Tag Archives: installation

Museum Celebrates Banksy- An Artist Who Hates Museums

(NEW YORK) – The presence of The Banksy Museum in New York City has been confirmed. SoHo is now the home to the world’s largest collection of Banksy’s life-sized murals and artwork. Located at 227 Canal Street (at Broadway), NYC The Banksy Museum is now open, in preview, to the public. The official press opening is Wednesday, May 15. Tickets are now available online at MuseumBanksy.com and on site at the museum. Advance reservations are strongly encouraged.
Displaying over 160 works by the world’s most famous-yet-anonymous street artist, The Banksy Museum recreates the revolutionary and often ephemeral art that Banksy has painted on surfaces in London, Bristol, Paris, Venice, Bethlehem, New York, Los Angeles, and beyond. Visitors to the museum will immerse themselves in an environmental experience, giving viewers access to Banksy creations, much of which has long since been whitewashed or dismantled. Beyond the iconic street art, the exhibition also features some of the artist’s studio work, as well as animated visual and video elements.
The New York Banksy Museum experience, an American premiere, follows successful exhibitions in ParisBarcelona, Kraków and Brussels. The new exhibition, a New York premiere, is expanded to over 160 recreations, making it the largest display of Banksy work ever seen in a single setting.
Is it even possible to create a museum that celebrates the work of an artist who once said “the only thing worth looking at in most museums of art is all the schoolgirls on day trips with the art departments”?  Banksy Museum founder Hazis Vardar initially had his doubts. “Street art belongs in the raw setting of the streets,” said Vardar. “But if people can’t see it, is it even art? Little of Banksy’s works are visible to the public at large. Most have been stolen for resale, inadvertently destroyed, or erased by overzealous city cleaning teams. Most of this transient art could only be viewed on tiny smartphone screens, which is no way to experience the scale or emotion of Banksy’s work. So we knew that we needed to create an exhibition that would bring Banksy’s art back before the public.”
Creators of The Banksy Museum faced the challenge of mounting an exhibition that was as unconventional and transgressive as the art within. “If we only trapped Banksy’s work in guilt frames on a wall, this would antithesize all that Banksy’s art represents,” says Vardar. “So we set out recreate the artworks in a life-size, re-imagined space that reflects the street experience. We employed a team of anonymous street artists, like Banksy, to recreate the work. The outcome was, truly, a magnificent reflection of Banksy’s energy, defiance, and raw talent.”  
Banksy is undoubtedly, the world’s most celebrated and elusive guerrilla street artist. Armed with little more than spray paint and stencils, the man behind the pseudonym Banksy has fostered an alluring identity that doesn’t embrace tradition, but shreds it. There’s still much we don’t know about the mysterious artist since he first made his mark in the ’90s, but what we do know is that Banksy’s striking, satirical work always delves into political and socio-critical discourse. Banksy’s artwork is characterized by striking images, often combined with slogans.  His work often engages political themes, satirically critiquing war, capitalism, hypocrisy, and greed. Common subjects include rats, apes, policemen, members of the royal family, and children. In addition to his two-dimensional work, Banksy is known for his installation artwork. A hero to some, a vandal to others, Banksy’s artwork has been known to sell for record-breaking sums, with landowners rushing to profit from – or whitewash – buildings chosen as his latest canvas.  Banksy maintains an oxymoronic relationship with the art world, demonstrating hostility to capitalism while being one of the most sought-after and collected contemporary artists. Celebrities who’ve collected Banksy art include Brad Pitt, Angelina Jolie, Christina Aguilera, and Lance Armstrong to name a few. 
Banksy was nominated for an Academy Award for his 2010 documentary feature Exit Through the Gift Shop, an examination of the relationship between commercial and street art. 
In Wall and Piece, one of his four books containing photographs of his work complemented with his own thoughts, Banksy says “copyright is for losers” and encourages non-commercial use of his work for activism and the public’s personal enjoyment.
Banksy’s art has been further amplified by worldwide media coverage of his rebellious pranks. Between 2003 – 2005, Banksy made headlines by covertly placing his artwork beside masterpieces at The Tate and The British Museums in London; The Louvre in París; and The Museum of Modern Art (MoMA), The Metropolitan Museum of Art, The Brooklyn Museum and The American Museum of Natural History in New York. In 2018, Banksy shook the art establishment when he orchestrated the self-destruction of his canvas, “Girl with Balloon,“ having it drop through a shredder built into the bottom of its gilt frame just moments after it sold for $1.4 million usd / $1.92 million cad at Sotheby’s. The first artwork in history to have been created live during an auction, the work was renamed “Love Is In The Bin” and resold for $25.4 million usd/ $34.9 million cad just three years later.
The art world has coined the phrase “the Banksy effect” to illustrate the increased interest in other street artists, largely due to Banksy’s overwhelming international success.

Where / When: The Banksy Museum, 277 Canal Street, NYC 10013 (at Broadway) is open daily, 10AM – 8PM.
How to get there by subway: N, R, Q, W, A, C, E and 6 trains to Canal Street.
Family friendly: All ages are welcome to The Banksy Museum. This is an experience that all family members can enjoy.
About the venue: The Banksy Museum is an indoor, air-conditioned venue. The museum is located on the 2nd & 3rd floors.
Accessibility: Located on the second floor, the venue is accessible, with an elevator. Guests requiring assistance throughout this experience are entitled to apply for one free pass for their personal assistant/support worker.
How long does the experience last?: Visitors are welcome to enjoy the exhibition at their own pace. The exhibition, on average, takes an hour to experience.Parking: There is no parking at this venue, but parking is available in the neighborhood.

For the Silo, Brett Oberman.

A New Poetic Role Of Technology In Our Homes

Digital Domestic Dialogues 

Digital Domestic Dialogues” stages a near future in which technology has acquired an emotional and sensitive intelligence: it is capable of exciting itself and others through everyday gestures as an analog and primordial archive of human communication, culture and social dynamics. 

