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Art

Canadian Doc Producer Gifts The Met Key Inuit Prints

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The Metropolitan Museum of Art to Receive Major Gift of Relief Prints by renowned Inuit printmakers from René Balcer and Carolyn Hsu-Balcer.

(New York, March, 2025)—The Metropolitan Museum of Art announced today the landmark gift of the René Balcer and Carolyn Hsu-Balcer Inuit Print Collection, which features over 500 relief prints by renowned Inuit printmakers from multiple regions across Nunavut and Nunavik, the semiautonomous Arctic homeland of Canada’s Inuit population. This important collection, gifted to The Met by René Balcer and Carolyn Hsu-Balcer, is among the strongest examples of Inuit graphic art in the United States. With works ranging from the mid-1940s to the present day, it includes major works by some of the most influential Indigenous women artists in history and will significantly enhance The Met’s collections of Inuit objects. The Balcer Collection represents diverse Inuit printmaking methods, including sealskin and paper stencils; monoprints; and carved stone, or stone-cuts, on paper, and features imagery of birds, animals, Inuit peoples, transformative figures, dreams, cosmologies, and hunting scenes.

Kenojuak Ashevak’s drawings and prints feature fantastical creatures and bold colors and forms. This captivating image of an arctic owl was among the first prints produced by the West Baffin Eskimo Cooperative. It quickly became a Canadian icon, and in 1970 the print was chosen for the country’s commemorative stamp.

Kenojuak Ashevak Inuit, 1927–2013. The Enchanted Owl, 1960. Stone cut on paper, Sheet: 21 1/8 x 26 in. (53.7 x 66 cm). Brooklyn Museum, Gift of George Klauber, 1998.122. © artist or artist’s estate (Photo: Brooklyn Museum, 1998.122_PS1.jpg)


“We are deeply grateful to René Balcer and Carolyn Hsu-Balcer for this extraordinary gift, which is a leading collection of Inuit masterworks in a U.S. museum,” said Max Hollein, The Met’s Marina Kellen French Director and Chief Executive Officer. “Mr. and Mrs. Balcer’s dedication to the support of Inuit artists is evident in this magnificent and comprehensive collection that celebrates the remarkable artistry of Native and Indigenous individuals and communities, and we are thrilled to be able to share these prints with visitors in our American Wing galleries.”

René Balcer began collecting Inuit art in Montreal, Canada, in the late 1970s. The René Balcer and Carolyn Hsu-Balcer Inuit Print Collection highlights the famous artists’ collective and printmaking studio at Baffin Island’s Cape Dorset, the source of Inuit printmaking that was established in the 1950s. The original artists working at Cape Dorset collectively identified as the West Baffin Eskimo Co-operative, and in 1960 they released their first official catalogued collection of 41 prints to great critical acclaim. The René Balcer and Carolyn Hsu-Balcer Inuit Print Collection includes some of the most celebrated Inuit artists associated with the collective, such as Jessie Oonark (1906–1985) and Kenojuak Ashevak (1927–2013), whose print The Enchanted Owl (1960) was featured on a commemorative Canadian postal stamp in 1970 and was on view in The Met exhibition A Decade on Paper: Recent Acquisitions, 2014–2024(August 26, 2024–February 23, 2025). Looking ahead, select works in the Balcer Collection will be included as part of ongoing annual rotations in the Art of Native America installation in the Museum’s American Wing.

“This is an aesthetically and culturally significant gift, and it has been an absolute pleasure to work with René Balcer and Carolyn Hsu-Balcer in our mutual goal to more strongly represent Inuit artists in The Met collection,” said Patricia Marroquin Norby (P’ urhépecha), Associate Curator of Native American Art in the American Wing. “The arrival of this beautifully curated collection aligns with our departmental vision to prioritize previously underrepresented artists and the presence, voices, and experiences of peoples and communities who have contributed greatly to our cultural and national identities. We look forward to collaborating with Inuit communities and individual artists to highlight these works in our galleries and programming.”

René Balcer and Carolyn Hsu-Balcer said, “One of the greatest challenges the Inuit face vis-à-vis the southern world is invisibility. At best, the Inuit and their brethren in the Circumpolar region are an abstraction to the rest of the world, glimpsed mostly through the distorted lens of pop history. At worst, the reaction the Inuit get when meeting non-Indigenous people is, ‘Oh, I thought you all died off years ago.’ It is our modest hope that this collection will demonstrate that the Inuit and their culture are very much alive and very much engaged in the modern world (to wit, see the following image of Annie Pootoogook’s Watching Jerry Springer from 2003). My wife, Carolyn, and I are very grateful to The Met for accepting the collection and committing its vast resources and reach to showcase to the world the creative brilliance, wisdom, and humor of Inuit artists.”



