Tag Archives: preservation

IN THE STUDIO WITH INTERIOR DESIGNER CAROLA PIMENTEL

I was immediately drawn to Carola Pimentel’s work when I was approached by a mutual friend to help with social media and public relations. Carola’s careful use of natural light, neutral color palettes, and layering of statement art and vintage finds from Europe reminded me of my time spent in Sao Paulo, Brazil as a teenager. What I didn’t realize then was that the homes and restaurants I would visit blended a certain modernism (perfect for the Brazilian climate) with a layering of European history from Portugal, Italy, and Holland (brought by years of immigration). The look I am referring to is Midcentury Brazilian design, and Carola is closely inspired by its cousin, Tropical Modernism. To dig deeper into what defines these two similar styles, I sat with the Caribbean raised and Miami based designer to discuss her careful and thoughtful approach to creating a home. 


Full renovation of a house dating from 1925 in a family compound. Assure was involved in the project from the beginning working with CMA Design Studio Inc. on the preservation, modernization, and addition of new spaces.


Growing up in the Caribbean, what inspired you to pursue your studies and career in interior design?


My parents, contemporary and Latin American art collectors, introduced me to the world of architecture and décor when they took me to see a hotel they were developing together. They always tried to incorporate interesting art into their projects. I was very young, perhaps 7 or 8-years old, but I remember loving every minute of watching them create, alongside architects and builders, wonderful spaces. By high school, I knew I didn’t want to be an architect or engineer, but I wanted to somehow be a part of building and design. During a college fair I luckily learned of the opportunity to pursue my studies in Interior Design at Ringling College in Florida. You could say that an enjoyment of art-filled homes, as well as my parents’ involvement in the interiors and hospitality industries, prepared me for my career. 


Assure Interiors completed a renovation and addition to a 1990s property on a large plot in Stonegate for a new family who required more space.


Your heroes include Oscar Niemeyer, Lina Bo Bardi, and Luis Barragan – all key examples of Latin American modernist architects. What do you love about their approach to planning, layout, and décor? 


First and foremost, I live in a tropical climate and design for clients who often have homes in various tropical locations. It is therefore a practical choice to favor a clean aesthetic and distinctive structure that lets in plenty of ventilation and light. To clarify, I don’t design with tropical patterns and colors like a palm tree printed wallpaper. Instead, I design with durable materials, such as rich woods, cool stones, and warm leathers. I also pay a lot of attention to the surrounding geography and nature as they inform my choices in paint tones, wallpaper patterns, texture of fabrics, etc. 


This Bal Harbour apartment was a collaboration with a long-standing client who was downsizing from a large penthouse to create a new home for her, as well as a setting for an important collection of twentieth century art and design.


I understand that you collect contemporary art. How do your favorite artists, their styles, and their works inform your approach to color, texture, and form?


Yes, I love art and I get a lot of inspiration from my own collection of contemporary Latin American and European works. Some of my favorite artists include Uruguay’s Pablo Atchugarry and Carlos Capelán, as well as Brazil’s Ernesto Neto, to name a few… I am particularly drawn to small scale sculpture and wall mounted installations, and attracted by the 3D quality and impact the pieces create in the context of a room. For me, art is a very important element of an interior as it gives a room character.


Assure Interiors was commissioned by a young and social art collecting family to create serene, light-filled and functional interiors. Assure was also asked to incorporate a collection of European antiques, French, Italian, Spanish 1950’s to 1970’s furniture, decorative art, and family heirlooms.


You have developed Assure’s aesthetic and style. Could you elaborate on the studio’s sensibility and point of view?


Since the beginning, I founded my studio in 2000, my priority has always been my clients. Delivering interiors where they always feel like home. I have been very lucky to learn from my own curiosity as well as my client’s passion for art and collecting. We often incorporate vintage elements found on sourcing trips to Europe and Latin America and mix these with exciting designs from galleries such as Ralph Pucci and Cristina Grajales (among others). We design rooms that acknowledge and respect these beautiful and unique objects, and then choose lighting, furniture and fabrics that beautifully complement them. The interiors that we create for our clients are modern, practical, functional, and elegant.


The client did not want to sacrifice lifestyle or comfort while living in this Coconut Grove apartment temporarily in between houses. Assure Interiors, therefore, was asked to incorporate existing furniture and create a stylish base for the family.


Looking to the future, what projects are you most excited about that will be completed soon?


