Tag Archives: literature

Art

Nanni Balestrini Political Art Retrospective Exhibition Includes Early Computer Works

February 29, 2024 The Silo Leave a comment

CENTER FOR ITALIAN ART ANNOUNCES NEW EXHIBITION:
NANNI BALESTRINI: ART AS POLITICAL ACTION ONE THOUSAND AND ONE VOICES ON VIEW NOW UNTIL- JUNE 22, 2024

Nanni Balestrini, Cavallo, 1963. Collage on paper. Private collection, courtesy Frittelli arte contemporanea, Florence

(New York, February/March, 2024) – The Center for Italian Modern Art (CIMA) has launched its new exhibition, NANNI BALESTRINI: ART AS POLITICAL ACTION. ONE THOUSAND AND ONE VOICES, curated by Marco Scotini. This is the first retrospective exhibition in the United States of Nanni Balestrini (1935-2019), an Italian experimental visual artist, poet, and novelist known for his revolutionary artistic practice and passionate involvement in the social-political movements of the 1960s and 1970s.
Born in Milan in 1935, Balestrini was a key protagonist of post-WW2 Italian literary and social avant-garde movements: he approached experimental poetry with a visual sensibility stemming from the artistic use of collage, and with a compositional practice that gave importance to the editing and recombining of existing texts (especially newspapers, magazines, and political slogans) in search for the expression of a collective enunciation.

Nanni Balestrini born July 1935 died May 2019

Nanni Balestrini, 65000 Ètudiants, 1972. Mixed media on panel. Collezione Emilio Mazzoli, Modena

Python reconstruction of 1961 electronic poem “TAPE MARK 1”

Nanni Balestrini, Giornale di bordo (La partita a carte), 1964. Collage on paper. Private collection, Mirano (Venezia)

CIMA OPEN HOURS: • Friday and Saturday: 11am to 6pm with guided tours at 11am and 2pm (last entry at 5pm)• Members-only hours: Monday-Thursday by appointment• General admission: $15usd for guided tours; $10usd for open hours• Members & students: free
ABOUT CIMA:Founded in 2013, CIMA is a public non-profit dedicated to presenting modern and contemporary Italian art to international audiences. Through critically acclaimed exhibitions—many of them bringing work to U.S. audiences for the first time—along with a wide variety of public programs and substantial support for new scholarship awarded through its international fellowship program, CIMA situates Italian modern art in an expansive historic and cultural context, illuminating its continuing relevance to contemporary culture and serving as an incubator of curatorial ideas for larger cultural institutions. CIMA works to add new voices to scholarship on modern Italian art with annual fellowships that open fresh perspectives and new avenues of research. A visit begins with a complimentary espresso, followed by an informal exhibition tour with one of the resident fellows. Visitors are welcome to linger for additional viewing and conversation.

ABOUT CURATOR MARCO SCOTINI: Marco Scotini is an art critic and curator. He currently is artistic director of FM Centro per l’Arte Contemporanea in Milan, a center specializing in the preservation and enhancement of private collections, artists’ archives and the promotion of contemporary art. Since 2004, he has been director of the Department of Visual Arts at Nuova Accademia di Belle Arti of Milan and Rome. He is scientific director of the Gianni Colombo Archive, the Bert Theis Archive, the Clemen Parrocchetti Archive and the Nanni Balestrini Archive. Since 2014, he has been responsible for the exhibition program of PAV- Parco Arte Vivente in Turin. He was artistic director of the 2nd Yinchuan Biennale in 2018 and was a member of the Italian Council from 2019 to 2021. He has curated exhibitions for leading national and international art institutions, including the Albanian pavilion at the Venice Biennale (2015), three editions of the Prague Biennale (2003, 2005, 2007), Anren Biennale (2017), 2nd Yinchuan Biennale (2018) and was advisor for Bangkok Biennale (2020 and 2022). He took part in the 17th Istanbul Biennale (2022) and the BETA Timișoara Biennale (2022). He has been part of the project TV Politics at documenta 14 (2017). Scotini’s project Disobedience Archive is part of the 60th Mostra Internazionale d’Arte della Biennale di Venezia (2024), curated by Adriano Pedrosa.

Art

Unique Angles view How We Communicate

August 4, 2021 The Silo Leave a comment

Look with great honesty at your inner life

Contemplate the ways in which you approach and communicate with the world. Our interactions are shaped by context at all times, one moment calls for gentleness while the next requires a firmer approach. It becomes second nature navigating these nuances, we stop giving thought to the many personas involved in our experiences moment to moment.

From time to time, turn the mirror and allow the reflection to sink in. Do not approach with judgment, merely curiosity. Make contact with yourself and get to know once again what has been lost to habit. Investigate the uncharted waters of you, revealing a self you may not have encountered for many years.

Andreja Kuluncic says, “Everybody can be an artist.”

The Zagreb, Croatia-based artist believes all that is needed is for each of us to wake up the creative part of ourselves. In her participation-driven work, she explores this idea extensively. In one piece titled Art and Box, audience members are invited to take a box containing dismantled pieces for an art exhibition back to their communities.

With the box comes a dancer who the participants can invite to collaborate on a performance piece at their local school, library, or any other place they see fit. In this way, and through much of her work, Kuluncic seeks unique angles from which to view how we communicate socially. Her work Collective Stranger traces lines within the Croatian community combining the experiences of women from many backgrounds all of whom fit into the category of oppressed and even ostracized populations.

