The call letters KLEE-TV had not been broadcast since July 1950, more than 3 years before a viewer in London, England picked up their transmission on his television set.
Adding to the mystery was the fact that while in operation KLEE-TV was based out of Houston, Texas- an entire continent and ocean away. Since this was an era before satellite t.v. transmission how could the images be picked up? Was it simply a hoax?
Though debunkers have stated that this story first appeared in Readers Digest, it actually was first reported in 1953 by TV Guide: a viewer based magazine that organized and listed television programming and reviewed highlighted television shows. Hugely successful and widely distributed- it seems counter-intuitive to consider how this might affect an already paranoid and anxious viewer body. After all, the Cold War and the Space Race were underway. Many Americans were building nuclear bomb shelters and keeping their eyes to the skies.
Television was still a new form of media and to many it transcended the boundaries of space of time.
It seemed possible that ghostly transmissions from another time and another place could occur. TV Guide pointed out in its story that at the time of the phantom KLEE-TV transmission, no other t.v. station in the world used those call letters.
For the next 12 year this enigma was forgotten but then in February 1962 Mrs. Rosella Rose of Milwaukee, Wisconsin witnessed the following. The KLEE-TV letters were flashed onto her screen as well as the images of an unknown man and woman arguing on a balcony, followed by the flashing of the word “HELP!” Then suddenly, her screen went blank. It seemed as though Mrs. Rose had witnessed an electronic netherworld. Could an alternate universe be superimposing its reality onto hers? The simplest answer is that Mrs. Rose was a victim of her time.
Phantom signal transmission in Stranger Things.
Perhaps as mentioned in Haunted Media Static and Stasis, “….The fleeting and inexplicable transmissions of KLEE are eerie in that they are symptomatic of a general loss of self presence felt socially in electronic communications as a whole.” I think it’s safe to say that Canadian Film Director David Cronenberg felt this way and successfully incorporated these themes into Videodrome. I think it’s also safe to say that the success of the recent Netflix series Stranger Things is due in some part to this notion of a technologically created netherworld. And what about the Australian reports of a Coke bottle and drinking flask being transmitted during the Moon Landing?
Today there are reports of phantom webcam transmissions, of strange beings quickly seen on a monitor or a tablet. If we are able to view images on our devices then is it so far fetched to imagine that we ourselves can be seen by others through our devices? And if that’s possible to what end are we being surveilled? For the Silo, Jarrod Barker.
The Max Headroom Signal Intrusion Incident of 1987
The League of Wrestling Mask Portraits is a growing body of work, undertaken in 2023, by realist painter, Richard Delaney. The work is a satirical, Pop Art-style, examination of the famous and controversial people of our time, such as Donald Trump, Joe Biden, Justin Trudeau, Elon Musk, and Greta Thunberg. Delaney paints their approximately, life-size portraits, in an unconventional manner. Politicians and celebrities are depicted wearing personalized wrestling masks (as in professional wrestling, aka Lucha Libra, often referred to as Mexican wrestling masks). They wear their masks as if ready to battle/wrestle in the social and political ring.
Each mask is customized for the individual wearer with clues to their identity imbedded in the design.
The symbolic clues help the viewer identify the person when the facial features alone are not enough. For example, the design of Greta Thunberg’s mask reflects her climate activism. Yellow flame-patterned, patches, around her eyes, nose, and mouth, rise up to symbolically melt what appears to be an ice cap on the top of her head, causing melt-water to flow into the blue, ocean-like area of the mask, covering her face. The dominant colours, light blue and yellow, reference Thunberg’s country, Sweden, and its flag.
Delaney’s paintings in oil and acrylic are garish, bombastic, and humorous. They are fresh and contemporary while being reminiscent of 1960’s Pop Art. The visual aesthetic is like a combination of cartoon, realistic painting, and or photo collage. The mask component has a hint of vintage, comic book art, and pulp art illustration. In contrast, the facial features of the subjects are rendered in a somewhat, photorealistic style.
Conceptually, the League of Wrestling Mask Portraits, is very much Pop Art, and may have roots in the work of Warhol.
Both artists use mass media as a reservoir of ideas. They each present the concept of fame and celebrity in a uniquely identifiable style. There is no doubt that the ‘mask’ in Delaney’s work is simultaneously a visual brand, and a concept to be pondered.
Delaney has coined the terms “maskified” and “maskification,” to describe his portraits. The maskified portraits cannot be viewed without some consideration for the basic idea and purpose of a mask, that is, to conceal true identity, and or to project a persona. The maskification of Donald Trump, for example, in a red mask with gold trim and crown, draws a comparison to classic comic book superheroes or villains, depending on one’s political stance. The connection with Mascaras de Lucha Libra is of course, intentional, and it is this simple juxtaposition that makes the work visually and intellectually, compelling.
Delaney plans to produce a large collection of portraits by the end of 2024.
