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Culture

Ontario Basic Income Pilot Begins- Special Advisor Hugh Segal Appointed

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The province has appointed the Honourable Hugh Segal to provide advice on the design and implementation of a Basic Income Pilot in Ontario, as announced in the 2016 Budget.

Basic Income MLK QuoteBasic income, or guaranteed annual income, is a payment to eligible families or individuals that ensures a minimum level of income. Ontario will design and implement a pilot program to test the growing view that a basic income could help deliver income support more efficiently, while improving health, employment and housing outcomes for Ontarians.

As Special Advisor on Basic Income, Mr. Segal will draw on his expertise in Canadian and international models of basic income and consult with thought leaders to help Ontario design a pilot.

Mr. Segal will deliver a discussion paper to the province by the fall to help inform the design and implementation of the pilot, on a pro bono basis. The discussion paper will include advice about potential criteria for selecting target populations and/or locations, delivery models and advice about how the province could evaluate the results of the Basic Income Pilot. Ontario will undertake further engagement with experts, communities and other stakeholders as it moves towards design and implementation.

Supporting Ontarians through a Basic Income Pilot is part of the government’s economic plan to build Ontario up and deliver on its number-one priority to grow the economy and create jobs. The four-part plan includes investing in talent and skills, including helping more people get and create the jobs of the future by expanding access to high-quality college and university education. The plan is making the largest investment in public infrastructure in Ontario’s history and investing in a low-carbon economy driven by innovative, high-growth, export-oriented businesses. The plan is also helping working Ontarians achieve a more secure retirement.

QUOTES

Hugh Segal“Ontario is taking a leading role in piloting a modern Basic Income, and we are thrilled that the Honourable Hugh Segal will be lending us his considerable expertise in this regard. We want to ensure that we are developing a thoughtful, evidence-based approach to test the idea of a Basic Income, and we look forward to Mr. Segal’s advice as we begin this work.”

— Dr. Helena Jaczek, Minister of Community and Social Services

“I am delighted to be working with the government to help lay the groundwork for a Basic Income Pilot in Ontario. The potential for a Basic Income to transform income security in Ontario and across the country is tremendous, and I look forward to contributing to this bold initiative.”

— The Honourable Hugh Segal

QUICK FACTS

  • Finland, Netherlands and Kenya are all looking at developing pilot projects that test the idea of a basic or annual guaranteed income.
  • MINCOME in 1975-78 tested the idea of a guaranteed annual income in Dauphin, Manitoba.

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L’Ontario va de l’avant avec le Projet pilote portant sur le revenu de base

La province nomme Hugh Segal conseiller special

La province a nommé l’honorable Hugh Segal pour lui donner des conseils sur la conception et la mise en œuvre d’un Projet pilote portant sur le revenu de base en Ontario, tel qu’annoncé dans le budget de 2016.

Le revenu de base, ou revenu annuel garanti, représente un paiement versé aux familles ou aux particuliers admissibles. Il garantit un niveau de revenu minimum. L’Ontario concevra et mettra en œuvre un programme pilote pour confirmer l’hypothèse voulant qu’un revenu minimum contribue à accorder un soutien du revenu de façon plus efficace, tout en améliorant les résultats en matière de santé, d’emploi et de logement pour les Ontariens et les Ontariennes.

En tant que conseiller spécial pour le revenu de base, M. Segal fera appel à sa connaissance des modèles de revenu de base canadiens et internationaux et consultera des dirigeants pour aider l’Ontario à concevoir un projet pilote.

 

  1. Segal remettra un document de discussion à la province d’ici à l’automne sur lequel l’élaboration et la mise en œuvre du projet pilote reposeront et ce, de façon bénévole. Le document de discussion inclura des conseils sur les critères éventuels de sélection des groupes cibles et/ou des lieux, des modèles de prestation et des conseils sur le mode d’évaluation par la province des résultats du Projet pilote portant sur le revenu de base. L’Ontario entamera un dialogue supplémentaire avec des spécialistes, des communautés et d’autres intervenants dans le cadre de l’élaboration et de la mise en œuvre de ce projet pilote.

 

Offrir un soutien aux Ontariens et aux Ontariennes grâce à un Projet pilote portant sur le revenu de base s’inscrit dans le plan économique du gouvernement, qui vise à favoriser l’essor de l’Ontario et à concrétiser sa principale priorité, à savoir stimuler l’économie et créer des emplois. Ce plan en quatre volets consiste à investir dans les talents et les compétences, tout en aidant plus de gens à obtenir et à créer les emplois de l’avenir en élargissant l’accès à des études collégiales et universitaires de haute qualité. De plus, le plan fait le plus important investissement dans l’infrastructure publique de l’histoire de l’Ontario et investit dans une économie sobre en carbone guidée par des entreprises innovatrices, à forte croissance et axées sur l’exportation. Enfin, le plan aide la population ontarienne active à bénéficier d’une retraite plus sure.

CITATIONS

« L’Ontario adopte un rôle de chef de file pour introduire sous forme de projet pilote un revenu de base moderne. Nous sommes ravis que l’honorable Hugh Segal mette son expertise considérable à notre service. Nous voulons nous assurer d’élaborer une approche réfléchie, fondée sur des données probantes, pour tester le concept de revenu de base. Nous comptons sur les conseils de M. Segal dans le cadre du lancement de ces travaux. »

— Dre Helena Jaczek, ministre des Services sociaux et communautaires

« Je suis ravi de collaborer avec le gouvernement pour jeter les bases d’un Projet pilote portant sur le revenu de base en Ontario. Le revenu de base pourrait transformer radicalement la sécurité du revenu en Ontario et dans tout le pays. Je suis heureux de contribuer à cette initiative audacieuse. »

— L’honorable Hugh Segal

FAITS EN BREF

  • La Finlande, les Pays-Bas et le Kenya songent tous à concevoir des projets pilotes qui testeront la notion de revenu de base ou de revenu annuel garanti.
  • MINCOME a testé en 1975-1978 l’idée d’un revenu annuel garanti à Dauphin, au Manitoba.

