A few years ago, Dimitry Anatolyevich Medvedev was the tenth Prime Minister of Russia- the incumbent since 2012.
Before that, he previously served as the third President of Russia, from 2008 to 2012. The Russian Prime Minister has the second highest position in the government, after President Vladimir Putin. Medvedev, the Prime Minister of the Russian Federation comment confirms aliens are here.
After the recording of a 2015 television program, in off-air comments, he was less guarded.
He did not realize that his microphone was still open and stated: “I believe in Father Frost. But not too deeply.” he said in a jovial reply to a question about Russia’s equivalent of Santa Claus.
A journalist asked whether the president is handed secret files on aliens when receiving the briefcase needed to activate Russia’s nuclear arsenal.
Medvedev the former Russian President stated, “Along with the briefcase with nuclear codes, the president of the country is given a special ‘top secret’ folder. This folder in its entirety contains information about aliens who visited our planet,” Mr. Medvedev answered playfully.
“Along with this, you are given a report of the absolutely secret special service that exercises control over aliens on the territory of our country … More detailed information on this topic you can get from a well-known movie called ‘Men In Black’ … I will not tell you how many of them are among us because it may cause panic,” he says.
None of the television stations that interviewed Mr. Medvedev broadcast the off-air comments, but they were delivered to Reuters as a pool signal and some were shown on YouTube.
Mr. Medvedev worked closely with Vladimir Putin in St Petersburg in the 1990s and it was Mr. Putin who ushered Mr. Medvedev, now 47, into power in 2008. In case of President’s Putin’s death, resignation or impeachment, the Prime Minister becomes the temporary president until new presidential elections are held. http://beforeitsnews.com/beyond-science/2012/12/breaking-russian-prime-minister-confirms-aliens-are-here-2440158.html For the Silo, via Major (ret.) George A. Filer -Filer’s Files 49-2015
I graduated from the University of California at Berkeley 4 years ago with a degree in Mechanical Engineering. I received two job offers, one from SETI to work on high performance signal processing and the other from industry.
One does not simply walk away from SETI, so I had the pleasure of joining the Berkeley SETI Research Center (BSRC) team this past June. I received a warm welcome and was promptly sent to West Virginia to help install a new SETI system at the Green Bank Telescope.
There was a steep learning curve, but I was fascinated by BSRC’s work and couldn’t wait to actually understand what was going on.
As it turns out, our group is looking to expand its computing power, providing the ability to look at more star systems with habitable planets, expand the involvement of volunteers and acquire larger volumes of data; in short, broaden the search and increase our chances of intercepting a signal. Now I’m working on setting up new servers, network hardware, and signal-processing systems at Green Bank. We’re hoping to get data flowing and recording soon, and make it available for the interested public.
From the 19th-century idea of drawing a giant Pythagorean triangle in the Siberian tundra to signal extraterrestrials, to our current collection of servers storing and analyzing data, it is not hard to see how much progress has already been made.
Running SETI software on your home computer looks like this.
Funding from the Breakthrough Initiatives is spawning new projects that would not have been otherwise possible. SETI@home is planning to work with Breakthrough Listen to collect and distribute data from the Green Bank and Parkes telescopes. However, in order to sustain the whole SETI@home effort we could still use support from our devoted SETI@home contributors.
Recently, I spent a day at the Bay Area Science Festival talking to kids and their adults. I was fascinated by just how stoked kids are about SETI. Some came with prepared questions and showed incredible curiosity and intelligence. The BSRC team is hoping to inspire kids to pursue science careers and I think searching for life beyond Earth is a great way to get them interested and involved. I hope you continue your support for this fascinating endeavor, and keep your eyes on the stars. For the Berkeley SETI Research Center team, Zuhra Abdurashidova.
Supplemental- via nemesis maturity YouTube channel
Wow Signal – Scientists say that if the signal came from extraterrestrials, they are likely to be an extremely advanced civilization, as the signal would have required a 2.2-gigawatt transmitter, vastly more powerful than any on Earth.
