Tag Archives: metaphor

Politics

How to Engage In Or Avoid A Political Conversation

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So how do you respond when someone brings you into the conversation?  How do you answer when they ask you for your opinion or who you’re going to vote for?

You could always just doodle on a receipt like this one from J. Barker :)
You could always just doodle on a receipt like this one from J. Barker 🙂

Sharon Schweitzer, an international etiquette expert, author and founder of Protocol & Etiquette Worldwide, says you have options.

Has politics become a reality TV show? Tonight's debate is being called the "Lisa Simpson versus Bart Simpson" debate.
Has politics become a reality TV show? 
  1. You don’t want to respond

Keeping your opinion to yourself can be difficult; however, it is possible. Say something like, “In the midst of such a contentious political season, I feel it’s best to keep my opinion to myself. I do appreciate your interest and wish you the best in your political decisions.”

By acknowledging and thanking them for their genuine interest, you are able to get out of sticky political conversations but retain your well-mannered and ever sophisticated demeanor.

  1. If they push again

If they keep pushing for a response, you can play the undecided card and change the subject.

“I’m still evaluating the candidates and the issues and haven’t made up my mind yet.  It will be interesting to see how it plays out.”

To get them off the topic for good, ask them about something meaningful to them that they will want to talk about.  “I hear your son got accepted to Ohio State. Congratulations!”  “Great job on closing that account.  How did you do it?”  “Tell me about your trip to the mountains a few weeks ago. I hear it is beautiful this time of year.”

  1. You want to respond

If you would like to express your beliefs, the best way to do so is to cite research and concrete reasons why your views align a certain way, as this will encourage more of an intellectual conversation than a possible war of opinions.  Just as you want to express your beliefs, be courteous and let the person you are speaking to express his or her beliefs, even if you disagree.

  1. If you disagree

It’s inevitable that disagreements will arise, but when they do, handle them with grace, dignity and respect. Say something like, “That’s an interesting way to look at it and you bring up some valid points; however, I feel that…” Never raise your voice, show anger, abruptly walk away or make it personal.

  1. Either way

Whether you decide to respond or not, be tactful, polite, and remember that educated responses will help you either to cordially engage, or graciously decline whenever these inevitable conversations cross your path. For the Silo, Alex Smith.

Art

Textile Artist Spins Wool Into Metaphors

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Raw material: Wool. Operating mode: the hook.

Nice, France textile artist Stéphanie Lobry frantically fashions her art with an unexpected yet satisfyingly fitting leitmotiv: feminism.

A Teacher when she’s not at the loft, where she created and exhibited her works, Stéphanie Lobry is busy hanging a crochet. Entitled 1.8 cubic meter, “parce c’est la taille qu’il fait”, lies in the piece, in the middle of a crowd of scattered bodies which share this small space with balls of yarn and needles.

If we pay attention to all red wires that surround and hang throughout her living room, we realize that they are, in fact, a gun.

“I wanted to divert the everyday objects. And to do so with needles and wool. No, no to knitting scarves for her daughters in some kind of ‘good housewife’ role, but rather to rediscover the woman inside, and then to discover humans in general.”

Why crochet? Rolled cigarette in mouth, she passes a nonchalant hand into blond spiky hair. She thinks… “This practice is also ancestral, but has potential for feminist messages and aesthetics when it is diverted from its original use and put towards the service of art. I’ve always been very creative and a little hyper active yet the only compliment I could expect from that was to be commended for being a good mother…”. I got fed up.”  Reduced once too often to the status of “the good historical female”, Stéphanie Lobry “lost it”and held her first exhibition.

Our compulsive crocheter remembers having hesitated….stalled somewhere between a choice of direction. Between science and art: “When I started my studies in molecular biology, my mother asked me if I was sure didn’t want to make fine art instead.” Would an academic focus on science bind her passions?  In her artistic process, she discovered that there was in fact a synthesis manifested through the act of the creation, which after all, begins with the cells inside the brain. Fittingly, her art work began with a small croqueted skull which “immediately went to Gallery’. The creative process then dissected and took over other parts of the body.

An Ariane of modern times

Sweeping my gaze around her workshop, it stops suddenly on the croqueted heart, “it was a participatory project I created shortly after Charlie.” Surely a way to re – unite people, to reconnect, “everyone needed it.” The artist put out a call using social media, letting all participants know that their name would be displayed at the bottom of the finished work. In a few weeks, she received 763 balls of wool, from more than 120 donors, scattered to the four corners of the world, from Paris to Noumea, the Chile, the Belgium and the Greece.


A Runaway success requires a lot of hard work.
It takes almost a month to sort the fabrics and create a ball that weighs more than 40 kg. As for the hook… 45 days are necessary for the realization of a typical piece of finished work: “the ball weighed a ton! I couldn’t do more than five knots without being exhausted.” It is a technique so grueling and time-consuming, but I feel like I’m really at the beginning, I still have a lot to say.” She seems to have found her way alright and is brimming with ideas to express her commitment.

