Tag Archives: poetry

Nanni Balestrini Political Art Retrospective Exhibition Includes Early Computer Works

CENTER FOR ITALIAN ART ANNOUNCES NEW EXHIBITION: 
NANNI BALESTRINI: ART AS POLITICAL ACTION ONE THOUSAND AND ONE VOICES ON VIEW NOW UNTIL- JUNE 22, 2024
Nanni Balestrini, Cavallo, 1963. Collage on paper. Private collection, courtesy Frittelli arte contemporanea, Florence
(New York, February/March, 2024) – The Center for Italian Modern Art (CIMA) has launched its new exhibition, NANNI BALESTRINI: ART AS POLITICAL ACTION. ONE THOUSAND AND ONE VOICES, curated by Marco Scotini. This is the first retrospective exhibition in the United States of Nanni Balestrini (1935-2019), an Italian experimental visual artist, poet, and novelist known for his revolutionary artistic practice and passionate involvement in the social-political movements of the 1960s and 1970s. 
Born in Milan in 1935, Balestrini was a key protagonist of post-WW2 Italian literary and social avant-garde movements: he approached experimental poetry with a visual sensibility stemming from the artistic use of collage, and with a compositional practice that gave importance to the editing and recombining of existing texts (especially newspapers, magazines, and political slogans) in search for the expression of a collective enunciation.

Nanni Balestrini born July 1935 died May 2019

Nanni Balestrini, 65000 Ètudiants, 1972. Mixed media on panel. Collezione Emilio Mazzoli, Modena
Nanni Balestrini, Cronogramma, 1960s. Collage on paper. Private collection.
He worked side by side with contemporary composers interested in the creative potential of stochastic music and the relationship between computer technology and art. Much of his radical artistic and literary research also developed in dialogue with his participation in the student and workerist movements of the late 1960s and 1970s, and their explosive political charge. Much emphasis has been placed on the exclusively typographical character of writing in Balestrini’s artistic works. This exhibition will instead draw attention to the double acoustic and visual level of Balestrini’s word or, better yet, to what Paolo Fabbri described as its “phonic-optic indiscernibility.”

NANNI BALESTRINI: ART AS POLITICAL ACTION. ONE THOUSAND AND ONE VOICES, curated by Marco Scotini, focuses on two crucial decades in the career of Balestrini, the 1960s and the 1970s. It includes over 70 works by the artist, along with a range of documentary material. The works from the 1960s illustrate a creative phase when Balestrini shared research interests with Luigi Nono, one of the most important 20th-century experimental composers, and when the neo-avant garde literary movement Gruppo 63 was also founded. The creative relationship between Balestrini and Nono lasted an entire decade, and the exhibition sheds light on the search for the disalienation of the word pursued by both, as well as on their use of technology as a way to seize and subvert the means of industrial production and explore their artistic potential.

The final works in the exhibition date back to the late 1970s; some of them were conceived in connection with a poem dedicated to the New York City electricity blackout of 1977. Planned as an “action for voice” to be performed by Greek-Italian lyricist and vocal experimenter Demetrio Stratos in May 1979, the work was never performed due to the premature death of Stratos and Balestrini’s indictment surrounding the political movement Autonomia Operaia.

The exhibition also includes a reconstruction of Balestrini’s Tape Mark I (1961), one of the earliest examples of computer-generated art. A combinatory poem produced by an algorithm written in the Unix programming language on a massive IBM mainframe computer, Tape Mark I anticipates many of the contemporary questions surrounding Artificial Intelligence, and was featured in the 1962 edition of the Bompiani Literary Almanac, which was dedicated to “the application of computers to ethics and literature”, a theme of utmost relevance today. 

To provide context to Balestrini’s work, the show features a selection of early words-in-freedom works by Futurist artist Carlo Carrà, a form of avantgarde visual poetry that liberated words and letters from the conventions of grammar and syntax, making them part of visual and performative compositions. This technique was co-opted by the Italian Neoavanguardia in the 1960s, due to the revolutionary potential of the early Futurist movement.
NANNI BALESTRINI: ART AS POLITICAL ACTION. ONE THOUSAND AND ONE VOICES is on view at CIMA (421 Broome Street, 4th Floor, New York, NY 10013) from February 22nd – June 22nd, 2024. See visiting hours below. 

