Tag Archives: piano

Composition For Solo Piano With 40 Channel 1 Bit Electronics

New Amsterdam Records releases are special and Surface Image, the album-length composition for solo piano with 40-channel 1-bit electronics, composed by Tristan Perich and performed by pianist Vicky Chow is no exception.

“Surface Image is a stunning marriage of Perich’s inspired electronic aesthetic and Chow’s nuanced yet fiercely virtuosic playing. The line between electric and organic is artistically blurred, as the simple hand-wired electronics fuse with the individual notes of the piano on the same, expansive plane. Recorded at EMPAC’s sound studio by producer Argeo Ascani and mix engineer Jeffrey Svatek.”

A look at the performance set-up in "Surface" by Tristan Perich for a piano performance by Vicky Chow
A look at the performance set-up in “Surface” by Tristan Perich for a piano performance by Vicky Chow
"Surface's" Tristan Perich and Vicky Chow
“Surface’s” Tristan Perich and Vicky Chow

Pre-Order Now: https://newamsterdamrecords.bandcamp.com/album/tristan-perich-surface-image

Microtonal Wall in “Audible Spaces”

Curated by Alexis Lowry Murray, “Audible Spaces” presents three sound installations that encourage participants to explore the subtleties of listening. Tristan Perich, Zarouhie Abdalian, and [The User] have each created immersive environments using seemingly uniform sounds that dissolve into tonal, tactile, and temporal variations as participants engage with them. Perich’s Microtonal Wall (2011), on view in the Cohen Gallery at the Granoff Center, demonstrates the extraordinary complexity that can be generated using only the most basic electronic tools. Drone-like from a distance, this 25 ft long sound field of 1-bit noise dissolves into 1500 unique frequencies.

A look at Perich's microtonal wall installation.
A look at Perich’s microtonal wall installation.

4 Aspects Of Your Life You Can Improve By Listening To Jazz

Music is known to have a strong effect on most people. It can compel its listeners to move along its rhythm and dance. It can also provide stimulation to the brain, which can improve a person’s bodily performance.

This positive impact can double for the person performing the music. Can you image the impact that the more varied and dynamic genres of music, such as jazz, can have on you? 

Jazz is not only a pleasure to listen to, but consuming it can bring about numerous improvements to your health and lifestyle. Whether you listen to this type of music in the background while working to attending dedicated worldwide jazz festivals, jazz can help improve your well being. Continue reading to learn more about how jazz can improve many aspects of your life.  

Energy and Creativity

Completing daily tasks can sometimes get difficult. It can be easy for you to become bored and lose motivation or have your energy depleted due to repetition and tedium. Jazz can help you regain that focus and energy, making activities such as daily work and exercise feel easier than they are.

The unique, diverse rhythm provided by the music causes your brain to produce and release the appropriate chemicals. This is the brain attempting to match the music’s beats, and due to jazz’s improvisational nature, it keeps the brain’s stimulation high, making it easier to keep up with rigorous activities. Additionally, active, but ambient, noise increases processing difficulty, which encourages abstract thinking and creativity. More creative thinking can help you find work solutions and keep you engaged in the task at hand. 

Blood Pressure 

Is high blood pressure a recurring problem with you? Then music rich with rhythm, especially jazz, can help you out. Music has a dynamic relationship with people’s cardiovascular system that several researchers have investigated before. Jazz can help you decrease your blood pressure by impacting your blood vessels. Rhythmic, lively music like jazz can open your blood vessels to around 30% more than normal, reducing your pressure.

Further studies conducted by the Osaka University in Japan show that people who listen to music after three months have their blood pressure reduced by 6 mmHg. You can equate this decrease to people who have taken their blood pressure medication, lost 10 pounds, or adopted a low-sodium diet. This change can ultimately improve your overall health, as it decreases your chances of suffering from heart disease or a stroke. 

Immune System

One of the most important systems in your body is the immune system. It is mainly composed of organs and white blood cells and it is your body’s ultimate line of defense against germs, infections, and diseases. While there are many healthy habits you can embrace to boost your immunity, such as regular exercise and a healthy diet, you can also add listening to jazz to the list.

Psychologist Carl Charnetski discovered in a study that people who listened to jazz for at least 30 minutes produced a higher level of immunoglobulin A (IgA) than other subjects. This chemical is one of the many antibodies created by the immune systems that manifests alongside the mucous linings of the body. Arrange for jazz listening sessions to keep a strong level of IgA going. 