Ultimately, he imagines them displayed and for sale in a contemporary art gallery. For the time being, they are available to view on social media in the form of humorous reels and videos. There are many potential subjects that Delaney would like to paint, including, for example, Dylan Mulvaney, Joe Rogan, Kamala Harris, King Charles, Pierre Poilievre, and Jordan Peterson. Who do you think should be maskified? You can make suggestions by following Delaney on social media where he will be frequently unveiling new paintings for his League of Wrestling Mask Portraits.
Many non-native plants can happily survive in other regions of the world, which has given gardeners more choice than ever before. However, native flowers and plants can summarize the landscape of a nation, while communicating the identity of a country.
For many countries the national flower is second only to the national flag as the most important national symbol, while communicating the identity of a country.
“Life shrinks or expands in proportion to one’s courage.” -Anais Nin
Nature is born of sexuality.
The two are inextricable and inevitable partners. Where humans find fault with sex that does not suit their particular beliefs in what is right or wrong, nature transcends. There is no taboo in the natural world, there is no polite side-stepping of the rawness of nature. Nature simply is, in all its sensual glory.
Beth Stephens & Annie Sprinkle have collaborated for 17 years.
They recently showcased their film Water Makes Us Wet at Documenta 14. They were one of just 180 artists at the exhibition which takes place only every five years and draws in a million people. In conjunction with the film they exhibited visual art, performed Ecosex Walking Tours, and facilitated “sidewalk sex clinics.” Their film premier at the Gloria Theater was the only one to completely pack the house. For their Documenta Ecosex Walking Tour, Stephens & Sprinkle consciously began at the site of the first tree planted in Joseph Beuys’ 1982 Documenta project 7,000 Trees.
Their film is part art, part activism, a call to action, and a vision of how the future may look if we are careful with the earth as opposed to how it could look if we continue our ecologically destructive behaviors. Within the environmental activist movement, the two always felt a bit out of place. They felt the need to hide their flamboyance, their sexuality, and some of the details of their pasts. Because of this they began their own movement, an all inclusive environmental activism that encourages people to be themselves.
By allowing people to embrace their own identities and to infuse a little fun, they hope to create a movement that is sustainable and perhaps avoids some of the activist burnout that frequently effects those constantly fighting for the future of a healthy planet.
For the film, and throughout their work, Stephens & Sprinkle have unabashedly embraced and exposed their own bodies. In so doing, they show both their vulnerability and their strength as well as embrace their advancing age. Sprinkle, who is now 63, was once a pornographic film actress. She finds that showing her 63 year old body has pushed more limits than anything she’s ever done. “I think that taboo does need fixing,” she says.
During the making of the film, Stephens & Sprinkle were in a serious auto accident which features in the documentary. The two were seriously injured and hospitalized but eventually walked away. The wreck served as a metaphor for the universality of “eco-sinners” in that even the filmmakers were driving around in an old, polluting van.
The two describe the incident as romantic and remarkable and say it has given them a new lease on life. The accident was a result of another driver’s distracted driving. The film as a whole is a look at the issues facing the planet, some of those perpetrating them, and ways to think about the problem. “What we really hope with our film is that people leave the film thinking about the issues we’ve presented but also feeling like well, there is something I can do in my personal life.”
The term “eco-sexual” was originally used by dating sites and subsequently in a book titled Eco-sex: Go Green Between the Sheets and Make Your Love Life Sustainable by Stephanie Iris Weiss. Stephens & Sprinkle took the term and created an art movement around it. “We like to think that all sex is eco-sex including human on human because we are the earth, we’re not separate from the earth…we acknowledge all the sexuality that is going on around us.” At UC Santa Cruz where Stephens is a professor, the two established E.A.R.T.H Lab which stands for Environmental Art Theory & Happenings. There they incorporate some of the principles of ecosexuality in the programs they run. For the Silo, Brainard Carey.
Within the last generation, archaeology has undergone a major transformation, developing from an independent small-scale activity, based upon museums and a few university departments, into a large-scale state organization based upon national legislation.
Dreamer by Thomas Dodd Photography
This has entailed an increase in resources on an unprecedented scale, and has drastically changed the profile of archaeology, which is now firmly fixed within the political and national domains. Moreover, decision making within the discipline has shifted from museums and university departments towards various new national agencies for the conservation and protection of the cultural heritage.
Alfred Marshall’s (Principles of Economics, 1891) view of housing still goes right to the heart of what makes housing and built environment an important anthropological topic. No artifact is so clearly multi-functional, simultaneously a utilitarian object of absolute necessity, and an item of symbolic material culture, a text of almost unending complexity.
In every house the economic, social and symbolic dimensions of behavior come together. This may be why the analysis of housing has had such a wide appeal in disciplines as diverse as social psychology, folklore, economics and engineering. Anthropologists themselves have shown a new willingness to consider the house as a key artifact in understanding the articulation of economic and social change during economic development.
An ethnocentric home.