Worried perhaps about her peers who see their emancipation sometimes as endangered, this knitter doesn’t fail to hang onto a hint of conviction to her works. I remember especially this sort of determined representation that she had given at the Théâtre National de Nice, last May, dressed in a full suit. Knitted of course. Delivering metaphors spun into all of her creations.  For the Silo, Marine de Rocquigny originally for Art and Facts www.artandfacts.fr 

*photos by Florian Lévy

Stéphanie Lobry accroche l’œil au crochet avec son cœur. Ledit, intitulé 1,8 mètre cube, « parce c’est la taille qu’il fait », gît dans la pièce, au milieu d’une foule d’organes éparpillés, partageant ce petit espace avec les pelotes de laine et les aiguilles.
Pourquoi le crochet ? Cigarette roulée au bec, elle passe une main nonchalante dans ses blonds cheveux en bataille. Elle songe… « Cette pratique aussi ancestrale soit-elle, prend des allures féministes quand elle est détournée de son utilisation pour se mettre au service de l’art. » Car c’est bien avec une volonté libératrice et féministe qu’elle s’est lancée il y a maintenant sept ans : « J’ai toujours été très créative et un peu hyper active pourtant le seul compliment que je pouvais espérer c’était d’être une bonne mère de famille… J’en ai eu marre. » Réduite une fois de trop au statut de BMF, Stéphanie Lobry « pète les plombs » et organise une première exposition.
Alors que les curieux s’aventurent dans ses appartements, elle les reçoit en nuisette, repassant chemise après chemise, la main collée à son fer. Et si l’on prête attention à l’ensemble de fils rouges qui l’entourent et parcourent son salon, on s’aperçoit qu’ils forment, en fait, un pistolet. « J’ai voulu détourner les objets du quotidien. » Elle se munie dès lors d’aiguilles et de laines. Non, pas pour tricoter des écharpes à ses filles en bonne femme d’intérieur, mais plutôt pour redécouvrir l’intérieur de la femme, puis de l’humain en général.
Rencontre logique. La crocheteuse compulsive se souvient avoir longtemps hésité entre la science et l’art : « Quand j’ai commencé mes études en biologie moléculaire, ma mère m’a demandé si j’étais sûre de ne pas vouloir plutôt faire les Beaux-Arts. » Alors autant entreprendre une reconversion qui pourrait lier ses passions et ses connaissances. Dans sa démarche artistique, elle revient donc à la genèse de la création, qui commence avec des cellules. Elle commence avec un petit crâne « tout de suite parti en galerie », puis dissèque et reprend toutes les parties du corps. Du neurone au pied. Du sexe aux poumons.


Une Ariane des temps modernes
En balayant du regard son atelier, elle s’arrête sur le cœur, « c’était un projet participatif que j’ai crée peu après Charlie. » Surement une façon de re-fédérer les gens, de renouer les liens, « tout le monde en avait besoin. » L’artiste lance alors un appel sur les réseaux sociaux, tous les participants verront leur nom affiché au bas de l’oeuvre. En quelques semaines, elle reçoit 763 pelotes de laines, provenant de plus de 120 donneurs, dispersés au quatre coins du monde, de Paris à Nouméa, en passant par le Chili, la Belgique ou la Grèce. Succès fulgurant. Travail titanesque en perspective. Il lui faut près d’un mois pour trier les tissus et constituer une pelote de plus de 40 kilos. Quant au crochet… 45 jours nécessaires à la réalisation de l’organe démesuré. « Les aiguilles étaient énormes et la pelote pesait une tonne ! Je ne pouvais pas faire plus de cinq nœuds sans être épuisée.
Une technique épuisante donc et laborieuse que la « quinqua » ne compte pas abandonner de si tôt: « J’ai l’impression que je ne suis vraiment qu’au tout début, j’ai encore beaucoup de choses à dire. » Sorte d’Ariane des temps modernes. Elle semble avoir trouvé sa voie grâce au fil et regorge d’idées pour exprimer son engagement. Inquiète au sujet de ses consœurs qui voient leur émancipation parfois en péril, cette tricoteuse ne manque pas d’accrocher un soupçon de conviction à ses œuvres. On se souvient notamment de cette représentation qu’elle avait donnée au Théâtre National de Nice, en mai dernier, enfermée dans une combinaison intégrale tricotée comme dans sa condition féminine, attendant qu’on tire sur les fils pendants pour la délivrer. Une cause qui lui tient à cœur, une métaphore filée sur l’ensemble de ses créations.
Marine de Rocquigny pour Art and Facts www.artandfacts.fr

Art

LGBTQIE And Ecosexuality

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Beth Stephens & Annie Sprinkle
“Life shrinks or expands in proportion to one’s courage.” -Anais Nin

Nature is born of sexuality.