We have several interesting residences across Florida and the Bahamas that will be ready in the next few months. However, what excites me the most about being an interior designer is the opportunity to start from the very beginning and to work alongside the architects on designing and planning the layout of a brand-new home. I love every minute of it from start to finish, including details like plumbing, lighting, and finishes. At Assure Interiors we are incredibly hands on and creates highly nuanced, timeless and livable homes.


Assure Interiors renovated and extended a recently purchased house in Cocoplum for repeat clients (an international couple and their three children). For the Silo, Victoria Hood.
Photography: Mark Roskams

Ukraine: How UNESCO Supports Odesa’s Heritage & Cultural Life

Paris, 30 August 2022 – At a meeting with UNESCO Director-General Audrey Azoulay at the Organization’s Headquarters, Oleksandr Tkachenko, Ukrainian Minister of Culture and Information, announced that his country will request the inscription of Odesa on UNESCO’s World Heritage List. For its part, the Organization will deploy new measures to protect Ukrainian cultural heritage, particularly in Odesa and L’viv.

Since the beginning of the war, UNESCO has been deploying emergency measures in Ukraine as part of its mandate for education, culture, science, information and communication.

The Organization has mobilized close to $7 million USD/ $9.17 million CAD to date, provided numerous in-kind grants and made its experts available to advise professionals on the ground.

A working meeting was held at UNESCO Headquarters on Tuesday between Ms Azoulay, UNESCO Director-General, Mr Tkachenko, Ukrainian Minister of Culture and Information, and Ernesto Ottone, UNESCO Assistant Director-General for Culture, to ensure the proper implementation of these actions in the field of culture. On this occasion, the Minister also expressed new needs which UNESCO is committed to meet.

Image via artreview.com Artist I. Levi modifies existing artwork to reflect changes to old works caused by wartime damage that have occurred since the Ukraine War began. Inga Levi, March 15, 2020: The Willow’s Catkins have Blossomed, Klaipėda/ The House Window in the Obolon District after a Direct Airstrike, Kyiv, 2022, pencil

Inscription of Odesa on the World Heritage List

Oleksandr Tkachenko announced Ukraine’s decision to submit t the nomination of the Historic Centre of Odesa for inscription on UNESCO’s World Heritage List. Nationally recognized and protected, this site is located only a few dozen kilometres from the front line and has already been struck by artillery fire. On 24 July 2022, part of the large glass roof and windows of Odesa’s Museum of Fine Arts, inaugurated in 1899, were destroyed.

At the request of Ukraine, UNESCO has already mobilized international experts to provide technical support to the country so that this nomination can be examined urgently by Member States sitting on the World Heritage Committee, with a view of inscribing it on the World Heritage List and on the List of World Heritage in Danger.

The World Heritage Committee will also be recommended to add UNESCO’s World Heritage sites of Kyiv and L’viv, which are also under threat, to the List of World Heritage in Danger.

Image via artreview.com Inga Levi, March 5, 2022: Lviv’s view from the New Building / People are Hiding under the Ruins of the Bridge from the Russian Aircraft and Artillery, Irpin, 2022, pencil

UNESCO completes its emergency measures on the ground

In parallel to these steps and in view of the new needs expressed by professionals in the field, the Director-General announced at this meeting that UNESCO would strengthen its support to the city of Odesa by providing:

  1. Funding to repair the damage inflicted on the Odesa Museum of Fine Arts and the Odesa Museum of Modern Art since the beginning of the war, and to finance the hiring of additional staff dedicated to the protection of collections.
     
  2. Support for the digitization of at least 1,000 works of art in Odesa as well as the documentary collection of the Odesa State Archives, through the  provision of appropriate hardware.
     
  3. New equipment to the Odesa Regional Administration for the in situ protection of cultural property: protective panels, sandbags, fire extinguishers, fireproof fabrics and gas masks will be delivered to the Department of Culture, Religion and Protection of Architectural Heritage. They will allow the recovery of public monuments and sculptures, which has been underway since the beginning of the war, to continue.

With a view to boosting the recovery of Ukraine’s cultural sector, the Director-General also offered the Organization’s support for the creation of a UNESCO Cultural Centre in L’viv, as requested by the city mayor. It would be a place for artists to meet and share experiences, and would host training programmes, various activities and events. A budget of $1.5 million usd/ $1.96 million cad has already been earmarked to finance its opening and operational costs over several months.

In addition, the Director-General of UNESCO decided to deploy a liaison officer in Kyiv to coordinate these actions. The officer will complement the team of local experts already working in the field. For the Silo, Clare O’Hagan/UNESCO.

