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Art

The Iconic 909 Techno, House & Acid (Drum) Machine

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Vogue- Madonna. Girls Aint Nothing But Trouble- DJ Jazzy Jeff & The Fresh Prince. Garage Palace- Gorillaz & Little Simz. Pump Up The Jam- Technotronic. Take Me Home 2016 Remaster- Phil Collins. Hunter- Bjork. Revolution 909- Daft Punk. Purple Hearts- Kendrick Lamar w Summer Walker & Ghostface Killah. What do all of these hit songs (and many more) have in common?

“The Roland TR-909 Rhythm Composer is an iconic drum machine powerhouse that’s defined genres and ignited dance floors since its debut. Known for its instantly recognizable punchy classic drum sounds, the TR-909 delivers that quintessential rhythm that has shaped techno, house, acid, and beyond.” Tone Tweakers.

To say that the 909 is a versatile instrument is an understatement.

Creatively transformed into distinct and unique sonic identities by adding interesting studio effects to its sound samples and through different methods of programming tracks, the differences between rhythm styles and drum sounds between hit songs is amazing .

The drums in Phil Collins’s “Take Me Home” are characterized by a powerful and distinctive gated reverb effect on the snare, creating a dense, atmospheric rhythm that drives the song.

“The laid-back vibe of “Purple Hearts” compliments the snappiness of the vintage TR-909 sound. The drums help carry the smooth groove throughout the song, and the cymbals add some sparkle and shimmer to an otherwise tight percussion sound.” Native Instruments.

909 sighting. Fat Boy Slim’s “You’ve Come A Long Way Baby” liner notes.

The TR-909 drum machine was created in 1984 by the Roland Corporation. Forty years later, it is still a highly sought after drum machine commanding a serious amount of purchase money. For perspective, the cost for the 909 in 1985 was $1,095 usd ($3,502 usd allowing for inflation) but has appreciated substantially in value since then- the 909 regularly sells for double this amount or more, not surprising since it is renowned for its iconic analog drum sounds which have become staples in electronic music genres such as techno, house, and acid. The TR-909’s distinctive sound and easy-to-use interface have made it a classic piece of equipment, shaping the sound of countless tracks and influencing generations of musicians and producers.

Attack of the 500$ Clone

“Great care has been taken in designing the RD-9 to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach on a classic drum machine, the RD-9 gives you the power to harness the phenomenal sound of the venerable TR-909 and tap into some new features as well. Colossal bass drums through sizzling hi-hats can be manipulated to take your rhythm performance to the next level. This is an analog beat-making monster.” Behringer

Sci-Tech

The Crappy But Amazing Toy Sampling Keyboard That Influenced Legions

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SPOTLIGHT: The Casio SK series keyboards, carries great nostalgia for many of us who grew up in the 80s and 90s.

My friend got one for his birthday, and after spending an entire day at his place sampling burps, coughs and farts, I knew I was destined to become an electronic musician. If this is your story too- let us know below in the comments section.

The SK line’s distinctive design and sound evoke memories of early bedroom-made electronic music and hip-hop production, making it a sought-after collector’s item. The SK sound quality is characterized by its lo-fi charm. Everything sampled into it sounds like crap, but in a good way!

There’s a thriving community of musicians and collectors who appreciate the SK-2 , SK-5, SK-8 et al for their historical significance and cultural impact.

Used prominently on my 2008 release of AUDIOCOSM by Jarrod Barker, the SK-8 was used as a sampling beat box and also one or two of its famous presets were used in a loop to create swirling matrices of sound on a number of tracks. I found this keyboard in a thrift store in 2007 buried in the children’s electronic toys. It was $2.99 CAD and even had the battery cover. This fortuitous discovery was the spark that led to the writing and recording (on a boat no less!) of AUDIOCOSM.

The rare white version of the SK-10.

At their absolute basic, the SK line are fun keyboards and a great introduction tool to lo-fi sampling. But there is much more.

After recording a short audio sample (recorded either via the built in monophonic microphone or by plugging in an audio source using the 1/8″ female jack) you can choose from various envelopes (settings that affect how the sound starts, how long it sounds and how it ends) and also select whether to reverse or loop samples. These toy synthesizers are a treat when connected via guitar effects pedals. A good outboard effect can transform these keyboards into something much more powerful and believable. If that isn’t enough you can explore the factory preset sounds some of which sound more realistic than others but all have usefulness in the correct setting.

Most SK’s have a decent enough piano, vibraphone, flute, trumpet and clarinet sounds. There are also built-in speakers that are loud enough for mobile use such as camping or beach hang outs and of course the SK’s run on batteries. They also have line out feature which bypasses the onboard speakers allowing you to record them into your favorite DAW or standalone recording machine….an analog 4 track is a great bedfellow.

The Mod community and the SK (circuit bending)

Due to it’s relative affordability (used prices have continued to rise in the past 10 years) the SK series of keyboards have been embraced by electronic musician modifiers. Their basic construction and ease of internal access makes modifying them a lot of fun. The creativity of modders seems to be endless- everything from MIDI control to individual audio outputs to real time control of sound chips using dip switches or rotary controls.

Join that thriving community by buying this one from our friend at Tone Tweakers today! For the Silo, Jarrod Barker.