From the perspective of our own contemporary society, surrounded by houses of all shapes and sizes, where wealth and luxury are synonymous with housing, this seems obvious and commonplace. The 1980’s television show “Lifestyles of the Rich and Famous” and journals like “Architectural Review” are odes to the home as a shrine and symbol of wealth. But just as clearly, there are societies where all the houses look alike, even though all the people are not alike. Perhaps then, the assumption that there is something natural and obvious about spending on the house and home market as a marker of prestige is ethnocentric. Why the house instead of something else?
A number of anthropological approaches attempt to place the house in a theoretical context which answer this question by relating housing to social, economic, and psychological variation and change. For example, a utilitarian approach that views the house partially as a workspace links changes in the elaboration of houses to changes in the kinds of work done in the household (Braudel 1973:201). Or if the house is seen as a reflection of how all household activities are organized and divided, then the shape of the house will change as activities are modified, differentiated, or recombined (Kent 1983, 1984).
Utilitarian houses.
An even more utilitarian perspective relates the form of the house to climate, technology and the kinds of building materials that are available (Duly 1979). For the Silo, Richard R. Wilk.
Supplemental-Complete Text Principles of Economics (London: Macmillan and Co. 8th ed. 1920).
Author: Alfred Marshall
About This Title: This is the 8th edition of what is regarded to be the first “modern” economics textbook, leading in various editions from the 19th into the 20th century. The final 8th edition was Marshall’s most-used and most-cited.
Jungian Psychology uses art-therapy, dreams and imagery in mapping personal and collective unconscious, archetypes and complexes. Jung believed that there were fears and thoughts that children and adults exhibit that are “remarkably similar across time and culture” (allpsych.com) image: skycladtherapist.files.wordpress.com
The human brain is a wonder of the universe, but our understanding of it can seem contradictory, says Steven Jay Fogel, author of the book Your Mind Is What Your Brain Does for a Living.
“On the one hand, we’re often told of those crucial years that our brain develops in childhood, when we’re rapidly progressing in development of our language and other skills, and our preadolescent and teenage years, when our brains undergo a sort of second Big Bang of learning,” says Fogel, (www.StevenJayFogel.com).
“But although it may seem that the brain is pretty much set by adulthood, it remains malleable throughout adulthood; it continues to change as we learn and adapt.”
Most of us are unaware that elements of our inner child’s development are constantly tugging at us, and we don’t have a clue that it’s happening, he says. In Jungian therapy there’s a concept called the dark side, or shadow side, the place in our unconscious to which certain feelings and thoughts are banished because they don’t support our image of ourselves, he says.
Steven Jay Fogel is a longtime student of human behavior and development.
“That is our inner child responding to the emotional pain we experienced and interpreted with the limited understanding we had when we were very young. It continues to steer our reactions and behavior as adults, often in inappropriate ways,” Fogel says.
Awareness creates an opportunity for change. Fogel reviews how our adult brain can take command of the inner child:
• Recognize the elements of your self identity that keep you trapped. Our identity – how we want the world to see us – develops, in part, as a response to avoiding pain. Our identity may change from one situation to another (in the same way a chameleon changes its body color to match its surroundings) as we slip on the persona we believe is expected in a particular environment or social setting. This automatic behavior is the opposite of making mindful choices, and it robs us of the joy of living in the moment and inhibits spontaneity.
• Be aware of when you’re acting. Many of us live our lives as though we’re playing parts in various movies, navigating different storylines every day. You may be the righteous Clint Eastwood manager at work and then shift into the town drunk during happy hour, and later the loving husband and father during brunch the following weekend morning. When you’re playing these roles, you’re not in the present.
• Be skeptical of what the voice in your head may tell you. It’s not easy to recognize and quiet the mental chatter associated with the different roles we play. We’ve become so accustomed to the voice in our head, that we don’t realize its messages are programmed – and not necessarily the truth. Is your voice telling you to feel guilty? Ashamed? Angry? Is that rational? If not, it may be your inner child acting out of a childlike fear.
“Instead of simply responding to what we’re hardwired to think and react, we can hear, in mindful repose, those promptings as simply chatter,” Fogel says. “When you’re mindful, the inner child’s chatter can be seen for what it is, and you will be free to take a more mature directionin your day-to-day living.”
Steven Jay Fogel is a longtime student of human behavior and development; he has studied with psychologists, educators, and rabbinical scholars. Your Mind Is What Your Brain Does for a Living, (Greenleaf Book Group Press, 2014), is his third book. He is also the author of My Mind Is Not Always My Friend: A Guide for How to Not Get in Your Own Way (Fresh River Press, 2010) and The Yes-I-Can Guide to Mastering Real Estate (Times Books-Random House). For decades he has been an active participant in the human potential movement, inspiring and mentoring others to seek their true selves. Fogel is a principal and cofounder of Westwood Financial Corp., one of the largest owner-operators of retail properties in the United States. He is a licensed real estate broker and past chairman of the California Arts Council.
Supplemental- Synchronicity is the experience of two or more events that are apparently causally unrelated or unlikely to occur together by chance, yet are experienced as occurring together in a meaningful manner. The concept of synchronicity was first described in this terminology by Carl Gustav Jung, a Swiss psychologist, in the 1920s.