Alison Jackson is no stranger to alternative facts. Her career is built on the voyeuristic relationship we have with celebrities. Jackson creates images using lookalikes that challenge our concept of what is real. Most recently she has created photographs featuring a Donald Trump lookalike for the series Mental Images. Jackson says, “my pictures ask where does the truth end and the lies begin…where the subjective triumphs over the objective.” He work spans many media including publishing, photography, television, and is exhibited in museums and galleries.

Encounter others inner worlds through literature and share your findings. Add your titles to our reading list here. Andreja Kuluncic turns to Death Drives an Audi by Danish author Kristian Bang Foss. User Carl Smith has read Where the Dead Pause and the Japanese Say Goodbye by Marie Mutsuki Mockett.

Rekindle a relationship with your true self. Lao Tzu, ancient Chinese mystic and philosopher wrote, “He who knows others is wise; he who knows himself is enlightented.” For the Silo, Brainard Carey.

*featured image: “CREATIVE STRATEGIES” multidisciplinary research project 2010-ongoing Andreja Kuluncic.

Fashion

It’s Break Up Season But Jewelry Helps Embark Your New Life

December 2, 2019 The Silo 1 Comment

Break ups aren’t so bad when you treat yourself to a nice pair of diamond earrings.

There’s a reason Neil Sedaka’s “Breaking Up is Hard to Do” became a pop classic – because it’s true! But breakups can also be a time to reflect and embark on a new chapter in your life, says Jay Ryan.

“Many people have been through a romantic heartbreak, which can be among life’s biggest challenges. But being single after a committed relationship can also be a good time to rejuvenate yourself,” says Ryan, co-founder of www.breakupgems.com, an online retailer specializing in breakup and divorce jewelry that “celebrates new beginnings.”

“We cater to the growing number of people looking for meaningful ways to bring closure to their past and move forward with confidence,” he says.

For those who’ve recently experienced a split, or are about to (December holidays is the time of the year most long term relationship break ups occur.) Ryan shares several ways to turn your breakup into a makeover — a “breakover.”

https://youtu.be/1GTFvlm0vGM

• Empower yourself with the gift of health. It’s almost a cliché that ‘exes’ lose weight after splitting up; some lose their appetite due to melancholy and some are motivated to look and feel better with exercise and dieting. Don’t punish yourself with spartan regimens, Ryan advises. Eat nutritious foods and train sensibly.

• Treat yourself to a new wardrobe. Clothing can be the bearers of painful reminders, like the sweater he or she got you last year. Consider freshening up your style with new clothes – hey, you’ll probably need them anyway with all that exercise. A new wardrobe can serve as a healthy reminder of the new you.

• Be proactive with your reading. There are many genres of self-help literature, from spiritual to academic. But don’t limit yourself to nonfiction; classic literature not only gives you a great education, it also helps readers increase empathy and better understand emotional complexity.

• Consider a healthy reminder of the new you. It’s a tradition in our society to commemorate a romantic union or celebration with jewelry. Your breakup may likewise be a blessing that allows you to grow as an individual. Consider a ring or other piece of jewelry that will not only mark this milestone but be a personal reminder of your transformation and new beginning.

• Travel adds perspective on a new journey. Whether or not you realize it, a breakup is the beginning of a new life trajectory. Travel – whether it’s time for a change of domestic scenery or a vacation – perfectly symbolizes a new journey. Overcoming a painful separation requires an outside perspective, which is often gained through travel.

• Invite friends over for a dinner party. The depression that is liable to ensue after a breakup often leads to isolation, but that is when you most need your friends! Why not host a breakup party? Rather than blowing it out with a large group of people, which may include strangers, keep it simple with intimate friends you can trust. For the Silo, Ginny Grimsley.

Jay Ryan is the co-founder of www.BreakupGems.com, an online retailer that specializes in fine breakup and divorce jewelry. Each piece in the collection conveys an empowering message of freedom and renewal with designs that are both stylish and meaningful for anyone overcoming a recent breakup or simply celebrating happy singlehood.

Culture

Novel Warns North Americans Of Corrupt Bankers And Valueless Dollar

August 22, 2018 The Silo Leave a comment

Back in 2012 The Silo reported on a dark novel titled Zurabia. That book held a plot that seems less like fiction with each passing year. Corrupt bankers, a practically valueless dollar, hyper-unemployment and underemployment, home-grown terrorism, the uptick in natural disasters and the overall lack of trust in our most important institutions – these are some of the reasons all North Americans should be very, very concerned, according to author Peter Dash a world-traveled researcher for Harvard University’s Center for International Affairs.

PeterDashZurabia — Peter Dash and his novel

“I predict a brutal world ahead of us,” says Dash, author of “ZUrabia,” a book about rogue forces taking over the world’s most important institutions. “Unfortunately, I have been right since my research at Harvard in 1986, when I questioned the viability of government institutions to meet general needs and growing problems, both domestically and abroad.”

The pragmatic holiday shopper this year will purchase items to safeguard their families against these threats, which have been long in the making and won’t disappear quickly, he says.

zurabia1 — From Dash’s homepage- a map of Zurabia complete with mountains and a mushroom cloud. Biblical ! CP

“Terrorism wasn’t inaugurated with 9-11; extremism in Muslim sects has been growing for decades, and Neo-Nazi groups are starting to flourish in failing states like Greece,” he says. “The dollar has been steadily losing its value since the creation of the Federal Reserve in 1913; climate change has been on the radar for quite a while; and there have been greedy bankers since, well, banks have existed.”

