Tag Archives: music lessons

Connection Between Music And Math

I remember the first time I heard the statement “Did you know that listening to classical music enhances your mathematical abilities?”

I was both intrigued and excited, intrigued because I did not understand how music and math, two seemingly unrelated subject could possibly affect each other. I was also excited because I began to view classical music as some kind of magical potion that would transform my math skills from decent to extraordinary. When I had the opportunity to write this web paper for The Silo, I immediately jumped into the topic of music and math. The questions that I wish to answer throughout this paper are; does listening to music really help you do better in math? If so, which part of the brain is controlling the correlation between math and music? In addition, how does music stimulate the brain in a way that enhances mathematical abilities?

It turns out that there is much evidence that supports the positive effects of music on one’s ability to do math.

Most research shows that when children are trained in music at a young age, they tend to improve in their math skills. The surprising thing in this research is not that music as a whole is enhancing math skills. It is certain aspects of music that are affecting mathematics ability in a big way.

Studies done mostly in children of young age show that their academic performance increases after a certain period of music education and training. One particular study published in the journal ‘Nature’ showed that when groups of first graders were given music instruction that emphasized sequential skill development and musical games involving rhythm and pitch, after six months, the students scored significantly better in math than students in groups that received traditional music instruction. (1)

The result of this study posed another important question. How does this type of music that emphasized sequential skills, rhythm and pitch manage to improve children’s ability to do math? It turned out that there are two distinguished types of reasoning, spatial temporal (ST) reasoning and Language analytical (LA) reasoning. LA reasoning would be involved in solving equations and obtaining a quantitative result. ST reasoning would be is utilized in activities like chess when one needs to think ahead several moves.

The effect of music on math sometimes termed the Mozart effect.

The Mozart effect gain its name after the discovery that listening to Mozart’s compositions, which is very sequential, produces a short-termed enhancement of spatial-temporal reasoning. Some key reasoning features used in spatial temporal reasoning are:

1. The transformation and relating of mental images in space and time

2. Symmetries of the inherent cortical firing patterns used to compare physical and mental images and

3. Natural temporal sequences of those inherent cortical patterns (3).

The same people who conducted the Mozart effect experiment also suggested that spatial-temporal reasoning is crucial in math. The areas of math that require ST reasoning are geometry and certain aspects of calculus, which require transformations of images in space and time. In higher mathematics, the ability to write mathematical proofs is also associated with ST reasoning because proof writing is a task that requires intuitive sense of natural sequences and the ability to think ahead several steps.

As to the question, what part of the brain controls the correlation between math and music, there are also many resources that provide answers.

Dr. Gottfried Schlaug, found that certain regions of the brain such as the corpus callosum and the right motor cortex, were larger in musician who started their musical training before the age of 7 (2). As to what happens in that area of the brain when one listens to music, we turn to the experiment performed by Xiaodeng Leng and Gordon Shaw. Gordon and Leng developed a model of higher brain function, which is based on the trion model. The trion model is a highly structured mathematical realization of the Mountcastle organization principle, with the column as the basic neuronal network in mammalian cortex. The column comprises mini-columns called trions.

One particular columnar network of trions has a large repertoire of spatial-temporal firing patterns, which can be excited and used in memory and higher brain functions (3). Shaw and Leng performed an experiment in which they mapped the trion model of firing patterns in that particular column onto various pitches and instruments producing recognizable styles of music. This mapping of the trions gaves insight to relate the neuronal processes involved in music and abstract spatial-temporal reasoning (3).

It shows that the part of the cortex, which contains the repertoire of spatial-temporal firing patterns, can be excited by music and is utilized in higher brain functions such as spatial-temporal thinking in mathematics.

In conclusion, my research into math and music does seem to suggest that music truly enhances mathematics skills. Music targets one specific area of the brain to stimulate the use of spatial-temporal reasoning, which is useful in mathematical thinking. However, as to the question of whether or not music is the magical portion that will elevate anyone’s ability to do math, the answer unfortunately . . .would be no.

Just because most mathematicians are fond of music, doesn’t mean that all musicians are fond of mathematics. I found a letter posted on the web written by a fourteen-year-old overachiever to a mathematics professor. The student expresses his frustration that even though he is an excellent musician, math is one of his weakest subjects. In math, he is not making the grades that he needs to stay in a certain prestigious academic program (4).