The signal bore the expected hallmarks of non-terrestrial and non-Solar System origin.
One summer night in 1977, Jerry Ehman, a volunteer for SETI, or the Search for Extraterrestrial Intelligence, may have become the first man ever to receive an intentional message from an alien world. Ehman was scanning radio waves from deep space, hoping to randomly come across a signal that bore the hallmarks of one that might be sent by intelligent aliens, when he saw his measurements spike.
The signal lasted for 72 seconds, the longest period of time it could possibly be measured by the array that Ehman was using. It was loud and appeared to have been transmitted from a place no human has gone before: in the constellation Sagittarius near a star called Tau Sagittarii, 122 light-years away.
All attempts to locate the signal again have failed, leading to much controversy and mystery about its origins and its meaning.
“For me It was an incredible feeling to use this 120 ton radio dish, capable of peering into the far reaches of the universe, to create an artwork focusing on one of the greatest achievements in human history” Richard Clar image: space.com
Los Angeles, CA, – Richard Clar using an earth-moon-earth (EME), or moon bounce as it is also called, radioed two very special signals off the surface of the moon where their return was received at Dwingeloo Radio Observatory in the Netherlands.
Clar’s extraordinary two-part project, Giant Step and Lune sur la Lune, paid tribute respectively to Apollo Astronaut pioneer Neil Armstrong’s first step on the moon on July 20, 1969 and to the far side of the moon itself, something witnessed only by a rare group of individuals, the Apollo Astronauts. The two radio transmissions to the moon and back emanated from a radio dish in Italy.
Giant Step is a personal response to an event Clar personally witnessed back in 1969, and he wanted to use his creativity to pay tribute to those who took part in the Apollo program, and especially Neil Armstrong for what he did on that momentous day.
He wanted this work to say something about the moon itself, using the moon.
His interest was piqued after hearing about an earth-moon-earth bounce (EME) from Italian artist and colleague, Daniela de Paulis, who together with radio specialist Jan van Muijlwijk developed the process of using EME to send images to the moon and back in 2009. As he researched the Apollo Archives, he came across an Electrocardiogram (EKG) of Neil Armstrong as he took the first step on the moon on July 20, 1969 – and Richard found his inspiration!
While data scientist Dr. Ryan Compton created the sonification tone from Armstrong’s actual EKG graph, prominent Los Angeles-based double-bass jazz performer and composer Roberto Miranda used the tone to create compelling sounds that have been called “edgy and hauntingly beautiful.”
“I wanted the art to say something about the first humans to set foot on the moon. Think how many living beings have observed the moon for eons…and now we have made a number of trips to the moon and back. I want people to have new experiences through my artwork,” says Clar.
Lune sur la Lune, an image of the far side of the moon, was transmitted in a poetic gesture onto the earth facing side of the moon. Since only the Apollo astronauts have seen the far side of the moon, using the radio-reflective surface of the moon to produce a site-specific artwork makes the moon a unique part of the process rather than just a subject matter ─ and also gives people on earth an opportunity to witness this phenomenal event and experience the moon in a new and different way. Shortly after the sound and image from Giant Step and Lune sur la Lune were received and processed at Dwingeloo, and will soon be accessible to the world at www.rockthemoon.com.
There was considerable excitement at the Dwingeloo Radio Dish on September 26th by those who witnessed the sound signal and image signals being received from the surface of the moon after the moon bounce. All in all, the art mission was a great success.
“For me It was an incredible feeling to use this 120 ton radio dish, capable of peering into the far reaches of the universe, to create an artwork focusing on one of the greatest achievements in human history,” stated Clar.