“If you’re confident that everything is sure to be okay, then you’re not paying attention,” he says.

He offers a four-point survival strategy for holiday and everyday shopping:

• Gold is good: The dollar has lost 95 percent of its value in 100 years, and it will continue losing value. As
the Reserve continues to flood money into the system, thereby reducing current or potential value, more inflation is inevitable, acting as yet another tax on wages. So, collect and buy any gold that you can and consider spending federal notes while they’re still worth something to businesses. Think about your
jewelry, and buying more. Silver is a good option if gold is too expensive, and there are Exchange Traded Funds, or ETFs, that are backed by physical gold. A reputable banker or broker can help explain for those who are interested. “TD Ameritrade or Charles Schwab may be good places to start getting information on gold and silver ETF trading,” according to Dash.

• Inflation: Spend your money now or smartly invest it before you lose it. Remember, banks often give clients less than one percent on many accounts, but inflation on food and real items we use, like gasoline, are going up by much more. In essence, your banker is stealing your money through the assistance of the Fed, which is killing your savings rate by cheapening money. As if to pour salt on this wound, the bank,
in many cases, lends money at four percent or higher. Rerouting some bank savings/wages by investing in canned food, for example, may protect you against the scourge of food inflation, as well as other disasters.

• Worthy purchases: With food and water, a failed society puts a premium on additional goods. They include home insulation, gardening tools and materials, computer programs and language learning kits – perhaps Spanish or Chinese – because of the increasing prominence of other cultures. Guns, security systems and other measures to protect one’s home will likely prove extremely valuable should law enforcement be spread too thin, or fail as an institution.

• Buy in bulk: Places like Wal-Mart or Costco will help you get the most value with large purchases of food. It’s important to be well-stocked if something happens that results in the emptying of grocery markets, but remember to have adequate space in your house, apartment or cabin for a “safe” room, which is part of a sound strategy for protecting you and your family.

Peter Dash has been a teacher, professor and corporate trainer for the last 17 years, working in Saudi Arabia, the former Soviet Union and China. He has an applied science degree in forestry from the University of British Columbia and a Masters in applied teaching from Southern Queensland in Australia. He was a researcher in world (dis) order and youth groups at Harvard University’s Center for International Affairs, started by Henry Kissinger. He follows the investment field intensely, focusing on commodity funds and trends.
Fifteen percent of his book’s royalties will go to needy students consistent to the many years Dash has worked in assisting voluntary youth organizations. He lives on a small tropical island that is stocked with the finest well water, fish and food. Dash invests in Gold ETFs and commodity trading companies.

Supplemental– CBC radio interview with Dash on Zurabia

Culture

Mediocrity Prevents A Peoples Revolution Against Publishing Giants

June 28, 2018 The Silo Leave a comment

The world is full of writers but has this led to the rise of mediocrity? image: philosophyslam.org

When I was growing up, I imagined being a novelist meant I would write for a living. This is not always the case. There is a darker side to the writing and publishing profession, even more disturbing than the constant criticism, rejection and pirating of e-books. We’re not all dedicating our lives to the manipulation of words for entertainment value. Most habitual readers I know don’t realize that gone are the days when writers were intellectuals and academics spending their whole lives with their nose in a book. In 2013 every other person I meet online claims to be a writer, many of them bestselling authors at that.

A writer in this decade is an everyman. You probably know one yourself because anybody can claim the tag now. They could be writing e-books, blogs or letters to the editor of a newspaper to supplement their income, but the fact remains that if you are trying to make a living from writing, your time will mostly be spent promoting and networking, and networking means you’ll come across the type of people who will inspire you to write a murder mystery just so you can make them the victim.

Life just might be creative literature...or at least a series of punctuation marks CP — Life just might be creative literature…or at least a series of punctuation marks

What’s brought about this change in the profession? I’m not one of those intellectuals or academics, so I can’t say. I am a person who has had a series of dead-end jobs but naively dedicated the last twelve years of her life to the craft of creative writing, making numerous sacrifices to find fulfillment. To me it’s a vocation rather than a career or hobby because no matter what I do I can’t stop writing. I mentally plot the story of job interviews during the event to cope with the pressure. When my husband had a stroke, I imagined the blood clot that caused it as a series of ellipses in our lives, whereas the birth of my son was an exclamation mark. People I don’t like have faces like twisty question marks and any bad luck I have is merely a comma. I ceased to become part of my own reality a long time ago. It verges on mental illness. This is not particular to a writer in the 21st Century and could be said of anyone so obsessive about the craft at any time.

Now there are so many would-be writers, there is no people’s revolution against the publishing giants, despite what many independent authors, including myself, have thought and said in the past couple of years. There are hundreds like me to whom writing is like breathing but thousands of bandwagon jumpers who rush out book after book then market them in questionable ways. I even had one man send me private messages on Twitter every day for almost a year in an attempt to get reviews for each book his wife has written – a total of twenty three in the last two years.

"Tractor beam" - Dr. Evil — “Tractor beam” – Dr. Evil

I self published through choice, without knocking on agents’ doors because I knew my novel was too contemporary to wait and within a few years would be dated. Self publishing is what the majority of wannabes do but it tars us all with that opportunist brush. The Internet is awash with distinctly average literature written on a whim by someone who never had ambitions to be a writer and was bored one day so self published on one of the many websites that allow you to do so without a book deal. I suspect many of them aren’t even readers.