The two are inextricable and inevitable partners. Where humans find fault with sex that does not suit their particular beliefs in what is right or wrong, nature transcends. There is no taboo in the natural world, there is no polite side-stepping of the rawness of nature. Nature simply is, in all its sensual glory.

Beth Stephens & Annie Sprinkle have collaborated for 17 years.

They recently showcased their film Water Makes Us Wet at Documenta 14. They were one of just 180 artists at the exhibition which takes place only every five years and draws in a million people. In conjunction with the film they exhibited visual art, performed Ecosex Walking Tours, and facilitated “sidewalk sex clinics.” Their film premier at the Gloria Theater was the only one to completely pack the house. For their Documenta Ecosex Walking Tour, Stephens & Sprinkle consciously began at the site of the first tree planted in Joseph Beuys’ 1982 Documenta project 7,000 Trees.
Their film is part art, part activism, a call to action, and a vision of how the future may look if we are careful with the earth as opposed to how it could look if we continue our ecologically destructive behaviors. Within the environmental activist movement, the two always felt a bit out of place. They felt the need to hide their flamboyance, their sexuality, and some of the details of their pasts. Because of this they began their own movement, an all inclusive environmental activism that encourages people to be themselves.
By allowing people to embrace their own identities and to infuse a little fun, they hope to create a movement that is sustainable and perhaps avoids some of the activist burnout that frequently effects those constantly fighting for the future of a healthy planet.
For the film, and throughout their work, Stephens & Sprinkle have unabashedly embraced and exposed their own bodies. In so doing, they show both their vulnerability and their strength as well as embrace their advancing age. Sprinkle, who is now 63, was once a pornographic film actress. She finds that showing her 63 year old body has pushed more limits than anything she’s ever done. “I think that taboo does need fixing,” she says.
During the making of the film, Stephens & Sprinkle were in a serious auto accident which features in the documentary. The two were seriously injured and hospitalized but eventually walked away. The wreck served as a metaphor for the universality of “eco-sinners” in that even the filmmakers were driving around in an old, polluting van.
The two describe the incident as romantic and remarkable and say it has given them a new lease on life. The accident was a result of another driver’s distracted driving. The film as a whole is a look at the issues facing the planet, some of those perpetrating them, and ways to think about the problem. “What we really hope with our film is that people leave the film thinking about the issues we’ve presented but also feeling like well, there is something I can do in my personal life.”
The term “eco-sexual” was originally used by dating sites and subsequently in a book titled Eco-sex: Go Green Between the Sheets and Make Your Love Life Sustainable by Stephanie Iris Weiss. Stephens & Sprinkle took the term and created an art movement around it. “We like to think that all sex is eco-sex including human on human because we are the earth, we’re not separate from the earth…we acknowledge all the sexuality that is going on around us.” At UC Santa Cruz where Stephens is a professor, the two established E.A.R.T.H Lab which stands for Environmental Art Theory & Happenings. There they incorporate some of the principles of ecosexuality in the programs they run. For the Silo, Brainard Carey. 
Fashion

It’s Break Up Season But Jewelry Helps Embark Your New Life

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Break ups aren’t so bad when you treat yourself to a nice pair of diamond earrings.

There’s a reason Neil Sedaka’s “Breaking Up is Hard to Do” became a pop classic – because it’s true! But breakups can also be a time to reflect and embark on a new chapter in your life, says Jay Ryan.

“Many people have been through a romantic heartbreak, which  can be among life’s biggest challenges. But being single after a committed relationship can also be a good time to rejuvenate yourself,” says Ryan, co-founder of www.breakupgems.com, an online retailer specializing in breakup and divorce jewelry that “celebrates new beginnings.”

“We cater to the growing number of people looking for meaningful ways to bring closure to their past and move forward with confidence,” he says.

For those who’ve recently experienced a split, or are about to (December holidays is the time of the year most long term relationship break ups occur.) Ryan shares several ways to turn your breakup into a makeover — a “breakover.”

https://youtu.be/1GTFvlm0vGM

• Empower yourself with the gift of health. It’s almost a cliché that ‘exes’ lose weight after splitting up; some lose their appetite due to melancholy and some are motivated to look and feel better with exercise and dieting. Don’t punish yourself with spartan regimens, Ryan advises. Eat nutritious foods and train sensibly.

• Treat yourself to a new wardrobe. Clothing can be the bearers of painful reminders, like the sweater he or she got you last year. Consider freshening up your style with new clothes – hey, you’ll probably need them anyway with all that exercise. A new wardrobe can serve as a healthy reminder of the new you.

• Be proactive with your reading. There are many genres of self-help literature, from spiritual to academic. But don’t limit yourself to nonfiction; classic literature not only gives you a great education, it also helps readers increase empathy and better understand emotional complexity.

