Tag Archives: repurpose

Recycling Sweats From The Already Recycled

The other day I was sorting out clothes for the Canadian Diabetes Association’s clothing pickup, when I came across recycled, and then again recycled, sweat shirts. Some people save egg cartons, bottles, margarine containers, and old tins, (the list is endless) for recycling. These items could be saved for themselves; curbside recycling pickup; or for friends’ projects. I save old and used arms and legs cut from sweat shirts.

Vintage Penn University Fruit Of The Loom Super Cotton Sweatshirt Size Large  - Picture 1 of 17 This material is soft, and easy to sew together in new combinations- injecting creativity into a new favorite sweatshirt .

I keep a box in the basement of sweat shirts arms, a second box for legs and the third box is for cuffs, buttons, necks, waist ties and emblems. While watching T. V., I would cut off arms at the shoulders, and legs from the belt line. I would ask friends and family for their used sweat shirt tops and bottoms. “Don’t throw them away,” I would plead. “I will come over and pick them up!” For myself, I find the cuffs on my sweat shirts become frayed quickly. I would replace them with cuffs from the third box. I would cut off the cuff and then reattach the “new” cuff I had taken from the third box by stretching the material, pinning and inserting it back into the cuff.

How to Cut a Sweatshirt for an '80s Style | LEAFtv

This whole process could also be done for replacing thinning areas on the arms. I now have created a “new/used” sweatshirt. Mixing up the colours of the cuffs and arms allows me to change the colours, and replace worn areas. Try putting white arms into a red sweat shirt. Red and white—you are truly Canadian!

You have probably had many a spill on the front of your favorite sweat shirt.

I find that these stains never come out. (Forget it. I’ve tried and tried). From the third box, I would retrieve an emblem cut from another sweat shirt like a sporting team, golfing logo, or a bit of prose. This emblem can be sewn on a front of a sweat shirt to cover up those impossible stains that never wash out. Bravo! You now have a “new/used” sweatshirt.

When you get tired of your creations, repeat the process. This recycling can go on forever.

When you think you have had it with these extra “cut parts,” drop them off at a thrift store. They can be used again by other people for their creative projects. Try giving them as gifts, or at a garage sale under “Unique Clothing.”
Now that the arms, cuffs, fronts, and emblems have been taken care of, let me address the legs. Take one old sweat pant, and cut off the legs, one inch below the crotch.

Sew them up by hand, or on a sewing machine across the bottom of both legs. From the leftover leg material, cut strips the length you need, and sew attaching them to the waist, (criss-crossing is the best way) to make straps shoulder or hand lengths. Fantastic! You now have a purse or recyclable bag for purchases depending on the size of the sweat pants used. Try sewing a change purse using a saved drawstring from a collected waist tie.

Here is a kitschy purse made from recycled denim. 

It costs nothing but your time and creative effort. Any left over leg material is now scrap material. This scrap material can be used for kitchen wash cloths, furniture dusters, or something I love to do, wrapping scrap pieces around a sponge mop. It’s a great way to get all those cob webs lurking at the top of the ceiling. It is certainly safer than standing on a chair.

It has been pointed out to me that I have been recycling from the recycled. That is true, and something I enjoy, and will continue to do. For the Silo, Blair Yager. 

Nature’s Power Is Unleashed: Bold New Season At Boca Raton Museum Of Art

The artist Maren Hassinger with children from Pearl City, the historic African American neighborhood where the majestic 100-year-old banyan tree, the “Tree of Knowledge,” still stands today. The children joined hundreds of community members to create together thousands of aerial branches from recycled newspapers for Hassinger’s new monumental installation.
Clifford Ross in the ocean surf, photographing hurricane waves.
The power of nature is unleashed with two timely, powerful exhibitions at the Boca Raton Museum of Art for the new season. Both of these original shows  Maren Hassinger: Tree of Knowledge and Clifford Ross: Waves ─ will kick off the museum’s 70th anniversary season (on view November 5th – March 1st). 

