Yes this post’s title bears repeating. The public’s appetite for failing public figures continues to be satiated. But beyond the face value of these stories, should the public have deeper concerns about their causes and what could they be indicative of beyond sexual obsession? According to Dr. David M. Reiss, what is more pertinent to analyze is the self-defeating, self-sabotage aspect of these actions, and essentially the unconscious self-hatred and hatred of anyone who cares for them (i.e., humiliation of a wife).
According to Reiss, “We are getting away from one on the true critical issue — masochism. It is the acting out of the self-hatred by politicians through their legislation and power that is actually infinitely more dangerous to the public than any particular sexual activities. What more don’t we know about their behaviors behind the scenes and what else may manifest?”
In addition, the so-called treatment for someone is nothing more than a publicity play to help “fix” the problem in the public eye. The idea of his going into an “intensive treatment program” for two weeks is a joke. Especially at age 70, with decades of this type of behavior, a program like that can’t do anything but perhaps a diagnostic evaluation and set a course for ongoing therapy – with a poor prognosis. Otherwise, it’s an insult to the idea of therapy to think that two weeks could be of any significant effect.
David M. Reiss is a practicing psychiatrist for 30 years and recognized internationally for his expertise in character and personality dynamics. He has performed more than 10,000 psychiatric evaluations; evaluated and treated patients from diverse social and cultural backgrounds, and from every occupational field. He is an in-demand lecturer and has been published and covered in academic journals as well and general consumer media. For the Silo, Alyssa LaManna.
Dear Artist, Aristotle differentiated humans from their animal counterparts by dint of logos, the power of rational speech. Napoleon was attributed the quote, “four hostile newspapers are more to be feared than a thousand bayonets.” Human civilization was founded on the exercise of this divine faculty, and is destroyed by it in equal measure. Speech, in its complexity and weight, is the only world capable of rivaling nature.
This week, in view of two ponderous interviews, I ask you to summon to mind those rare and revelatory conversations that have left an indelible imprint on your life. What intimate discussion would you revisit and savor, if you were aware of the contents beforehand? What words of the past would be left unsaid or better spoken with the retrospective guidance of age?
Abstract acrylic painter Jeannie Motherwell refuses to grow cold in the artistic shadow of her father and stepmother, Robert Motherwell and Helen Frankenthaler. As a stable ecosystem quells its wrestling constituents, Motherwell’s refined intuition hushes the spontaneous boundaries of dilating paint on clay board and canvas. Over a soberly spoken interview, the New York artist now based in Boston, admits in her work the faint pursuit of a faded horizon: the shifting waters from the view of an old home, replaced, in time, by a windowless studio. The methodology of Motherwell’s art – to draw a structure from an uncertainty – eerily echoes a ritual from her upbringing: discerning, with the right words, to the joy of her guardians, the spiritual essences behind their cascades of paint.
Jeannie Motherwell in her Joy Street Studios, Somerville, MA Click image to visit her studio website.
Inexhaustible curator and researcher Ele Carpenter maintains that the lasting footprint of humanity will not be a monument or an idea, but a radioactive glare. Radioactive isotopes of a unique breed first entered the Earth’s atmosphere with the testing of the earliest nuclear bomb, signaling the beginning of a geological period known as the nuclear anthropocene. Dedicated to disseminating information about the irreversible changes to the environment caused by human hand, Carpenter organizes discourse and collaboration on a global scale, uniting scientists, activists, and visionaries in the depiction of a haunting reality that eludes the senses.
Looking for new additions to your reading list? Rachel Wolfe, one of our users, is deconstructing and rebuilding her fundamental conceptions of nature and mind. Sensitive Chaos, by Theodor Schwenk, vacillates between rigorous and metaphorical depictions of the underlying systems of movement that govern aeolian and liquid dynamics, from the furious dance of a hurricane to the soft aria of a developing child. Strange Tools, by Alva Noe, is a philosophical text that sees artmaking as a faculty for reflection, a primordial instinct that consciously and unconsciously takes stock of the external conditions that govern our identities and worldview.
Occupy Museums is seizing the means of cultural production with Debtfair, an exhibition dedicated to the overworked and underfunded. Creators, performers, and thinkers with financial weights on their shoulders have until December 9th to see their arduous narrative showcased in the 2017 Whitney Biennial. Debtfair serves to expose the aggressive business models that permeate leading art institutions, while encouraging solidarity amongst all encumbered populations of the economically segmented social landscape. Necessity may be the mother of invention, but no artist needs to bear the burden of Atlas.
The great American poet Wallace Stevens, envisioning life’s origins with a brain that thought without words, once instructed, “Begin, ephebe, by perceiving the idea / Of this invention, this invented world, / The inconceivable idea of the sun.”