• Consider a healthy reminder of the new you. It’s a tradition in our society to commemorate a romantic union or celebration with jewelry. Your breakup may likewise be a blessing that allows you to grow as an individual. Consider a ring or other piece of jewelry that will not only mark this milestone but be a personal reminder of your transformation and new beginning.

• Travel adds perspective on a new journey. Whether or not you realize it, a breakup is the beginning of a new life trajectory. Travel – whether it’s time for a change of domestic scenery or a vacation – perfectly symbolizes a new journey. Overcoming a painful separation requires an outside perspective, which is often gained through travel.

• Invite friends over for a dinner party. The depression that is liable to ensue after a breakup often leads to isolation, but that is when you most need your friends! Why not host a breakup party? Rather than blowing it out with a large group of people, which may include strangers, keep it simple with intimate friends you can trust. For the Silo, Ginny Grimsley.

Jay Ryan is the co-founder of www.BreakupGems.com, an online retailer that specializes in fine breakup and divorce jewelry. Each piece in the collection conveys an empowering message of freedom and renewal with designs that are both stylish and meaningful for anyone overcoming a recent breakup or simply celebrating happy singlehood.

Art

Nature’s Power Is Unleashed: Bold New Season At Boca Raton Museum Of Art

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The artist Maren Hassinger with children from Pearl City, the historic African American neighborhood where the majestic 100-year-old banyan tree, the “Tree of Knowledge,” still stands today. The children joined hundreds of community members to create together thousands of aerial branches from recycled newspapers for Hassinger’s new monumental installation.
Clifford Ross in the ocean surf, photographing hurricane waves.
The power of nature is unleashed with two timely, powerful exhibitions at the Boca Raton Museum of Art for the new season. Both of these original shows ─ Maren Hassinger: Tree of Knowledge and Clifford Ross: Waves ─ will kick off the museum’s 70th anniversary season (on view November 5th – March 1st). 

The museum is presenting both exhibitions together because the two shows sound a clarion call for environmental awareness. These shows also remind viewers that the beauty of nature can still inspire us, despite the over-saturation of society by hand-held devices and screens.
The two exhibitions are presented side-by-side in adjoining galleries.

The artist Maren Hassinger with children from Pearl City, the historic African American neighborhood where the majestic 100-year-old banyan tree, the “Tree of Knowledge,” still stands today. The children joined hundreds of community members to create together thousands of aerial branches from recycled newspapers for Hassinger’s new monumental installation.Clifford Ross in the ocean surf, photographing hurricane waves.The Clifford Ross exhibition features a new approach to his monumental depictions of ocean waves that the artist captures during extreme weather. The result is the most comprehensive survey of his process ever shown in a museum.

Ross dramatically presents the monstrous power of the seas in his new exhibition at a crucial moment in time for our planet: the United Nations recently issued a major new report warning that the dangerous effects of climate change on our oceans is much worse than previously thought.
The new findings warn about warming oceans and damaged ecosystems.

Sea levels are rising faster than previously predicted, glaciers and ice sheets melting more rapidly than expected, shrinking the fisheries that feed millions.  Watch the spectacular video of Clifford Ross in the ocean surf at vimeo.com/168830477 The new report warns that many cities around the world will experience annual flooding events by 2050 that previously occurred only once per century.

The world’s oceans have been warming since 1970 and have absorbed 90 percent of the planet’s excess heat, killing off vast stretches of coral reefs. Absorbing massive amounts of carbon has made the ocean more acidic and inhospitable to corals that millions of species depend on for survival.



“When I first began photographing these hurricane waves 30 years ago, most of us were unaware that global warming was seriously damaging our oceans,” said Clifford Ross. “Now, as I look back on my work, it takes on a whole new meaning.”

Above – the two artists headlining the new season: Clifford Ross and Maren Hassinger. MAREN HASSINGER: TREE OF KNOWLEDGERenowned sculptor and performance artist Maren Hassinger was commissioned by the museum for a residency that explored the staying power of nearby Pearl City, Boca Raton’s historic African-American neighborhood.

This is the largest installation that Hassinger has ever created in her long and celebrated career. Her new site-specific installation is based on Pearl City’s landmark, the “Tree of Knowledge.” This majestic, 100-year-old banyan tree still stands today and is protected by the Historic Preservation laws. The tree has served the people of Pearl City since the dawn of the 20th century, as a gathering place for sharing stories and communal spirit. The majestic 100-year-old banyan tree at Pearl City is the inspiration for Maren Hassinger’s Tree of Knowledge.(photo by Aylin Tito)
Hassinger vigorously engaged the public to recreate the tree’s aerial roots by gathering many groups over several months.

