Tag Archives: photo collage

Important Thoughts On Altruism

Humans possess a great depth of capacity when it comes to altruism. Again and again, we demonstrate our tendency to reach out when others are in distress. Cultivating these instincts is one of the ways in which we connect with our own humanity. Studies have indicated that altruism is not entirely innate. Environment plays a key role in the development of the qualities of altruism. Practicing this trait strengthens not only our own individual ability to extend hope and help to our fellow species, it allows us to explore more deeply our own inner kindness.

“Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness.” –Martin Luther King, Jr.

Mark Guglielmo had just finished an exhibition at Villa Victoria Center for the Arts in Boston, Massachusetts when he decided to emphasize what he felt was a missing ingredient in today’s society- altruism. Guglielmo’s work tries to emphasize this message by piecing together photo collages to form a larger image. For another show, he used photos from his time spent in Cuba. To complement the work, Guglielmo conducted interviews which were then incorporated in the exhibition. The particulars of the work involved thousands of photographs. Guglielmo captured detailed images of every nuance of a person, place, or thing. From these, he painstakingly compiled what he refers to as “a 1000-D version of reality.”

A natural storyteller, Guglielmo says the audio portion of his work was important to transport people to Cuba. Guglielmo witnessed the changes to the island nation. He decided to record the perspective of the Cuban people when it came to the changes to their relationship with the U.S. Guglielmo kept his conversations informal and allowed Cuban residents to drive them in order to keep them safe from government targeting for speaking out.

The conversations revealed the daily lives of Cubans often in the context of wealthy western tourists vacationing in the shadow of extreme poverty. Political tensions between the U.S. and Cuba have interfered with plans to show the work there.

Bucanero en Playa Ancon | Buccaneer at Ancon Beach, Trinidad de Cuba, 2017, Photo-mosaic, 46 x 68 inches

Frank Juarez is the co-founder of the Randall Frank Contemporary Art Collection and project manager of the Randall Frank Artist Grant Program. Juarez says the Randall Frank collection began quite organically. Juarez and his high school and college friend Randall shared a lifelong affinity for art. When they wanted to work together, art was the common theme they shared. Together, they began a collection and strove to support artists from their area. In the early days, they worked under a tight budget, purchasing art quarterly and storing them in Randall’s home in Richmond, Virginia. The two began looking for opportunities to sponsor art events. Their first endeavor in this capacity was a mural project in Milwaukee’s Black Cat Alley. Randall Frank Contemporary Art Collection (RFCAC) hopes to one day create a public space where they can house their collected art and make it available to the public.

As they became more established, RFCAC decided the best, most direct way to support artists was through a grant program. RFCAC’s pilot program seeks to support artists in the Midwest and east coast regions of the U.S. The grant is presently privately funded. Juarez works in many capacities within the art world. He is a gallery director, curator, and educator. Randall works in the private sector as a chemist.

A Few Words to Keep in your Pocket: Soften your heart and open your mind to the possibilities of altruistic behavior.

For the Silo, Brainard Carey.

Featured image– Induction #1 by Tony Conrad (l) and Katrina by Rob Neilson (r)  courtesy of Museum of Non-visible Art.

McMaster University Art Show Was Organized By UK Architectural Association

François Dallegret, L’IntroConversoMAtic, 1963. photo collage and drawing. Dimensions variable. Photo: François Dallegret
François Dallegret, L’IntroConversoMAtic, 1963. photo collage and drawing.
Dimensions variable. Photo: François Dallegret

In 2014 McMaster Museum of Art presented GOD & CO: François Dallegret Beyond the Bubble.  An exhibition organized by the Architectural Association, London UK

François Dallegret trained as an architect at the École des Beaux-Arts in Paris in the late 1950s.  He moved to North America; first to New York and then Montreal in 1964. Dallegret has since and continues to slip between disciplines, working as an artist, entrepreneur, theoretical architect (before the term was in general use), industrial and graphic designer, writer and social commentator.

Although his work over the past fifty years has been firmly planted within the possibilities offered by contemporary technologies—his 1964 drawing of a personal, wrap-around electronic communicator l’intro conversomatic has become a commonplace reality in the current world of smart phones & “pads”—Dallegret can be seen been in the context of 19th century idealism; the engineer as artist, the inventor as philosopher and so on.  And while his work carries the sense of wonder of the modern age, manifest in the pure beauty of the object, it is also tempered by the realities of social, economic and cultural issues, and often framed with a quixotic sense of humour and irony.

GOD & CO offers a unique view into Dallegret’s work and activities, a de facto retrospective that engages his  active thoughts. Organized by the Architectural Association School of Architecture (UK), it opened in London in late 2011 and has subsequently been presented in Paris and Zurich. This was the first presentation In Canada.

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The 2014 exhibition was accompanied by a 384-page illustrated publication with texts by Alessandra Ponte, Laurent Stalder and Thomas Weaver. For the Silo- RoseAnne Prevec.      

Supplemental- François Dallegret’s website: http://www.arteria.ca/