The concept does not question, or compete with, the notion of causality. Instead, it maintains that just as events may be grouped by cause, they may also be grouped by meaning. A grouping of events by meaning need not have an explanation in terms of cause and effect.
There are nowadays millions of single men, and among those, many dream of meeting a woman from Eastern Europe. Indeed, these women are known to be extremely attractive, faithful, and ready to do anything to come to live in Europe. Many dating and marriage agencies have been created to cater for this niche, specializing in so-called international marriages.
Unfortunately, many scams are hidden among these agencies. The websites use the faces of superb young women as bait. Once the vulnerable bachelor is hooked by some carefully worded emails, he is asked for money to cover the cost of a plane ticket as well as the visa fee. The sums involved can go up to 1,500 or 2,000 €, depending on the naivety of the man, and there is generally no way to fight it legally.
Anti Arnaques, the First community dedicated to fight Eastern Europe romance scams
That’s why Anti-Arnaques was created, in order to provide a reliable verification platform to any man who has doubts about the sincerity of the person he is speaking to. It includes:
A unique identity verification system in 2 steps: the Express Background Verification, through the four major Russian social networks, and the Official Background Verification, through the public and private databases of Russian and Ukrainian citizens that are reserved to the official authorities.
A black list containing names and pictures of women known to have practiced scams.
Practical advice to identify risk scenarios.
A forum to exchange ideas on potential risky encounter situations.
Testimony of a scam victim
“Hello, I am Rui, I live in Portugal and I was a victim of a scheme. Nastya or Anastasiya Vorozhnina, living at Lomonosova 97-64, 428000 Novopokrovskoe Russia, deceived me. By mere chance, I only lost 200 €, as well as 24 photos. This scheme lasted about 5 months, but I always resisted to send the full amount of money she requested, which was around 800 € to start with.
I hope to my testimony will help someone, and prevent him to fall into such scheme. These women can be very sweet at the beginning: only after 2 or 3 months she started to ask money. She was an authentic professional, who already appears in your list with other names: if I had knew Antiarnaques.org back then, I would not have wasted so much time.”
Rui, 48 years old, scammed by A.V.
The website Antiarnaques.org (which means Antiscams in French) allows anyone who wants to date a Russian, Ukrainian or Slav women to check the identity of a specific woman. Antiarnaques.org also offers the possibility to check the reliability of any marriage agency, and to consult the black list of Russian women known for fraud.
About Dimitri Berezniakov, the creator of Anti Arnaques
Dimitri Berezniakov launched UKReine.com in 1998: it was the first dating site specializing in international marriages between men from France, Belgium, Switzerland and Canada, and Ukrainian women.
This allowed him have a ringside seat to witness the rise of Russian romance scams: he used to receive emails from men victims of these scams almost daily. Because of the magnitude of the problem, he decided to create Anti Arnaques in 2010, in order to offer a reliable solution to individuals wishing to verify the identity of Russian and Ukrainian women.
Anti Arnaques, le premier site francophone de lutte contre les escroqueries sur le marché de la rencontre russe
Le site Antiarnaques.org permet à tout individu souhaitant trouver l’amour auprès d’une femme russe, ukrainienne ou slave de vérifier l’identité d’une femme spécifique. Antiarnaques.org offre également la possibilité de vérifier le sérieux de l’agence matrimoniale choisie, et de consulter la liste noire de femmes russes connues pour escroquerie.
La rencontre de femmes russes, ukrainiennes et slaves : un marché florissant mais présentant de nombreux risques
On compte aujourd’hui dans l’Hexagone de 16 millions à 18 millions de célibataires, divorcés et veufs, ce qui représente un marché attractif et porteur (CIDJ.com). Et ce nombre ne cesse d’augmenter : le nombre de seniors et de divorcés étant en hausse, de plus en plus d’individus se retrouvent à chercher l’âme sœur.
Parmi ces millions de célibataires, de nombreux hommes rêvent de rencontrer une femme originaire d’Europe de l’Est. En effet, on leur promet des femmes fidèles au physique extrêmement attractif, prêtes à tout pour venir vivre en France. Une multitude d’agences matrimoniales s’est ainsi positionnée sur ce créneau, en se spécialisant dans les rencontres dites internationales.
Malheureusement, de nombreuses arnaques se cachent parmi ces agences. Les sites utilisent les visages de superbes jeunes femmes comme appât. Une fois le célibataire vulnérable hameçonné par quelques emails soigneusement rédigés, on lui demande de l’argent pour couvrir le montant d’un billet d’avion ainsi que les frais de visa. Les sommes en jeu peuvent monter jusqu’à 1 500 ou 2 000 € selon la naïveté de l’interlocuteur, et il n’existe en général aucun recours devant la justice.