The museum is presenting both exhibitions together because the two shows sound a clarion call for environmental awareness. These shows also remind viewers that the beauty of nature can still inspire us, despite the over-saturation of society by hand-held devices and screens.
The two exhibitions are presented side-by-side in adjoining galleries.

The artist Maren Hassinger with children from Pearl City, the historic African American neighborhood where the majestic 100-year-old banyan tree, the “Tree of Knowledge,” still stands today. The children joined hundreds of community members to create together thousands of aerial branches from recycled newspapers for Hassinger’s new monumental installation.Clifford Ross in the ocean surf, photographing hurricane waves.The Clifford Ross exhibition features a new approach to his monumental depictions of ocean waves that the artist captures during extreme weather. The result is the most comprehensive survey of his process ever shown in a museum.

Ross dramatically presents the monstrous power of the seas in his new exhibition at a crucial moment in time for our planet: the United Nations recently issued a major new report warning that the dangerous effects of climate change on our oceans is much worse than previously thought.
The new findings warn about warming oceans and damaged ecosystems.

Sea levels are rising faster than previously predicted, glaciers and ice sheets melting more rapidly than expected, shrinking the fisheries that feed millions.  Watch the spectacular video of Clifford Ross in the ocean surf at vimeo.com/168830477 The new report warns that many cities around the world will experience annual flooding events by 2050 that previously occurred only once per century.

The world’s oceans have been warming since 1970 and have absorbed 90 percent of the planet’s excess heat, killing off vast stretches of coral reefs. Absorbing massive amounts of carbon has made the ocean more acidic and inhospitable to corals that millions of species depend on for survival.



“When I first began photographing these hurricane waves 30 years ago, most of us were unaware that global warming was seriously damaging our oceans,” said Clifford Ross. “Now, as I look back on my work, it takes on a whole new meaning.

Above – the two artists headlining the new season: Clifford Ross and Maren Hassinger. MAREN HASSINGER: TREE OF KNOWLEDGERenowned sculptor and performance artist Maren Hassinger was commissioned by the museum for a residency that explored the staying power of nearby Pearl City, Boca Raton’s historic African-American neighborhood.

This is the largest installation that Hassinger has ever created in her long and celebrated career. Her new site-specific installation is based on Pearl City’s landmark, the “Tree of Knowledge.” This majestic, 100-year-old banyan tree still stands today and is protected by the Historic Preservation laws. The tree has served the people of Pearl City since the dawn of the 20th century, as a gathering place for sharing stories and communal spirit. The majestic 100-year-old banyan tree at Pearl City is the inspiration for Maren Hassinger’s Tree of Knowledge.(photo by Aylin Tito)
Hassinger vigorously engaged the public to recreate the tree’s aerial roots by gathering many groups over several months.

People from the community and visitors to the museum spent hundreds of hours twisting by hand thousands of recycled newspapers. Thousands of recycled newspapers were twisted to mimic the aerial roots of the banyan tree for Maren Hassinger’snew installation Tree of KnowledgeThese banyan “branches” will be suspended from the ceiling of the main gallery, representing the community-based “Creation-Stations.” The participants’ names will be incorporated into the monumental new work.

“I want visitors to the museum to think about the endurance of the tree and the endurance of the people who live beside it,” said Maren Hassinger. “I hope they realize it’s possible to build a world in which, like this installation, people work together side by side. Both the tree and the residents have inspired me with their mutual endurance.

In new reports, the United Nations warns that fires such as those causing de-forestation in the Amazon elevate concerns for the planet’s natural life support systems. This global call to action urges countries, companies and consumers to build a new relationship with nature.

The destruction of the world’s largest rainforest calls attention to the need to prevent ecosystems from declining to a point of no return, with dire consequences for humanity.

This year, the leading scientists of the world warned that civilization was in jeopardy due to forest clearance, over-usage of land, climate change, and pollution, putting a million species at risk of extinction.