Python reconstruction of 1961 electronic poem “TAPE MARK 1”

Nanni Balestrini, Giornale di bordo (La partita a carte), 1964. Collage on paper. Private collection, Mirano (Venezia)
CIMA OPEN HOURS: • Friday and Saturday: 11am to 6pm with guided tours at 11am and 2pm (last entry at 5pm)• Members-only hours: Monday-Thursday by appointment• General admission: $15usd for guided tours; $10usd for open hours• Members & students: free
ABOUT CIMA:Founded in 2013, CIMA is a public non-profit dedicated to presenting modern and contemporary Italian art to international audiences. Through critically acclaimed exhibitions—many of them bringing work to U.S. audiences for the first time—along with a wide variety of public programs and substantial support for new scholarship awarded through its international fellowship program, CIMA situates Italian modern art in an expansive historic and cultural context, illuminating its continuing relevance to contemporary culture and serving as an incubator of curatorial ideas for larger cultural institutions. CIMA works to add new voices to scholarship on modern Italian art with annual fellowships that open fresh perspectives and new avenues of research. A visit begins with a complimentary espresso, followed by an informal exhibition tour with one of the resident fellows. Visitors are welcome to linger for additional viewing and conversation.

ABOUT CURATOR MARCO SCOTINI: Marco Scotini is an art critic and curator. He currently is artistic director of FM Centro per l’Arte Contemporanea in Milan, a center specializing in the preservation and enhancement of private collections, artists’ archives and the promotion of contemporary art. Since 2004, he has been director of the Department of Visual Arts at Nuova Accademia di Belle Arti of Milan and Rome. He is scientific director of the Gianni Colombo Archive, the Bert Theis Archive, the Clemen Parrocchetti Archive and the Nanni Balestrini Archive. Since 2014, he has been responsible for the exhibition program of PAV- Parco Arte Vivente in Turin. He was artistic director of the 2nd Yinchuan Biennale in 2018 and was a member of the Italian Council from 2019 to 2021. He has curated exhibitions for leading national and international art institutions, including the Albanian pavilion at the Venice Biennale (2015), three editions of the Prague Biennale (2003, 2005, 2007), Anren Biennale (2017), 2nd Yinchuan Biennale (2018) and was advisor for Bangkok Biennale (2020 and 2022). He took part in the 17th Istanbul Biennale (2022) and the BETA Timișoara Biennale (2022). He has been part of the project TV Politics at documenta 14 (2017). Scotini’s project Disobedience Archive is part of the 60th Mostra Internazionale d’Arte della Biennale di Venezia (2024), curated by Adriano Pedrosa.

AI Induced Shifting Subtexts- What Is And What Isn’t Art?

Let’s go back to 2016 and re-consider how the works highlighted below are more relevant today than ever when asking “What is and isn’t art?”.  The recent surge in AI and chatbot produced ‘art’ has created new challenges in recognition, interpretation and validation. Or has it? [J.Barker Content Producer for The Silo]   It became immediately apparent that the rephrasing of the question “What is art?” to “What isn’t art?” signaled a dissolution of the boundary separating metaphor from reality.

Since, citizen and artist alike have been plunged headlong into the bacchanals of postmodernity, and the question has been obscured under a heap of incongruous discourse and subtexts.

Eva Davidova multimedia installation view
Eva Davidova multimedia installation view

Two curious and intrepid artists offer their answers to this exhausting and illuminating question in their discussions of unexplored spaces and shifting subtexts.

Painter and multimedia artist Eva Davidova  tests the digital waters of virtual reality through immersive, programmatic experiences. Articulating the conviction that emerging technology is obliged to transcend commercial application, Davidova’s phantasmagoric 3D renderings attempt to draw the strings away from the hands of big business. Topics mentioned include the beauty of academic reciprocity, the fiscal realities of living in the metropolis, and the future of collaborative artistic environments.

julie mehretu dispersion
Julie Mehretu’s Dispersion

Behind the meticulous and sweeping abstract landscapes from the mind of Julie Mehretu are subtle societal and historical cues, which inform and enrich the surface of her paintings. In her ebullient interview, Mehretu speaks of the benefits and restrictions that arise from using architectural semantics to ground explorations of political and social change.