People from the community and visitors to the museum spent hundreds of hours twisting by hand thousands of recycled newspapers. Thousands of recycled newspapers were twisted to mimic the aerial roots of the banyan tree for Maren Hassinger’snew installation Tree of KnowledgeThese banyan “branches” will be suspended from the ceiling of the main gallery, representing the community-based “Creation-Stations.” The participants’ names will be incorporated into the monumental new work.

“I want visitors to the museum to think about the endurance of the tree and the endurance of the people who live beside it,” said Maren Hassinger. “I hope they realize it’s possible to build a world in which, like this installation, people work together side by side. Both the tree and the residents have inspired me with their mutual endurance.

In new reports, the United Nations warns that fires such as those causing de-forestation in the Amazon elevate concerns for the planet’s natural life support systems. This global call to action urges countries, companies and consumers to build a new relationship with nature.

The destruction of the world’s largest rainforest calls attention to the need to prevent ecosystems from declining to a point of no return, with dire consequences for humanity.

This year, the leading scientists of the world warned that civilization was in jeopardy due to forest clearance, over-usage of land, climate change, and pollution, putting a million species at risk of extinction.

Hassinger’s new installation is about nature as knowledge and about education. The twisted ropes of newspaper are made of words and stories.

“I hope the community and all of the visitors to the museum take a moment to think about the materials used in the project, which are not traditional art materials, and realize that this giant project was made not by artists, but by the public, working together,” adds Maren Hassinger. 

“Both adults and children from the community welcomed my project with enthusiasm and proceeded to twist and twist to create the aerial branches. Their enthusiasm and spirit of camaraderie is uplifting and contagious,” says Hassinger.

Paper is a natural material, made from trees, and throughout the installation there will be fans that evoke the wind blowing gently through nature, as opposed to the hurricane winds of Ross’s work.Wind, the video by Maren Hassinger, will also be part of the exhibition. Watch the video trailer here vimeo.com/368811486

“Following the theme of nature for our new season at the Museum, how appropriate that Maren Hassinger would choose this legendary tree, known as the Tree of Knowledge, as the subject for her site-specific installation,” said Irvin Lippman, the executive director of the Boca Raton Museum of Art.
“From its inception to its installation, this has involved audiences of all ages from every corner of our community to participate in the making of the aerial roots from streams of recycled newspapers. Much in the manner of the Banyan tree, we are all connected to one another,” adds Irvin Lippman.  

Hassinger’s new exhibition will also feature the installation Love – an experiential portal for visitors to walk through. As the entranceway into the museum’s main galleries, it will surround visitors with hundreds of recycled pink plastic bags that will completely cover all of the surfaces around them. The shopping bags are filled with the air of human breath, and contain human love notes inside. Love, by Maren Hassinger. This installation will serve as the entryway featuring hundreds of recycled pink plastic bags, surrounding visitors.The bags are filled with human breath and contain human love notes.Maren Hassinger (still from her video Pink Trash). 

CLIFFORD ROSS: WAVES On the subject of Clifford Ross: Waves, Irvin Lippman adds: “It would seem obvious that a museum with a coastal address such as ours would naturally be ever fascinated by the subject of waves. The subject of Clifford’s photographs in this new exhibition, however, goes deeper into the unpredictable shapes of waves, as much about abstraction as realism.” 
The effect of being engulfed in a room full of his work is profound, causing some viewers to claim they can actually hear the sound of the ocean waves although there is no sound component.
Ross is celebrated worldwide for his Hurricane Waves series, monumental images that were photographed by the artist during storms and while hurricanes were off-shore, while he was attached by a tether to his assistant who remained on land as Ross braved the ocean surf.

The size of these images is humbling. The angle of vision, from as low as possible, is calculated to inspire awe. The waves dominate us, framed or cropped; we feel their full force.
These waves invoke the power of wind as well as the power of water, the great cyclical forces of nature that generate energy.  
This major survey includes his monumental hurricane wave images. The exhibition also features a site-specific installation of extremely large-scale prints on wood, as well as the artist’s Digital Waves – A computer generated video displayed on an LED wall that has been acquired by the museum for its collection.
Other sections include: the Horizons series (photographs that explore movement with the added power of obstruction); his Hurricane Scrolls; and the Grains series of bold abstract works exploring the purity of color.Clifford Ross, Hurricane LXIII, 2009. Archival pigment print.“The pure abstraction of the Grains series is an antidote to the hurricane, a space to calm down. A quiet end to this stormy story where we can recompose our thoughts,” said Clifford Ross. 
While it explores the limits of photography and abstraction, this exhibition is also a dramatic declaration about climate change.
“This exhibition is a thorough survey of my working methods,” said Ross. “an effort to show all the ways I have approached the subject of ocean waves. But there’s also a deeper theme of addressing climate change – unavoidable in this day and age.”A work from Clifford Ross’s Digital Waves series (computer generated videos displayed on an LED wall) has been acquired by the museum for its collection. “Somehow the apocalyptic quality of the show does not erase the basic lyricism and beauty that I see in nature. When I started out, wanting to celebrate nature by creating bodies of work that were an homage to the sublime, I didn’t understand that the images were also capturing evidence – evidence of our negative impact on nature.”

