Tag Archives: Silo Writer

Synth Britannia Shows The Future Was In Fact Delivered

Come on, you have to admit. It’s a lot of fun to stumble around YouTube with that old pre-internet habit of television channel surfing surprising you with random discoveries.

When I do, I particularly enjoy reading comments left by others who have somehow found their way to whatever it is I happen to be watching. This comforts me because I know that this method of purposeful and accidental consumption of media is not exclusive to me [many comments start with: “Not sure how I ended up at this video but….” or ” __________led me here.”]  but perhaps I’m alone in the belief that spontaneous discoveries help connect me better to the production. I think what I’m talking about is called “verisimilitude” and no doubt as I type this out there’s someone trying to figure out how they’ve discovered the same excellent BBC synth documentary that I discovered by chance: Synth Britannia.

Donna Summer's synth programmer in 1977 brought the sounds of the future to disco with I Feel Love
Donna Summer’s synth programmer in 1977 brought the sounds of the future to disco with I Feel Love

A few years ago, I was enjoying reading a guest editorial in Wired by comedy bull Will Ferrell. )

Not one to beat around the bush, Will wanted to know what had happened to the future?  Specifically the future suggested if not promised in comic book ads to the then pre-adolescent Will Ferrell. He asked, where were the Jet packs, autopilot-flying cars and robot butlers? It occurred to me that if Will was an electronic musician he would have come to the same conclusion that the producers of Synth Britannia did while they drew up the plans to make their excellent documentary: The future did come, it just wasn’t so literal.

1970's Northern Britain looking like a scene from Blade Runner, one of the birthplaces of future synth music.
1970’s Northern Britain looking like a scene from Blade Runner, one of the birthplaces of future synth music.

To compound matters this future somehow passed by all of us, unless perhaps you were a student of history or an existentialistic, free-radical electronic acolyte or computer programmer back in the golden age of dystopia vision. I call this era the ‘other’ 1970’s.
I have added the qualifier: ‘other’ 1970’s, because today’s media mistakenly focuses on reinforcing the bell-bottom, disco driven qualities of the 1970’s but there was a much more robust, artistic movement running against the grain in the same way that meaningful art has always done. This movement bridged fashion, art, cinema, sound design and of course music and if you want to learn more while being thoroughly engaged, then spend some time paying attention while you watch Synth Britannia.

You might even find yourself considering an impulse purchase of a mini Korg 700S. I know I did.

Supplemental- While I polished this article, one thing became apparent. New music or to be specific, those new artists that are being profiled on national television as new music agents are all lacking the one thing that characterizes the heroes of this column. Simply put, today’s music heroes are not a unity of ideas and expression. They are not bands. They are performers representing wish fulfillment with no sense of genuine attitude or social commentary and perhaps even worse, no sense of daring inventiveness. So far, most (but not all-there are exceptions) of today’s star performers are ‘safe’, predictable and lacking in terms of communicating their alienation. They have become game show contestants. This is because media business (in other words the television networks) has formulated and created what is palatable to an audience. The home video game market further suggests and reinforces created fantasies with interactive games that essentially boil down to a form of karaoke or twister. Simply put, new consumer habits are being engineered and I’m sure they always will be.

So, as listeners, is it fair to say that we no longer think for ourselves and we no longer question what is ‘good’ or ‘impactful’? With today’s de rigueur promise of dream and wish fulfillment (in terms of television shows that empower an audience with voting privileges to create the next pop star) that most crucial artistic ingredient: “individualized commentary” has been eradicated. Even more alarming is that consumers’ freedom of choice is being challenged.

That’s likely because the major media corporations feel wholly threatened by what the internet promises: a vast sea of content that is discoverable and searchable by desire or by chance.

Vince Clarke- Depeche Mode's keyboard player and future visionary.
Vince Clarke- Depeche Mode’s keyboard player and future visionary.

So-is it fair to say that we have become woefully inadequate in identity and informed choice? If there is art, angst and message, where can we find it? Try channel surfing around YouTube and follow what catches your interest.  For the Silo, Jarrod Barker.

Discrimination Against Cyborgs? Tomorrow’s Hate Crime…Today

Neil Harbisson -cyborgist (image creative commons)
Neil Harbisson -cyborgist (image creative commons)

We tend think of cyborgs as something from the type of ‘horrible future’ depicted in video games and science fiction movies. At least I do, but every once in a while I come across something that reminds me that I am already living in that future. Hate crime against cyborgs may seem like bad fiction, but it has already happened.