Wrought from countless painterly quotations, the identity of Mehretu’s brushstroke vanishes the moment it falls under interpretation.

The elusive and curious nature of the Ethiopian artist’s aesthetic experiments, coupled with a steady ethical subtext make for an engaging and memorable listen.

Featured image- “A Questionable Tale(#1)” 2022 Marina Zurkow/DALL-E (AI) 

For the Silo, Brainard Carey.

Being In Canada 54 Years And Involved In Social Change

This year, I have been in Canada 54 years. It is difficult to define what I need to do but I have to be more active, more involved in positive social change…….The state of Trumpism gnaws at me.
 
A few years ago, during March 2017, about 40 of my photographs (1967 – 1974) of Toronto’s Baldwin St. were exhibited at the Toronto Arts & Letters Club. I recently spoke at the Club about my experience as an immigrant in 1967 with a draft dodger avoiding the Vietnam War.    

Here is one of my photographs.

In Feb. of that same year, I was fortunate enough to have exhibited photographs at Unlovable Gallery that John Phillips (my ex-husband and late husband)  and I took of the American Civil Rights Movement. Last year, I gave a slide presentation at the Women’s Art Association on Canadian women photographers who worked between 1865 -1915.   Three projects – war resisters, civil rights, and feminism. 

…and this one taken Toronto City Hall

 
 My son, Bennett Jones Phillips, and his partner, Lisa Pereira are in the process of creating a record store on Baldwin St. and I am going to have an exhibition space- provided the current Covid epidemic is managed, controlled and finally defeated. (I had a gallery in the past on Baldwin). Here is a chance to be more active and socially involved.   My plan includes an expanded “coming to Canada” exhibit with blow ups of my and John’s photos and some pages of John’s FBI file and underground papers. It looks like the space will be a shipping container. The opening event will likely include having a tent in the former  Silverstein Bakery parking lot and having music, poetry, and a 60’s feel with Baldwin Street history – Irish, Jewish, Chinese, and American immigration being part of the  opening focus. 
 
There are lots of possibilities. I am very open to ideas and involvement of other people. So what do you think? Cheers, Laura Jones.
 

Yoga Legend Offers 7 Ways To Make Morning Time Your Favorite

Most people dread the moment the alarm clock goes off having to fight their way out of bed to start the day.  But what if you could turn morning time into your favorite time of the day, where waking up is actually easy and more enjoyable?

Aadil Palkhivala
Aadil Palkhivala

Yoga legend Aadil Palkhivala, known across the world as the “Godfather of yoga in the west,” and author of Fire of Love: For Students of Life and Teachers of Yoga, offers these tips that will make it easier to get going in the morning:

1. Wake up to something pleasant: The very first thing most people think about when they wake up are all the things they have to get done that day.  It quickly makes them feel overwhelmed, frustrated and stressed out. Instead, start your day thinking about the things you are grateful for, and focus on the fun activities you have planned for the day. Do some Heartfull TM Meditation that focuses on deep breathing that will wake you up peacefully and put you in the mood to create throughout the day.

  1. Lose the traditional alarm clock: Jarring the body from a deep sleep is unhealthy for the nervous system. Waking up to a softer noise that gradually increases in volume is a much better choice. Sounds from nature are soothing and naturally awake the body.

  1. Drink a glass of warm water right away: Before you head for the coffee, drink a glass of warm water. Warm water will open up the circulation in the throat and stomach. It helps the body naturally hydrate and feel awake and alive.  It also helps enhance circulation and removes toxins from the night and day before.  People who drink water right before bed and when waking up are also less prone to heart attacks.
  1. Have an organic smoothie: They say garbage in equals garbage out, so start your day with a powerful organic smoothie.  Anything that contains green fruits/veggies is a good choice, along with plant-based proteins. Avoid animal-based proteins which are more difficult to digest.
  1. Stretches: Just like you would warmup your car on a cold winter day, you need to break up the tension from the night before and get the body ready for action.  Do some simple stretches that focus on the neck, shoulders, hips and spine.