Hassinger’s new installation is about nature as knowledge and about education. The twisted ropes of newspaper are made of words and stories.

“I hope the community and all of the visitors to the museum take a moment to think about the materials used in the project, which are not traditional art materials, and realize that this giant project was made not by artists, but by the public, working together,” adds Maren Hassinger. 

“Both adults and children from the community welcomed my project with enthusiasm and proceeded to twist and twist to create the aerial branches. Their enthusiasm and spirit of camaraderie is uplifting and contagious,” says Hassinger.

Paper is a natural material, made from trees, and throughout the installation there will be fans that evoke the wind blowing gently through nature, as opposed to the hurricane winds of Ross’s work.Wind, the video by Maren Hassinger, will also be part of the exhibition. Watch the video trailer here vimeo.com/368811486

“Following the theme of nature for our new season at the Museum, how appropriate that Maren Hassinger would choose this legendary tree, known as the Tree of Knowledge, as the subject for her site-specific installation,” said Irvin Lippman, the executive director of the Boca Raton Museum of Art.
“From its inception to its installation, this has involved audiences of all ages from every corner of our community to participate in the making of the aerial roots from streams of recycled newspapers. Much in the manner of the Banyan tree, we are all connected to one another,” adds Irvin Lippman.  

Hassinger’s new exhibition will also feature the installation Love – an experiential portal for visitors to walk through. As the entranceway into the museum’s main galleries, it will surround visitors with hundreds of recycled pink plastic bags that will completely cover all of the surfaces around them. The shopping bags are filled with the air of human breath, and contain human love notes inside. Love, by Maren Hassinger. This installation will serve as the entryway featuring hundreds of recycled pink plastic bags, surrounding visitors.The bags are filled with human breath and contain human love notes.Maren Hassinger (still from her video Pink Trash). 

CLIFFORD ROSS: WAVES On the subject of Clifford Ross: Waves, Irvin Lippman adds: “It would seem obvious that a museum with a coastal address such as ours would naturally be ever fascinated by the subject of waves. The subject of Clifford’s photographs in this new exhibition, however, goes deeper into the unpredictable shapes of waves, as much about abstraction as realism.” 
The effect of being engulfed in a room full of his work is profound, causing some viewers to claim they can actually hear the sound of the ocean waves although there is no sound component.
Ross is celebrated worldwide for his Hurricane Waves series, monumental images that were photographed by the artist during storms and while hurricanes were off-shore, while he was attached by a tether to his assistant who remained on land as Ross braved the ocean surf.

The size of these images is humbling. The angle of vision, from as low as possible, is calculated to inspire awe. The waves dominate us, framed or cropped; we feel their full force.
These waves invoke the power of wind as well as the power of water, the great cyclical forces of nature that generate energy.  
This major survey includes his monumental hurricane wave images. The exhibition also features a site-specific installation of extremely large-scale prints on wood, as well as the artist’s Digital Waves – A computer generated video displayed on an LED wall that has been acquired by the museum for its collection.
Other sections include: the Horizons series (photographs that explore movement with the added power of obstruction); his Hurricane Scrolls; and the Grains series of bold abstract works exploring the purity of color.Clifford Ross, Hurricane LXIII, 2009. Archival pigment print.“The pure abstraction of the Grains series is an antidote to the hurricane, a space to calm down. A quiet end to this stormy story where we can recompose our thoughts,” said Clifford Ross. 
While it explores the limits of photography and abstraction, this exhibition is also a dramatic declaration about climate change.
“This exhibition is a thorough survey of my working methods,” said Ross. “an effort to show all the ways I have approached the subject of ocean waves. But there’s also a deeper theme of addressing climate change – unavoidable in this day and age.”A work from Clifford Ross’s Digital Waves series (computer generated videos displayed on an LED wall) has been acquired by the museum for its collection. “Somehow the apocalyptic quality of the show does not erase the basic lyricism and beauty that I see in nature. When I started out, wanting to celebrate nature by creating bodies of work that were an homage to the sublime, I didn’t understand that the images were also capturing evidence – evidence of our negative impact on nature.”

