Tag Archives: stage

Why Helsinki’s Innovative Circular Olympic Architecture From Seventy Years Ago Will Be Renewed

Although the smallest city to have hosted the summer Olympics, Helsinki’s functionalist structures were conceived as versatile recreational venues and have been preserved to become modestly emblematic of successful circular design 70 years later.

With functional design and sustainably-driven innovation as core priorities for Helsinki’s future, the city and the partners undertaking renovation work to the heritage sites have echoed contemporary architects and designers across the world using innovative design to renew rather than demolish existing buildings as the city grows.

Hanna Harris



Hanna Harris, Chief Design Officer, City of Helsinki, commented: “Helsinki’s Olympic landmarks are a source of great local and national pride, and are buildings that many of us have either grown up recognizing as part of the city’s fabric, or fondly remember for their original purpose. It is therefore of particular importance that we maintain and protect the legacy of these historic buildings, while reconceiving new uses and undertaking architectural updates that bring new life to former Olympic sites as sustainably as possible.

Helsinki Olympic Stadium

Built in 1938 and intended to host the 1940 Olympic Games before its cancellation, the Helsinki Olympic Stadium, is an iconic landmark of independent Finland and Finnish functionalism. The stadium is the result of an open architectural competition held in the 1930s – a favoured design process in Helsinki – which was won by Finnish architects Yrjö Lindegren and Toivo Jäntti. Becoming a crown jewel of 1930s functionalist concrete architecture in Finland, and at the heart of the 1952 Games, the Stadium has since been re-envisioned as a multi-purpose sporting and events location. 

The refurbishment of the stadium, completed in 2020, respects the original architecture by preserving the angular concrete facade and original structure of the design. Additional features were added in a 20,000 sq m underground extension, and include sports facilities, logistical spaces, technical spaces, and an indoor running track. In addition, K2S Architects + Architects NRT improved public safety and comfort by adding new entrances to the stands, and a canopy to cover the stands almost entirely.

Amos Rex Art Museum

Originally designed as a temporary building to serve visitors to the Olympic Games, the Lasipalatsi (“glass palace” in Finnish) once housed commercial premises, restaurants, and a cinema. 2018 saw the completion of a five-year, €50 million project by Helsinki-based architecture firm JKMM to restructure the Lasipalatsi to house the Amos Rex Art Museum, amongst other public spaces. 

At the heart of the museum, 13,000 cubic metres of rock have been excavated to create a world-class gallery space. The gallery is topped with a series of domes and skylights, which above-ground create a series of mounds that articulate the surface of Lasipalatsi Square. The mounds generate a playful landscape which invites residents and visitors alike to interact with the space, and are often used as grandstands, stages, or platforms for public events. 

A programme of creatives are invited to also make use of this public space to produce site-specific work, such as The Nest, a sculptural installation by Japanese artist Tadashi Kawamata (7 May – 4 September 2022), in which reclaimed materials surge over the roof of the Lasipalatsi building and up the courtyard chimney. 

Helsinki Airport

Built in 1952, Helsinki Airport saw nearly 2000 flights pass through during the Olympic Games, with guests including royalty, such as Dutch Prince Bernhard and Prince Philip of the United Kingdom, as well as Olympic sports teams from around the world.

Designed by Helsinki-based practice ALA Architects, the newest terminal extension aims to streamline the user experience and bring excitement back into air travel, with new departure and arrival halls that from 21 June 2022 centralise all flights under one roof, in addition to the introduction of next-generation security control and a new multimodal travel centre. New stores enliven the visitor experience such as Balmuir and Marimekko stores, a variety of restaurants, and the beloved Moomin Shop. 

A central feature of the airport extension is a cross-laminated timber ceiling, made up of 500 unique pieces of Finnish spruce which slot together to form a feat of carpentry in an undulating structure that appears to float overhead. The terminal extension reflects a purposeful dedication to Finnish design and nature through the use of predominantly domestic materials. A freeform installation titled “Luoto” echoes the rocks and islets seen across the national landscape as a natural diorama featuring trees, plants, and stones as a memorable experience for visitors.

The redevelopment is due to complete in 2023, when a new baggage claim hall will be put into service.