 

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Reviews

Window Fishing Or The Night We Caught Beatlemania

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Window Fishing

A Silo Canuck Book Review

I’ve never particularly been a Beatle’s fan. I like some of their songs. I like a number of them very much, but if I was asked the now proverbial question, “The Beatles or The Rolling Stones?” I would probably say, Oh, I don’t know, maybe The Who? The body of work of Mark Knopfler. Massive Attack were massive for me.

But I was not a child of the sixties, “an age of assassins,” John B. Lee writes in his poignant and powerfully executed preface, when “[o]ur childhood martyred almost all the heroes that we’d had.” John F. Kennedy. Robert F. Kennedy. Martin Luther King (Malcolm X, not mentioned but later, yes). “The list is overlong,” Lee says. “It will not end.” I understand more fully than ever these life-shattering moments, for Americans and Canadians alike; for so many  Across the Universe . Into this near death of hope came The Beatles. The Beatles came to America, came on a Sunday night in January 1964 to The Ed Sullivan show and, and as Lee exclaims with no exclamation mark, “sang my life awake.”

It’s not a perfect looking book. Yet as I read, the grainy cover photo (by an unknown photographer) of four dapper mop-tops fishing out the window of their Seattle hotel—they literally weren’t allowed to leave—starts to resonate. It’s imperfection could be viewed as integral, evoking a time in music when moments of “perfect imperfection,” as Michael Shatte calls them in his essay, were more common in pop; “happy accidents” which would not be tolerated in this era of hyper-produced top-forty songs, when singers voices are routinely, digitally “auto-tuned” in the studio, and we get used to being disappointed when we hear them live. Then there’s lip-synching. I don’t need to go on. There is great music being made by great musicians right now. But that’s not what we’re here to talk about. This is about a particular moment in pop-music history, in cultural history, and many of the moments that followed.

PaulMcCartneyBlur

The book is selected and edited by John B. Lee, a Canadian poet and writer who has published more than fifty books and received over 70 prestigious awards for his work. If you haven’t heard of him don’t feel too bad. He tells me openly there is little money in poetry, reminding me it’s not about that anyway. If it was it probably wouldn’t be poetry.

If you haven’t read him it might be time to start: his verse and prose catch the beauty of rural life, farm life, family life, hockey, human sexuality—life. Just Google him. He’s from home, you know. Right around here, right around me, the Poet Laureate of Brantford, Ontario and Norfolk County, home as well to Alexander Graham Bell and Wayne Gretzky, a poet of sport. Like McEnroe was one of the poets of my youth, making tennis beautiful, thrilling, creative; revolutionary. How I tried to emulate him…

Window Fishing Cover

Window Fishing is about a time of Revolution, evolutions in culture, and about growing up in the thick of it all. I wasn’t here yet, but as I read this book I learn. It is a literary volume. The cover photo and torn ticket stub on the back page are its only images. Or are they? Because black words on white paper are also images. And the book’s words, artistically rendered, conjure images as well as ideas. It is poetry, and prose poetry, and personal essays; fine writing by a collection of fine writers.

I learn that for most of the men, who were boys then, pubescent, the Beatles were all about music: musical discovery, even ecstasy. And style too. There was style.

For the women who write about the phenomenon of Beatlemania, there was music too. Absolutely. But there was something else. Something profound: the awakening of sexuality. Even a kind of love. Suddenly I understand all the screaming and crying, the fainting. For emerging, young (straight) women, the Beatles were more than musical. They were also beautiful. Sexy. As Susan Whelehan puts it in her essay: “John. He was mine and I was his…I was going to be his FOREVER. And I am.”

While many parents of the day may have dismissed The Fab Four at first as a silly “boy-band,” we might say now, shaking their longish (for the time), round hair-cuts—singing “Ooooo!” and “Yeah Yeah Yeah!”—fact is from the beginning The Beatles were always at the very least competent, and obviously compelling, musicians. Writes Honey Novick in her probing, poetic essay: “You could actually dance to their music.” And we know they became more and more sophisticated as they progressed through their careers, eventually making challenging, often satisfying real art-music, the way Radiohead did for me in my 20’s.

All this beautiful literature about The Beatles and the 1960’s has inspired me to listen, finally, seriously, to the music. Even if you thought, at the time, “Yeah Yeah Yeah” was just bubblegum for kids, consider the lyrics. One friend to another: “You think you lost your love/Well I saw her yesterday. She says it’s you she’s thinkin’ of/And she told me what to say: She says she loves you.” She loves you man. Yeah! (Yeah! Yeah!). What more is there to celebrate? Ecstatically.

If you were there, or if you want to learn, or if you care about music or culture or the 1960’s or just literature, embrace the “perfect imperfection” of this unique and potent book. Some of the poems made me close my eyes and shut the pages. To savour, digest. Bruce Meyer made me cry. I was 8 years old when Lennon was shot. Assassinated. It made no impact on me then. I wasn’t really there yet. The book put me there, as close as I can ever come.  For the Silo, Alan Gibson.