Robots and users interact with a range of seemingly familiar objects through simple and natural gestures, triggering scenarios of everyday wonder. The collection, born out of a design exploration within the Habits Design Studio team, is a reflection on the poetic role of technology in the digital evolution of the domestic scenario.  Technical Partners: Laminam, Giovanardi 

COSMO 

“Cosmo” is a lamp born from the desire to infuse new life into the act of lighting; the idea is to return to the primordial concept of fire, which through propagating from one body to another expands the quantity and at the same time transfers the luminous qualities of the flame. 

“Cosmo” is able to learn the characteristics of the light source placed below it, detecting its intensity, color, movement, returning the effect to the environment and creating dynamic light scenarios.  

The user is called upon to create the desired atmosphere himself by experimenting with direct sources, such as a candle flame or telephone flashlight; or by showing the lamp a video of a sunset, or another special moment he can evoke a light scenario. Turning it on thus becomes once again an exciting moment of awe and wonder. 

The design of the lamp draws inspiration from scientific representations of black holes, the only phenomenon found in nature able to absorb light radiation. The captured light, is then returned to the environment dynamically and three-dimensionally by the spherical diffuser, allowing the creation of a 360° light scene, similar to HDRI images used in digital rendering software. 

“Cosmo” redefines the boundaries of properties normally attributed to lighting fixtures with its ability to learn, imitate and stage emotions through light. Project by Selma Antonellini, Habits Design 

RITO 

The coat rack, a familiar but often overlooked object, is the subject of this project, which offers a contemporary reinterpretation of it with the product “Rito”; no longer just a support point, but an active companion that enriches the daily routine and transforms the experience of entering the home. 

Thanks to artificial intelligence, “Rito” reacts to the presence of inhabitants, and recognizes when clothes and objects are hung or removed, interpreting the situation and animating the entrance area with dynamic projections on the wall. 

The name “Rito” stems from a reflection on the fact that moments of entry and return home, though fleeting and temporary, are precious fragments of our lives, each with its own unique meaning and value. While some may be more ordinary and repetitive, such as returning after a day’s work or a morning walk with the dog, others can be more special and emotional, like returning after a long journey. 

Regardless of the nature of the return, “Rito” aims to transform every entry and departure from home into a moment of warmth and hospitality. Its projections bring the wall to life, animating it with contextual content.  

Before leaving the dwelling, “Rito” transforms the wall into a dynamic and inspiring space, offering motivational content, helpful tips, and personalized reminders. Upon return, it welcomes with tailor-made evocative scenarios, reigniting the surrounding environment and making the return even more pleasant and familiar.  Project by Ilaria Tarozzi and Ilaria Vitali, Habits Design 

VISIONARIA 

VISIONARIA is a digital device that combines literary tradition with artificial intelligence, offering an innovative reading experience. Digital integration enhances the potential of printed material and opens up new imaginative horizons, transforming reading into a visual and artistic experience. 

By swiping across the lines of a page in a book, similarly to how we would underline a beloved or noteworthy phrase, VISIONARIA recognizes the text. The selected phrase is then instantly input as a prompt into a dedicated AI generator, aiming to create an image of the book scene that can be viewed in real-time. 

This mode of consumption, aided by the product’s pencil-like shape, introduces a new dimension to the reading experience, encouraging increased engagement that can be intimate and profound or shared on larger devices such as smartphones, TVs, and more, ensuring flexibility depending on the context – be it at home for relaxation and entertainment, in education, enhancing the consumption of educational content, or in public settings, stimulating imagination in artistic installations. 

With VISIONARIA, literature evolves and broadens the spectrum of an age-old activity through an extremely accessible mode, towards unexplored scenarios in the world of culture and entertainment. Project by Alberto Milano, Michele Poggi, Marco Rissetto, Habits Design 

1g1lm 

1g1lm represents the unusual marriage of two seemingly incompatible units of measurement: “g” for weight in grams and “lm” for luminous flux in lumens. This lamp was born from a simple but fascinating question, “What would be the effect if light had a tangible weight?” 

To visualize the weight, the lamp uses an elastic fabric on top. By placing an object on top of it, the fabric deforms, generating a unique and unrepeatable aesthetic because it is shaped directly by the weight, not predetermined by the designer. In addition, as the deformation increases, so does the intensity of light. Due to the light diffusion of the fabric, the light seems to take shape and weight. In the act of placing and taking objects, an impossible interaction with the very essence of light is realized, made solid and tangible for a moment. 

1g1lm writes a new equation between light and matter, giving birth to a new ritual rich in poetry and at the same time exploring new alternative scenarios: proposing, in contrast to the digitization of the real, to make, through technology, concrete experiences that were once ephemeral and intangible

Habits Design 

Habits is a multidisciplinary industrial design studio, founded in 2004 by Innocenzo Rifino and Diego Rossi in Milan. 
The work of the studio is focused on technological and interactive projects of international relevance, partnering with companies to design timeless products and experiences. 


The team is composed of industrial designers, electronic and mechanical engineers, model makers, interaction and visual designers, and interior designers with a global point of view.  Recognizing the unique Asian technological know-how, Habits started a branch in Bangkok in 2021.  With over 20 years of experience in a wide range of industries, today Habits mainly covers digital products, home appliances, automation, lighting, UX/UI, and phygital interfaces. 

The team awarded more than 180 international design prizes such as Red Dot, IF, Compasso d’Oro, Design Plus, Good Design, and German Design Award. 
“We study science and art. We design new habits. Prototyping our ideas, embedding electronics, we reduce the gap between physical and digital.” 

Laminam 

Pioneers since the beginning. 

Laminam was born in the early 2000s, following the invention of production technologies to create ultra- thin ceramic surfaces of large dimensions. A pioneering company, it was the first to revolutionize the ceramics market, giving new impetus to a mature sector, betting on the intuition of creating large architectural surfaces and launching innovative sizes and thicknesses on the market. Over the years, the company has developed a production process characterized by innovative methods and highly automated technologies typical of Industry 4.0 such as digital decoration systems, dry cutting systems and internal logistics managed by automatic laser-guided vehicles. These are methods and technologies that increase energy efficiency while reducing environmental impact. 