Serpentine House

Designed by Yrjö Lindegren, also responsible for the Olympic Stadium, the Serpentine House in the Käpylä district of Helsinki is a highlight of Finnish architecture. The building of 189 residential flats was first constructed as part of the Olympic Village in 1951. The project to renovate the southern residential building ran from 2016 to 2018 and was led by architect Mona Schalin of Kati Salonen and Mona Schalin Architects. Serpentine House subsequently won the 2019 Finlandia Prize for Architecture, awarded annually by the Finnish Association of Architects, SAFA.

Despite its total length of 287 m, the design succeeds in avoiding a rigid and austere feel by setting the residential units in a fan-like arrangement that creates a series of private and sheltered garden spaces. The design team also worked in close collaboration with the staff at Helsinki City Museum and the city’s planning and building control departments to propose a sustainable refurbishment. The majority of the original windows and kitchen fittings were preserved and repaired and, significantly, the original natural ventilation system was retained. This energy efficient system will continue to reduce maintenance costs and prevent indoor air quality problems in the years ahead.
 

The City of Helsinki continues to demonstrate commitment to innovative, sustainable design and the transformational potential of architecture in shaping the city as ways in which to further improve its maritime character, create liveable spaces, and promote active citizenship.

Later in 2022, an Architecture Policy will be unveiled that formalizes the city’s relationship to architecture across landmarks, everyday buildings, coastal connections, and urban renewal.

Also in 2022, the design winner of the Makasiiniranta quality and concept competition will be announced,  cementing plans for Helsinki’s most high-profile upcoming development that will house the new Architecture and Design Museum.  

Instituting a new chapter for the city’s South Harbor – the last old harbor area to be transformed for public use in Helsinki, including the protected Olympic Terminal – the development of the 83,000 sq ft historic site will reconnect the expanding pedestrianized city centre with the shoreline as a new culturally-intensive destination. A separate architecture competition for the Architecture and Design Museum is set to launch during 2023.

Amazing Fan Series Star Trek Continues Wraps Up With Florida Supercon Screening

The cast and crew of STAR TREK CONTINUES finished principal photography on our series a few months ago, and we are working at warp speed to put all of the finishing touches on Episodes 9, 10, and 11 – which will complete our salute to The Original Series.

And while we are all sad to see STAR TREK CONTINUES come to a close, we have committed to our supporters that these last three chapters in our story will be finished and released this year. That means three more upcoming premieres of the continuing voyages of the Starship Enterprise.

Episode Nine is in sound design and will have a debut screening at the end of July at Florida Supercon in Ft Lauderdale. We’re so honored to announce some very familiar names in guest starring roles for Episode 9, including John de Lancie and Anne Lockhart.

Of course, John needs no introduction. His character will be among the first to appear on our Planet Set (constructed with support from our crowdfunding campaign).

Anne Lockhart may be best known to science fiction fans for her role as “Sheba” on the original Battlestar Galactica, but she has also been in hundreds of other productions and commercials – including a recurring role in Chicago Fire on NBC. (And, of course, her Mom was June Lockhart, the matriarch of Lost in Space!)

John de Lancie, Chuck Huber (McCoy) and I will each be guests at Florida Supercon. So we hope you might plan a trip to Fort Lauderdale to enjoy the world premiere screening of “What Ships Are For,” at the end of July. Details about the screening will be on the Supercon website.

Finally, our remaining episodes constitute an exciting two-part story that will not only finish out our series, but bring an exciting and satisfying conclusion to the original five year mission of the Enterprise. Episode Ten is set to premiere at Salt Lake Comic Con (the weekend of September 21) and Episode Eleven will have its debut screening at New York Comic Con October 6.

Keep this comm channel open for more info about our final installments. And again, thank you to all of you for your enthusiasm and support for this “love letter to Star Trek”.
John De Lancie Beaming In To STAR TREK CONTINUES
With Episode 9, STAR TREK CONTINUES adds another feather to its cap — versatile actor, comedian, singer, director, and producer John de Lancie. Well-known to fans for his strong Trek background, de Lancie met STAR TREK CONTINUES founder Vic Mignogna on the convention circuit, and Mignogna offered him a role in the production.

