I bet you did not know these facts from our friends at toptenrealestatedeals.com : British singer-pianist-composer Elton John is the most successful solo artist in the history of the Billboard charts, with more than 50 number-one hits, seven number-one albums, and over 300 million in record sales.
He has received two Oscars, a Tony, a star on the Hollywood Walk of Fame, induction into the Rock and Roll Hall of Fame, and a knighthood from Queen Elizabeth II. The revered artist has recently completed his final tour, Farewell Yellow Brick Road, which became the highest-grossing concert series of all time.
Now moving permanently to his Windsor, England estate, he is offering the Atlanta condo that has been his US base for thirty years for sale at $4,995,000 usd / $6,744,249 cad.
John originally purchased a duplex on the 36th floor of the luxurious Park Place high-rise tower in Atlanta’s Buckhead neighborhood for $925,000 usd/ $1,248,935 cad, then added five neighboring units over the years to construct his 13,300 square-foot, four-bed, seven-bath residence spanning two floors.
The meticulously designed home features stunning wood walls, floor-to-ceiling windows, and 360 degrees of city skyline and western canopy views.
LOS ANGELES, Calif. — Geology Studio’s Open 45 Credenza is an innovative, locally crafted, all-in-one listening credenza specifically made for enthusiasts of vinyl record collecting and streaming. Streamers can neatly dock iPads, iPhones, and headphones alongside digital listening gear now. The Open 45 Credenza also promotes the use of your vinyl collection. Many record collections are hidden from sight in cabinets, stacked anonymously on a shelf, or stored too low to reach comfortably. The inspiration for the OPEN 45 is the idea of keeping your records in sight and ready to play, allowing you to spend time enjoying the fidelity of your vinyl.
“I’ve had a record player since I was a kid, my record collection spans the spectrum from the Ghostbusters soundtrack I got when I was 9 to Zeppelin to Sir Mix-a-Lot and everything in between. I’ve carried this collection around for years and rarely played it.”
“I was on a mission to figure out how to help people like myself engage with their music collections. This piece is the result of that effort,” says designer Adam Friedman. Made to promote the use of your record system and streaming devices, the Open 45 allows the minimum amount of steps to get your music playing.
Slotted interior allows for movable divider panels Shelves can be moved to suit your setup Cord channel runs entire length of unit for hidden cable management Available in standard 5’ and 7’ Lengths. Custom lengths available upon request Legs available in matte black, brass finish or custom finish
“I’d been neglecting my records because the storage was inconvenient – out of view and not very accessible. In talking to friends and clients, I discovered I wasn’t the only one with this issue. The 45-degree angle of the Open 45 design is a feature informed by function. Bringing albums into view in an organized and accessible way allows people to enjoy their collections and display them with pride, even the Ghostbuster soundtrack.
Everyone has their unique setup – explore the flexibility of our modular platform. Shelving sits atop and can be moved around, offering an easy way to customize your setup. A discrete cord channel runs the length of the piece, keeping only the things you want to see on display,” Friedman explains.
Standard setup includes the following components:
x1 Large Shelf 22” W x 19” D x4 Divider Panels Available in 27” and a low 21” Height Custom Woods and Finishes Available Walnut is the standard option. White Oak is a popular custom option, but most custom wood requests can be accommodated. The base is metal and is typically lacquered in a black or plated brass finish, though this is highly customizable as well. “There’s a high level of precision that goes into this piece because of all of the miter cuts. If your tools aren’t lined up perfectly, the end product won’t come together.” Geology Studio is run by a husband and wife team, Adam and Vanessa Friedman.
Each piece is thoughtfully developed by Adam, designer and craftsman and every piece is hand built by local artisans. The finished products you see are a final iteration of many takes. Geology Studio builds and rebuilds to fine tune the design and comfort level.
”The meaning and value of an object reveals itself over time, reflecting the consideration and patience invested in the design process. It is in this process I seek to design objects that listen, effortlessly adapting to the changing needs of a home and the people in it.”
Geology finds inspiration by seeking new ways to see, feel and experience the everyday world. For the Silo, Virginia Chavez.
“I was on a mission to figure out how to help people like myself engage with their music collections. This piece is the result of that effort,” says designer Adam Friedman.
Audio-Technica Introduces Its ART Series AT-ART20 High-End Phono Cartridge
STOW, OH, June, 2022 — Audio-Technica recently reached out to The Silo and announced the introduction of its AT-ART20 Dual Moving Coil Stereo Cartridge, the latest in A-T’s ART Series of high-end phono cartridges. The AT-ART20 utilizes Audio-Technica’s magnetic-core design to achieve extraordinary musical realism. Complementing its superlative vinyl playback performance, the AT-ART20 has a striking, distinctive contoured appearance.