Waaay back in 2012 Toronto cyborg, Steve Mann, claims he was assaulted in a Paris McDonald’s just for wearing his EyeTap. Mann is a professor of electrical and computer engineering at the University of Toronto. He is known as the father of wearable computing and is the inventor of the EyeTap, among other things. The EyeTap is an assistive device that can enhance visual information for people who are visually impaired, but can also superimpose extra information on top of the visual scene. For instance, it can overlay infrared heat signatures, measurements, or statistics.

Mann states he was confronted about his EyeTap while in line to order but was left alone after he showed the employee his doctor’s note (something Mann always travels with) which explains exactly what the device is for and why Mann wears it. After eating Mann was surrounded and manhandled by several McDonald’s employees who were concerned that he was filming trade secrets. The employees tore up his doctor’s note and tried to rip off the EyeTap device. However, the EyeTap does not come off without special tools: it cannot just be removed. Although the EyeTap was damaged in the altercation, it managed to capture footage of the employees who assaulted Mann, who was upset but essentially uninjured. McDonald’s consistently denied any wrongdoing in this case despite these images.

But this is just a one-off event right? I suspect that is not the case. In a very real sense, cyborgs are already here. More and more people are turning to the sort of assistive devices that blur the line between human and machine. If you think about it, a cyborg is what you get when you enhance human abilities by adding mechanical elements.

Imagine a deaf person. After a lifetime of being deaf, he gets a cochlear implant allowing him to hear for the first time. His natural abilities have been extended using technology. Another person has a pacemaker that allows her heart to beat in a regular rhythm. Her natural abilities have been extended with technology. Sure, it is not laser hands or a Wi-Fi connection to the hive mind, but it is real and fits the definition.

The Cyborg Handbook estimates that ten percent of Americans qualify as cyborgs in a technical sense. That’s the thing about the future: we are so used to living in it; we forget to be impressed by it. There are also, however, a handful of people who would be considered cyborgs in the traditional sense.

For instance, Steve Mann himself is generally considered a cyborg. Neil Harbisson, artist and cyborg activist is the first person to be legally recognized as a cyborg. Born colour-blind, Harbisson created a head mounted device which turns colour frequencies into sound. He later had a version of this device implanted directly into his skull. With his “Eyeborg” implant Harbisson can now hear colours even into the infrared and ultraviolet spectrum.

Just as more people get closer to being proper cyborgs, more people are starting to push back against what they see as a harmful trend. Stop the Cyborgs is a real group dedicated to preventing a future where privacy is impossible, where we in fact have no expectation of privacy, where surveillance is normalized. It is difficult to argue with that, none of us regular people want to create an Orwellian surveillance state on purpose.

Fear factor? The recurring cyborg character "Davros" from TV's and Netflix' Doctor Who
Fear factor? The recurring cyborg character “Davros” from TV’s and Netflix’ Doctor Who

Their second point of contention is much more problematic. Stop the Cyborgs wants to ban or restrict wearable computing devices that can record and upload data, just as an increasing number of people are turning to such devices to manage their tasks of everyday living. They argue that wearable technology blurs the line between human and machine, with the implication of course, that this is a bad thing. They do make a limited exception for people using ‘assistive devices’ as long as the device itself and the data it gathers remain in the sole possession of the individual.

But how do they, and more importantly, how do you determine that on a daily basis? This ‘cyborgs are bad’ mindset is going to lead in a bad direction. With the widespread release of Google Glass this past spring, we are only going to see more integration of people with their computing devices. As the price goes down, a greater number of people are going to adopt wearable technologies.

Stop the Cyborgs seems like a knee-jerk reaction to the introduction of Google Glass, which threatens to normalize an always-on type of surveillance. They even go so far as to suggest that we cannot know if cyborgs are in control of their own implants, or even of their own bodies. But the actual threat is probably much less serious than that.

First, we are already at the point where we could be filmed at any time. Nearly everyone has a video camera in their phone, and most of us are recorded by closed circuit security cameras all day long as we go about our business. If we assume that every person wearing an assistive device is some sort of covert-ops tool of the state, things are going to get ugly very quickly. For instance, Stop the Cyborgs just released a new device called Cyborg Un Plug that prevents cyborgs in your vicinity from connecting with the hive mind, er, internet and uploading video or audio data.

Second, as Steve Mann points out, these cameras can be used by regular people to keep a record of the doings of the state and its agents, like the police. Mann calls this ‘sousveillance’ which essentially means watching from below. Recording and sharing the events of everyday life can allow people to share their personal experiences with others, can provide an alibi when there is alleged wrongdoing, and can make it easier to make power-holders accountable for their actions. These are the real trends to watch for as wearable computing becomes more common. For the Silo, Cathy Greentree.

Supplemental:

http://stopthecyborgs.org/

http://spectrum.ieee.org/geek-life/profiles/steve-mann-my-augmediated-life

http://cyborganthropology.com