“Vic asked me if I’d be interested in appearing in STAR TREK CONTINUES, and he told me a little bit about the show. I asked him to let me read the script, and I was immediately impressed with it. It’s definitely classic STAR TREK, because it’s a secular moral story and one that I think is particularly poignant in our current times. I believe the material is the most important thing, and this is really good material.” Episode 9 is penned by Kipleigh Brown, who appears as Lt. Smith in the series.

De Lancie says he’s “also very sympathetic to people who put together their own projects. I know how much work it is. And in this case, Vic has his hands in every element of the production. It was an easy choice to say yes because I knew I could be somewhat helpful in a modest sort of way. And I knew I would be acting in an interesting story.”

Strange New Worlds

De Lancie said he didn’t really have any preconceptions about STAR TREK CONTINUES, since he had not seen any of the series’ episodes.

“I have to say legitimately that I was really impressed,” once he joined the production crew on set in southern Georgia. “There is a lot of attention to detail, and a lot of love went in to all of this.”

He said that he was surprised and “got chills” as he walked the halls of the Enterprise.

“I had the feeling that I was on a historic set, even if it is a facsimile of the original. These were the identical colors to what was used in the 1960’s, when they were trying to sell color TVs. And the other thing that struck me is that these sets have a certain 1960’s look, from the gadgets to the crew quarters. This had the same look of all the shows that I used to watch as a kid.”

Growing up in the 1950’s, de Lancie said that he didn’t watch that much television, and in fact his parents had taken the TV away. “I had a real problem with reading, so my parents just took the TV out of the house.” De Lancie’s escape was Saturday afternoon science fiction movies at the theater.

For Episode 9, de Lancie is careful not to reveal any plot details when describing his character, except to say that there are elements of the character that are revealed as the story unfolds.

“He is a character not unlike many of us. He has recognizable human traits and deep-seated prejudices.”

De Lancie came prepared for his role, just as he is for any acting assignment, and spoke his first lines on the Planet Set that had just been dressed into a lush forest environment.

Convention Capers

A frequent guest at conventions throughout the world, de Lancie had just returned from FedCon in Germany when he spoke to STAR TREK CONTINUES.

“I really do enjoy meeting the fans at the conventions. I enjoy being up on stage and answering the questions. And I enjoy having drinks later with the actors. But what is becoming wearisome is the travel – especially if you go overseas. It takes your body about three days to adjust to a new time zone, and then the event is over and you’re heading back the other way.”

Travel has certainly been on his agenda of late for another reason, since the entire de Lancie family recently returned from a big journey.

“My wife was in Burma, teaching. So I went with her. Then we went to Vietnam, and then our kids joined us in Japan and the whole family took a boat trip. I was back for a couple of days, did a convention in Phoenix, and then it was off to Bonn, Germany,” for FedCon.

Ponies, Dragons, and Video Games

The busy actor has another fan base, far different from those who appreciate his Trek credentials. For the past six years, de Lancie has been the voice of a dragon named Discord on the cartoon series My Little Pony: Friendship is Magic.

“Yes, there are conventions for My Little Pony. But it’s a very different fan base. I like particularly talking with the little kids. They have a hard time imagining that they’re looking at someone their grandfather’s age who plays a mischievous dragon. It’s also an unusual fan base, in the adult world. I did a documentary about that. I like the show very much, because it also has a sort of secular morality attached to it. You don’t need to have a religious text to be the source of a moral lesson. There are a lot of unusual people involved with My Little Pony. I talk to a lot of people in the military who just like looking at something bright, happy, and upbeat,” de Lancie says.

In addition to the My Little Pony TV series, de Lancie has also voiced his character for a Pony video game. And he’s worked as a voice actor for games like World of Warcraft, StarCraft 2, and others.

“While I don’t play video games, I was asked a few years ago to do voices for one. I’ve watched my kids over the years play a lot of games. I’m a big history buff, so one thing I really liked about the game Assassin’s Creed was the fun way they went back in time with very detailed representations of Florence and Constantinople.

“I like the fact that doing video games keeps me current in the minds of people who are 20 years old,” he adds.
Guest Star Anne Lockhart Comes Full Circle with STAR TREK CONTINUES
An actress and voiceover artist with literally hundreds of credits to her name, veteran performer Anne Lockhart will be a guest star in Episode 9, which will have a debut screening in late July.