Anti Arnaques, première communauté francophone luttant contre les arnaques sentimentales d’Europe de l’Est
C’est pour cela qu’a été créé Anti Arnaques, dont l’objectif est de fournir une plateforme de vérification fiable à tout homme ayant des doutes sur la sincérité de son interlocutrice. On y trouve ainsi :
Un système de vérification d’identité unique en deux temps : la Vérification Express, via des 4 principaux réseaux sociaux russes, et la Vérification Officielle, via les bases de données publiques et fermées des citoyennes russes et ukrainiennes qui sont réservées aux organismes officiels.
Une liste noire répertoriant les noms comme les visages des femmes connues pour avoir pratiquées des escroqueries.
Une liste noire des agences matrimoniales internationales connues pour pratiquer des escroqueries.
Des conseils pratiques et concrets pour identifier les scénarios à risque.
Un forum d’entraide pour échanger sur des situations de rencontres potentiellement à risques.
Ils ont été victimes d’arnaques et témoignent
« Tout a commencé par un mail, et des conversations dans lesquelles on parlait de tout et de rien. Je lui ai proposé de venir en France pour son anniversaire, et la cascade d’ennuis a débuté : pas d’argent pour payer le passeport, pas d’argent pour payer le visa…J’ai donc payé tous les frais. Une fois à l’aéroport, elle s’est soi-disant faiteî arrêter, on lui a interdit de quitter le pays à cause du crédit de son appartement. J’ai eu moult preuves de sa bonne foi, j’ai cru en elle, je me suis senti responsable, je me suis investi à fond. J’ai donné beaucoup beaucoup d’argent, et aujourd’hui j’ai tout perdu.
Je souhaite simplement que d’autres ne répètent pas les mêmes erreurs : je l’ai donc signalé sur Anti Arnaques, s’il vous plaît allez-voir, et faites attention ! »
Joël, 43 ans, arnaqué par E. T.
“J’ai commencé une relation par email avec Anastasiya, elle m’a complétement séduit en quelques semaines. Elle était extrêmement douce au début, puis a commencé à réclamer de l’argent. Par chance, j’ai flairé quelque chose de louche et ne lui ai envoyé que 200 €. J’ai ensuite réalisé qu’elle était présente sur la liste noire d’Anti Arnaques ! »
J’espère empêcher un autre homme de tomber dans le même piège ! »
Pierre, 48 ans, arnaqué par A. V.
A propos de Dimitri Berezniakov, le créateur du site Anti Arnaques
Dimitri Berezniakov a lancé UKReine.com en 1998 : il s’agissait alors du premier site de rencontres spécialisé dans les mariages internationaux entre des hommes originaires de France, de Belgique, de Suisse et du Canada, et des femmes ukrainiennes.
Cela lui a permis d’être aux premières loges pour assister à l’essor des arnaques sentimentales en provenance d’Europe de l’Est : il reçoit alors des emails provenant d’hommes victimes de ces escroqueries quasi-quotidiennement. Face à l’ampleur du problème, il décide de créer Anti Arnaques en 2010, afin d’offrir une solution fiable aux individus souhaitant vérifier l’identité de leurs interlocutrices.
“The growing flow of digital culture depends on the hidden protocols of its underlying systems. To explore how interfacing shapes spectatorship online, this pioneering study pinpoints experiences of flow through the friction of photo-based glitch art by Phillip Stearns, Rosa Menkman, and Evan Meaney.
Homing in on the viewer, these three cross-disciplinary case studies present and analyze material that is new to the art-historical context. In particular, they focus on how glitched artworks in online environments make viewers aware of their own activity within the flow, causing a break from the increasingly naturalized integration of system and individual.
Mysterious and Beautiful
When a glitch invites the viewer to try out different positions in relation to the system, a tactical spectatorship unfolds.” That’s the introduction text of Vandela Grundell’s book Flow And Friction: On The Tactical Potential Of Interfacing With Glitch Art. In simpler terms, our modern online life utilizes smartphones and digital cameras to not only represent who we are, but to present to others ‘how’ we are.
In the early days of computer, during the great Cold War and its technologically dependent Space Race this was known as a ‘glitch’.
Flow and Friction is a fascinating celebration of the mystery and the beauty that sometimes arises from glitched systems. 238 pages. Recommended. For the Silo, Jarrod Barker.
Many have been humbled simply standing in a darkened field and looking to the stars. Indeed the great thinkers of the many generations that have come and gone are regarded as giants when in fact they were merely humans dropped to their knees by the wonder that is the universe all around us. There is as much wonder in a blade of grass as there is in a cosmic nebula, as much mystery in a drop of water as in the dark matter we yet fail to comprehend.
James Hart Dyke is based in Brighton, England nestled between the water and the south downs. In his studio he works largely on commissions. Last November Hart Dyke traveled to Patagonia and is now painting mountain landscapes from this trip for an exhibition in London at the end of the year. Landscapes are his life’s work and his love for the art form has infused his life and career with adventure and physicality as he climbs and hikes the places he later paints. “Enduring the landscape in some way, I find that combination of painting and physicality very exciting…it’s what my painting is about, really,” he says. Hart Dyke has been embedded with British forces in war zones on commission from the UK military. In Baghdad he painted while two soldiers stood guard. This tradition of bringing artists along to paint is long standing and important to the regiments of the UK. The work created is kept in the collections of the individual regiments and displayed in the mess hall, documenting the history of each for the soldiers to witness. The tradition dates back before photography when artists were the only window to a visual representation of the action of the battlefield.
