narrator | The Silo

Canada is in the midst of an audiobook boom. Though sales numbers aren’t available yet, they’ve been growing rapidly in the United States, and north of the border, there’s been a substantial influx of publishers entering the audiobook market.

Why Do Canadians Listen to Audiobooks?

What’s behind their growing popularity? It all comes down to the pleasure of listening. Canadians are busy, stressed out, and looking for a way to slow down. Carving time out of the day to sit back and listen to a book is a chance to clear out the cobwebs, recharge, and rebalance. You can listen to audiobooks at the end of a long day, on your commute, on a lazy Saturday morning, or while you’re cleaning up and doing the dishes.

There’s also the appeal of the narrator. Talented voice actors bring great stories from the page to the speaker. They can bring a different personality to a book and new life to a story you already love.

While not every author has a voice made for narration, some of the best audiobooks available are narrated by the authors themselves. Neil Gaiman is a standout in this category. A natural-born storyteller, Gaiman has narrated a number of his own audiobooks and graced other works with his signature voice, though he’s not alone. Writers like Jenny Lawson, Christopher Hitchens, and Seamus Heaney have all made names for themselves narrating their own books.

Indie Canadian Publishers Getting into Audiobooks

It’s not just international publishers that are producing audiobooks in Canada. Independent publishers like House of Anansi and ECW Press have entered the audiobook market, producing some of their own award-winning titles and making them available on various audiobook platforms.

Titles like Tanya Talaga’s Seven Fallen Feathers, Eden Robinson’s Song of a Trickster, and Cherie Dimaline’s bestselling Empire of Wild are just some of the titles available as audiobooks thanks to the recent uptick in the Canadian market.

Great Canadian Talent

Canada has been relatively slow to enter this market, but it’s uncovered a hidden talent pool. As independent publishers have looked toward local actors, they’re discovering Canadians have a knack for narrating. Some audiobook producers are hoping more Canadians will make it easier to find great voice actors for their titles.

How Audiobooks Are Changing Book Clubs

Audiobooks have also opened up new opportunities for book clubs, moving from solitary reading to listening as a social activity. Clubs can now appreciate titles together and talk about what they think chapter by chapter. Club meetings can even be hosted online.

How Do Canadians Get Their Audiobooks?

Subscriptions have become the preferred way for Canadians to get their audiobooks. They work like a “book of the month club.” For example, a subscription with Audible gets you credits to pick one audiobook each month. You can buy more if you’re a voracious listener, and there are usually other membership benefits, such as access to podcasts.

With fast-growing sales and increased production, Canadian book-lovers can look forward to lots of new Canadian titles making the transition to audiobook format.

As the world teeters on the brink of disaster, four people converge in a Toronto Airport cocktail lounge. As oil prices suddenly approach $300 a barrel, power cuts out, planes stop taking off and cell phone signals die—a self imposed apocalypse sets into motion. As you read, four people come to terms with the situation, and more importantly, each other. Karen, the 40 year old receptionist at a psychiatric clinic who has flown to Toronto to meet a man she met on the Internet; Rick, the recovering alcoholic bartender who eagerly awaits the arrival of an obviously transparent self-help guru; Luke, a pastor, recently turned felon, who has run off with $20 000 from his church renovation fund; and Rachel, a beautiful, young autistic woman with the intention to find a man to be the father of her child.

“Cocktails and laughter—and what will come after?” asks the haunting voice of Player One after the self-narrated character introductions and before the announcement of the skyrocketing gas prices that quickly envelop the world in complete chaos. The novel follows a simple format: each character narrates their version of the same events, over a five hour period, followed by Player One’s omniscient and sometimes mocking narration. The identity of Player One remains a mystery up until the end of the novel where resolution is provided and final comments are made.

Player One is the first fiction selection for the CBC Massey Lecture series. Presented in a series of five, one hour, real-time lectures, Coupland explores what people do, talk about and think about as the world sits on the brink of total disaster. For anyone who has read Coupland, this novel addresses many familiar themes and ideas. Mild drama and in-depth dialogue where topics from humanity to sexuality fill the text of this lecture turned novel.

This book, simple in structure, but at times complicated in meaning, provides the reader with a scary dystopian view of what will become of us when a daily staple in most of our lives becomes virtually unavailable. The dialogue can drag on at times and the characters can be a little predictable and melodramatic, but this novel is more about what it leaves you with when you put it down. What would happen if gas became unaffordable? How small would our world actually get? Douglas Coupland will infect your mind with these questions long after you put down the book and forget about the meddling and self-loathing characters.

As Player One haunts the pages of this book, the ideas and inferences you read will haunt your mind every time you indulge in a modern day convenience, such as filling a vehicle up with gas, making this book a worthy read. For the Silo, Sarah Purdy.

Supplemental:

iTunes link: Massey Lecture with Douglas Coupland

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Douglas Coupland Player One

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