About René Balcer and Carolyn Hsu-Balcer

René Balcer is an Emmy-winning writer, producer, and creator of critically acclaimed TV series and documentaries. René’s engagement with the Canadian North began as a teenager working in lumber mills, hydro projects, and construction on airstrips in remote communities, often alongside First Nations and Inuit coworkers.

Among other artistic endeavors across North America and Asia, René and Carolyn recently organized and participated in a multiyear artist’s residency with Chinese artist Wu Jian’an and Inuit artists at the Uqqurmiut Centre for Arts and Crafts in Pangnirtung, Nunavut, and with renowned artists Shuvinai Ashoona, Ningiukulu Teevee, and Qavavau Manumie at Kinngait Studios (Cape Dorset). René’s poignant photographs of the Arctic have been featured in gallery exhibitions in New York and appear in his recently published portfolio, Seeing As (ACC Art Books UK). For the Silo, Meryl Cates/ The Metropolitan Museum of Art.

(above) Sample pages from Rene’s “Seeing As” Artbook

About The Met

The Metropolitan Museum of Art was founded in 1870 by a group of American citizens—businessmen and financiers as well as leading artists and thinkers of the day—who wanted to create a museum to bring art and art education to the American people. Today, The Met displays tens of thousands of objects covering 5,000 years of art from around the world for everyone to experience and enjoy. The Museum lives in two iconic sites in New York City—The Met Fifth Avenue and The Met Cloisters. Millions of people also take part in The Met experience online. Since its founding, The Met has always aspired to be more than a treasury of rare and beautiful objects. Every day, art comes alive in the Museum’s galleries and through its exhibitions and events, revealing both new ideas and unexpected connections across time and across cultures.

Feature Image: Kenojuak Ashevak. “Untitled (red woman/birds/wings/feet),”Drawing, pencil and ink 10x14in, 25.4×35.6 cm. Waddington, 9/18/20. René Balcer and Carolyn Hsu-Balcer Collection, Gift of René Balcer and Carolyn Hsu-Balcer, 2024
Kenojuak Ashevak. “Untitled (red woman/birds/wings/feet),”Drawing, pencil and ink 10x14in, 25.4×35.6 cm. Waddington, 9/18/20. René Balcer and Carolyn Hsu-Balcer Collection, Gift of René Balcer and Carolyn Hsu-Balcer, 2024

Art

Desert Modernism 2025 Exhibition at Scottsdale Ferrari Art Week

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DECEMBER, 2024– Scottsdale, Ariz. Diné Artist, Dealer, Curator and Antiques Roadshow Appraiser Tony Abeyta to Curate Special Exhibition, “Desert Modernism,” at Scottsdale Ferrari Art Week Exhibition to Showcase Rare Works by Fritz Scholder, Charles Loloma, Lloyd Kiva New, Frank Lloyd Wright, Phillip Curtis and Paolo Soleri.


 Scottsdale Ferrari Art Week Fair is pleased to announce that Diné artist, dealer, curator and Antiques Roadshow Appraiser, Tony Abeyta, will curate a special exhibition, “Desert Modernism,” which will show the convergence and progression of Phoenix artists of Native, Anglo and Hispanic descent, from approximately 1930-1980. The exhibition will feature rare and hard-to-find works by artists, architects and designers such as Fritz Scholder, Charles Loloma, Lloyd Kiva New, Frank Lloyd Wright, Phillip Curtis and Paolo Soleri.

Abeyta is also serving as an Advisory Committee member for the Fair. The Scottsdale Ferrari Art Week Fair is a unique event at the historical and cultural crossroads of the American Southwest. Set in one of the country’s fastest-growing cities with an ascendent contemporary Indigenous culture, the fair will showcase over a hundred leading international galleries at Westworld, March 20-23, 2025.”We are absolutely thrilled to have Tony participate in Scottsdale Art Week,” says Trey Brennen, co-owner of the inaugural Fair.



“We are set to become the leading art fair in the West and that requires a strong Indigenous representation among our dealers and curators. Tony approaches art and art history with a deep understanding of the region and the contemporary work being produced at this moment. He has worked at many of the major museums in the area and has a wonderful reputation across the Southwest.”About his curation of a special for sale exhibition at the inaugural Fair, Abeyta says, “This has given me a chance to do a deep dive into one of my favorite subjects, the evolution of Modernism through the disparate art communities that converged in the Phoenix/Scottsdale area in the middle portions of the twentieth century. I’ve long been fascinated by the work Native artists were doing in the area and I want to show how they worked, showed and created alongside great artists such as Frank Lloyd Wright, Phillip Curtis and Paolo Soleri.”