“Our goal in creating the new AT-ART20 was to capture the full expressiveness of the original recording,” said Bob Peet, Audio-Technica Global Product Manager – Analog Products. “
To that end, the AT-ART20 embodies technologies and know-how that are the result of our 60 years of experience in phono cartridge design and manufacturing.”
The AT-ART20 (SRP: US$2,900 / CAD$3,760) delivers expansive, detailed sound with unmatched imaging and dynamics. The AT-ART20 utilizes the advanced manufacturing and polishing techniques that have been developed in the eyeglass industry of Sabae City in Japan’s Fukui Prefecture. The cartridge’s body features graceful curves with a flowing, organic design that has never been previously achieved. The body is made of precision-machined titanium combined with an aluminum cartridge base and an elastomer under cover, a selection of materials that provides significant resonance reduction along with lower mass. The cartridge body has threaded mounting holes to facilitate installation.
The AT-ART20 features dual moving coils aligned in an inverted “V” shape which provides optimal channel separation for superior stereo imaging and wide dynamics. The front yoke of the magnetic circuit is 0.6 mm thicker than previous designs, to improve magnetic flux density and increase the output efficiency by more than 15 percent to 0.55 mV.
The cartridge employs a nude special line-contact stylus with a solid boron cantilever just 0.011 inches (0.28 mm) in diameter, to extract a remarkable amount of information from the record groove. The boron cantilever is connected to the armature utilizing a stepped-pipe construction, which provides increased rigidity and improved strength with decreased resonance for a purer audio signal with clearer, more detailed sound.
The AT-ART20’s tip reinforcement plate is made of titanium, which reduces overall mass and improves the cartridge’s high-frequency performance, which extends to 50,000 Hz.
The Audio-Technica AT-ART20 Dual Moving Coil Stereo Cartridge is now available. Contact us on where and how to place your order.
In 1981 RCA introduced Selectavision even though they knew they had little chance of getting these things into most people’s homes. Laserdiscs had been on the market for several years and video cassette recorders were starting to become more affordable and popular. But RCA had invested millions of dollars and spent 17 years engineering a way to extend the playing time of the LP record and embed full color, full motion video. The fact that they were successful seems incredible given the age of the vinyl medium. It had been around for a long time.
That’s part of what makes this format so wonderful.
It’s an analog medium and when properly set up and viewed it can create a rich, warm viewing experience, far closer to a movie theater showing film than DVD. Yes I said that and I know there will be many that will think I am wrong. If you are one of them leave a comment at the bottom of this post and I will be happy to send you screen shots and a couple of reasons why what I’m saying makes sense. This is what family cinema was meant to be. It isn’t about lines of resolution and eight channels of sound, it’s about experiencing film as nostalgia, as fun, as intimacy, together as a family, even as art. Consider how a painting compares to the print or the digital copy of that painting. The original painting has a richness and a vivid quality that is difficult to describe in words. It has an immediacy and a temperature. Prints and digital images, although fine for technical analysis, do not create the same connection with the viewer.
There are other ways that collectors of CED’s (Capacitance Electronic Discs or Selectavision for short) connect with this unique format. They take special pride in the jukebox like mechanism that extracts the vinyl disc from its protective plastic jacket. They appreciate the fantastic sound quality of stereo transfers- most stereo discs carry the Dolby Stereo/Surround information signal which can be decoded with modern receivers. They admire technicolor movies that have a certain ‘glow’ on this format. (Still image screenshots do not demonstrate this strength because the effect is accumulative via moving images and scene transitions.) They enjoy watching classic movies on classic 4:3 television screens. They reminisce and appreciate a time when small screen sizes meant watching movies and shows from a physically closer position- circled around a TV in a cozy nook.
These folks probably never gave up their vinyl record collections and who can blame them? They’re laughing on that one, by the way. For the Silo, Jarrod Barker.
-Unaltered CED Movie Screenshots-
The Thomas Crown Affair 1968 director Norman Jewison
Rocky2 1979 director Sylvester Stallone
TRON 1982 Director Steven Lisberger
Black Orpheus 1959 Director Marcel Camus
Superman The Movie 1978 Director Richard Donner
The Hound of the Baskervilles 1959 Director Terrance Fisher
Playboy Collectors Video #2
Star Trek: The Motion Picture 1979 Director Robert Wise
It’s been nearly two years since we moved into our new digs in Boulder, Colorado. The most exciting part has been watching our recording/mastering studio, led by engineer Gus Skinas, come to life. Gus is a close friend and one of the nicest and most humble gents around. The world knows Gus from his work on projects for Pink Floyd, The Rolling Stones, Stevie Wonder, Elton John, Al Kooper, George Harrison, Queen, Joni Mitchell, Chick Corea, Frank Zappa, and The Police (to mention a few). His talent is unmatched, and we’re proud to have him in the hi-fi family.
