Tag Archives: paranoia

Repro Clothing From Red Dawn- The Original 80s Invasion Movie

A whole generation of Americans (and Canadians!) grew up staring out of their high school class windows and imagining invading Soviet paratroopers landing outside. Many of them (a few decades older and wiser) are reliving the past through interesting throwback fashion choices and in extreme cases- full on cosplay.

If you have always wanted a Calumet High Varsity jacket or one of those cool Russian camo coats that the Wolverines eventually commandeer and rebelliously wear as their own- our friends at kommandostore.com have some good news for you.

But first here is a mini-review written waaaay back in 2002 that does a good job of explaining the believable paranoia vibe of Red Dawn.

“Someone else before me wrote that a lot of people don’t understand how believable this movie was in it’s day. I have to agree with the author. I remember this movie as being pretty scary and pretty violent. I haven’t seen it in a while but there’s a lot of scenes that haunt me. One in particular is when several of the kids look for their parents at a concentration camp. Harry Dean Stanton gives a powerful performance that serves to show that he’s a genuine actor. That scene is heartbreaking, as well as a scene that follows with Patrick Swayze breaking down in the snow covered woods. C. Thomas Howell vs. the helicopter. The ritual of the deer blood. Powers Boothe. The final battle and resolution. Yeah, it’s a little much and these days, it wouldn’t exactly fly but dammit Jim, I dug it at the time and I still do. I think everyone should see it, just so you can either remember or learn what it was like to live in a time when the general thinking was a little paranoid. I think the movie manages to capture at least that, being what it is, a paranoid fantasy of someone who probably has a huge gun collection in his concrete reinforced cellar.” Mr. Parker via imbd.com 

The Bad Guy Look

The Good Guy Look. Well one of them anyway.

Now if only we could find that 1977 Chevy Cheyenne Cayenne step-side that Jed drove the hell out of escaping those pesky Russkies.

Fun Facts from the Movie via imdb

Five of the 36 paratroopers in the beginning of the film got blown as much as a mile off-course during filming. One got stuck in a tree, and had to convince locals that he wasn’t really an enemy soldier.

C. Thomas Howell had been a rodeo cowboy. He helped teach the rest of the cast to ride horses.

The plot, a Soviet and Cuban invasion from Mexico, was based on C.I.A. and War College studies of U.S. weaknesses at the time.

Patrick Swayze got frostbite during filming. A few years later, he said it still felt like someone shoving toothpicks up his fingernails when he got too cold.

The film contains no computer graphics effects, chroma key composites, or miniatures. All of the explosions are real, and actual size.

The film made the Guinness Book of Records for the most acts of violence in any film up to that time. According to their calculations, 135 acts of violence occur per hour, or 2.23 per minute.

The actors trained using real weapons so that they wouldn’t make mistakes using the prop ones. Lea Thompson recalled, “We went to a firing range and there was every kind of gun you could imagine.”

The cast underwent an intensive eight-week military training course before filming started.

Lea Thompson said that this is the best time she’s ever had on a movie.

Real Green Berets helped with the actors’ boot camp training.

William Smith didn’t receive any special language training for his role. Thanks to years of military service, and work with the C.I.A. and N.S.A., Smith was already fluent in Russian and several other languages.

Patrick Swayze stayed in character throughout filming. He said, “I became Jed Eckert.”

The story was originally to be set in the real town of Calumet, Michigan. It was moved to a fictionalized version of Calumet, Colorado. It was a more central location within the United States, which better fit the story. In real life, Calumet, Colorado is a tiny former mining town abandoned in the 1970s.

“Red Dawn” was the code name for the military operation that captured Saddam Hussein on December 13, 2003. Writer and director John Milius felt honored by that.

The original trailer, on the LaserDisc release, includes a scene in which a tank rolls up to a McDonald’s where enemy soldiers are eating. The scene did not appear in the final cut, and was likely removed due to a mass shooting at a McDonald’s in San Ysidro, California, a few weeks before the film opened.

This was the first film released with a MPAA PG-13 rating, on August 10, 1984. The Flamingo Kid (1984), the first film to get a PG-13 rating, sat on the shelves for five months before release.

Two C.I.A. agents came to the set, investigating reports of Russian tanks in the area. They were relieved to hear the tanks were for a movie.