The ferocity, the forms of these waves were partially due to global warming. This project has come full circle, as much a meditation on the medium of photography as it is a photographic reflection of our world,” said Clifford Ross. 
Photo of artwork
Clifford Ross, Wood Wave LIV, 2017. Triptych UV cured ink on maple veneer. 
Caption for first photo at top: Clifford Ross, Hurricane LI, 2009. Archival pigment print.
MORE ABOUT THE TWO ARTISTS: Above – the two artists headlining the new season: Maren Hassinger and Clifford Ross. Maren Hassinger has work held in the permanent collections of the Hammer Museum in Los Angeles; the Reginald F. Lewis Museum of Maryland African American History & Culture in Baltimore; the California African American Museum in Los Angeles; Portland Museum of Art; The Studio Museum in Harlem; Williams College Art Museum in Williamstown; and the San Francisco Museum of Modern Art, among others.
Her many awards include: the Lifetime Achievement Award from the Women’s Caucus for Art, Maryland Institute College of Art; Joan Mitchell Foundation Grants; Anonymous Was a Woman; and the Pollock-Krasner Foundation, among others.
More about Maren Hassinger here.
The works of Clifford Ross are held in the collections of the J. Paul Getty Museum in Los Angeles, The Museum of Modern Art in New York, and the Museum of Fine Arts in Houston, among others. He is the editor of the book Abstract Expressionism: Creators and Critics, and is Chairman of the Helen Frankenthaler Foundation. His work has been widely exhibited in the United States, Europe, Brazil and China.
He has lectured in numerous university and museum settings, including Princeton, Yale, and New York University. Ross is a member of the Yale School of Art Dean’s Advisory Board.
More about Clifford Ross here. 
Photo of artwork
The majestic 100-year-old banyan tree at Pearl City is the inspiration for Maren Hassinger’s Tree of Knowledge.
(photo by Aylin Tito)
Love, by Maren Hassinger. This installation will serve as the entryway featuring hundreds of recycled pink plastic bags, surrounding visitors.The bags are filled with human breath and contain human love notes.
Photo of artwork
Thousands of recycled newspapers were twisted to mimic the aerial roots of the banyan tree for Maren Hassinger’s
new installation Tree of Knowledge
A work from Clifford Ross’s Digital Waves series (computer generated videos displayed on an LED wall) has been acquired by the museum for its collection. 

Mecha Artist Simon Kotsch Predated Steampunk

In 1968 Simon Kotsch got into the army surplus business. It was good to him, but in ways you might not expect. Something began to happen to Simon as he sorted through his bounty of obsolete engine parts and electrical fittings: he noticed that he found the pieces beautiful. An excitement took hold of him. And then he went to work, drilling and cutting and fitting metal components together to make new things. Beautiful things. He felt “caught up,” he says simply. So began a love affair with military-industrial cast-offs that continues to this day. This was the birth of a sculptor and of a mecha artist.Let us throw aside, officially and forever, the artifice of journalistic objectivity.

I like this guy’s passion and I like his work. When we visited Kotsch’s Victoria St. Studio in Simcoe, Ontario we were greeted with warm smiles that never went away.  Taking joy from your work is one thing, but when you combine joy with the sensibility of a true artist who respects, even loves his materials, the results can be magical.Some of Kotsch’s sculptures look like they could have come from the mind of Jules Verne—grand, monumental machines whose functions border on the mysterious, infused with Kotsch’s concern for symmetry and his acute sense of balance, proportion, and pattern. Others have a strong vertical momentum, like castles or rockets with many levels. But not everything has a sci-fi feel.

Kotsch uses the heft and gravity of larger pieces to create powerful and interesting earthbound sculpture. His ability to recognize, or create, striking patterns makes some of his metal works quite decorative to my eye—and that in no way infringes on their status as works of art.