Lockhart is best known to science fiction fans for her groundbreaking role as Sheba in the original Battlestar Galactica in 1978. Now her travels take her to another science fiction universe. An invitation to join the cast came from STAR TREK CONTINUES creator Vic Mignogna.

“I’ve known Vic for a couple of years. He called me one day and said that he had an idea to talk about regarding STAR TREK CONTINUES, which was a guest starring role in an upcoming episode. And I asked him what took him so long! It’s such an honor to be in an episode, because I’m a fan. I love the whole look and the concept of it. And the fact that I got asked to be part of that universe is amazing,” Lockhart says. “I was there before I’d even read the script!”

Lockhart loved working with fellow guest star John de Lancie on the episode, and it was actually the second time that both had worked together.

“We did the first two-hour episode of EMERGENCY, a long time ago. I don’t think he remembered being in that one with me. He played a doctor, and I was his patient – rescued from a burning building. I remembered him because he was so dear. Working with John is joyful. There are so many actors who just show up and do it in their sleep. But not him.”

Lockhart has built an impressive resume over several decades of TV, film, and commercial work. Her first series was Lassie in the late 1950’s, as a child actress. Years later, Glen Larson, the creator of Battlestar Galactica approached Lockhart about a role in proposed series.

“The role of Sheba was written for me. I knew Glen Larson because I had done episodes of the The Hardy Boys for him. He sent me the barebones pilot script for Battlestar Galactica. And basically it was about a bunch of guys and a girl who came in every few pages and said ‘don’t forget your laser gun.’ I turned it down,” Lockhart explains. She was recovering from a fire that had burned down her house and was living with her mom (TV actress June Lockhart) at the time.

“Glen said he could always rewrite the character, and the script went through several re-writes.” Lockhart loved the revised script and came aboard the Battlestar.

“Jane Seymour didn’t want to do a series. So they killed her character. The character of Sheba was so strong and so wonderful to play – and it was nothing like the original script. I ended up with a better character.”

Being in space was nothing new to the Lockhart family. Lockhart’s real mom played Maureen Robinson on Lost in Space, the mother to a family traveling the stars. Some days, Anne and her sister were dropped off at the 20th Century Fox lot to wait for their mom to finish her work and do homework in her dressing room.

“I remember one day there was a chunk of time when Billy Mumy (who played Will Robinson) had nothing to do. We just took off and wandered the Fox lot for two hours, exploring the sets of shows like Peyton Place. And then we finally wandered back. My mom was panicked. And so was Billy’s mom,” Lockhart laughs as she recalls the memory.

Currently, Lockhart stays busy with the recurring role of a dispatcher on Chicago Fire, a role that she has to reprise at the drop of a hat. “There are some times when they’ll call me over the weekend and say that I have to be in Los Angeles on Tuesday.”

She worked out the schedule to come to southern Georgia and the new planet set of STAR TREK CONTINUES for her role in Episode 9.

“We worked our tails off. Vic shot over twenty pages in three days. That’s just insane. But that shows how good he is. It shows how good the crew is. I was just so overwhelmed with the commitment and the people who were there volunteering their time, just out of love. It was really a wonderful experience.”

Like William Shatner, Anne Lockhart has a fancy for horses and has raised thousands of dollars of the years with rodeos benefitting autistic children. And she serves on the board of directors for the Thousand Oaks, California Kingsmen Shakespeare Company.

“It’s been several years since I’ve appeared on stage with Kingsmen. It was started by my friend Lane Davies, and literally it started with a dirt stage and two lights. Now it’s one of the premiere Shakespeare companies in the country. My children have grown up performing with me. It was so cool to go there, thrown down your blanket, and see Shakespeare presented in a very contemporary way. We did Julius Caesar, but set in a city like New York. It was like The Godfather. We did The Merry Wives of Windsor as if it was the swinging London scene of the 1960’s. It’s not just a bunch of people in togas,” says Lockhart.

While she has seen some rough cuts of the episode, Lockhart says she’s looking forward to the public release of Episode 9.

“This was kind of like a dream come true for me. Being part of the STAR TREK universe is something I’ve looked forward to doing. I adored STAR TREK. And Lost in Space, to be honest, kind of became a comic book. STAR TREK was always just my favorite.”

For the Silo, Vic Mignogna -Captain of STAR TREK CONTINUES