Free Presidential Helicopter Game Via White House Historical Association

NEW GAME Added to White House Experience App

“Fly Like Ike”

Players Can Pilot Presidential Helicopter Around Washington, D.C.

August, 2019 (Washington, D.C.) – The White House Historical Association has just launched a new game in its WHExperience mobile app called “Fly Like Ike.” This interactive game allows users to pilot the president’s helicopter and make stops to learn about several monuments and historic sites in Washington, D.C. before testing their aviation skills by landing on the South Lawn of the White House.

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Helicopters have played an important role in transporting the president since 1957 when President Dwight D. Eisenhower became the first president to use a helicopter. The helicopter used in this game is a replica of the Official 2019 White House Christmas Ornament.

“Fly Like Ike” currently features these seven destinations: U.S. Supreme Court, U.S. Capitol, National Mall, Washington Monument, Jefferson Memorial/Tidal Basin, Lincoln Memorial, and the White House.

“Fly Like Ike” is the latest feature on the White House Historical Association’s WHExperience app, which is free to download on iOS, Android devices.

The WHExperience app also provides information and a link to purchase the  2019 Official White House Ornament, which commemorates President Eisenhower’s commitment to innovation as the first president to fly in a helicopter while in office in July 1957.

“Fly Like Ike” requires Wi-Fi or a data plan, and is compatible with iPhone 7 and up and devices running Android version 7.0 and up.  

The WHExperience app also includes virtual tours of the White House and a “Presidential Lookalike” selfie feature, which is powered by Amazon Rekognition technology. For the Silo, Jessica Fredericks.

About The White House Historical Association

First Lady Jacqueline Kennedy envisioned a restored White House that conveyed a sense of history through its decorative and fine arts. In 1961, the White House Historical Association was established to support her vision to preserve and share the Executive Mansion’s legacy for generations to come. Supported entirely by private resources, the Association’s mission is to assist in the preservation of the state and public rooms, fund acquisitions for the White House permanent collection, and educate the public on the history of the White House. Since its founding, the White House Historical Association has contributed more than $50 million USD in fulfillment of its mission.  

Warm History Behind Sanderson Centre 100th Anniversary

temple theatre brantfordOpened as the Temple Theatre on December 22, 1919, the centre was originally designed as a vaudeville and silent movie house. Opening night premiered with five acts of vaudeville and the silent movie “Heart of the Hills” starring Mary Pickford. As one of the premiere theatres in Canada at the time, the Temple was a “first-run” film house attracting films from all the major distributors.

The local orchestra members started collecting promotional photos of the acts who performed at the theatre and glued them to the walls, the doors, and the sides of their sheet music cabinets. Many of these photos were salvaged during renovations of the orchestra pit and are on display throughout the lobbies today, along with photos of our more recent performers.

The Temple Theatre was renamed the Capitol in the early 1930s. For fifty-seven years, the theatre entertained moviegoers, and occasionally drew up her movie screen to be used again as a stage. As the years passed, attendance waned and in August 1986, the final movie “One Crazy Summer” was shown at the Capitol Theatre.

temple theatre3The vision of reopening the theatre as a performing arts facility was born and was met with fantastic support from local citizens. The Brantford Heritage Theatre Foundation spearheaded a highly successful fundraising campaign for the restoration and renovation of the Capitol Theatre. The first performance was Evita on October 2, 1986, tickets sold out quickly and two more performances were added. On December 11, 1989, the theatre was renamed the Sanderson Centre for the Performing Arts, a tribute to the memory of the Sanderson family known for their generous support of local causes.

The original ceiling mural (shown above this article’s title) was reproduced aided by ghost images which remained and historical photographs. It is believed the mural is titled “The Three Muses” depicting Greek goddesses who preside over literature, sciences, and the arts. Canada’s premiere performer Anne Murray officially opened the newly restored theatre on September 8, 1990, with a gala presentation.

In June, 1991 the Sanderson Centre for the Performing Arts was proud to be awarded the prestigious “Theatre Preservation Award” presented by the League of Historic American Theatres. The Sanderson Centre joins a select few authentically restored historic facilities including Carnegie Hall in New York and the Elgin Winter Garden Theatres in Toronto.

sanderson centre marqueeAmid the grandeur of 1919, the theatre inspires all to treasure the past and cherish the present. The Sanderson Centre for the Performing Arts, together with the Sanderson Centre Foundation, continues to honour our heritage. We invite you to enjoy the archival collection of photographs and memorabilia showcased in the lower lobby.

As we approach our 100th anniversary there will be many celebrations and events during the year.

sanderson centre modernization