“The ferocity, the forms of these waves were partially due to global warming. This project has come full circle, as much a meditation on the medium of photography as it is a photographic reflection of our world,” said Clifford Ross. 
Photo of artwork
Clifford Ross, Wood Wave LIV, 2017. Triptych UV cured ink on maple veneer. 
Caption for first photo at top: Clifford Ross, Hurricane LI, 2009. Archival pigment print.
MORE ABOUT THE TWO ARTISTS: Above – the two artists headlining the new season: Maren Hassinger and Clifford Ross. Maren Hassinger has work held in the permanent collections of the Hammer Museum in Los Angeles; the Reginald F. Lewis Museum of Maryland African American History & Culture in Baltimore; the California African American Museum in Los Angeles; Portland Museum of Art; The Studio Museum in Harlem; Williams College Art Museum in Williamstown; and the San Francisco Museum of Modern Art, among others.
Her many awards include: the Lifetime Achievement Award from the Women’s Caucus for Art, Maryland Institute College of Art; Joan Mitchell Foundation Grants; Anonymous Was a Woman; and the Pollock-Krasner Foundation, among others.
More about Maren Hassinger here.
The works of Clifford Ross are held in the collections of the J. Paul Getty Museum in Los Angeles, The Museum of Modern Art in New York, and the Museum of Fine Arts in Houston, among others. He is the editor of the book Abstract Expressionism: Creators and Critics, and is Chairman of the Helen Frankenthaler Foundation. His work has been widely exhibited in the United States, Europe, Brazil and China.
He has lectured in numerous university and museum settings, including Princeton, Yale, and New York University. Ross is a member of the Yale School of Art Dean’s Advisory Board.
More about Clifford Ross here. 
Photo of artwork
The majestic 100-year-old banyan tree at Pearl City is the inspiration for Maren Hassinger’s Tree of Knowledge.
(photo by Aylin Tito)
Love, by Maren Hassinger. This installation will serve as the entryway featuring hundreds of recycled pink plastic bags, surrounding visitors.The bags are filled with human breath and contain human love notes.
Photo of artwork
Thousands of recycled newspapers were twisted to mimic the aerial roots of the banyan tree for Maren Hassinger’s
new installation Tree of Knowledge
A work from Clifford Ross’s Digital Waves series (computer generated videos displayed on an LED wall) has been acquired by the museum for its collection. 
Culture

Ancient Zen Story About Re-framing Failure Applies To Grant Applications

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When thinking about grant writing, it helps to first consider this story that tells about luck. In it, a farmer’s horse runs away and all his neighbors come by to say what bad luck this is. The farmer replies “maybe.” His horse returns and with it brings wild horses. The neighbors all say what good luck this is to which the farmer says, “maybe.” The farmer’s son, attempting to tame one of the wild horses, is thrown and breaks a leg. Bad luck, say the neighbors, “maybe” says the farmer. At last the army comes to town gathering up all the able bodied young men to go off to war. Seeing the farmer’s son with his broken leg they pass on by.

The story ends here, but it shows that things are often connected in ways we can’t possibly predict. A Lebanese saying reaches toward the very same point, “Don’t curse your bad luck because it may turn out to be your good luck.” Again the message here is that you can’t possibly know whether a single event is truly good or bad.

Failure can and should be viewed through the lens of stories and phrases like these. When we stumble, it is easy to fall into the trap of thinking of this one moment as some sort of endgame. On the contrary, every so-called failure is nothing more than the next step in your journey.

Failure feels personal. When you have worked hard on something, poured your very soul into it, only to have things not come to fruition, it can feel like the universe is pointing a finger directly at your forehead. Putting things into some context is one way to start seeing the bigger picture.

Shakey Graves- Roll the Bones. Bandcamp.

Grant applications are quite probably one of the best examples of this. There is so much riding on any given application, whether it is for a specific project or an artist’s general practice. Grants are one of the ways in which working artists stay afloat and they are not only time-consuming, they can feel extremely personal.

Not receiving a grant can set off a cycle of emotions. Everything from wondering what is wrong with your work or your application, to convincing yourself that this is the last chance and there’s no point trying again. Let’s unpack these very common reactions and shed some light on the reality of the situation.

For any given grant you may apply to, there are countless others also spending long hours writing up their own applications. Grants range all over the place in size and popularity, so to speak. Even smaller scale grants (say, those offered by lesser known organizations or tightly specified to certain disciplines) will often attract many applicants.