Warm Shower6. Take a warm shower: It’s as common as the chicken and egg debate: should you shower in the morning or at night?  The answer is actually both, but especially in the morning because a warm to hot shower will increase circulation in the skin, and help awake the nervous system.

  1. Clean air: When you sleep in a room that has clean air, you’re going to wake up feeling refreshed and ready to take on the day.  Use an air ionizer and purifier with HEPA filter that removes odors and fumes from cleaners, aerosols, carpet and paint. HEPA filters remove more than 99 percent of airborne irritants.

For nearly thirty years, Aadil has been regarded as a “teacher of teachers,” and many of the world’s top yoga instructors have studied with him. He has a unique teaching style, mixing melodious instructions with recitations of poetry, philosophical insights, and in-the-moment humor.

Alive and Shine Center LogoAadil and his wife, Savitri, are the founders of Purna Yoga, a holistic synthesis of yogic traditions based on the work of Sri Aurobindo and The Mother. Discover more about Aadil  and the Alive and Shine Center.  For the Silo, Alex Smith.

Supplemental- A short history of Yoga http://swamij.com/history-yoga.htm

Sony’s Nature Sounds Alarm Clock- now discontinued but still available via Amazon and Ebay.

Art Meets Politics Via China Pirate Video Underground

Ukrainian music the world needs to hear

Recent Ukrainian laws requiring that one in four songs on the radio be Ukrainian, not Russian or any other language, have met resistance from DJ’s  who claim there is just not enough local talent. Ukrainian linguist and music lover Vira Vyrśka says there is plenty to choose from and shares her personal play list.

Can Ukraine legislate which language is spoken?

While we are on the topic of Ukraine’s aspiration to  become free of Russian domination and partner with Europe, the political feud has bubbled over into new proposed language laws. But can you legislate which language people speak? Even some Putin critics disagree.

China’s pirate video underground

Unpaid subtitlers have made it possible for the House of Cards and John Stewart to become massive hits on the other side of the globe.  So are they copywrite thieves or the last hold out against Chinese censorship?  Meet Mr. Xia.

How beards explain international history

And you thought it was just hair. Beards have represented everything from religious extremism to masculine savagery and intellectual gravitas.  A timeline of 3,000 years and 20 countries.

Yes, you can go to jail for writing poetry

Putin’s political opponents and courageous whistle blowers have been thrown off of buildings and shot in broad daylight. But they are not his only targets.  Bad poetry, it turns out, is also a crime.  Just ask Alexander Byvshev.

Egypt’s missing belly dancers

Where are the famous belly dancers of Egypt?  A video tour of belly-dancing from its heyday in the 1920’s in Cairo to its current diminished status in the country where the art of belly-dancing was born.

The 14 best Middle Eastern musicians?

Break out your iTunes and Spotify.  This list spotlight Middle Eastern music trending now in every country from Morocco to Iraq. This music will make your next dinner party or romantic evening.
Syrian warfare the computer game?

Russian game makers Cats Who Play released a new game this year based on the war in Syria in which the player must side with the regime. Did they get it right?

Chavez love culture

The cult of Chavez has only spread after his death, creating a “love culture” as annoying to some as a clingy ex-girlfriend in a small town who keeps showing up everywhere. For the Silo, Alisa Cromer.

Fill in the gaps by visiting our friends at worldstir.

 

 

Vision Quest Poetry Inspired By Spirit And Landscape Of Scotland

8bit Wendy E Slater Poet 2In her youth, Wendy E. Slater found her greatest gift of expression in poetry- and then went dormant. Years later, on a trip to Scotland, the fount reopened. She had been through a crucible of chronic illness that forever changed her, launching Slater on a quest for meaning and life reexamination. That quest opened a gateway into self-healing that resulted in 20 volumes of simmering, soul-searing and spiritual poetry that deftly points humankind toward a new awareness of our Oneness with all humanity, nature, the cosmos and the divinity.

Slater’s breathtaking dive into self-scouring, cleansing and finally transcendence offers hope for all who have been pulled down by the forces of self-blame, self-judgment and self-sabotage. The beauty of her soothing words and healing revelations clears the way for a new path to life-altering Unity, emerging from the alienation of separation.