This letter seems to suggest that listening to music, or being able to master a musical instrument does not automatically guarantee that one can perform well in math. In other words, there are many musicians who are good in music but not in math. Music is a lot more than notes conforming to mathematical patterns and formulas. Music is exhilarating because of the intricacies of the patterns that occurs. Whether or not these patterns resemble math has no relevance to many musicians. More often than not, musicians are inclined to practice music because of the wonders and awe that they feel for music even if they are not aware of the math that is in music. Cindy Zhan

WWW Resources (1)Making the case of music education (2)Music on the mind (3)Spatial-temporal versus language-analytical reasoning: the role of music training (4)Letter written by a young musician

This Is Your Brain On Music BookThis Is Your Brain on Music: The Science of a Human Obsession is a popular science book written by the McGill University neuroscientist Daniel J. Levitin, and first published by Dutton Penguin in the U.S. and Canada in 2006, and updated and released in paperback by Plume/Penguin in 2007. It has been translated into 18 languages and spent more than a year on The New York Times, The Globe and Mail, and other bestseller lists, and sold more than one million copies.

Voice Industrie New Album Emerged From Accidents And Bending Rules

For as long as I can recall, I’ve wanted to write original music, never being a fan of jumping into a covers band and playing someone else’s music. I never understood why anyone would want to, apart from maybe doing a remake or remixing a song. I’ve done a few stints, and have friends currently in covers bands… fantastic players and performers.. and I respect that…. but it’s just not for me. Usually I find that the instruments themselves are the drivers that motivate and provide me with the inspiration for ideas that might eventually become songs on an album. That’s even more relevant now with all the choices one has in electronic instruments, VSTs, DAWS, etc.

Voice Industrie Founder Alain Levesque

Years ago, electronic instruments were far less intuitive and user friendly, but we managed to squeeze every ounce of functionality they offered to break new ground and explore things not otherwise possible on acoustic instruments. With Voice Industrie, I write and produce all the songs, mostly because I know what I’m after, and to a lesser extent because nobody has ever offered to co-write a VI track. I’m not entirely sure how that translates in the grand scheme of things lol…. But here we are six albums into it since 1992.

My name is Alain Levesque and I am primarily a self-taught drummer who “learned his chops” by playing along to Pink Floyd, Yes, Genesis and King Crimson records many years ago. Suffice it to say Bill Bruford quickly became my idol and mentor. I loved how he approached drumming then and right up until the day he retired. I was determined to form or find a prog band to play with until Gary Numan came along and then things changed. I became fascinated with synthesizers and electronic music and began producing crude experimental electronic works in addition to maintaining my role as a drummer/songwriter for a prog trio we named Roboxis. Fast forward to 1992 after a few short-lived projects and solo outings, and the formation of Voice Industrie, which included 2 drummers on electronic pads and 2 keyboardists armed with what resembled an entire music store’s synth department.

Back then “VI” performed live only about 4 times a year, including some very memorable outings with 2Unlimited, KMFDM, Cassandra Complex, Assemblage23, SNFU and many other very good established or upcoming bands.  Today, VI consists of a trio that includes a full time drummer on a Simmons SD2000, a keyboardist and myself on Simmons and Nord pads, Keyboards and vocals. We recently held the “Dreams Of Flight” album release in Edmonton and Calgary. While VI has ventured south to the USA, we have yet to travel overseas. Maybe next year?

The Technology We Use And Embrace

In the early days I owned a Star instruments “Synare3” pad and was happy messing about with that, until the Simmons SDSV electronic drums arrived in 1984 everything really opened up. I was able to play melodies on those pads with sticks in hand while holding down the kick/snare back beat with my feet. I could contribute melodies and play harmonies to guitar or keyboard lines.  Great fun, until the draw of commercially viable music lured away my mates, and thus Roboxis was to be no more. I continued to acquire synths and Simmons gear as it came available, making the task of creating music from a drummer’s perspective somewhat less difficult, and ultimately managed a decent studio filled with electronic drums, racked modules and keyboard gear.

Voice Industrie Simmons SD2000 electronic drumset

Through the years the equipment roster has undergone changes and upgrades, but with much of the now vintage gear still serving my needs. The first two VI albums were written on and recorded directly off an Ensoniq ESQ-1 and Ensoniq EPS. A change to Cakewalk DOS (!!) was made at album #4, and I have used a number of DAWs [Digital audio workstations commonly known as ‘recording on a computer or laptop using a software program CP] until really finding my groove with FL Studio and Cubase.

I have a few “go to” VSTs but still draw on sounds generated by vintage outboard gear such as the Simmons SDS7, SDE, MTM, Korg Wavestation, Ensoniq VFX-SD and others for inspiration. I quite enjoy randomly layering multiple instruments with MIDI to see what ensues, like playing the Nord Drum2 and Simmons SD2000 MIDI’d to a VST or Virus TI. I am never quite sure what will ensue. For the past few albums, I have forced myself to toss away familiarity when writing. Only by subjecting oneself to discomfort and unfamiliar territory will one experience unexpected results. This couldn’t be more true with the latest album, where a lot of it emerged from accidents and bending the rules lol. I love that!