While there are certain strategies when it comes to writing a good grant application, there is no single, objective way to ensure that yours will be the one chosen. When it comes down to final decision time, there is a level of subjectivity built into the process. Art for example, is not a quantitative subject and nor are grants being awarded via algorithm. Rather, they are being decided by panels of human beings with a range of subjective emotions about a field that is as unscientific as it gets.

For the reasons above, when you do not receive a grant, think of it in terms of the many, many other applications rather than simply in terms of what you personally did wrong. Do not ignore this as a learning experience and do reach out the grant organization for feedback whenever possible, but do not let “no” from one or even a string of grant organizations stop you in your tracks.

Instead, recall the story and expression above. Think of every grant, in fact, every action, as nothing more than a single ripple on the surface of the vast river that is your journey. When you do not get into a gallery, carry on and find others. Down the line when you look back, you will have the clarity to see the progression of events. When you are passed over for a residency, apply to three more. If a project doesn’t work out the way you thought it would, evaluate what happened, learn from the experience, and move on down the road.

Brainard Carey. image: elmcityexpress.blogspot

No one is claiming that this is easy. This isn’t about somehow detaching from your feelings and letting rejection slide like water off a duck’s back. Of course not. Rejection hurts. No matter how impersonal it might actually be when we are told no it isn’t a good feeling.

But remembering that every moment is just that, a single blip on the screen rather than a career breaking catastrophe can help you heal and recharge sooner after you’ve had a misstep. Carry the simple answer of the farmer with you at all times, “maybe.”

For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

Vintage

Fans Of 1960s TV Star Trek Should Be Aware of Star Trek Continues

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When the next episode of STAR TREK CONTINUES is revealed, science fiction fans will see a familiar face in a guest star role.  The new episode, titled Still Treads the Shadow, features guest star Rekha Sharma, perhaps best known to science fiction fans for her role in more than 30 episodes of Battlestar Galactica.   While details of Sharma’s character in STAR TREK CONTINUES are being kept under wraps until April, she says the offer for a role came after meeting Vic “Kirk” Mignogna at FedCon Germany last year during the 50th Anniversary of STAR TREK event.



“Vic and I kept in touch after FedCon, and then he asked if I’d be interested in coming aboard STAR TREK CONTINUES.  He told me about a script that was in development and the character he had in mind.  I’m so delighted that it worked with my schedule,” Sharma says.   Sharma’s first introduction to the original STAR TREK series came from her big brother.   “All my friends were watching Full House or something.  I’m not sure! And there I was, coming home after school and watching the original STAR TREK and old Perry Mason reruns!  I remember my brother told me that there were people opening and closing the doors, which I thought it was so cool and cheesy. And it very much appealed to my dreams of utopia — especially as a young colored girl growing up in very white neighborhoods,” says Sharma.   Rekha’s character of Tory Foster in the rebooted Battlestar Galactica, which began in 2004, developed after several auditions.   “From the very first audition, I was immediately struck by the intelligence, artistry and kind-heartedness of the directors and producers. I thought, I’d really like to work with these people! First I went in for the role of a Viper pilot, then a captain, and then the role of Tory came along.  Oh yeah, I thought, this is a perfect part for me.” Galactica’s producers apparently agreed.   “Working on Battlestar Galactica was a dream come true.  From my previous experience, I honestly didn’t think I could be creatively satisfied working in TV. But Battlestar Galactica changed that. Not only was it creatively satisfying, but we also had such a great team of people.  We are all like family to this day,” Sharma explains

 star trek continues bridge

What does it mean to be a STAR TREK CONTINUES guest star?   “It means I have fulfilled a dream, in a way, and that I’ve come full circle. I loved those stories. They had a wonderful morality and vision for humanity that made my heart sing. And then I got to step onto those sets and step into my childhood and be a part of telling that kind of story.   Not only that, but that world was so fun! I loved those neat-o futuristic gadgets when I was a kid. And now, as an adult, I got to play with them. I got to sit on the bridge.  There weren’t any trailers, so when I needed to rest between scenes, I took naps in sickbay on board the Enterprise.   And I got beamed in the transporter!  I can’t wait to see that,” she says enthusiastically.   The experience of working on the STAR TREK CONTINUES set “was so refreshing,” Sharma says.  “Everyone is there for love, not money. It felt like Battlestar Galactica that way. Although it’s a fan run project, the STAR TREK CONTINUES sets were surprisingly professional and very impressive. It was a mix of TV veterans and total newbies, and that made for an awesome atmosphere to work in. It was the best of both worlds, really.”   Sharma likes to compare the character she’s playing in Episode 8 to be much like aviation pioneer Amelia Earhart.  “She is smart as a whip, very technically inclined, and brave. I thought of her as a bright light of goodness and intelligence with a big heart.”   She admits to being very surprised at what the cast and crew have created with STAR TREK CONTINUES.   “You know, Vic told me that I’d become part of the family, but I had no idea what he meant. They have chosen a team who are all friendly, diligent, thoughtful and good-hearted people. I felt so welcomed and incredibly lucky. It makes sense that they’re shooting in the south – they’re so hospitable!  And those sets! Again, Vic told me what they built, but until you’re there you just can’t conceive of it. It’s really impressive. I know I’m not the only one who was moved to tears,” Sharma says.   Fans will be able to see Rekha Sharma at future conventions and events.   “It’s funny. At first it felt so strange to do conventions, but as time has gone on I’ve really come to appreciate them.  It’s special to have the opportunity to meet the fans and discuss the themes of these shows. You get to connect with people that you’d never get to meet otherwise. And sci-fi fans are awesome because, generally speaking, they still have dreams. They’re not jaded. They believe in possibility. And without that, nothing would ever change for the better. We’ve got to hold on to our dreams and keep being warriors in this world – to truly go where no man has gone before.”   “Still Treads the Shadow” will premiere at Fan Expo Dallas on April 1 at the Dallas Convention Center.