Her awakening journey began first in the 1980’a where as a student studying science, she became increasingly aware of the inter-connectedness of all things. Struck down by an undiagnosed chronic illness in 1991 that incapacitated her for five years, she turned to alternative healing techniques when allopathic medicine failed her. This widely ranging exploration of holistic health and spiritual practices opened her eyes to a new way of being, brought forth consistently by healers from all societies and eras- an existence without “the false archetype of perfection.”

Says Slater, today a gifted alternative healer herself: “When blame and self-judgment are transformed, healed and cease to be, we have reawakened without myth, the mythos, of separation.”

Into The Hearth CoverIt was on that one heart-opening trip to Scotland in 2001, that the poetry coalescing inside of her during that healing period began to pour forth. In subsequent trips to spiritually enriched landscapes, the words found their way to paper. Slater calls her work “Vision Quest” Poetry.

Into the Hearth, Poems-Volume 14, is actually the first of her volumes to reach publication. And it is already a widely-acclaimed Amazon.com #1 Bestseller:

“This is a very dangerous book of songs. You will find yourself overwhelmed, engulfed, and swept away into the very intimate heart fire of Wendy Slater, the feminine heart fire of love, and in the end you will be left in ashes, totally in love without any object whatsoever, yearning for more.: ~ John A. Perks, Author of “The Mahasiddha and His Idiot Servant,” Ven. Seonaidh Perks, Celtic Buddhist lineage

“Wendy E. Slater is that breed of poets who open our eyes, our hearts, and our minds with a warm arm around the shoulder, a sympathetic and empathic delivery that instantly binds the reader to her. These poems, quite simply, are eloquent, not only because they are offered with a desire to invite us to join her on the path to enhanced perception of the world and our place in it, but also because she manages to infuse that sense of spiritual respect that is so often absent in contemporary poetry.” ~Grady Harp, Amazon’s Hall of Fame, a Top 100 Amazon reviewer.

In the Hearth by Wendy E. Slater is available from Amazon.com and also on Kindle. To learn more about “Vision Quest” Poetry visit Traduka.com

Seven Years War Story Behind Our Civic Holiday

As the civic holiday some refer to as Simcoe Day approaches, I wish to shine light on Upper Canada’s first lieutenant-governor.

Born Feb. 25, 1752, in England, John Graves Simcoe, although best known as lieutenant-governor, was also a member of British Parliament, colonial administrator, army officer, and commander of the Queen’s Rangers during the Revolutionary War.

Largely comprised of Loyalists and deserters from George Washington’s army, the Queen’s Rangers were named in tribute to Queen Charlotte, the wife of King George the Third. As a 400-man elite fighting force, established during the Seven Years War (1756-1763), they trained in woodcraft, scouting and guerilla warfare. Simcoe didn’t follow the protocol of the time of strict and rigid maneuvers. The Rangers wore green uniforms for camouflage, depended on speed and surprise, and were known to defeat forces three times their size.

Simcoe took time from the war to pursue a young lady named Sarah “Sally” Townsend. On Feb. 14, 1779, he sent her a poem in which he extolled her beauty and his love for her – the first recorded Valentine’s Day letter in North America.

That year Simcoe was ambushed by rebels, captured and imprisoned in New Jersey. He was treated harshly and his one attempt at escape was foiled. He was finally released on the signature of Benjamin Franklin as part of a prisoner of war exchange.

Following the defeat of the British at Yorktown in 1781, Simcoe spirited the Queen’s Rangers colours to England. Today they are on display in the officers’ mess of the Queen’s Rangers at Fort York, Toronto.

Simcoe returned to England, married Elizabeth Posthuma Gwilliam and was elected Member of Parliament for the borough of St. Maws, Cornwall.

On Sept. 12, 1791, Simcoe was appointed lieutenant-governor of the newly-created Upper Canada.

With his appointment, Simcoe had a goal to develop Upper Canada as a model community with aristocratic and conservative principles, and to demonstrate the superiority of these ideas in contrast to the Republicanism of the United States.