Artists’ representations of war convey more than just the actual imagery of what is going on before them. The emotions of the situation are infused into the work, as well. Hart Dyke has had an unusual career. His work has led him to a position as artist in residence for the British Secret Intelligence Service as well as to work for the Royal Family. For the British Secret Intelligence Service, Hart Dyke helped to commemorate the centenary by documenting things in paint. As an artist he was able to venture where photographers could not go due to the highly sensitive nature of the work done there. His paintings from this series are quite surreal, a nod to the rather unusual nature of the work the British Secret Intelligence Service does. Hart Dyke studied architecture which he is still passionate about despite eventually moving to painting. His entrance into the painting world began with commissioned paintings of buildings. In reality, Hart Dyke began painting at the age of eight and despite his foray into architecture he never truly gave it up. There was inevitability to his career as a painter. Because of the physical nature of his process, art has become in a very real sense James Hart Dyke’s sport. To hear more about this, James Hart Dyke’s unusual career, and about the tradition of artists on the battlefield, listen to the complete interview.
Kambui Olujimi recently exhibited work titled Red Shift. The title refers to celestial bodies in space that cannot be seen because of shifts in the spectrum of light. Through this lens, Olujimi contemplated the mythology of whiteness as an unseen force. Olujimi describes how the mythological space of whiteness plays out in the physical world through policy, allocation of resources, and myriad other ways. He references descriptions of mass shooters as “lone shooters” in a way that removes them from the space of violence pervasive in the US. Presidential assassins are another example. These two groups of predominantly white men are somehow isolated, removed from the larger conversation about violence in the US creating a Red Shift that in a sense conceals them from the rest of the data.
For the exhibition, Olujimi created collages from news imagery of the alt-right coupled with drawings. Olujimi’s current project centers on fragmentation of identity. His love of films informs this work. In particular he references the accidental announcement of La La Land for Best Picture in 2017 when in fact the film Moonlight claimed that title. His concept deconstructs and reassembles that moment, elongating it and examining the feeling of elation followed by crushing deflation. “A lot of my work is around these things that I call inevitabilities…I’m interested in bringing those inevitabilities out of the space of the implicit. Once you give them shape and weight and gravity and start to manifest them in some way, the incongruities and absurdities, the surreal aspects all become very evident and we are able to become more critical of them in that space.” It is these gaps, these “moments of silence” that inform Olujimi’s work. To hear more about this powerful art, listen to the complete interview.For the Silo, Brainard Carey.
Featured image- Mercy Doesn’t Grow On Trees, 2016 Wood, glass, hair, gold leaf, ratchet straps 150 x 48 x 30 inches
Henning Larsen Architects lead a design team in establishing an overall sustainable solution for the renewal of buildings, courtyards, and streetscapes in a selected residential block of Skt. Kjelds Climate Resilient Neighborhood in Østerbro. The competition for Copenhagen Climate Resilient Neighborhood was won with a proposal that serves as a future “showcase” of holistic and sustainable approaches to urban renewal while opening possibilities for realizing the objectives of a sustainable and climate-friendly Copenhagen. In addition to Henning Larsen Architects, the winning team also included Henrik Larsen consulting engineers, TagTomat and V!GØR.
“Copenhagen Climate Resilient Neighborhood , as a flagship project, demonstrates how a holistic and innovative approach to renovation and rainwater management can create a better living environment and courtyard atmosphere in a typical residential block. The designated block in Skt. Kjelds neighborhood therefore became a climate-front runner, implementing new solutions that can inspire other blocks—not only in Copenhagen but also in the many northern European cities where blocks of courtyard buildings are a dominant type of housing,” says Signe Kongebro, architect and partner at Henning Larsen Architects.
The project reflects a holistic approach with focus on energy retrofitting, climate adaption, architecture and daylight. From start to finish, the execution of the project will be implemented in close dialogue with Copenhagen Municipality and especially the residents and the building owners in the block.
The project was based on four main strategic focus points: rainwater management; increasing recreational space by re-configuring parking and introducing green areas; strengthening of the neighborhood’s identity with community gathering points; and, optimization of existing buildings in terms of energy consumption, daylight and indoor climate.
Workshops kick-started the sustainable urban renewal process wherein the team, in close and innovation-driven dialogue with residents and the municipality, began the transformation from traditional residential block to a climate-resilient neighborhood. Throughout the project, physical prototypes, exhibitions, mock-ups, and other visual tools contributed to give the residents a realistic insight into the transformation of their block and keep the process alive and relevant. Connect with Henning Larsen Architects on Instagram and on Facebook.
