop.
Film like all media, has been used as a political statement before but perhaps Robocop did this unintentionally. It’s a sci-fi movie first and foremost but the personal message exists too: THIS MIGHT HAPPEN. “Dead or alive….you’re coming with me.” CP