Today Laminam produces and offers a range of eclectic and versatile large ceramic surfaces used in many applications – from traditional and advanced architecture to furniture and design – distributed in over 100 countries worldwide. Over the years, the series have been enriched with new textures and finishes to enhance the creativity of designers, architects and anyone who wants to give a new connotation to their spaces. 

Giovanardi 

Giovanardi designs, industrializes and manufactures supports for in-store communication (displays, merchandising, shop windows, shop in shop, technical packaging) and for art.  

Giovanardi’s history began in 1919 as a manufacturer of plaques and dials: today Giovanardi SpA is an advanced, certified company, structured to process projects of increasing complexity, according to up-to-date technologies, with a network of accredited partners and an attentive, flexible, punctual client-service.  For 100 years it has been shaping ideas.  For the Silo, Elena Assante.

Biometric Sensory Art Experiences Inspired By Four Cities

PURPLE are now working on a multi-city arts project in China and Hong Kong with The House Collective, a collection of uniquely intimate luxury hotels that includes Upper House in Hong Kong that was just listed as part of World’s 50 Best.

‘Encounters Across Cultures’ will be an immersive journey that travels across four dynamic cities: Hong Kong, Shanghai, Chengdu, and Beijing with The House Collective taking a stance on the importance of creativity within Chinese tourism.

The projects will feature singer-songwriter Vicky Fung, music producer TJoe, erhuist Chu Wan Pin, and the visionary new media artist, Keith Lam. Together, their work will harness the power of biometric data to craft mesmerizing musical compositions and awe-inspiring data sculptures that capture the very soul of each city. Below is a quick snapshot of the key elements of ‘Encounters Across Cultures’:

·        Vicky Fung and Keith Lam have created a series of multi-sensory data sculptures that follow four traveling artists – TJoe, Chu Wan Pin, and themselves – as they tour each city.

Data sculpture rendering

·        Creating a tangible journey for audiences, ‘Encounters Across Cultures’ will weave together these stories to create four musical pieces and data sculptures, designed with soundscape recordings of the musicians’ movements and biometric data, such as pulse and skin resistance.

Graphic Notation Keith’s Biometric data

·        The process includes Lam’s representation of this biometric data into emotive graphics, which Fung reshapes into musical tracks; the biometric data is then transformed into data sculptures that embody each traveller’s visceral sense of the city.

·        The House Collective’s four Houses will host the installations, capturing these private journeys into one shared experience for visitors.

This journey begins in October and continues until January, with specific dates for each location as follows:

• The Upper House in Hong Kong: October 9th to October 23rd

• The Middle House in Shanghai: October 30th to November 13th

• The Temple House in Chengdu: November 20th to December 6th

• The Opposite House in Beijing: December 14th to January 15th, 2024

THE HOUSE COLLECTIVE UNVEILS ‘BIOMETRIC’ SENSORY ART EXPERIENCES INSPIRED BY FOUR CITIES FOR THIS YEAR’S ‘ENCOUNTERS ACROSS CULTURES’

Artists and travelers collaborate to capture the heartbeat of four cities, inviting viewers to experience their emotive journeys across each city soundscapes through art, music, and technological forms.

The multi-sensory installations combine numerous art mediums to question whether technology is always a force disconnecting us from one another, or if it can reveal our innermost emotions.

October , 2023 – The House Collective, a collection of intimate luxury hotels, announces the third iteration of its biennial program ‘Encounters Across Cultures’ , which celebrates the immeasurable creativity fostered through multicultural and multidisciplinary collaboration. This year’s program explores the intersection of technology and the creative arts through four multi-sensory data sculptures and music tracks, inspired by biometric data captured during journeys across four cities — ‘Encounters Across Cultures’ will open at The Upper House in Hong Kong, travelling to The Middle House in Shanghai, The Temple House in Chengdu, and The Opposite House in Beijing.

“Art and culture are part of The House Collective’s core DNA and values. Since the launch of Encounters Across Cultures in 2019, we’ve worked with global artists to stimulate creativity and showcase the power of collaboration across borders. This program is not only an extension of The House Collective’s values, but we also hope to invite our guests to explore the beauty of cross-cultural connections, and to be immersed in this unique and sensory art experience together.” – Teresa Muk, Head of Brand and Strategic Marketing at Swire Hotels.

In their first ever collaboration, Hong Kong-based artist and music producer Vicky Fung and media artist Keith Lam have created a series of multi-sensory data sculptures that follow four travelers – guitarist TJoe, erhuist Chu Wan Pin, and themselves – as they tour the four cities. Creating a tangible journey for audiences, ‘Encounters Across Cultures’ weaves together all of these stories to create four musical pieces and data sculptures, designed with soundscape recordings of the musicians’ movements and biometric data, such as pulse and skin resistance. The process includes Lam’s representation of this biometric data into emotive graphics, which Fung reshapes into musical tracks; the biometric data is then transformed into data sculptures that embody each traveler’s visceral sense of the city. The four Houses will host the installations, capturing these private journeys into one shared experience for visitors. 

“I do not see the biometric data that we have collected as cold and lifeless data points – instead, each biometric moment is a representation of the traveler’s thoughts and feelings through their movements, and their changing reactions as they enter new environments. We wanted to share our heartbeats, our senses of touch and sight, with everyone through this immersive installation so that they could really feel exactly as we did in each city.” – Keith Lam, Program Artist.

“While we may come from very different backgrounds and live in different places, when I studied the biometric data, I instead found that we were all experiencing many of the same feelings and emotional journeys. The installation brought us closer together, as I felt totally connected to the person on the other side.” – Vicky Fung, Program Artist.

“Earlier this year, we celebrated the brand’s expansion in Tokyo through a cross-disciplinary dance performance that tells the story of honored tradition, modernity, harmony and new possibilities. For this year’s Encounters Across Cultures, The House Collective continues to tell cross-disciplinary stories, pushing the boundaries of innovation and delving into the dynamic realm of Art Meets Tech. Through these programs, we aim to share unforgettable experiences with our guests and expose them to locally curated artistic flavors, where we offer the comfort of being Houses not Hotels.” – Dean Winter, Managing Director of Swire Hotels

Viewers are invited to take a seat on the multi-sensory data sculptures, where they can be immersed in the music created from the biometric data. The result allows viewers to interact with their sense of touch, sight, and sound as they explore the installation.

