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The Royal Ontario Museum Publishes Cloth That Changed The World: The Art And Fashion Of Indian Chintz

New book explores the story of India’s richly coloured textiles ahead of ROM original exhibition

Photography by Tina Weltz

TORONTO — The Royal Ontario Museum (ROM) is pleased to announce the publication of Cloth that Changed the World: The Art and Fashion of Indian Chintz on December 2, 2019. The collection of essays explores the far-reaching influence this vividly printed and painted cotton cloth has had on the world, from its origins 5,000 years ago to its place in fashion and home décor today. The volume is the official companion to the ROM-original exhibition The Cloth that Changed the World: India’s Painted and Printed Cottons, which runs from April 4 to September 27, 2020 in Toronto.

The scholarly and beautifully illustrated publication draws from the Royal Ontario Museum’s own Indian chintz collection, which ranks as one of the best in the world. Featuring extensive new research, this multidisciplinary book traces the story of chintz and the indelible footprint it has left on the world. The publication combines vivid field photography of artisans at work with striking images from the ROM’s world-class collection, as well as images from India’s fashion runways and the work of top designers embracing this heritage textile today.

“The world would be a drab place without India,” says Sarah Fee, editor, Cloth that Changed the World and ROM Senior Curator of Eastern Hemisphere Fashion and Textiles. “Our blue jeans and printed T-shirts trace much of their lineage back to the ingenuity of India’s cotton printers and dyers. This exhibition and companion book celebrate how India ‘clothed the world’ in exuberantly coloured cottons for thousands of years. It explores the art’s resiliency in the face of modern industrial imitation and shares the exciting stories of reviving natural dyes and hand skills in India today.”

Contributing writers include leading experts Ruth Barnes, Rosemary Crill, Steven Cohen, Deepali Dewan, Max Dionisio, Eiluned Edwards, Sarah Fee, Maria João Ferreira, Sylvia Houghteling, Peter Lee, Hanna Martinsen, Deborah A. Metsger, Alexandra Palmer, Divia Patel, Giorgio Riello, Rajarshi Sengupta, Philip Sykas, and João Teles e Cunha, and a preface by Sven Beckert, Harvard University’s Laird Bell Professor of History.

Next spring, the book comes to life in the ROM’s Patricia Harris Gallery of Textiles and Costumes, where ROM-original exhibition The Cloth that Changed the World: India’s Painted and Printed Cottons will take visitors on a journey through the ROM’s world-renowned collection of chintz, on public display for the first time in over 50 years.

The striking exhibition will explore thought-provoking themes, including the ingenuity, skill and technique of Indian artisans; the adaptation of chintz for international markets; and the environmental impact of the global textile industry over time. With a focus on attire and home furnishings, the exhibition features 80 objects spanning 10 centuries and four continents. Religious and court banners for India, monumental gilded wall hangings for elite homes in Europe and Thailand, and luxury women’s dress for England showcase the versatility and far-reaching desire for Indian Chintz.

About Sarah Fee (Curator and Editor)

Dr. Sarah Fee is Senior Curator of Eastern Hemisphere fashion and textiles at the Royal Ontario Museum. She has degrees in Anthropology and African studies from Oxford University and the School of Oriental Studies, Paris, and in 2002, guest-curated an exhibition on Madagascar for the Smithsonian’s National Museum of African Art. Today, she continues to focus on Malagasy historic textiles and fashions, in addition to those of Zanzibar and Western India. A research associate at the Musée du Quai Branly, Paris, and the Indian Ocean World Centre at McGill University, Fee also teaches at the University of Toronto’s Department of Art. Fee is a past Board Member of the Textile Society of America, and currently sits on the editorial board of the Textile Museum Journal (TMJ).

About the Publication

Cloth that Changed the World: The Art and Fashion of Indian Chintz
Editor: Sarah Fee
Available at the ROM store starting December 2, 2019.
9 x 12, 272 pages, 300 colour illustrations.
$50.00.
Royal Ontario Museum and Yale University Press.

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ABOUT THE ROM

Founded in 1914, the Royal Ontario Museum showcases art, culture and nature from around the world and across the ages. Among the top 10 cultural institutions in North America, Canada’s largest and most comprehensive museum is home to a world-class collection of 13 million art objects and natural history specimens, featured in 40 gallery and exhibition spaces. As the country’s preeminent field research institute and an international leader in new and original findings, the ROM plays a vital role in advancing our understanding of the artistic, cultural and natural world. Combining its original heritage architecture with the contemporary Daniel Libeskind-designed Michael Lee-Chin Crystal, the ROM serves as a national landmark, and a dynamic cultural destination in the heart of Toronto for all to enjoy.