Stories of people who have written twenty or more titles over the course of a few months and sold hundreds of thousands of copies both impress me and rile me in equal measure because despite having spent years working at it, as an independent writer without a publishing deal and only Amazon et al behind me, we are all on the same level. For the Silo, Lacey Dearie.

Reviews

Becoming AFI Celebrates 50 Years Of American Film Institute

September 7, 2017 The Silo Leave a comment

“This book puts you directly behind the scenes for a story that began with a dream,

overcame constant challenges, and evolved into the institution it is today.”

―Steven Spielberg

“Documented here by the people who lived it, this is a remarkable tale of how a major institution,

created out of whole cloth, wove itself into the American fabric.”

—Cokie Roberts, author and political commentator for ABC and NPR

For over fifty years, the American Film Institute has flourished as one of America’s great cultural entities. Its graduates, faculty, supporters, and trustees have included such acclaimed individuals as Steven Spielberg, Maya Angelou, Gregory Peck, Sidney Poitier, Meryl Streep, Les Moonves, Patty Jenkins, David Lynch, Jane Fonda, Edward James Olmos, Shonda Rhimes, James L. Brooks, and many other respected leaders in the worlds of film, television, digital media, and philanthropy.

In their new book, Becoming AFI: 50 Years Inside the American Film Institute (Santa Monica Press/October 2017), Jean Picker Firstenberg and James Hindman provide a candid look at how this remarkable organization brought together aspiring filmmakers, educators, and artists who helped AFI become the foremost national champion for moving images as a vibrant art form.

Preview page from BECOMING AFI: 50 YEARS INSIDE THE AMERICAN FILM INSTITUTE

From its early years operating out of the Kennedy Center in Washington, DC, and the legendary Greystone mansion in Beverly Hills under the leadership of George Stevens Jr., through its incredible growth into an influential cultural institution at its landmark Hollywood campus under the guidance of Jean Picker Firstenberg, to its continued excellence today under the dynamic leadership of Bob Gazzale, the organization and its history are chronicled in Becoming AFI through in-depth essays written by those who have been involved in its adventures, growth, and success.

“After being asked so many times what our book would be about, we decided to put together AFI’s history as we experienced it personally,” explain Firstenberg and Hindman. “As we structured the book with the stories we wanted to tell from those years, we realized that some of those stories really belonged to other voices. So, we went to several former colleagues and asked them to join our band. Each chapter tells a stand-alone story about an aspect of AFI, but together, they add up to the full picture.”

Becoming AFI provides an insightful, behind-the-scenes look at how AFI, with passionate determination, overcame the hurdles of advancing technology, political shifts, and new audience dynamics to turn its aspirations into a substantial and highly successful organization, becoming a tireless advocate of moving images as one of America’s most popular forms of art, and maturing into one of the world’s most respected educational and cultural institutions. For the Silo, Trina Kaye.

“No matter how divisive life in this country may become, the movie theater has always been a place where we can discover what unites us.”

—Vernon Jordan Jr., New York Times

44 2006-05-31_COMMENCEMENT_HonoraryDegrees_Basinger_Fries_Jones_Pollack-0131

“AFI saved our film history. AFI celebrates filmmakers. AFI trains the next generation. Thanks to Becoming AFI for telling us the fascinating story of its fifty-year history. And a big thank you to Jean Picker Firstenberg and James Hindman for documenting all of it! Here’s to the next fifty!”

―Edward James Olmos, actor and AFI trustee

About the Authors

Jean Picker Firstenberg served as president and CEO of the American Film Institute from 1980 to 2007, overseeing the development of AFI as one of America’s greatest national, cultural, and educational resources. She received an AFI Life Achievement Award for Service to the Institute and was named president emerita and a lifetime trustee. In 2016, Firstenberg was named to the California State University Board of Trustees by Governor Jerry Brown, overseeing the largest four-year public university system in the United States, with twenty-three campuses educating the most diverse student body in the nation. Prior to serving at AFI, Firstenberg spent four years as a program officer at the John and Mary R. Markle Foundation. She also served as director of Princeton University’s Publications Office. Firstenberg is a summa cum laude graduate of Boston University’s College of Communications. She has served on several boards, including that of Boston University (1984–1996), the George Foster Peabody Awards at Georgia University (1985–1997; board chair 1991–1997), and the United States Postal Service Citizens’ Stamp Advisory Committee (2002–2014; committee chair 2008–2014). She has won numerous awards and honorary degrees.

James Hindman, PhD, has spent his career in cinema and performing arts, creating and leading professional and public education programs at major institutions. During his twenty-four years at the American Film Institute, where he served as co-director and chief operating officer, he was provost of the AFI Conservatory, which he nurtured through WASC accreditation. He was also the uncredited producer of the award-winning feature documentary Visions of Light and the television series Starring the Actor. He developed the AFI Silver Theatre and Cultural Center in Silver Springs, Maryland, as well as numerous television projects and international film and television festivals. Subsequent to AFI, he developed and led film schools in the U.S. and internationally, including the Red Sea School of Cinematic Arts in Aqaba, Jordan, and New Mexico State University’s Creative Media Institute in Las Cruces. He is currently on the board of the New Mexico School for the Arts in Santa Fe, charged with creating a new cinematic and media arts program and facilities for the school. Prior to AFI, he served as head of graduate studies in the Performing Arts Department at American University in Washington, DC, having previously taught at the University of North Carolina. Hindman holds a PhD in drama from the University of Georgia and has served on the boards of the AIDS Service Center and LAMP in Los Angeles. He currently splits his time between Santa Monica, California, and Taos, New Mexico.