Spread across the four Houses, ‘Encounters Across Cultures’ will run at The House Collective throughout October, until the beginning of next year. For more details, please visit the website at https://www.thehousecollective.com/en/art-and-culture/encounters-across-cultures-2023/.

The Upper House Hong Kong

The Middle House Shanghai

The Temple House Chengdu

The Opposite House Beijing

Keith Lam Programme Artist

Vicky Fung Programme Artist

About The House Collective

The House Collective by Swire Hotels is a group of refined, highly individual properties that defy comparison. Each uniquely imagined, The Opposite House in Beijing, The Upper House in Hong Kong, The Temple House in Chengdu and The Middle House in Shanghai were designed for seasoned travelers who seek a different, intimate and personalised experience in luxury travel. Each House is a sophisticated, singular piece of design, created by talented architects and designers, that reflect the unique qualities of their surroundings.

Program Creators

Keith Lam – Media Artist

Media Artist and Co-founder and Artistic Director of Art & Technology studio Dimension Plus. His works have won awards at international art festivals, including Prix Ars Electronica and Japan Media Arts Festival. His works have been shown around the world at top museums and art festivals including Hong Kong Museum of Arts, The National Art Centre at Tokyo, OK Center for Contemporary Art, Ars Electronica Festival, The New Technological Art Award Biennial at Belgium, FILE, ISEA, National Taiwan Museum of Fine Arts, National Taichung Performing Arts Center and Hong Kong Art Festival.  

Vicky Fung – Artist and Music Producer

Artist, music producer, singer-songwriter and curator, Vicky has always presented uniqueness and novelty in her works with a strong sense of emotional synchronicity. A Clore Fellow of 2023, she has worked with many prominent music artists in Hong Kong with an impressive list of music awards from media and professional associations and seeks to develop her interest in socially engaged art projects. In recent years, she has ventured into multi-media creation, including “Utopia…Momentarily” (2016) in the New Vision Media Festival, interactive virtual reality experience “Silili and The Tree” (2021) and immersive art and music performance “Soul Walk” (2022). 

Joel Kwong – Media Art Curator

Joel Kwong is a media art curator, writer, producer and educator based in Hong Kong. She is currently the Program Director for Microwave International New Media Arts Festival, and the founder of SIBYLS – a creative Arts x Tech consultation and production agency. Most recent produced and curated projects include Reimagines Heritage (online portal) (2023), Out of Thin Air – HK Film Arts & Costumes Exhibition at Hong Kong Heritage Museum (2023). Juried around Asia include VH Award (South Korea) (2022), and Siggraph Asia 2020 (South Korea) etc. She has given lectures in many Hong Kong tertiary institutions and universities and has also given talks at international art festivals including Ars Electronica in Linz, Transmediale in Berlin, and ACT Festival in Gwangju, South Korea. 

Tjoe Man Cheung – Guitarist

Tjoe Man Cheung, London-based musician and producer working across with artists across UK and Europe, including Brown Penny and PYJÆN, and in different festivals across the world. Alongside, Tjoe also initiated his own solo music projects and has founded NTBM (a jazz collective formed by emerging musicians from around the world) and his solo music projects. A graduate from the Musicians Institute, Tjoe was inspired and nurtured under the tutorship of Scott Henderson, Allen Hinds, Brad Rabuchin and Daniel Gilbert, with influences of jazz, funk, blues and pop. 

Wan Pin Chu – Erhuist

Wan Pin CHU is an international award-winning Erhuist and film composer based in Hong Kong. Wan is recognized as a versatile performer with rich emotions and limitless virtuosity in his music. In the UK, he is the first Chinese instrumentalist to perform in The Duke’s Hall in Royal Academy of Music and have performed in over hundreds of concerts all over the world including UK, US, France, Netherlands, Switzerland, Japan, Malaysia, Philippines, Hong Kong, Mainland China, and won an impressive list of national and international music competitions. Chu is is also a dedicated composer and have participated in the scoring of many films, televisions, games and commercials. 

15th Anniversary of Audiocosm

Selina Berlin Mitte Launches, Offering ‘Nook for Art and Music Lovers’ in the Heart of Berlin

Berlin’s vibrant art scene just got a little more exciting with the opening of Selina Berlin Mitte, the latest property from skyrocketing hospitality company, Selina. Dubbed an ‘art-forward’ hotel, Selina Berlin Mitte boasts a guest concept that revolves around art and music, offering visitors a memorable cultural experience to feel like a local.

Located in the heart of Berlin’s Mitte district, Selina Berlin Mitte offers guests an eclectic mix of accommodations, including standard, suite, shared, and hybrid options.

I was offered one of the suites, and I literally felt like I had relocated to my very own apartment in Berlin, stocked with a kitchen, fridge, modern shower and bathroom, couch, vintage record player and expansive views of the city. Perfectly situated for exploring the city, the hotel is steps away from some of Berlin’s best design stores and boutiques, galleries, restaurants, shops, and bars.

If you are looking to socialize, Selina Berlin Mitte features a rooftop co-working and bar area, plus a restaurant with contemporary Israeli and Mediterranean cuisine called HOWM, a grab-and-go dining option available 24 hours, and even a communal kitchen.

If you grab a drink at the hotel rooftop, you will be surrounded by lounge seating, fun board games, and a 360-view of the city, including Berlin’s iconic TV Tower. Selina goers can meet up for a “welcome drink,” rooftop yoga classes and meditation sessions. If you are searching for activities on the property, you can choose from workshops, live music, DJ sets, art exhibits, and lectures.