Richard Clar’s timeless work has been exhibited in museums, galleries and universities throughout the United States and Europe. His visionary ‘art in space’ began in 1982 with a NASA-approved concept for an art-payload for the U.S. Space Shuttle. Philosophical in nature, many of Clar’s themes originate in space environment issues, such as orbital debris, war and peace, the Search for Extraterrestrial Intelligence (SETI), and water management on earth.
Clar studied at the Chouinard Art Institute (now Cal-Arts). In 2001 and 2002, he coordinated the Leonardo/OLATS/IAA Space Art Workshops in Paris. Clar is the Director of Art Technologies; a Member of the International Academy of Astronautics (IAA); a Member of the IAA SETI Permanent Study Group; a Member of Women in Aerospace, and a Member of the Leonardo Space Art Working Group. He was the Secretary of the former Art and Literature Subcommittee of the International Academy of Astronautics, and a past Member of the Executive Board, Graphic Arts Council, the Los Angeles County Museum of Art.
An early example of Richard Clar’s Space Art
Clar founded Art Technologies in 1987 as a liaison between the worlds of art and technology. By collaborating with such partners as the U.S. Naval Research Laboratory, Boeing Aerospace Corporation, and contemporary composers, Clar generates high-visibility art works that transform state-of-the-art technology and highly-engineered materials into evocative contemporary art. His work is found in many corporate collections, including JBL Sound, Home Savings of America, and the MGM Grand Hotel in Las Vegas.
After spending the last fourteen years in Paris, Richard Clar now resides in Northern California. For more information on his extraordinary artwork, please visit:
If you’re a space geek, science fan or techno nerd then you may already know a bit about the latest planetary lander called Curiosity. Today (August 6th, 2012) this engineering marvel (not to mention the challenge of sending and landing) sits near Gale Crater (this crater is so big there’s a mountain called Mount Sharp inside it CP) and prepares to investigate some of the most geologically interesting areas on the Red Planet.
What’s the big deal? This is an investigation that could unravel the greatest mystery of all…..”is/was there life out there?” So without further ado, here is the LIVE stream with real time chat. Update Aug6 10:03PM EDT the first LIVE stream has ended but has been archived and will play in the window below. Other LIVE streams will play in real-time as the mission developments continue. CP Update Aug22 1:03PM EDT we will be streaming the LIVE NASA press conference with updates on the mission and rover status. Video feed begins at 2:30 PM EDT CP
Testing out the optics on board the rover. These are an array of basalt rocks likely similiar to “Coronation”
The MARS/NASA/JPL team showed media the first scientifically laser-beamed and analyzed Mars rock during today’s press conference. This Basaltic rock (called Coronation by the team) displayed interesting hydrogen variations and preliminary results showed more hydrogen measured on its surface with exponentially decreasing amounts as the laser probed deeper.
Planetary Scientist Joy Crisp answering media questions during today’s Live feed.
The plan now before searching for water, is a ramping up of technical and rover checkouts, a more thorough planning order of activities and lengths, driving the rover to new sites for rock drilling and investigating what scientists are calling ‘scours’- ground indentations made by the Sky Crane thrusters during the descent of the Mars rover.
Scientists caution the fact that there are no definitive time tables for upcoming tests. This is due to such unpredictable conditions as weather forecasting and rover checkouts and performance. As these tests are conducted and checkouts are completed, the Mars team hope to learn how to ‘fine tune’ future tests after properly calibrating the rovers testing instruments. For example, the wavelength instrument is affected by the slight temperature shifts from the time of the Mars day and from the rover’s movements.
Spectrum results from Mars Rock “Coronation”. Note the Hydrogen peak after laser ‘zap’ #1. image:NASA/TheSilo
Reporter questions focused on the geological aspects of today’s conference and the team responded enthusiastically about plans to drive the rover to areas that have bedrock and opportunities for testing varied rock types. A short video in honor of deceased science fiction author and Mars fan Ray Bradbury rounded things out. As one scientist put it “ We are only 16 days into a two year mission.” Stay tuned. CP
