Tag Archives: metaphysics

‘Frail Absolute’ Book Not For Faint Hearted

Cover of Frail Absolute

Plato’s The Republic challenged the way humankind thought. Now, a immigrant from then-Communist Hungary is posing a similar challenge: Is perception reality, why can one individual’s experience of reality differ so radically from another’s, and how can humankind’s search for a deity be what ultimately separates us from each other and from Nature?

Heady stuff, and Istvan Deak’s book, Frail Absolute, is not for the faint-hearted.

Neither is the author, who fled Hungary illegally with his wife and lived in an Italian refugee camp for six months before being allowed into Montreal, Canada. There, Deak secured a job using brooms and mops in an expert way cleaning hospital corridors, and eventually writing commercial business software programs. A short time later, he moved to Toronto, where he and his wife live now.

3rd Century AD scroll fragment of Plato’s Republic

A philosophy is born. As this self-described analytical introvert began revisiting the philosophers he had read as a teenager, long-quiet questions began to surface about religion, about matter and energy, about how humans interact with one another. And he began writing Frail Absolute.

“I understood that the Force of Reality blew up in the Big Bang and created our universe,” Deak says.

“That Force, that Absolute, has been and must be present in everything in a most profound manner. Otherwise, everything would cease to exist.”

As he wrote and thought and questioned, his epiphany came.

“I asked this Force of Reality, ‘Where can I find you?’ And the reply came back, ‘Who is it who stirs your mind so that you want to know this?'” the author says.

As in The Republic, where Socrates and others discuss the meaning of justice, happiness, soul and the roles of the philosopher in society, characters in Frail Absolute discuss the meaning of reality, perception and harmony. Where Socrates vision culminates in a city ruled by philosopher-kings, Frail Absolute ultimately creates a way to exist in what Deak dubs “the Continuum (All That Is).”

“I have always sought a way to transcend what separates us from one another and from the force that exists everywhere. No matter what one believes in “science, a strict or a benevolent deity, even a non-existent god such as atheists do“ searching for this concept keeps humans apart. All reality is relative to the individual experiencing it,” he says. “Since there can be no single, absolute truth, I imagine how we can instead pursue the shareable values of love, compassion and harmonious collaboration in our daily existence.”

Recent photograph of Istvan Deak

Istvan Deak grew up in Hungary, reading the works of ancient and modern philosophers. As a young adult, he taught math and physics before fleeing Communist Hungary for a refugee camp in Italy with his wife. They emigrated to Canada, where he eventually joined a railway company and then began writing software applications as a freelancer. He plans for Frail Absolute to be just the first of many philosophical books.

Istvan Deak’s Wikipedia Page

Sample page from Frail Absolute

ELEKTRO MOSKVA- Intriguing Documentary About Soviet Music Synthesizers

I spent most of yesterday afternoon watching and taking notes from the 86 minute documentary ELEKTRO MOSKVA. This film is so rich and interesting that I found myself sitting in reflection every time I jotted down another intriguing story element…..and believe me there were lots.

Stanislav Kreichi with ANS - world's first 'draw sound' synthesizer.
Stanislav Kreichi with ANS – world’s first ‘draw sound’ synthesizer.

The film’s official website describes itself like this: “ELEKTRO MOSKVA is an essayistic documentary about the beginnings of the Soviet electronic age and what remained of it- a huge pile of outdated, fascinating devices. Today they are being recycled and reinterpreted by musicians, inventors and traders, who carry that legacy on into an uncertain future. An electronic fairy tale about the inventive spirit of the free mind inside the iron curtain- and beyond.”

An example of everyday Soviet Russia DIY- In 1970 TV's were readily available but not antennas.
An example of everyday Soviet Russia DIY- In 1970 TV’s were readily available but not antennas.

Well all of that is certainly true but I discovered something deeper….. something partially hidden and really only stated at the end of the documentary: A metaphysical connection between electronic instruments, their circuitry and between immortality and rejuvenation. A sort of Frankenstein subplot. And that makes ELEKTRO MOSKVA much more interesting. It lingers and stays with you as all great films and documentaries tend to do.

Leon Theremin

Leon Theremin
Leon Theremin

Leon Theremin

If the inventor of the world’s first electronic instrument- The Theremin is to believed, his experimentation with electronic instrument designs led to techniques that allowed rejuvenation of human life and the bringing of the dead back to life. Kooky stuff to be sure but in our modern age of DNA manipulation and Stem Cell research shouldn’t we keep our minds open to all biological possibilities? Why is it so obtuse to think that electronic manipulation holds the key to immortality? The brain is after all- a sort of electronic computer. Why else would Russia have kept the body of Lenin whole and entombed for over a hundred years? Perhaps I’m getting ahead of myself- let’s move instead to the birth of Communist Synthesizers.

A Ghost of Communism: The backdrop for the film

It began with the Soviet electrification of the country. As Russian homes and farms became wired, Science and Technical Progress became heralded by the state as ‘the new Gods’. In 1926 Léon Theremin ( Lev Sergeyevich Termen ) invented an early form of television which was adapted for border security use and classified. At the same time, the state decided that technological developments were only considered legit and legal if they strengthened communism.

Alexey Borisov
Alexey Borisov

The long awaited electrical revolution expected by the masses and any notions of new, exciting products in Russian homes became instead a sort of electrified jail and super factory. Then, after Russia had successfully developed nuclear bombs and orbited the first man in space- things changed. A celebration of technical progress and Soviet achievement became politicized through the use of synthetic music and sound. Found out what happened next by watching ELEKTRO MOSKVA online in HD. Highly recommended. For the Silo, Jarrod Barker.

Click me! New Music created from early sci-fi soundtracks incl. Theramin cameos.
Click me! New Music created from early sci-fi soundtracks incl. Theremin cameos.

Poetic Grace Gesture Is Needed In All Art Work

Dear Reader, it is difficult to deny that a side of art making is fatally concerned with the poetic grace of the gesture – it is expected that a work should exude a cosmic and ineffable air.

Metropolitan Museum Of Art Curator Denise LeidyRegardless of your medium, I hope this glance into the minds of two established poets from very different walks of life can help dissipate the intimidating mist between process and product, as well as remind you that the transcendent and the familiar are often one in the same.

Meena Alexander PoetGlobal spectator Meena Alexander recognizes that even in the grand art of poetry is a desire to express what cannot be said through its own means. After eight books of poems and a lifetime of travel, Alexander continues to defend her craft as the most ordinary of entities, no more inexplicable than a child’s obvious and impossible sense of language or rhythm.

New York-based Eileen Myles approaches poetry from a reserved and humble perspective, with the intent of striking a tasteful balance between metaphysical grandeur and the habitual rhythm of the everyday.

Eileen MylesMyles, a breathing artistic currency, treats poetry as an extension of the self with the potency of a movement and the collective memory of a civilization. Myles proves that common experience and abstract phenomena are synonymous when we step back to look.

If the weight of the world seems so immense that the few strands of creativity cannot unravel, the Mayer Foundation offers emergency funding for New York artists facing economic, residential or medical turbulence. Proposals may be submitted at any time, with over two thousand dollars granted to those with concrete objectives and a levelheaded art plan.

It is easy to forget that behind the polished mirror of history is a messy and cumulative reality. There is little difference between the intelligentsia of years past and the friends sitting at your dining room table. For the Silo, Brainard Carey.  

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