Sprawled along the hotel walls are carefully curated artworks by Berliners and international artists, with installations highlighting mixed media– reclaimed wood, mirrors, and vintage art objects. Using earthy and hip furniture, Selina has an industrial feel that opens your eyes to innovation and connection. Common areas are filled with murals, while in-room art combines classical Berlin prints and artworks. Large-scale artistic works are woven throughout the reception area, rooftop, corridors, and suite rooms.

On a mission to keep digital nomads connected, enabling them to travel and work without borders, Selina has plans to open 10-15 hotels in 2023, catering to millennials and Gen Z travelers.

On April 14-16, Selina Berlin Mitte celebrated its opening with the “Welcome to the Hau(E)” event, a 3-day experience showcasing curated local programming, food pop-ups, wellness activities, live music DJs, and a local artisan market.

Selina Berlin Mitte is the “IT” hotel, where art and music lovers unite into a cultural melting pot. Book a stay and indulge in the avant-garde, art-centric German capital, and all it has to offer. For the Silo, Kat Fleischmann.

For more information or to book a stay at Selina Berlin Mitte, visit www.selina.com.

The Greatest Places To See POST COVID Art In The City Of Toronto

If you were to ask a tour guide where to see art in Toronto once the city opens back up post-Covid, they would likely tell you to get tickets for the Art Gallery of Ontario. While the gallery is a wonderful place to see new exhibitions and long-standing collections, it’s not the only spot that the city has to offer. After walking through the halls of the AGO, you should check out these other cultural venues and events:

Graffiti Alley


Graffiti can turn outdoor spaces into sprawling art galleries. Take an afternoon to venture over to graffiti alley to see a series of increasingly bold and colorful murals adorning the backs of buildings. You can grab a hot coffee from one of the nearby cafes and then take a stroll through the unconventional art collection.

Nuit Blanche


Graffiti Alley turns a part of a neighborhood into a gallery. The festival Nuit Blanche transforms the entire city of Toronto into an interactive gallery for a single night. This year the celebration takes place on October 5th. You can see everything from beautiful zen gardens to riveting dance performances to participatory installations. The art projects span across neighborhoods from downtown to Don Mills.

The Drake


One of the cultural destinations that always participates in Nuit Blanche is The Drake. They are partners with the festival, along with the Canadian Art Foundation, the Museum of Contemporary Art (MOCA) and the IMAGES Festival.

All of the six Drake venues are the perfect spots to experience art, all while enjoying a tantalizing dinner or sipping a strong drink. Go to The Drake Hotel on Queen West to feast on appetizers like hand-cut steak tartare or charred octopus before exploring the location’s gorgeous art collections. You’ll find the collection One Way Out by the artist Greg Ito displayed in their lobby and café. Ito uses paintings, installations and sculptures to delve into the concept of escapism. So, you can finish off your specialty cocktails and get transported to a fantastical destination.

The Hotel has the multifaceted performance venue known as the Drake Underground. The cultural hub hosts musicians of all genres to get crowds screaming and dancing until the early hours of the morning. It also hosts poetry slams, where you can hear the city’s up-and-coming spoken word artists compete for the top performance of the night. You can see a full list of what’s going on at The Drake Hotel here.

If you’re looking for a low-key way to spend your afternoon, head to the Drake Mini Bar across the lobby from Drake One Fifty in the Financial District. The venue manages to pack a lot of art into a small space. It’s been a solo exhibition site for the visual artist Rajni Perera in the past and now features the conceptual work of Thomas Trum. The artwork is displayed on murals and tabletops, so you can drink in the thought-provoking images and mood-altering colors while sipping on a freshly-made mojito.

Incredible art exists outside of galleries. You can see it sprayed on the backs of buildings in a narrow alleyway. You can spot it in a sprawling festival. And you can find it the hottest hotels and eateries, where even your menu feels like it should be framed. For the Silo, Mila Urosevic.

Damien Hirst At World’s First Asset-Based Tokenised Contemporary Art Exhibition

LONDON, ENGLAND February, 2020: ‘XXI’, a landmark contemporary art exhibition, will launch at the new, state-of-the-art HOFA Gallery in London’s Mayfair on 20 February 2020.  It is set to be the world’s first ever asset-based tokenised contemporary art exhibition, using cutting-edge blockchain technology and cryptography to facilitate access to coveted blue-chip contemporary art.

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RETNA

The highly anticipated highlights of ‘XXI’ will be rare and unseen works by established contemporary artists such as Kaws, RETNA and Damian Hirst.  These include the Blame Game Portfolio, a set of 10 prints by Kaws which has been shrouded in mystery since its shadow début in 2016. With sprightly colours and a suggestive title, these prints have the intrigue of a jigsaw puzzle or a comic detective game. At once stimulating, playful and yet, somewhat ominous, Blame Game is expected to be a crowd favourite and stands as the most valuable artwork set for display at ‘XXI’.

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Damien Hirst

RETNA’s Los Ne El Barrio joins Kaws’ Blame Game on the list of rare features at the upcoming exhibition. This abstract lettered painting, finished with rare blue diamond dust and seemingly laden with hidden meanings, represents a unique style of contemporary abstract art that’s highly sought after by art connoisseurs. Also on the list of exclusive features, is the Heart Spin Painting by Damian Hirst. Hirst’s popular spin paintings achieved international renown when a large reproduction was used to cover the floor of the stadium for the closing ceremony of the London Olympic Games of 2012. Heart Spin Painting is a colourful piece whose piecing and energetic radial symmetry evokes the speaking gaze of a knowing eye.

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Kaws

All told, ‘XXI’ will feature a portfolio of carefully sourced artworks collectively worth more than $1M and individually projected to appreciate in value based on current market trends. Other participating artists include Banksy, Jeff Koons, Joseph Klibansky, George Condo, Zhuang Hong Yi and Ilhwa Kim. Indeed, the upcoming ‘XXI’ exhibition is anticipated to a hotspot for investments in high-yield contemporary art. 

Commenting on the upcoming exhibition, HOFA co-founder, Elio D’Anna, said “We are proud to unveil this project which has been over 12 months in the making. It’s going to be an extravaganza of contemporary art. We are bringing the crème of contemporary art together for a ground-breaking show which we know viewers will enjoy.”