Patty Jenkins made history in 2017 when she directed her second film, Wonder Woman, becoming the first woman to direct a studio superhero movie and earning the biggest domestic opening of all time for a woman director. Jenkins wrote and directed her first film, the crime drama Monster, in 2003, launching Charlize Theron’s career with many awards, including an Oscar for Best Actress. Jenkins graduated from the Cooper Union for the Advancement of Science and Art in 1993 and the AFI Conservatory in 2001.

Dana Gioia was appointed Poet Laureate of the State of California in 2015 by Governor Jerry Brown. An award-winning poet who has published five collections of poetry, Gioia served as chair of the National Endowment for the Arts from 2003 to 2009, and was named a USC Judge Widney Professor in Poetry and Public Art in 2011.

David Lynch, born in 1946 in Missoula, Montana. Eagle Scout.

BECOMING AFI: 50 YEARS INSIDE THE AMERICAN FILM INSTITUTE

By Jean Picker Firstenberg and James Hindman

Foreword by Dana Gioia

Preface by Patty Jenkins

Afterword by David Lynch

Santa Monica Press/October 2017

Hardcover/$27.95 usd

ISBN-13: 978-159580-094-7

Reviews

Fascinating Book- CANADIAN PACIFIC: Creating A Brand, Building A Nation

November 19, 2015 The Silo 2 Comments

Canadian Pacific: Creating A Brand, Building A Nation, the forthcoming luxury coffee table book from School of Design of the Université du Québec à Montréal professor emeritus Marc H. Choko and Callisto Publishers. The private railway corporation that united Canada and built the world’s greatest transportation system, Canadian Pacific broke boundaries with its powerful commercial design.

A gorgeous new full-colour, 384-page hardcover from leading design book publisher Callisto, Canadian Pacific: Creating A Brand, Building A Nation [November 15 2015] reveals the intriguing story of the private railway company that united Canada politically – and became, for a time, the world’s greatest and most diverse transportation system. Written by Marc H. Choko – professor emeritus at the School of Design of the Université du Québec à Montréal and an honorary member of the Société des designers graphiques du Québec – Canadian Pacific weaves a concise and compelling narrative recapitulating the first 100 years of the company’s history, beginning in the 1880s. Brought to life by hundreds of advertisements, illustrations, designs, photos, and historical documents – many of which have never been published before – Canadian Pacific is more than a beautiful book: it is an indispensible testament to one of the greatest achievements of entrepreneurship the world has ever seen.

“The history of Canada is inseparable from the history of Canadian Pacific,” writes publisher Matthias C. Hühne in the book’s preface. “A distinct Canadian national identity was still in its infancy in the 19th century, and various stereotypes linked with Canada today are the direct result of decisions made by these artists and Canadian Pacific’s publicity executives.” From adventurous world travelers to potential immigrants considering a move to Canada, Canadian Pacific tells the important and unforgettable story of the impact this private corporation has had on a nation’s economic development and image – and will be a welcome addition to the bookcases, coffee tables, and cottages of history buffs, art lovers, and aesthetes alike.

Marc Choko

Among the topics author Marc H. Choko is currently interested in and researching are: Beavers, Banff and propaganda: how commercial design helped a disparate, newly formed nation understand its place in the world and forge an identity. This is Canada: the romanticism and beauty of the images Canadian Pacific’s publicity department produced, and their immeasurable impact on the way Canada is perceived domestically and throughout the world Immigration and colonization: Canadian Pacific’s little-known history of facilitating the process of coming to Canada for hundreds of thousands of citizens. The eminent artists behind Canadian Pacific’s publicity materials: why we cannot separate the interplay of commercial interest and high culture.

About the Author: Marc H. Choko, author of Canadian Pacific: Creating a Brand, Building a Nation is professor emeritus at the School of Design of the Université du Québec à Montréal and former director of the university’s Design Centre. He is also a former research director at the Institut national de la recherche scientifique Urbanisation, Culture et Société. Choko earned a bachelor’s degree in architecture and a master’s degree in planning from the Université de Montréal and a doctorate in urban planning from the Université de Paris VIII. He is the author of numerous publications on graphic design, urbandevelopment and housing, and has curated many exhibitions that toured internationally. Choko is an honorary member of the Société des designers graphiques du Québec.

About the Publisher: Berlin-based Callisto Publishers selects topics from the fields of design, art, and architecture that are especially well suited to be represented by a printed book, rather than an electronic medium, aspiring to create printed works of perfect quality in terms of content, design, and production. Strong contemporary design requires solid knowledge of the designs and methods of the past. Which designs endured, which did not, and why? Callisto’s books analyze trends of the past that are relevant for understanding design today and in the future. Website: https://www.callisto-publishers.com/

About Canadian Pacific: The Standard Edition of Canadian Pacific: Creating A Brand, Building A Nation will be released this month, and retail for $80CAD / $70USD. The Premium Edition – a larger and technically more sophisticated version, packaged in a hand-crafted collector’s case with a wood veneer cover symbolizing the natural beauty of Canada, and containing additional images and Pantone colours and finishes not included in the Standard Edition – will be released in April 2016 and retail for $720CAD / $600 USD.