Preston Singletary, “A Canoe Entered a Dream” – courtesy of Blue Rain Gallery

As a curator, Abeyta co-organized the exhibition New Terrains: Contemporary Native Art which was held at Phillips Auctions January 5-23, 2024. The watershed selling exhibition explored the influences of modernism, post-war and pop influences on work by 50 contemporary Indigenous artists including Fritz Scholder, Preston Singletary, TC Cannon, Cara Romero, Diego Romero, Jaune Quick-to-See-Smith, Virgil Ortiz, Jamie Okuma, Kent Monkman, Michael Kabotie, Oscar Howe, Allan Houser, Cannupa Hanska Luger and others.

The recently closed show, Abeyta\ To’Hajiilee K’e’, at the Wheelwright Museum in Santa Fe, featured the paintings of Tony and his father, Narciso Abeyta (Ha-So-De), and the ceramic works of his sisters, Pablita and Elizabeth. Abeyta is represented by Owings Gallery in Santa Fe, New Mexico. For more information, please visit www.scottsdaleartweek.com. For the Silo, Jennifer Parks-Sturgeon.



About Scottsdale Ferrari Art Week             Scottsdale Art Week (SAW) is situated at the historical and cultural crossroads of the American Southwest. It is a reflection of today’s more dynamic and contemporary community, but is rooted in our unique landscape and history. Visionary art figures from Georgia O’Keeffe to Max Ernst and James Turrell were so inspired by the local landscape that they either settled here or created monumental land art. Today the art of the Indigenous Navajo, Apache and Hopi tribes who first occupied this land to Spanish colonialism and centuries of settlement is recognized alongside them. SAW is an exciting combination of historical American Art, contemporary art and design, with a special focus on contemporary art from Indigenous and Latinx, who often blur the lines between what constitutes art and design.

About ASU, SAW Gala Benefit Partner ASU Art Museum centers art and artists in the service of community well-being and social good. The Museum is a learning-centered teaching institution, providing interdisciplinary learning opportunities for students from across the university ranging from the sciences, humanities, journalism, sociology and schools of arts and design. A teaching museum, much like a teaching hospital, is responsible for training the next generation of arts professionals and are the frontrunners in research in art history and museum studies while delivering the highest possible level of artistic standards through collection teaching, exhibition making, research and audience engagement. The museum is different from other non-profit art museums in the region because of its unique ability to leverage the resources of the largest public research university in the country for community good. ASUAM fulfills ASU’s Design Principles by serving as a bridge connecting the breadth and scope of scholarly research and learning to the experience, knowledge and needs of our local communities, thereby co-creating and creating arts and culture opportunities available for all.

Article featured image- Horseworld, 1989 by Snellen Johnson (gift of Howard E. Kleim).
This bronze sculpture, signaling the entrance to Westworld, shows a group of three horses which represent an Arabian, Thoroughbred, and a Quarter Horse each representing a different behavior: the Quarter Horse is cutting, the Thoroughbred is racing, and the Arabian is showing.
Snell Johnson, a self-taught artist and his sculptures are known world-wide including the MGM Lion in Las Vegas and Caesar in Johannesburg, South Africa.

With over 100 galleries displaying a curated selection of fine art and design, guests will also enjoy cultural performances, fashion shows, pop-up displays and immersive experience throughout each day.

Fashion

Daily fashion shows will be produced by Phoenix Fashion Week. All clothing is provided by select Phoenix Fashion Week designers and boutiques.

“Our ultimate mission is to garner global exposure to Arizona’s fashion industry, and this event is the perfect way to do so,” said Brian Hill, Executive Director of Phoenix Fashion Week. “It’s a great, innovative way to find emerging models while showcasing top brands and fashion in Arizona.”

For more information on Phoenix Fashion Week, visit phoenixfashionweek.com

Luxury Cars

From utility to showpiece, cars are a unique art form. Guests can celebrate clean lines and smooth curves while enjoying our extensive display of luxury and collector automobiles. Enjoy a special Ferrari showcase onsite at the event. Check out their entire inventory here >

Performances

Set in one of the country’s fastest growing cities with an ascendant contemporary Indigenous art culture, the fair will showcase over a hundred leading galleries at the scenic Westworld alongside cultural performances, sculptural installations, and innovative programming including collaborations with institutions, galleries, artists, and prominent collectors.

Special Events

Guests looking to explore the best the city has to offer can attend their choice of multiple off-site events during the week. From guided tours to VIP invite-only receptions. There is something for everyone at the event and throughout this great city.