A more involved love story between Jed and Toni was cut because Patrick Swayze didn’t feel it would work in the context of the film’s plot. Swayze and Jennifer Grey later appeared in Dirty Dancing (1987).

As it got colder, the actors and actresses had to adapt to freezing temperatures, often well below 0°F (-17.7°C).

This movie was initially banned in Finland due to excessive violence, disagreements with Finland’s foreign policy, and being “too anti-Soviet.” It was eventually released on video there.

Charlie Sheen‘s feature film debut.

WOLVERINES!!!!

Across The Arts Vulnerability Prevails And Here’s Why It’s An Asset

Just for a moment, think about all of the many career fields in the world. Now think about those that require a personal emotional investment as a matter of course.

How many bankers make a regular practice of exposing their deepest insecurities to the world through their work? How many veterinarians routinely put on display the most precious and personal aspects of their hearts and minds? Probably not that many. As an artist, you are literally doing this all the time. Whether the emotional investment is major or minor, and whether you are exposing personal joys or defeats, the fact remains that careers in the arts by their very nature involve a whole lot of very personal investment. Unfortunately, some artists view this as a liability and allow the idea that they don’t possess the right self-esteem to affect their ability to work. It is important to find ways to lay these insecurities to rest and accept that by its very nature, art puts us in a vulnerable space. Embrace this rather than allowing it to overwhelm you, consider it an asset going forward.

Across the arts fields, vulnerability prevails. It is what often informs some of the most beautiful work. Whether we are talking about a performer or a visual artist, human nature dictates that when we put ourselves out into the world in the way that an artist does, there is a certain measure of vulnerability built in to the equation. It is a rare thing indeed to find a performer who doesn’t experience the butterflies of stage fright however subtly, no matter how seasoned he or she may be. And it is equally unlikely to find an artist who operates from a place of pure confidence free of the weight of uncertainty.

Jarrod Barker After the Rain 2016
Jarrod Barker After the Rain 2016

The world of art, not to mention the world at large, would be a very different place if insecurity did not exist. If everyone walked around with stiff confidence all the time there would be no room for tenderness, bravery, courage, and the bonding commonality of vulnerability that we all experience which is often the key to connecting an audience to a work of art. Every human alive understands what it is like to feel overwhelmed and uncertain and it is often this understanding that leads people to seek out art as a means of connecting to others through this shared human emotion.

Self-esteem has become a buzz word without a strong definition to back it up. We allow it to inform us as though it is some sentient entity that can make or break our resolve as artists. The fact is, self-esteem is merely a label for the way we view ourselves. It is us, and us alone, who decide how we approach the world. Allowing a vague concept like self-esteem to stand in the way of creating something that speaks to the very soul of who you are makes as much sense as allowing a phobia of flying stop you from seeing the world. You must conquer these self-made fears and come out on the other side.

Jackson Pollock Number 1 1950 Lavender Mist
Jackson Pollock Number 1 1950 Lavender Mist

The fact is, there is no way around baring your very soul as an artist. Whether it is only a glimpse or whether you let it all hang out for the world to see, in every work you create there is, inherently, a very personal piece of you. Without this, your work would lack meaning and depth. People view art expecting the spectacle of human emotion. To deny this because of some feeling of low self-esteem is to deny an opportunity to yourself and your audience.

There are no guarantees in life, everything we do carries a risk. Every career has its risks and benefits, though these vary wildly across the spectrum depending on what field we look at. Art is no different. There are no guarantees. Sometimes you will expose your most private self and receive less than gentle feedback. Under no circumstances should this give you anything more than a moment’s pause. Brush off, stand up, and get back to it. Use these experiences to further inform your work. Explore the feeling of exposure and the insecurities of this concept of self-esteem. Look fear in the eye and let it look right back.

Ultimately it is up to you how you choose to face the very real challenges of so-called self-esteem in your work as an artist. Only you can know your own limits, and only you can be brave enough to step beyond them. No one ever achieved very much who didn’t expose their inner selves to total annihilation. While this may sound like a terrifying prospect, consider why you are sitting here reading this blog in the first place. If you’re an artist, by simply declaring to the world that you are an artist, you have already chosen the path of courage. You have willingly stepped into the ring with your heart on your sleeve. There’s no turning back now. For the Silo, Brainard Carey.

Supplemental- The start of abstract expressionism challenged “safe, established painting styles”