Art

Dealing with Reviewers’ comments in the Publication process

July 13, 2015 The Silo Leave a comment

This article focuses on the challenges for authors of dealing with an editor’s and reviewers’ comments within the manuscript publication process. The paper commences with an overview of the peer review process. The nature and style of comments from editors and reviewers is outlined and the inherent meaning demystified. Using a wide range of anonymised examples, sample comments are categorised according to their ease of being addressed and whether or not the author agrees with them and the need to respond highlighted. Advice is offered regarding the construction of a response document, outlining how editor and reviewer comments have been addressed in the revised manuscript and an example comprising both editor and reviewer comments and author responses provided.

The importance of this document in providing a clear audit trail of associated amendments to the manuscript and their justifications in response to the editor’s and reviewers’ comments is emphasised.
Céline Rojon and Mark NK Saunders

Please click here to READ the full PDF article

Culture

Hole Up And Create Is Best Advice For Aspiring Writers

June 5, 2014 The Silo 1 Comment

"Do it for the love of it. Ignore the scary things you read about book publishing industry. In fact, don’t read news at all. They will only distract you from writing. Hole up and create." Ksenia Anske — “Do it for the love of it. Ignore the scary things you read about book
publishing industry. In fact, don’t read news at all. They will only distract you
from writing. Hole up and create.” Ksenia Anske

For aspiring writers- I thought very hard about what to write, and decided to settle on a little advice for aspiring writers. Because if you’re one of those hopefuls, you might get scared too easily and give up. The world of book publishing is changing. It looks frightening. The big publishers are fighting for survival, buying off little companies, merging, you name it. Why? Because big companies like Amazon made it possible for anyone to publish a book.

And the world of indie books is growing. I can imagine any starting writer look at this, get the scare of her life and run and hide, and give up on her dream. Because how can you possibly make it? Moreover, how can you possibly make a living? It’s harder than ever to get through to agents. It’s very intimidating to try to self-publish, with all these scary things to be done: finding an editor, a book cover designer, a text formatter, figuring out how the online uploading tools work, promoting your book once it’s published. If you have any kind of embonpoint in any part of your body, metaphorically speaking, it’s enough to lose it, and your brains too. Just by reading this you’re probably already getting scared. There is no way you will make it, is there? There is.

Let’s for a second imagine that none of this exists. Let’s think that writing a book is something you always wanted to do. Not to make a lot of money. Not to become rich and famous. Not to flaunt it into your former classmates faces at your high school reunion. None of it. Let’s imagine you simply always wanted to write a book because you have a story to tell. It’s bursting out of you. You can’t help it. Like a chronic tosspot with this irresistible draw toward alcohol, you simply can’t hold yourself back. May I say something to you? I might not have enough credibility, or clout, or whatever you want to call it. I have only started writing full time 2 years ago and have self-published only 4 novels so far, but I’ve

Ksenia Anske- "writer in bloom" CP — Ksenia Anske

been never happier in my life. In fact, I can’t remember the last time I saw a doctor. I started writing for therapy, and never in the million years did I think anyone would be interested in reading my writing. But people do! People read my books! Can you imagine? I still can’t. I still pinch myself. It’s a miracle. There is a lesson I learned from it, and I keep shouting it at every corner. I want to shout it here, to you, so that you will hear me. It’s very simple. You can do the same.

Don’t be intimidated by the amount of books already published (I know I am, still). Don’t worry about making a living (I know I am, still). Don’t even think about wether or not anyone will read your books (I think about it, too). That doesn’t really matter. What matters is, while you write your book, you get a high which no other drug can give you. You are so happy. When you hold your finished book in your hands, the only other experience that can be compared to it is maybe that of holding your child in your hands for the first time. It is your child. It’s your story. You did it. Funny enough, if you write it for yourself, you’re more likely to find readers. If you forget about the business of book writing and think about the art of book writing, you will produce something extraordinary.

The Writers Retreat inspired by the garden retreats of two literary greats – Virginia Woolf and George Bernard Shaw – whose properties are under the care of the Trust. - See more at: http://www.scottsofthrapstonblog.co.uk/2012/06/a-magical-connection/#sthash.xvVzvEtp.dpuf — The Writers Retreat inspired by the garden retreats of two literary greats – Virginia Woolf and George Bernard Shaw – whose properties are under the care of the Trust. – See more at: http://www.scottsofthrapstonblog.co.uk/2012/06/a-magical-connection/#sthash.xvVzvEtp.dpuf

Know what it is? You will make yourself a little happier, and with that you will make people around you a little happier, and with that you will make the world around you a little happier. Now, imagine what happens when you write your second book, and your third, and your fourth. Do it for the love of it. Ignore the scary things you read about book publishing industry. In fact, don’t read news at all. They will only distract you from writing. Hole up and create. Pour your everything into it, do it so well, that people will want to see what the deal is about. It’s what happened to me, still happening. It’s what will happen to you. So go ahead, write that book. You know you want to. You know you can. I know you can. The rest will happen on its own. For the Silo, Ksenia Anske.