HOFA’s new gallery is located at 11 Bruton Street in Mayfair, London. ‘XXI’ will run for 2 week from the 20 February to 5 March 2020.

Nature’s Power Is Unleashed: Bold New Season At Boca Raton Museum Of Art

The artist Maren Hassinger with children from Pearl City, the historic African American neighborhood where the majestic 100-year-old banyan tree, the “Tree of Knowledge,” still stands today. The children joined hundreds of community members to create together thousands of aerial branches from recycled newspapers for Hassinger’s new monumental installation.
Clifford Ross in the ocean surf, photographing hurricane waves.
The power of nature is unleashed with two timely, powerful exhibitions at the Boca Raton Museum of Art for the new season. Both of these original shows  Maren Hassinger: Tree of Knowledge and Clifford Ross: Waves ─ will kick off the museum’s 70th anniversary season (on view November 5th – March 1st). 

The museum is presenting both exhibitions together because the two shows sound a clarion call for environmental awareness. These shows also remind viewers that the beauty of nature can still inspire us, despite the over-saturation of society by hand-held devices and screens.
The two exhibitions are presented side-by-side in adjoining galleries.

The artist Maren Hassinger with children from Pearl City, the historic African American neighborhood where the majestic 100-year-old banyan tree, the “Tree of Knowledge,” still stands today. The children joined hundreds of community members to create together thousands of aerial branches from recycled newspapers for Hassinger’s new monumental installation.Clifford Ross in the ocean surf, photographing hurricane waves.The Clifford Ross exhibition features a new approach to his monumental depictions of ocean waves that the artist captures during extreme weather. The result is the most comprehensive survey of his process ever shown in a museum.

Ross dramatically presents the monstrous power of the seas in his new exhibition at a crucial moment in time for our planet: the United Nations recently issued a major new report warning that the dangerous effects of climate change on our oceans is much worse than previously thought.
The new findings warn about warming oceans and damaged ecosystems.

Sea levels are rising faster than previously predicted, glaciers and ice sheets melting more rapidly than expected, shrinking the fisheries that feed millions.  Watch the spectacular video of Clifford Ross in the ocean surf at vimeo.com/168830477 The new report warns that many cities around the world will experience annual flooding events by 2050 that previously occurred only once per century.

The world’s oceans have been warming since 1970 and have absorbed 90 percent of the planet’s excess heat, killing off vast stretches of coral reefs. Absorbing massive amounts of carbon has made the ocean more acidic and inhospitable to corals that millions of species depend on for survival.



“When I first began photographing these hurricane waves 30 years ago, most of us were unaware that global warming was seriously damaging our oceans,” said Clifford Ross. “Now, as I look back on my work, it takes on a whole new meaning.

Above – the two artists headlining the new season: Clifford Ross and Maren Hassinger. MAREN HASSINGER: TREE OF KNOWLEDGERenowned sculptor and performance artist Maren Hassinger was commissioned by the museum for a residency that explored the staying power of nearby Pearl City, Boca Raton’s historic African-American neighborhood.

This is the largest installation that Hassinger has ever created in her long and celebrated career. Her new site-specific installation is based on Pearl City’s landmark, the “Tree of Knowledge.” This majestic, 100-year-old banyan tree still stands today and is protected by the Historic Preservation laws. The tree has served the people of Pearl City since the dawn of the 20th century, as a gathering place for sharing stories and communal spirit. The majestic 100-year-old banyan tree at Pearl City is the inspiration for Maren Hassinger’s Tree of Knowledge.(photo by Aylin Tito)
Hassinger vigorously engaged the public to recreate the tree’s aerial roots by gathering many groups over several months.

People from the community and visitors to the museum spent hundreds of hours twisting by hand thousands of recycled newspapers. Thousands of recycled newspapers were twisted to mimic the aerial roots of the banyan tree for Maren Hassinger’snew installation Tree of KnowledgeThese banyan “branches” will be suspended from the ceiling of the main gallery, representing the community-based “Creation-Stations.” The participants’ names will be incorporated into the monumental new work.

“I want visitors to the museum to think about the endurance of the tree and the endurance of the people who live beside it,” said Maren Hassinger. “I hope they realize it’s possible to build a world in which, like this installation, people work together side by side. Both the tree and the residents have inspired me with their mutual endurance.

In new reports, the United Nations warns that fires such as those causing de-forestation in the Amazon elevate concerns for the planet’s natural life support systems. This global call to action urges countries, companies and consumers to build a new relationship with nature.

The destruction of the world’s largest rainforest calls attention to the need to prevent ecosystems from declining to a point of no return, with dire consequences for humanity.

This year, the leading scientists of the world warned that civilization was in jeopardy due to forest clearance, over-usage of land, climate change, and pollution, putting a million species at risk of extinction.

Hassinger’s new installation is about nature as knowledge and about education. The twisted ropes of newspaper are made of words and stories.

“I hope the community and all of the visitors to the museum take a moment to think about the materials used in the project, which are not traditional art materials, and realize that this giant project was made not by artists, but by the public, working together,” adds Maren Hassinger. 

“Both adults and children from the community welcomed my project with enthusiasm and proceeded to twist and twist to create the aerial branches. Their enthusiasm and spirit of camaraderie is uplifting and contagious,” says Hassinger.

Paper is a natural material, made from trees, and throughout the installation there will be fans that evoke the wind blowing gently through nature, as opposed to the hurricane winds of Ross’s work.Wind, the video by Maren Hassinger, will also be part of the exhibition. Watch the video trailer here vimeo.com/368811486

“Following the theme of nature for our new season at the Museum, how appropriate that Maren Hassinger would choose this legendary tree, known as the Tree of Knowledge, as the subject for her site-specific installation,” said Irvin Lippman, the executive director of the Boca Raton Museum of Art.
“From its inception to its installation, this has involved audiences of all ages from every corner of our community to participate in the making of the aerial roots from streams of recycled newspapers. Much in the manner of the Banyan tree, we are all connected to one another,” adds Irvin Lippman.  