H. Richard Milner, a professor, noted researcher and expert on race in education at the University of Pittsburgh believes that “education is the key to addressing inequity and racism in society” and if we are not “working in education to combat racism, we are complicit in maintaining inequity and the status quo.” Are teachers prepared and willing to take this on? Milner notes that teachers “can struggle with tools to advance justice-centered curriculum and instructional opportunities that work against racism” and therefore education programs for teachers must support them “in developing knowledge and skills in ways that centralize race so that students can examine both localized and global perspectives and worldviews.” Additionally, school administrators and policies must be in place that “advance agendas that encourage and expect race-central learning opportunities and especially discourse.” Beyond these stakeholders, Milner recommends that students, community members, families and parents be part of the learning discourse “providing perspectives about their own worlds and experiences.”
This month we opened up the conversation on racism in education to our global Millennial Bloggers. The Millennial Bloggers are based all over the world. They are innovators in entrepreneurship, journalism, education, entertainment, health and well-being and academic scholarship. We asked them: Do we need to talk more about racism in Education?
“When I was 14, in our first class of Literature in English, I remember our teacher saying, rather solemnly, that our subject is called Literature in English, rather than English Literature,” writes Bonnie Chiu. “It was a moment of enlightenment for me. It instilled in me this critical mindset, this yearning to challenge the status quo; and it gave me a sense of agency.”
“We can’t afford to defer the conversation about white supremacy for even a single moment longer. It has proven itself to be the most obstinate social institution in the entire history of America,” writes Francisco Hernandez. “How could we even possibly think we could fight something so tough if we can’t even talk about what it means to fight it?”
“Any nation that can stomach the principle of caste, which is the most brutal ‘classification’ of human beings based on birth anywhere in the world, cannot help but differentiate, and differentiate repeatedly, on the basis of every parameter society can construct in a desperate and insular bid to separate ‘us’ from ‘them’,” writes Harmony Siganporia. “Nothing short of critical pedagogical interventions which would overhaul what we consider to be the very purpose of our educational system, and the resources to channel these interventions into more meaningful curricular design, can help us change these terms of engagement.”
“Textbooks were created by people who lived in a racist society,” writes Jacob Navarrete. “I’m telling you there are better tools. I’d be happy to help you learn how to use them. There is a big world to build outside the cave and we could use your help. It might hurt at first, just like the light does when you exit a dark cave.”
“Racism cannot be explained or understood properly without incorporating a discussion about privilege,” writes Dominique Dryding. “Until educational institutions take the lived experiences of their student bodies seriously and recognize that racism does not only include name calling and physical exclusion, racism in schools and universities will not end.”
Guest Blogger Salathia Carr writes, “Racism is not something that can be swept under the rug. After so much sweeping, your rug becomes distorted. People have become so desensitized regarding racism and injustices because they truly do not know what it is like. Judgment is very easy to make when you’re not living that way. But, if we force discussions about inequality from the very first history class we take, you cannot avoid it.” For the Silo, C.M. Rubin.
The Millennial Bloggers are Alusine Barrie, Sajia Darwish, James Kernochan, Kamna Kathuria, Jacob Deleon Navarrete, Reetta Heiskanen, Shay Wright, Isadora Baum, Wilson Carter III, Francisco Hernandez, Erin Farley, Dominique Alyssa Dryding, Harry Glass, Harmony Siganporia and Bonnie Chiu.
Top Row: C.M. Rubin, Alusine Barrie, Sajia Darwish, James Kernochan
Maybe you watch all the TV shows, follow the blogs, and read all the magazines (or perhaps just look at the pretty pictures) and still wonder what Interior Design really is, what a Designer does, and if you would benefit from working with one? If so, then read on because here’s the nitty gritty on Interior Design and the passionate Designers working within it.
Interior Design is about providing “creative design solutions for interior environments and its clients. It is the combination of technical and analytical skills with an aesthetic vision to achieve spaces that are functional, support the health, safety and well-being of users, enhance the quality of life of the occupants, and are visually attractive” (www.idcanada.org ).
Interior Design can cover a variety of disciplines, including residential, corporate/workplace, retail, healthcare, hospitality, public, and institutional design. Designers pay special attention to function, space planning, ergonomics, lighting, and of course the “pretty” surface elements such as colours and fabrics. Interior Designers can be thought of as an “interior architect” and are skilled in the aspects of spatial planning, preparing technical drawings and documents, and can help design and renovate interiors from drawing up the initial floor plans to placing the last decorative accent.
How does an Interior Designer gets to be a certified professional? It begins with 3-4 years of schooling, followed by a minimum of 2-3 years of work experience, and then certified by rigorous examinations facilitated by the professional bodies of ARIDO and IDC. Designers are required to carry liability insurance, participate in ongoing professional development programs, and uphold a professional code of ethics and standards to maintain their credentials.
Interior Designers can be hired for remodels, renovations, redecorating, and new build projects. They often work with architects, trades, and other design professionals to achieve the clients’ goals while following safety standards and building codes. Designers are often involved with planning from the very beginning but can be brought in at any stage of the design and construction process.