Reviews

Window Fishing Or The Night We Caught Beatlemania

January 14, 2014 The Silo Leave a comment

A Silo Canuck Book Review

I’ve never particularly been a Beatle’s fan. I like some of their songs. I like a number of them very much, but if I was asked the now proverbial question, “The Beatles or The Rolling Stones?” I would probably say, Oh, I don’t know, maybe The Who? The body of work of Mark Knopfler. Massive Attack were massive for me.

But I was not a child of the sixties, “an age of assassins,” John B. Lee writes in his poignant and powerfully executed preface, when “[o]ur childhood martyred almost all the heroes that we’d had.” John F. Kennedy. Robert F. Kennedy. Martin Luther King (Malcolm X, not mentioned but later, yes). “The list is overlong,” Lee says. “It will not end.” I understand more fully than ever these life-shattering moments, for Americans and Canadians alike; for so many Across the Universe . Into this near death of hope came The Beatles. The Beatles came to America, came on a Sunday night in January 1964 to The Ed Sullivan show and, and as Lee exclaims with no exclamation mark, “sang my life awake.”

It’s not a perfect looking book. Yet as I read, the grainy cover photo (by an unknown photographer) of four dapper mop-tops fishing out the window of their Seattle hotel—they literally weren’t allowed to leave—starts to resonate. It’s imperfection could be viewed as integral, evoking a time in music when moments of “perfect imperfection,” as Michael Shatte calls them in his essay, were more common in pop; “happy accidents” which would not be tolerated in this era of hyper-produced top-forty songs, when singers voices are routinely, digitally “auto-tuned” in the studio, and we get used to being disappointed when we hear them live. Then there’s lip-synching. I don’t need to go on. There is great music being made by great musicians right now. But that’s not what we’re here to talk about. This is about a particular moment in pop-music history, in cultural history, and many of the moments that followed.

The book is selected and edited by John B. Lee, a Canadian poet and writer who has published more than fifty books and received over 70 prestigious awards for his work. If you haven’t heard of him don’t feel too bad. He tells me openly there is little money in poetry, reminding me it’s not about that anyway. If it was it probably wouldn’t be poetry.

If you haven’t read him it might be time to start: his verse and prose catch the beauty of rural life, farm life, family life, hockey, human sexuality—life. Just Google him. He’s from home, you know. Right around here, right around me, the Poet Laureate of Brantford, Ontario and Norfolk County, home as well to Alexander Graham Bell and Wayne Gretzky, a poet of sport. Like McEnroe was one of the poets of my youth, making tennis beautiful, thrilling, creative; revolutionary. How I tried to emulate him…

Window Fishing is about a time of Revolution, evolutions in culture, and about growing up in the thick of it all. I wasn’t here yet, but as I read this book I learn. It is a literary volume. The cover photo and torn ticket stub on the back page are its only images. Or are they? Because black words on white paper are also images. And the book’s words, artistically rendered, conjure images as well as ideas. It is poetry, and prose poetry, and personal essays; fine writing by a collection of fine writers.

I learn that for most of the men, who were boys then, pubescent, the Beatles were all about music: musical discovery, even ecstasy. And style too. There was style.

For the women who write about the phenomenon of Beatlemania, there was music too. Absolutely. But there was something else. Something profound: the awakening of sexuality. Even a kind of love. Suddenly I understand all the screaming and crying, the fainting. For emerging, young (straight) women, the Beatles were more than musical. They were also beautiful. Sexy. As Susan Whelehan puts it in her essay: “John. He was mine and I was his…I was going to be his FOREVER. And I am.”

While many parents of the day may have dismissed The Fab Four at first as a silly “boy-band,” we might say now, shaking their longish (for the time), round hair-cuts—singing “Ooooo!” and “Yeah Yeah Yeah!”—fact is from the beginning The Beatles were always at the very least competent, and obviously compelling, musicians. Writes Honey Novick in her probing, poetic essay: “You could actually dance to their music.” And we know they became more and more sophisticated as they progressed through their careers, eventually making challenging, often satisfying real art-music, the way Radiohead did for me in my 20’s.

All this beautiful literature about The Beatles and the 1960’s has inspired me to listen, finally, seriously, to the music. Even if you thought, at the time, “Yeah Yeah Yeah” was just bubblegum for kids, consider the lyrics. One friend to another: “You think you lost your love/Well I saw her yesterday. She says it’s you she’s thinkin’ of/And she told me what to say: She says she loves you.” She loves you man. Yeah! (Yeah! Yeah!). What more is there to celebrate? Ecstatically.

If you were there, or if you want to learn, or if you care about music or culture or the 1960’s or just literature, embrace the “perfect imperfection” of this unique and potent book. Some of the poems made me close my eyes and shut the pages. To savour, digest. Bruce Meyer made me cry. I was 8 years old when Lennon was shot. Assassinated. It made no impact on me then. I wasn’t really there yet. The book put me there, as close as I can ever come. For the Silo, Alan Gibson.

Reviews

Canuck Book Review: The Sister’s Brothers

November 14, 2011 The Silo 1 Comment

Patrick DeWitt’s The Sisters Brothers is everything a good western should be. Set during the Gold Rush of the 1850s and littered with gun fights, loose women, saloons and robbery, this novel would easily appeal to any western enthusiast or history buff. However, just buried beneath this classic western narrative, is a story about the power of relationships, family, redemption and self-awareness.
They story is narrated by one of the Sisters brothers, Eli Sister. From the very beginning the reader can tell Eli is more brains than brawn—the introverted, overweight polar opposite of his brother, the notorious and lethal hit man, Charlie. As a duo, they are given the job to kill a man named Hermann Kermit Warm. Their orders are given to them by a man who is only known as Commodore and who only meets with Charlie. Everything the reader knows about the job is second-hand information given by Eli. The lack of information engulfs their mission in a cloak of secrecy and mystery. The reader, along with Eli, is not quite sure why there is a hit on this man, only that there is and the brothers are the ones to execute it. From this point on the brothers travel from Oregon City to San Francisco meeting a variety of noteworthy characters from all backgrounds along the way.