Hassinger’s new exhibition will also feature the installation Love – an experiential portal for visitors to walk through. As the entranceway into the museum’s main galleries, it will surround visitors with hundreds of recycled pink plastic bags that will completely cover all of the surfaces around them. The shopping bags are filled with the air of human breath, and contain human love notes inside. Love, by Maren Hassinger. This installation will serve as the entryway featuring hundreds of recycled pink plastic bags, surrounding visitors.The bags are filled with human breath and contain human love notes.Maren Hassinger (still from her video Pink Trash). 

CLIFFORD ROSS: WAVES On the subject of Clifford Ross: Waves, Irvin Lippman adds: “It would seem obvious that a museum with a coastal address such as ours would naturally be ever fascinated by the subject of waves. The subject of Clifford’s photographs in this new exhibition, however, goes deeper into the unpredictable shapes of waves, as much about abstraction as realism.” 
The effect of being engulfed in a room full of his work is profound, causing some viewers to claim they can actually hear the sound of the ocean waves although there is no sound component.
Ross is celebrated worldwide for his Hurricane Waves series, monumental images that were photographed by the artist during storms and while hurricanes were off-shore, while he was attached by a tether to his assistant who remained on land as Ross braved the ocean surf.

The size of these images is humbling. The angle of vision, from as low as possible, is calculated to inspire awe. The waves dominate us, framed or cropped; we feel their full force.
These waves invoke the power of wind as well as the power of water, the great cyclical forces of nature that generate energy.  
This major survey includes his monumental hurricane wave images. The exhibition also features a site-specific installation of extremely large-scale prints on wood, as well as the artist’s Digital Waves – A computer generated video displayed on an LED wall that has been acquired by the museum for its collection.
Other sections include: the Horizons series (photographs that explore movement with the added power of obstruction); his Hurricane Scrolls; and the Grains series of bold abstract works exploring the purity of color.Clifford Ross, Hurricane LXIII, 2009. Archival pigment print.“The pure abstraction of the Grains series is an antidote to the hurricane, a space to calm down. A quiet end to this stormy story where we can recompose our thoughts,” said Clifford Ross. 
While it explores the limits of photography and abstraction, this exhibition is also a dramatic declaration about climate change.
“This exhibition is a thorough survey of my working methods,” said Ross. “an effort to show all the ways I have approached the subject of ocean waves. But there’s also a deeper theme of addressing climate change – unavoidable in this day and age.”A work from Clifford Ross’s Digital Waves series (computer generated videos displayed on an LED wall) has been acquired by the museum for its collection. “Somehow the apocalyptic quality of the show does not erase the basic lyricism and beauty that I see in nature. When I started out, wanting to celebrate nature by creating bodies of work that were an homage to the sublime, I didn’t understand that the images were also capturing evidence – evidence of our negative impact on nature.”

The ferocity, the forms of these waves were partially due to global warming. This project has come full circle, as much a meditation on the medium of photography as it is a photographic reflection of our world,” said Clifford Ross. 
Photo of artwork
Clifford Ross, Wood Wave LIV, 2017. Triptych UV cured ink on maple veneer. 
Caption for first photo at top: Clifford Ross, Hurricane LI, 2009. Archival pigment print.
MORE ABOUT THE TWO ARTISTS: Above – the two artists headlining the new season: Maren Hassinger and Clifford Ross. Maren Hassinger has work held in the permanent collections of the Hammer Museum in Los Angeles; the Reginald F. Lewis Museum of Maryland African American History & Culture in Baltimore; the California African American Museum in Los Angeles; Portland Museum of Art; The Studio Museum in Harlem; Williams College Art Museum in Williamstown; and the San Francisco Museum of Modern Art, among others.
Her many awards include: the Lifetime Achievement Award from the Women’s Caucus for Art, Maryland Institute College of Art; Joan Mitchell Foundation Grants; Anonymous Was a Woman; and the Pollock-Krasner Foundation, among others.
More about Maren Hassinger here.
The works of Clifford Ross are held in the collections of the J. Paul Getty Museum in Los Angeles, The Museum of Modern Art in New York, and the Museum of Fine Arts in Houston, among others. He is the editor of the book Abstract Expressionism: Creators and Critics, and is Chairman of the Helen Frankenthaler Foundation. His work has been widely exhibited in the United States, Europe, Brazil and China.
He has lectured in numerous university and museum settings, including Princeton, Yale, and New York University. Ross is a member of the Yale School of Art Dean’s Advisory Board.
More about Clifford Ross here. 
Photo of artwork
The majestic 100-year-old banyan tree at Pearl City is the inspiration for Maren Hassinger’s Tree of Knowledge.
(photo by Aylin Tito)
Love, by Maren Hassinger. This installation will serve as the entryway featuring hundreds of recycled pink plastic bags, surrounding visitors.The bags are filled with human breath and contain human love notes.
Photo of artwork
Thousands of recycled newspapers were twisted to mimic the aerial roots of the banyan tree for Maren Hassinger’s
new installation Tree of Knowledge
A work from Clifford Ross’s Digital Waves series (computer generated videos displayed on an LED wall) has been acquired by the museum for its collection. 

More To Vast World Of Biennials Than Venice, Whitney and Documenta

With the historic opening of Documenta 14 in Athens this month, now is a perfect time to take a look around the world at more of the biennials happening in every corner throughout the year. You may recall a previous post in which we discussed three of the brightest stars in the biennial universe (namely, Venice, Whitney, and Documenta) but there is more to the vast world of biennials than just those few. There are old and new festivals celebrating cultural and political stories from every part of the globe imaginable. In these times of increased global awareness and community, the biennial may be one of the best conduits to further difficult conversations. The four biennials here take place in nations where socio-political upheaval has been or is part of the nations’ recent past or present existence.