Stress Management 

While it can be a cliché to say that jazz’s primary audience is “cool” people, there is some truth to that statement. According to the University of Nevada, music that goes up to 60 beats per minute can cause your brain to release alpha brainwaves. These waves are related to sleep and relaxation, calming your nerves and ironically making you more alert. Certain types of noise, such as smoother jazz, stringed instruments, and even rainfall, are more effective than others in winding you down after a busy day at work. 

Jazz is not only one of the most dynamic music genres out there, but it can also make a positive impact on your health. From improving the body through the immune and cardiovascular systems to decreasing stress and encouraging energy, focus, and creativity, listening to jazz can bring noticeable changes to your well being. Consider these benefits the next time you choose the concerts to attend or the type of background music you will play while you work. 

Using Voice Tones To Teach Improvisation For Beginner Jazz Guitar

This article discusses an approach to teaching linear improvisation to beginning jazz guitarists through the function of voice leading in harmonic progressions. The guitar student may gain a clear understanding of improvising melodies by establishing clear visual and aural relationships between the chordal and melodic textures.

Three dominant 7th chord voicings are introduced and applied to a twelve bar blues progression in F major. After learning the rhythm guitar accompaniment, single note guide tones consisting of the flat 7th and 3rd chord tones of each dominant seventh chord are extracted from the chord voicings and applied in a melodic texture following chromatic voice leading principles within the harmonic progression.

Musicality within the exercises is increased by the addition of a series of rhythmic variations that are applied to the guide-tone lines. Continuing with the concept, full dominant seventh arpeggios are introduced in order to expand the available note choices as a way to build a solid foundation for improvising within harmonic progressions prior to using diatonic scales.   By Daniel Andersen from the Journal: Revista de la Lista Electrónica Europea de Música en la Educación  Click here to read the full article. *Picture: Jazz Guitar legend Herb Ellis

Toronto Composer Nick Storring sends listener on a journey with “Gardens”

Nick Storring — Gardens

  1. Open Your Eyes And Forget (16.21)
  2. (Come To My) Thicket (5.30)
  3. Unexpecting (3.52)
  4. Nothing Seems To Rhyme (7.25)
  5. Inside Every Man Lives the Seed of a Flower (13.21)

Maestro Nick Storring- not afraid to integrate electronics into classical instrumentation
Maestro Nick Storring- not afraid to integrate electronics into classical instrumentation

 Gardens was composed, performed, recorded and mixed spring 2011-autumn 2013. All instruments performed by Nick Storring. The work was designed as an informal tribute to arranger/ producer/ composer Charles Stepney. Its titles refer to the Come To My Garden by Minnie Riperton which Stepney co-wrote, produced and arranged. No musical materials were borrowed, however.

The creative processes which birthed this album was funded by the 2011 Toronto Emerging Composer Award, which is administered by the Canadian Music Centre and generously supported by Michael Koerner and Roger D. Moore. No effects processing was employed aside from simple dynamics, equalization, mixing, and spatialization. Other ‘processing’ is strictly through acoustic or electromechanical means.

Instrumentation: violin, cello, electric mandola, electric bass, guitalele, Strumstick, banjo, harpsicle, autoharp, esraj, kemence, rebab, ananda lahari, Hohner Pianet-T, Yamaha CP60M stage piano, glockenspiel, steel pan, thumb pianos, toy pianos, roto-toms, snare drum, djembe, khol, bells, thunder tubes, rainstick, woodblocks, cymbals, other found/ homemade percussion, jaw harps, melodicas, harmonicas (diatonic and chromatic), tuning reeds, harmonium, khêne, mey, hulosi, xaphoon, concert flute, bansuris, sulings, recorders (alto, soprano, sopranino), various other flutes, mijwiz, been, pan pipes, kazoo, found wind instruments, voice.

Nick Storring

Additional implements: bows, mallets, plectra, e-bow, handheld fan, electric toothbrush, vibrator, microphones,contact microphones, amps, speakers, earbuds, Headrush Shockrock vibration speaker, Danelectro Free Speech Talkbox, Sansui RA-700 spring reverb.

Many thanks to those who offered listening, feedback, instruments, support and exposure (through various channels) during the creation of this work. There are many of you, and I truly value your contributions.

© 2013 Nick Storring

all tracks SOCAN

www.nickstorring.ca

www.scissortailrecords.com

Nick Storring

Supplemental- Blouin Artinfo article about Nick’s recent practice the première of Terminal Burrowing at the AKOUSMA Festival, October 2013

 

Wendy Carlos Soundtrack Composer