Learn More

The Voice industrie website (with store) : http://www.voiceindustrie.com/
VI – “Dreams Of Flight” album outlets: https://voiceindustrie.hearnow.com/
Voice industrie on Youtube: https://www.youtube.com/channel/UCM3GgysoXRfwCCYtsL5H93w
VI on Facebook: https://www.facebook.com/voiceindustrie

Using Voice Tones To Teach Improvisation For Beginner Jazz Guitar

This article discusses an approach to teaching linear improvisation to beginning jazz guitarists through the function of voice leading in harmonic progressions. The guitar student may gain a clear understanding of improvising melodies by establishing clear visual and aural relationships between the chordal and melodic textures.

Three dominant 7th chord voicings are introduced and applied to a twelve bar blues progression in F major. After learning the rhythm guitar accompaniment, single note guide tones consisting of the flat 7th and 3rd chord tones of each dominant seventh chord are extracted from the chord voicings and applied in a melodic texture following chromatic voice leading principles within the harmonic progression.

Musicality within the exercises is increased by the addition of a series of rhythmic variations that are applied to the guide-tone lines. Continuing with the concept, full dominant seventh arpeggios are introduced in order to expand the available note choices as a way to build a solid foundation for improvising within harmonic progressions prior to using diatonic scales.   By Daniel Andersen from the Journal: Revista de la Lista Electrónica Europea de Música en la Educación  Click here to read the full article. *Picture: Jazz Guitar legend Herb Ellis

Rock Hall Of Fame Drummer Hal Blaine

Hal Blaine’s NPR interview~

From http://www.thelooploft.com/blogs/ryans-corner/41775169-the-most-recorded-drum-set-in-history-hal-blaines-monster-kit : “Rock and Roll Hall Of Fame drummer Hal Blaine played on more Top 10 hits than any other musician. In fact, he played on 40 #1 singles, 150 Top Ten singles and 8 Grammy Records of the Year. If you don’t know his name, you certainly know his drumming. As a pivotal member of the loose group of crack session musicians known as “The Wrecking Crew”, Hal played the iconic beats on such diverse hits as “Be My Baby” by The Ronettes, “Good Vibrations” by The Beach Boys, “Strangers In The Night” by Frank Sinatra, Elvis Presley’s “Return To Sender”, and literally thousands of other songs from the 60’s and 70’s. The Monster Kit was developed by Hal along with his drum tech Rick Faucher and builder Howie Oliver can be seen [along with a video] at the link above.”

 

 

Country Music Of Johnny Mac Slater

Be sure to 'like' Johnny's Facebook "Jam Page" (link at the end of this article)- you can find live videos, recordings and other trivia and info about Johnny Mac Slater.
Be sure to ‘like’ Johnny’s Facebook “Jam Page” (link at the end of this article)- you can find live videos, recordings and other trivia and info about Johnny Mac Slater.

For those in the country music scene, talented Johnny Mac has a song for you. Known first to family and friends as John McIntosh, he added ‘Slater’ as a surname, hence his stage name is Johnny Mac Slater. It is a handle that fits his style well. He writes stories from the heart and magically transforms the words into beautiful songs which he sings and plays. Johnny Mac Slater spent some time in Nashville, writing songs and developing his craft. Now living in Hamilton, and happy to be close to his roots, he is working on a new project. Johnny says “I’ve recently been recording at Westmoreland Recording Studios in Hamilton for awhile now, and a CD release will happen soon.”   You can bet he will stick with his life’s stories and experiences. Typically his lyrics are centered around girls and love, both lost or found, and then performed with passion and  filled with emotion. He also appreciates a good party and quirky story.  All of which are found in his songs. It is easy to see, he feels that “nothing makes a better song than a good story.” Some of his early influences you’ll find varied, including Glen Campbell, Keith Urban, Eric Church, Micheal Martin Murphy, Elton John, Kris Kristofferson, and even Boston,  Pete Townsend and Motley Crue. The musicians he has teamed up with for his soon to be released CD have added some great sound. From a strong drum beat, clean bass lines and some very sweet guitar licks. There is no doubt it will be a hit CD. Watch his You Tube home page for a sneak preview of a song or two that will be on the new CD.

Supplemental – http://music.cbc.ca/#/artists/Johnny-Mac-Slater –  https://www.facebook.com/pages/Johnny-Macs-Music-Kitchen/108086535919900?fref=ts