Documenta 13 – Thomas Bayrle. Photo: commons.wikimedia.org

Odessa Biennale
A relative newcomer to the biennial scene, Odessa Biennale was established in 2013 by The Museum of Modern Art, Odessa. The first biennale was titled Self-government: cultural evolution vs. revolution. Participants were asked to examine the relationship and contradiction between various forms of freedom (personal, social, small group) and the impositions and restrictions of self-government. The upcoming biennale, set for August 26-September 30 is titled Turbulence. This year’s exhibition is rooted in Alvin Toffler’s 1970 book, Future Shock. Toffler examined the idea of collective shock as a result of living during a time of extreme change. Spinning out from the ancient curse, “may you live in an era of change” this year’s biennale seeks to disrupt the notion that extreme change is outside the ordinary and instead posits that all of human existence has been based around rotating times of chaos and calm. Open call for the 2017 biennale ended in December, but for future events (the next is slated for 2019) artists are always welcome to contribute their work for consideration.

Istanbul Biennale
This year will mark the 15th Istanbul Biennial. Since its inception in 1987, Istanbul has made the move to become an artist curated biennial. This year curation is headed up by artist duo Elmgreen & Dragset, Danish artists who explore the crossroads of art, architecture, and design. Istanbul has risen to a high place among the world’s biennial festivals, now being given similar footing to Venice, Sao Paolo, and Sydney. The event seeks to bring together Turkish artists as well as artists from the international community in order to further dialogue and exchange of cultural ideas. Past themes have included 2013’s Mom, am i barbarian? And in 2015 Saltwater: a theory of thought forms. The 2017 biennial is working in collaboration with the 2017 Istanbul film festival, both of which are exploring the title topic A Good Neighbor. In addition to the contemporary art program, the biennial will include ten feature and five short films all curated by Elmgreen and Dragset. The films (as well as the art) will look at the concept of home as a means of portraying identity and the intricacies of community and co-existence. The 2017 Istanbul Biennial runs from September 16-Novermber 12.

Beijing International Art Biennale
China is a nation with an ancient history of art as well as a finger on the developing pulse of the future. It is a burgeoning international economy as well as a land steeped in cultural tradition. The biennial was begun following China’s ascent to the WTO as well as their 2008 hosting of the Olympic Games. Through art, the Beijing Biennale seeks to further the notion of plurality as China continues to open its borders and join the world stage. The overall theme of each biennial is stated as demonstrating “the graceful bearing of opening up in an all-round way.”

photo: news.cn

A few of the tenets of the Beijing Biennale are, “building a grand path and bridge for international cultural exchanges” and “closely combining arts with international trends and national interests, developing the resource advantages in serving society and human beings.” The theme of the 2017 Biennale, set to run from September 24-October 15 at National Art Museum of China, encapsulates these basic principles. The Silk Road and World’s Civilizations considers the ancient tradition of China’s Silk Road and the new tradition of peaceful international development.

Karachi Biennale
In its first ever biennale, Pakistan will explore bold themes under the title Witness. According to the festival website, “Art as a testament of its time has always held significance, particularly in times when memory is heavily contested.

Czech born writer Milan Kundera

According to Milan Kundera, ‘The struggle of man against power is the struggle of memories against forgetting’. The theme Witness has been chosen for its strong relevance to politics of representation, erasure and selective documentation.” Pakistan has been a nation of political and social strife. Like much of the world today, upheaval has been a strong contributor to individual experience. Art has always been a medium that can reach beyond difficult times and continue a dialogue outside the socio-political arena. Karachi’s first Biennale will be curated by Amin Gulgee who grew up in Karachi.  For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

Banner image: Teaser Magazine 2015 Instanbul Biennale

 

Ontario Beach Zoomorph Profiled In Mexico City University Of Art Publication

Artist Jarrod Barker, was recently invited to take part in MUCA-Roma’s Ala Afuera project. Based in the Roma district of Mexico City, MUCA is a University Museum of science and art. What made this project doubly exciting was the opportunity to show case a part of Barker’s home internationally.

The curators asked for a submission of 3 images and accompanying explanatory write-ups that “from your perspective, show a form of relationship between humans and the rest of nature.” This topic aka- Umwelt is not foreign to Barker who installed an exhibition of that name in 2010 at the Norfolk (nee Lynnwood) Arts Center in Simcoe,Ontario.

 

Long Point Seal Tamer Concept- J. Barker
Location: Long Point, Norfolk County, Ontario, Canada
Long Point is a world biosphere. I know this because the United Nations has told me so. But for several months of the year Long Point is transformed. Under certain winter conditions, Long Point looks less like a marshy, swampy bird watchers paradise and more like an arctic shore. At least on the South West side. When I visit Long Point during these times, I react to the environmental changes. I see things differently. I feel things differently. A sun bleached tree stump becomes a seal. A marsh reed becomes a baton. A flint pebble becomes a ball. Natural transformation through the changes of the seasons is a holistic experience.

 

After the selection process, if successful- one of the artist submitted images and write-ups was selected for transformation into a postcard and incorporated with the other artist submissions. The goal was for the Ala Afuera team to mail out the postcards to other international Museums of art and science and Contemporary Art institutions as a connective gesture to highlight MUCA and the work of the artists involved in this project and to bring awareness to our human/nature relationships.

 

“The objective of the project Allá Afuera (Out There) is to gather a mosaic of images that represent
ways of understanding the relationship we humans have with the rest of nature. From bucolic or
passionate points of view to other more threatening myths and taboos, amazement, fear, the absurd,
and maybe even indifference. We do not intend to cover all possibilities, but through images as a direct
reading form, show that there are multiple ways of looking at this Bond.

Three times a year we will present a collection of postcards, with 18 images each, gathered in a
biombo format. After two years we will complete the edition of six collections, with a total of 108 ways
of understanding, 108 points of view, and 108 forms of defining our relationship with what is out there. “

Ala Afuera which translated mean’s “Out there” began mailing out the works a few weeks ago.  For the Silo, Stephanie Bordega. 

For more information and to request postcards please contact-
Allá Afuera (Out there) project Gonzalo Ortega and Jeronimo Hagerman
MUCA ROMA MUSEUM (University museum of science and art, Roma district, Mexico City)
allaafueramucaroma@gmail.com

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