He opened the first elected parliament in what is now Ontario 225 years ago on Sept. 17, 1792. He is credited for installing British common law, trial by jury, the standardization of weights and measures and the establishment of Ontario’s system of municipal government.

In 1793, under Simcoe, the assembly passed the first act against the importation of slaves in the British Empire. Slavery had completely ended in Upper Canada before it was abolished in the British Empire as a whole in 1834.

Simcoe realized Newark was an unsuitable capital because it was on the border and open to attack. He suggested moving the capital to a defensible position, named the location London and renamed its main river the Thames. This proposal was rejected, but Simcoe’s second choice, the present site of Toronto, was accepted. The capital was moved there in 1793 and renamed York.

The Queen’s Rangers were revived and Simcoe had them begin construction on Yonge Street.

Simcoe returned to England for health reasons in July 1796 and died there on Oct. 26, 1806.

Over two centuries later, many refer to the Civic Holiday in August as Simcoe Day. Attempts to give Simcoe Day provincial recognition has failed.

To celebrate Ontario’s 225th; visit my web site at www.tobybarrett.com to test your knowledge of our province.

 

Poetic Grace Gesture Is Needed In All Art Work

Dear Reader, it is difficult to deny that a side of art making is fatally concerned with the poetic grace of the gesture – it is expected that a work should exude a cosmic and ineffable air.

Metropolitan Museum Of Art Curator Denise LeidyRegardless of your medium, I hope this glance into the minds of two established poets from very different walks of life can help dissipate the intimidating mist between process and product, as well as remind you that the transcendent and the familiar are often one in the same.

Meena Alexander PoetGlobal spectator Meena Alexander recognizes that even in the grand art of poetry is a desire to express what cannot be said through its own means. After eight books of poems and a lifetime of travel, Alexander continues to defend her craft as the most ordinary of entities, no more inexplicable than a child’s obvious and impossible sense of language or rhythm.

New York-based Eileen Myles approaches poetry from a reserved and humble perspective, with the intent of striking a tasteful balance between metaphysical grandeur and the habitual rhythm of the everyday.

Eileen MylesMyles, a breathing artistic currency, treats poetry as an extension of the self with the potency of a movement and the collective memory of a civilization. Myles proves that common experience and abstract phenomena are synonymous when we step back to look.

If the weight of the world seems so immense that the few strands of creativity cannot unravel, the Mayer Foundation offers emergency funding for New York artists facing economic, residential or medical turbulence. Proposals may be submitted at any time, with over two thousand dollars granted to those with concrete objectives and a levelheaded art plan.

It is easy to forget that behind the polished mirror of history is a messy and cumulative reality. There is little difference between the intelligentsia of years past and the friends sitting at your dining room table. For the Silo, Brainard Carey.  

Supplemental-

Words A Spoken Word Poem

“Words”. Thoughtful contemporary poetry from Allen Minor.

 

Allen Minor is From Utica, New York and lives in Daytona Beach, Florida

@allen_minor (Twitter)

allen minor (YouTube)

allen-minor (Tumblr)

allen_minor (Instagram)

Website  http://Amazon.com/author/asminor

Through Mediums of Painting and Written Narrative, FLY shares Tales of Tremendous Strength and Courage

Los Angeles, USA – FLY has launched a one-of-a-kind artistic-inspirational campaign on Kickstarter, presenting the world’s first ‘pen & ink’ art book, solely designed to inspire and uplift its readers. Using pen and ink portraits and written narrative, FLY tells the stories of known and unknown human beings who dazzled the world against all odds, such as; Da Vinci, Beethoven, Coco Chanel, Karina Chikitova, Audrey Hepburn, Pelé and more.

Offering FLY’s artistic-inspirational book at a rational price tag of $35USD, Liron & Shira Ben-Arzi , the two sisters/artists behind it, aim to raise more than $11,730 to fund the production and help spread their vision of inspiration, globally. Their pure hope is that as you flick through the pages of FLY, you will be filled with a sense of strength; of light and of love. Meaning, that FLY will become our daily personal coacher, with messages of self-fulfillment and motivation, transferred through quotes, poetry and drawings. Using their personal talent and ambition, the two sisters have crafted this 240 pages book, based on pen & ink portraits and unique written narratives that tell the stories of 49 truly extraordinary people who forever changed the course of humanity.