ON NOW


It’s Alive! Classic Horror and Sci-Fi Art from the Kirk Hammett Collection
Gods in My Home: Chinese New Year with Ancestor Portraits and Deity Prints

COMING SOON


November 16, 2019 | Bloodsuckers: Legends to Leeches
March 7, 2020 | Egyptian Mummies: Exploring Ancient Lives


À L’AFFICHE


Sauve qui peut! L’art des grands films d’horreur et de science-fiction de la collection de Kirk Hammett
Accueillir les divinités : Portraits d’ancêtres et estampes de dieux pour le nouvel an chinois

À VENIR


Le 16 novembre 2019 | Soif de sang
Le 7 mars 2020 | Les momies égyptiennes : À la rencontre des Anciens

Rare India Desert Treasures Exhibition At ROM 2019

TORONTO — In March 2019, the Royal Ontario Museum (ROM) brings visitors an exhibition of rarely-seen royal treasures from Marwar-Jodhpur, one of the largest former princely states in India. The ROM will be the final North American destination and the exclusive Canadian venue for Treasures of a Desert Kingdom: The Royal Arts of Jodhpur, India. This exhibition, organized by the Museum of Fine Arts, Houston, with the collaboration of the Mehrangarh Museum Trust, India, will be on display from March 9 to September 2, 2019.

“As a leading centre for scholarship and expertise in South Asian art and culture, we are delighted to give visitors the unprecedented opportunity to explore a part of India’s rich cultural history that has rarely been seen,” says Josh Basseches, ROM Director & CEO. “This landmark exhibition will not only captivate audiences, it will also offer a deeper understanding of India’s artistic heritage and its continuing influence today.”

“Peacock in the Desert” | Turbans from Museum of Fine Arts, Houston on Vimeo.

Treasures of a Desert Kingdom features nearly 250 artworks and objects from the kingdom of Marwar-Jodhpur, located in the northwestern state of Rajasthan. The exhibition traces the kingdom’s cultural history as it was continually reshaped by cross-cultural encounters. Lavishly-made ceremonial objects, opulent jewellery, textiles and tapestries, palace furnishings, architectural treasures, and a monumental 17th-century court tent showcase the history of Marwar-Jodhpur and the Rathore dynasty that ruled the region for more than 700 years.

MFAH choker necklace al-Sabah Collection photo: Houston Press

Drawn primarily from the collections of the Mehrangarh Museum Trust and the private collections of the royal family of Jodhpur, the exhibition marks the first time that most of these treasures have been seen beyond the palace walls.

Dr. Deepali Dewan, the exhibition’s coordinating curator and ROM’s Dan Mishra Curator of South Asian Art & Culture says: “This exhibition will be a special experience because most of the treasures are coming from Jodhpur itself. Treasures of a Desert Kingdom tells the story of an incredibly dynamic, cosmopolitan, and influential kingdom that saw art and culture as a critical aspect of rule. Jodhpur flourished, despite the odds of being in the middle of a desert, because they made strategic alliances, opened their borders, and allowed for a diverse culture. These are lessons still relevant today. This enthralling presentation demystifies our notions of life at the royal court, while highlighting India’s multifaceted past and its contemporary cultural landscape. There will be something familiar and something surprising for everyone.”

On view in Garfield Weston Exhibition Hall, Treasures of a Desert Kingdom: The Royal Arts of Jodhpur, India explores numerous thought-provoking themes, including the cross-pollination of new ideas through art and culture; the strong influence of women in the royal court; the importance of royal patronage; and the powerful role of art as tools of diplomacy.

Royal Ontario Museum ROM logoThe ROM engagement follows the exhibition’s run at the Museum of Fine Arts, Houston and the Seattle Arts Museum.

Treasures of a Desert Kingdom: The Royal Arts of Jodhpur, India is a separately ticketed exhibition. ROM Members enjoy free admission and exclusive opportunities to experience ROM exhibitions and programs.  For the Silo, Anne Vranic. 

Featured image- MFAH Exhibit Peacock in the Desert photo: Houstonia