Patrick Dewitt (L) and author Peter Benchley (R) more than a passing resemblance?

The most engaging aspect of this novel is DeWitt’s ability to engage the reader through fast dialogue and deep inner thoughts. Eli serves as a vehicle for the reader to see and understand what is going on in the novel. Although Eli lives a disgusting life full of violence, lust and indignity, his words and thoughts produce a character that is truly human and surprisingly relatable. Eli suffers with feelings of inadequacy when it comes to his relationship with his brother and the line of work they pursue. This inadequacy is subtly mirrored by his relationship with his horse, named Tub, who seems like more of a burden to Eli and the mission than anything else.
Perhaps the most striking theme in this novel is the theme of relationship and family. Eli forms and fosters many relationships throughout the novel—most notably his relationship with Charlie, his brother. Eli’s venerability is exposed through this relationship. At one point, when asked about his relationship with his brother, Eli states, “Our blood is the same, we just use it differently.” A very thought provoking statement gets to the very heart of human nature and relationships. Throughout the novel, Eli’s relationship with Charlie is tested through action and dialogue. As the novel comes to a close, relationships change due to circumstance and the roles they both play in each other’s lives will not be reversed, but destroyed in an unlikely way.
A book wholly deserving of its Scotia Bank Giller Prize Short List nod, Patrick DeWitt’s The Brothers Sisters is a surprising hard edged exploration of what makes us all human at our very core. Book review by Silo contributor Sarah Purdy. Read more from Sarah by searching her name from our homepage. Silo Direct Link to Patrick DeWitt Website CP

Art

The Bishop’s Man By Canadian Author Linden MacIntyre

September 12, 2011 The Silo 2 Comments

The Bishop’s Man by Canadian author Linden MacIntyre offers a deep and compelling story of one man’s struggle for atonement. The book revolves around a very controversial and current topic, the sexual abuse of children by Catholic Priests. However, this fictional work is much more than a critique on a current situation; it is a journey and dialogue on themes of loneliness, isolation, redemption and spirituality. This novel follows the characters from MacIntyre’s earlier work, The Long Stretch.

MacIntyre begins his story in the present day, sometime in the 1990s, in southern Cape Breton Island. From the beginning, the reader is taken on a journey through the eyes of Father Duncan MacAskill, a priest known as the Exorcist. Father MacAskill, who grew up in this area, is sent for a break from his regular duties, troubleshooting and cleaning up messes made by priests that threaten to embarrass the Catholic Church. Father MacAskill sees this trip home as less of a homecoming and more of a time of spiritual discovery through current events and reflection. MacIntyre weaves present day with the past as he unwinds Father MacAskil’s complicated and somewhat remorseful past.

Father MacAskill is very good at what he does—making troublesome priests disappear by sending them to far off parishes or rehabilitation in Ontario. Upon his return to Creiginish on southern Cape Breton Island, he befriends a young, 19-year-old Danny MacKay from whose father he purchases a boat. Danny’s character is troubled and before Father MacAskill can really reach him and understand the root of his trouble, he commits suicide. This is especially difficult to take in for Father MacAskill when rumours start to swirl that a relationship with a troublesome priest, Brendan Bell, who was sent away from Newfoundland to Craiginish by MacAskill, may have lead to the ruin of Danny MacKay. Upon this revelation, MacIntyre’s story starts to divulge into the past as Father MacAskill tries to sort through his current situation and his spirituality.

The absorbing narrative takes the reader through his missionary work in Honduras in the 1970s, where he has sent to forget what he saw as a young priest between a well respected priest and a young person. The Honduras narrative is threaded between the present day and other reflections. MacIntyre does this seamlessly throughout the novel. Father MacAskill’s stint as dean at St. Francis Xavier is also explored. It is while he is dean at the university he becomes the Bishop’s right hand man and is set out to extinguish potential fires in various churches across Canada. Through all the weaving and reflection, Father MacAskill sorts through his own demons, his past and his family’s problematic and mysterious history.
Although this fictional work discusses a very current and disturbing subject, the sexual abuse of children is never directly addressed or explained in the eyes of Father MacAskill. It serves as a constant undertone to the actions and thoughts of the main character. Linden MacIntyre’s narrative, through the eyes of a troubled priest, provides the reader with a rare insight into the inner workings of the priest hood and the powerful Catholic Church and its place in Canadian culture. For the Silo, Sarah Purdy.

Look with great honesty at your inner life

Andreja Kuluncic says, “Everybody can be an artist.”

The importance of this document in providing a clear audit trail of associated amendments to the manuscript and their justifications in response to the editor’s and reviewers’ comments is emphasised. Céline Rojon and Mark NK Saunders

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The importance of this document in providing a clear audit trail of associated amendments to the manuscript and their justifications in response to the editor’s and reviewers’ comments is emphasised.
Céline Rojon and Mark NK Saunders