 

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They have collected the tales of people who have done the impossible into a book; stories of people who transcended the boundaries placed against them. For example; The unbelievable tale of Karina Chikitova – a little girl who survived 11 days in the wilds of Siberia; Sophia Scholl – A young woman who protested against the Nazis by painting murals; While also researched modern heroes, such as; gay-rights activist Brian Skerry, and artist Frida Kahlo who overcame many adversities to rise to success, as well as heroes from times gone by, such as; Leonardo Da Vinci and Ludwig van Beethoven.

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“FLY is more than a book, it’s a remedy for remorse and a medicine for melancholy. It’s designed to motivate and inspire anywhere, anytime”, as Liron the painter behind it expressed. “Our vision and dream is that the power of human perseverance and of passion and positivity will flood the reader’s senses and remind him/her of the beauty and goodness in the world”, Shira, the poet in the team, added.

FLY’s Kickstarter campaign is just the beginning for these two, as they hope to take the mission of inspiration forward and much further. The awareness raised through Kickstarter will also help to fund future inspirational FLY projects including; exhibitions, lectures, workshops and other interactive visual media.

 

Click me! Art Sound Music from the Future
Click me! Art Sound Music from the Future

Touching Is Our First Form Of Communication

Looks familiar? Uh huh. This image is reworked from the original LP Invisible Touch by Genesis on Virgin Records. CP

 

The moment we become parents we use our sense of touch to communicate with our brand new baby.  I will never forget that first moment in my each of my babies lives, when they started to experience and explore the world completely independently of me.  The first thing I did was reach out to my newborn and without exchanging a single sound, we were instantly familiar to each other.

The research that outlines the benefits of touch and infant massage is extensive.  Any expert will go on and on about how there is a fancy chemical reaction going on in my brain (central nervous system) that releases a feel-good hormone (serotonin) that counters stress hormones (cortisol) and that is why I feel that connection with my newborn.  What I actually experience in those first moments of my child’s new life is nothing short of magical.

This is not meant to imitate the many hundreds of articles that are already out there that outline the benefits of Pediatric Massage Therapy, but there is a little Massage Therapist inside me that cannot encourage you enough to explore it.   Children ages 0-99 can benefit from Registered Massage Therapy, but in the mean time treatment can start at home or even heart beats after birth.

 

Just a few of the types of baby massages. image: yogawiz.com
Just a few of the types of baby massages. image: yogawiz.com

 

 

After spending much time looking for a nursery rhyme that could incorporate a meaningful massage into its singsong format, I decided to write my own for you to try:

Bedtime Butterfly Kisses

Belinda the beautiful butterfly was bouncing on a breeze

Gracefully she glided to give my shoulder a squeeze

“How do you do?” Belinda sung so sweet.

“May I rest here while my heart slows a beat?”

She stopped but a moment before she began to explore

Hugging my arm she looked way down to the floor.

Three times she wandered from shoulder to finger

But I liked her so I indulged, and hoped she would linger.

Perched in my hand, she started stroking my palm

It tickled before I realized it made me feel calm.

She drew circles and hearts with her nose on my skin

Before she giggled and climbed back up to my chin.

With a fluttering kiss to my cheek she gently rubbed my head

And then softly she whispered, “Baby, time for bed.”

Though my eyelids are heavy I try to protest

To forget Belinda when I wake I’d deeply regret

Belinda’s wings push the air across my sleepy face

Like angel kisses made out of the most delicate lace

“Rest well little one,” She sings, “And think not of sorrow.

If you go to sleep now I can come back tomorrow.”

You can be creative and pretend your own hand is a butterfly.  I used an inexpensive IKEA  (Gulleplutt .99$ CP) finger puppet. Don’t let you imagination stop there.  As your child grows out of silly rhymes consider getting creative and making an imaginary pizza on your kiddo’s back, belly or palm. What about planting a garden and watching it grow?

I can give you more research that indicates why it is important to perform these treatments at the same time each day, in a calm space with a warm blanket and yadda yadda, but experience has taught me that even when my son or daughter is in middle of their wildest meltdown behavioral state; a nurturing touch with loving intent is the only cure. For the Silo, Jenny Tansley.