A few days ago, we made a big step forward. With Gus at the helm, PS Audio has launched our much-anticipated music label: Octave Records.
Almost every time I give a tour at the new facility I get questions about Octave. With hundreds of labels out there, what makes Octave different? You and Paul make components, why the expansion into recording? Are you just doing this because it’s cool?
Guilty as charged!
In truth, we started Octave Records for the same reason we design audio components—because we know we can make a difference. We know we can produce albums with superior sonic quality and we also remain keenly aware of the challenges faced by so many music creators. Labels have been known to sacrifice quality for profits and for mass-market appeal. For albums-sold, most labels compensate artists with pennies on the dollar. Oftentimes, labels insist on owning the artist’s music. We believe the music deserves high-quality presentation and that the artists deserve to be honored for their contributions. It’s the artists, after all, who give rise to our entire industry.
So we decided to build a label the way we think it ought to be. Octave Records uses the finest studio equipment, all centered around the acclaimed Sonoma DSD recording, mixing and mastering system. We asked Gus to personally craft each recording. And to better support musicians, Octave Records covers 100% of the studio, mixing, mastering, production, distribution and marketing costs. We also provide artists with a direct-share of retail revenues, which are ten to twenty times that of other labels. At Octave Records, the artists own their music, and we give them creative control. They’ve earned it…and we get to enjoy the fruits of their labors on our hi-fi systems!
“Along with our dedication to producing the best-sounding recordings available today, Octave Records offers a different kind of business model,” said Paul McGowan, PS Audio CEO. To support musicians, Octave covers 100% of all studio, mixing, mastering, production, distribution and marketing expenses so that artists may directly share in retain sales revenues – while also retaining ownership of their music.”
It’s with great pride that we announce the first album from Octave Records: Out of Thin Air, a solo piano performance from renowned pianist Don Grusin.
Offered in SACD, native DSD (DVD-Audio) and CD formats, you can learn more about Octave Records and listen to samples of Grusin’s new album here https://www.psaudio.com/products/out-of-thin-air/ If you are interested in picking up a copy of this limited edition, they are available with world-wide distribution (direct from us in Boulder), however, this album is not available for digital download at this time.
I hope you enjoy listening to the album as much as we have enjoyed making it. This is the first of many. For the Silo, Scott McGowan.
“If there is no sound philosophy in making the audio gear, then all product you make is plagiarism.”Zoran Mihajlovic
Having grown up around record players of dubious quality, I remember very clearly my first ‘real’ turntable. An audiophile friend of the family helped my father put together an entry level system for my 15th birthday. The system included 3 way Acoustic Research speakers, Sansui integrated amplifier, Sansui 3 head cassette deck and my first decent turntable- a gently used Sansui direct drive with a shiny S-arm and what looked like a strange silver hockey puck.
At 15 I was into my second year of drumming and with this turntable was now able to play along to LP records without having to worry about the inevitable skipping that the cheap family record player performed almost every time I hit the bass drum hard. I later learned that the puck was actually a custom made record clamp that the previous owner had fashioned to squeeze every last bit of performance out of the record player.
There is a surprising amount of science behind the advantages of using record clamps to ‘push’ the vinyl down onto the slipmat and platter and people that use them swear by them. In general terms, the added mass from the fitted clamp flattens warps in the record and a beneficial flywheel effect takes place once the record is spinning at speed.
Today, turntable designs have advanced and exotic materials and technologies are incorporated into high end models. This has translated into a need for ultra high quality clamps designed to properly secure records to all kinds of esoteric spindles and platters.
Enter Zoran Mihajlovic- a man devoted to producing the highest quality record clamps such as the Model 1 via his Serbian company Supreme Analog. At 3000 euros (at time of this article, 1 euro = 1.5 Canadian dollars) , this is a record clamp (Supreme-Analog calls it a record weight) that is produced on order only and commands attention.
70mm wide, 50mm high, 460g weight Swiss stainless steel and Serbian sinked wood
If you are on a more modest budget, they also offer the BL-006 for 250 euros. Also made from Swiss stainless steel, the more basic model weighs in at 950g and ships world wide for free in a solid wood box.
It’s easy to tell that Supreme-Analog have a real passion for audio and they make a number of interesting products including jewel like tonearms and gorgeous horn speakers. Check them all out. For the Silo, Jarrod Barker.