Kotsch says he “savours the natural colour” of each item, whether it’s aluminum, copper, brass or porcelain (used as insulation in old electrical systems). You will not find much (any) painting here. You will also not find much welding. This, by his own admission, is because he’s not very good at it, and mediocre welding would make a sculpture look awful. He cuts and drills to make pieces fit. One technique he has developed is to take slices out of solid machine parts with a band saw, revealing patterns of copper wire within, like opening a geode.

An example of influence: years of working with Army surplus ephemera have inspired Simon’s forms

Simon Kotsch takes obsolete machinery—all of his extensive catalogue of parts predate metric—and turns it into stimulating works of art. We spent about an hour with him, and I left both  excited and energized. I, too, had been “caught up.” This is one of the miracles of art for me:  through active engagement with an artist’s work a kind of interface occurs between creator and appreciator, mediated through the work itself. I certainly appreciated the skill and imagination of Simon Kotsch, but I think I caught a bit of his love as well.  For the Silo, Chris Dowber.

A look at some of Simon’s works.

Listen To Simon Kotsch Interview

An oil fluid coolant system split in two reveals a beautiful maze structure

 

Being Green Is Not Impossible

When I took my boyfriend to see a new Muppet movie, he had never seen anything by the Muppets before, and being a dedicated fan since early childhood, I felt it my right and honorable duty to share the mahna-mahna’s with him. Needless to say, it was a fantastic and heart-felt show that we both laughed the whole way through. A few weeks later, we were out shopping and found this “one-of-a-kind” Kermit shirt, and couldn’t resist buying it. Like Miss Piggy, I suddenly noticed myself more attracted to everything green.

photo:H. Richards

I realized being “green” is not impossible even though we are living in such a technologically consumed world. Yet, it is technology that has provided us so many outlets to become more ecologically responsible.  Bills, schedules, licence plate renewals, the yellow pages, and even airline tickets are available paperless. Due to the impact of the Internet, television programs, and advertising we are more connected, and more globally aware of products available to help protect the environment.

In the home, especially if you are privy to daytime television, like City Line, the Mariyln Denis Show or the Nate Berkus Show, I guarantee that at least one segment a week focuses on how and where you can buy, reuse or create products with a green-scheme in mind. They prove that you can choose a range of products that will help sustain the environment, while still providing beautiful, sleek and modern finishes. The Home Depot has a link on their website  to a section called “Eco Options,” where it is easy to locate the product type you are looking for, from flooring to appliances to décor, there is a product to help manage your carbon footprint.

Major grocery stores have become more eco-friendly as well. By providing large reusable bags/bins, made out of recycled materials and typically at a cost of $1, consumers are given a convenient eco-option. Even if you forget your reusable bags at home and buy a plastic bag for 5 cents, the plastic bag has become noticeably larger in order to try and reduce the volume of plastic bags and encourage the purchase of reusable ones. As well, food itself has taken on the green trend; I was always taught to “eat the green stuff, it’s delicious,” and now, eating green, organic food like avocado, broccoli, spinach, and kale is trendy too.

The trend in the fashion world has also become environmentally friendly. For example, H&M has created the “Conscious Collection.” It is H&M’s “action for a more sustainable fashion future.” This collection uses greener materials such as organic cotton and recycled polyester. Originally when the campaign came out in April 2011, and the colour scheme was mainly different shades of white and muted earth tones. However, one year later, they are still producing the collection but have amped up the colour pallet. Walking into the store this season, you will be bombarded—you guessed it—with green. Emerging mainly in pastel and mint, but with occasional pops of emerald, green is popping up all over the fashion world and the colour is going to be very popular this spring.

So maybe it was the resurgence of Kermit the Frog, or maybe it is because being eco-conscious has spanned to every aspect of our lives, but I am happy to say that it’s never been so easy being green. For the Silo, Hannah Richards.