Jenny Tansley

Fish Quill Poetry Boat tour returns to the Grand River

Fish Quill 2013 - sponsor list

 

 

 

 

 

 

 

 

 Toronto, ON – A group of artists is setting out on a ten-day poetry and music tour by canoe down the Grand River in southwestern Ontario. For the fourth year running, the group, calling itself Fish Quill Poetry Boat, will be paddling from Elora to the Six Nations of the Grand River Territory and performing their work in cafés, arts centres, and heritage sites along the way. Fish Quill Poetry Boat in 2013 is comprised of poets David Seymour, Gillian Savigny, Leigh Kotsilidis, Linda Besner, and Stewart Cole, with London musician Grey Kingdom.

 

Fish Quill Poetry Boat will kick off the tour with a performance in Toronto on June 13th at 8pm at the TRANZAC Club. Scheduled stops for Fish Quill Poetry Boat are the Elora’s Beaver House on June 15th, West Montrose Kissing Bridge on June 16th, Waterloo’s Words Worth Books on June 17th, Cambridge’s Wired Up Pugs Café on June 19th, Paris’ Cedar House Martini Bar & Grill on June 20th, Brantford’s Station Coffee House & Gallery on June 21st, and Six Nation’s Chiefswood National Historic Site on June 23rd. With the exception of Toronto (8pm) and Elora (2pm) all performances are at 7pm. Cambridge’s performance has a $10 cover charge, and all other performances are free.

One notable stop on the tour is Chiefswood National Historic Site on June 23rd. Chiefswood is the only surviving pre-Confederation Native mansion in Ontario, and is the birthplace and childhood home of celebrated writer and performer

Tekahionwake, E. Pauline Johnson, best known for her iconic canoeing poem, “The Song My Paddle Sings.” The year 2013 marks the 150th anniversary of Pauline Johnson’s birth. Curator Karen Dearlove says, “We believe that the Fish Quill Poetry Tour is a great way to feature contemporary poetry and creativity at a site known historically for fostering literary creative dreams.” Fish Quill Poetry Boat will be sharing the stage at Chiefswood with local Six Nations writers and performers.

Fish Quill Poetry Boat is in its fourth year, and canoes are once again being lent free of charge by Paris-based outdoor adventure company Treks in the Wild. “A very cool idea,” says Andy Tonkin, canoeing guide and co-owner of Treks in the Wild, who will be coming along for the ride. The Grand River Conservation Authority and rare Charitable Research Reserve also sponsor the tour and will be giving presentations at select venues.

This year Fish Quill Poetry Boat has also put together an Indiegogo crowdfunding campaign. You can watch a video of Leigh Kotsilidis and Linda Besner explaining how the tour works-

As a reward for contributions made, donors to the campaign can receive perks, such an anthology of past and present Fish Quill Poetry Boat participants. So far, that’s fifty poets and musicians!   CP

 

 

 

 

Remembering The Children Of Terezin

The first thing I noticed was the pebbles. There had to be a hundred. Maybe more.

All perched lovingly atop the unmarked grave. I took a deep breath and went closer.

Each step taken with respect. To those underneath the pebbles, their families, their communities, their lives.

Time stopped.

I knelt.

My hand reached out. Hovered over the pebbles asking permission to enter their world for just a few hours.

I was humbled. I was ready.

I will never forget.

So began my journey to Terezin in the Czech Republic that November day. I knew it would change me. I knew what I would see.

I knew nothing. Absolutely nothing.

How could I know? I had not yet seen. I had not yet felt. I had not yet heard the door slam behind me.

I didn’t know about the children. I didn’t know they drew pictures. Pictures of flowers and trees, family and dogs. Pictures like all kids draw. Only they weren’t all kids. They lived at Terezin.

I was ready.

I had watched the movies.
I had watched the documentaries
in my comfortable chair in my warm living room.

Now I’ve stood where they stood.
Sat where they sat.
Cried where they cried.

I know it’s not enough.
But I will never forget.
Will always speak up.
Will always remember the pebbles.

There were a hundred of them.
Maybe more.

IF WISHES WERE PEBBLES by Karen Wilson