Frequently Asked Questions and Answers about remaining episodes of STAR TREK CONTINUES 

 

How are you getting around the guidelines for fan films?   As CBS/Paramount has made clear, the guidelines are not laws; they are general parameters applied on a case-by-case basis. Since the implementation of the guidelines, we have stopped all crowdfunding activities and have focused strictly on completing the four episodes which had already been funded as of that time by fans’ donations to our 501(c)(3) non-profit. STAR TREK CONTINUES has always followed any and all instructions given to us by CBS regarding our production, and will continue to do so.   Does STAR TREK CONTINUES have any type of special and/or official arrangement with CBS/Paramount?   No.

 

How long are the episodes?   They will be exactly the same format as our previous episodes   Why are you ending the series?   Recent developments necessitated our finishing up sooner than we intended, but it was always our goal to bring The Original Series to a conclusion. With our final four episodes, we will have done that. It’s been an amazing five years creating this series, and we will miss making it.  But all good things… Weren’t you going to make 13 episodes? Did CBS make you stop?   CBS is not responsible for the decision to end the series. We are doing 11 episodes instead of 13 because another fan group took advantage of the good graces of the copyright holders forcing them to protect their property and the interests of their license holders. In deference and gratitude to CBS, we are wrapping up earlier than planned. We always have stood, and continue to stand, with CBS.   Can we get DVDs/Blu-ray discs of the final episodes?   As we do not own STAR TREK, we cannot sell DVDs or Blu-ray discs. In the past, we’ve made a limited number of discs available as crowdfunding perks. However, since we are no longer crowdfunding, providing episodes to the public on DVD and/or Blu-ray discs is not currently feasible for us.   What will happen to the studio/sets? Will set visits/tours be available?   We don’t have a definitive answer on this right now, but we’re considering all our options.

Politics

Letter To The Silo- Ways To Catch Wild Pigs Is How To Create Socialism

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Dear Silo,  a thought to remember-  Marx said,”Remove one freedom per generation and soon you will have no freedom and no one would have noticed.” These are words to the wise, if you can understand what’s going on around you…. *

There was a chemistry professor in a large college that had some exchange students in the class. One day, the professor noticed one young man, an exchange student, who kept rubbing his back and stretching as if his back hurt. The professor asked the young man what was the matter. The student told him he had a bullet lodged in his back. He had been shot while fighting communists in his native country who were trying to overthrow his country’s government and install a new communist regime. In the midst of his story, he looked at the professor and asked a strange question.

He asked: “Do you know how to catch wild pigs?” The professor thought it was a joke and asked for the punch line. The young man said that it was no joke. “You catch wild pigs by finding a suitable place
in the woods and putting corn on the ground. The pigs find it and begin to come every day to eat the free corn. “When they are used to coming every day, you put a fence down one side of the place where they are used to coming. When they get used to the fence, they begin to eat the corn again and you put up another side of the fence.

“They get used to that and start to eat again. You continue until you have all four sides of the fence up with a gate in the last side. “The pigs, which are used to the free corn, start to come through the gate to eat that free corn again. You then slam the gate on them and catch the whole herd. “Suddenly the wild pigs have lost their freedom. They run around and around inside the fence, but they are caught. Soon they go back to eating the free corn. They are so used to it that they have forgotten how to forage in the woods for themselves, so they accept their captivity.”

The young man then told the professor that is exactly what he sees happening in Canada .

The government keeps pushing us toward Communism/Socialism and keeps spreading the free corn out in the form of programs such as supplemental income, tax credit for unearned income, tax exemptions, tobacco subsidies, welfare entitlements, medicine, drugs, etc., while we continually lose our freedoms, just a little at a time.

One should always remember two truths: There is no such thing as a free lunch, and you can never hire someone to provide a service for you cheaper than you can do it yourself. Name withheld by request. Originally post Fall 2014.