The cost of hiring an Interior Designer may seem prohibitive for those on a tight budget, but the benefits are advantageous.
Those who don’t have the time or desire to plan, shop, select, and oversee their project will ultimately profit from hiring an expert. An Interior Designer can prevent clients from making costly mistakes; whether it is with project management, decision-making, or providing savings on products and materials purchased. Designers bring with them an array of professional contacts for trades, suppliers, custom fabricators, and favourite stores. Regardless of the project size and needs, clients often have the option to choose from a variety of services to suit their budget.
If you are considering hiring an Interior Designer know what you want by determining your needs beforehand, and define your style through design and architecture magazine clippings. You can find a Designer through word of mouth, web-based research, professional associations, or trade magazines.
Interview them to review their portfolio, determine that your personalities mesh, discuss your project scope as well as the designer’s fees and process. Most important of all, have fun with the process – your interiors will thank you, and you will have made an investment into the enjoyment and functionality of your space. For the Silo, Ramee Cyr Principal, Ra-me Interior Design www.ramedesign.com
Originally published in print edn. of The Silo December 2013.
Canadian Pacific: Creating A Brand, Building A Nation, the forthcoming luxury coffee table book from School of Design of the Université du Québec à Montréal professor emeritus Marc H. Choko and Callisto Publishers. The private railway corporation that united Canada and built the world’s greatest transportation system, Canadian Pacific broke boundaries with its powerful commercial design.
A gorgeous new full-colour, 384-page hardcover from leading design book publisher Callisto, Canadian Pacific: Creating A Brand, Building A Nation [November 15 2015] reveals the intriguing story of the private railway company that united Canada politically – and became, for a time, the world’s greatest and most diverse transportation system. Written by Marc H. Choko – professor emeritus at the School of Design of the Université du Québec à Montréal and an honorary member of the Société des designers graphiques du Québec – Canadian Pacific weaves a concise and compelling narrative recapitulating the first 100 years of the company’s history, beginning in the 1880s. Brought to life by hundreds of advertisements, illustrations, designs, photos, and historical documents – many of which have never been published before – Canadian Pacific is more than a beautiful book: it is an indispensible testamentto one of the greatest achievements of entrepreneurship the world has ever seen.
“The history of Canada is inseparable from the history of Canadian Pacific,” writes publisher Matthias C. Hühne in the book’s preface. “A distinct Canadian national identity was still in its infancy in the 19th century, and various stereotypes linked with Canada today are the direct result of decisions made by these artists and Canadian Pacific’s publicity executives.” From adventurous world travelers to potential immigrants considering a move to Canada, Canadian Pacific tells the important and unforgettable story of the impact this private corporation has had on a nation’s economic development and image – and will be a welcome addition to the bookcases, coffee tables, and cottages of history buffs, art lovers, and aesthetes alike.
Marc Choko
Among the topics author Marc H. Choko is currently interested in and researching are: Beavers, Banff and propaganda: how commercial design helped a disparate, newly formed nation understand its place in the world and forge an identity. This is Canada: the romanticism and beauty of the images Canadian Pacific’s publicity department produced, and their immeasurable impact on the way Canada is perceived domestically and throughout the world Immigration and colonization: Canadian Pacific’s little-known history of facilitating the process of coming to Canada for hundreds of thousands of citizens. The eminent artists behind Canadian Pacific’s publicity materials: why we cannot separate the interplay of commercial interest and high culture.
About the Author: Marc H. Choko, author of Canadian Pacific: Creating a Brand, Building a Nation is professor emeritus at the School of Design of the Université du Québec à Montréal and former director of the university’s Design Centre. He is also a former research director at the Institut national de la recherche scientifique Urbanisation, Culture et Société. Choko earned a bachelor’s degree in architecture and a master’s degree in planning from the Université de Montréal and a doctorate in urban planning from the Université de Paris VIII. He is the author of numerous publications on graphic design, urbandevelopment and housing, and has curated many exhibitions that toured internationally. Choko is an honorary member of the Société des designers graphiques du Québec.
About the Publisher:Berlin-based Callisto Publishers selects topics from the fields of design, art, and architecture that are especially well suited to be represented by a printed book, rather than an electronic medium, aspiring to create printed works of perfect quality in terms of content, design, and production. Strong contemporary design requires solid knowledge of the designs and methods of the past. Which designs endured, which did not, and why? Callisto’s books analyze trends of the past that are relevant for understanding design today and in the future. Website: https://www.callisto-publishers.com/
About Canadian Pacific: The Standard Edition of Canadian Pacific: Creating A Brand, Building A Nation will be released this month, and retail for $80CAD / $70USD. The Premium Edition – a larger and technically more sophisticated version, packaged in a hand-crafted collector’s case with a wood veneer cover symbolizing the natural beauty of Canada, and containing additional images and Pantone colours and finishes not included in the Standard Edition – will be released in April 2016 and retail for $720CAD / $600 USD.
There’s a strong correlation between the growth of a law firm and the strength of its culture, according to a new survey published in February’s ABA Journal.
The most successful mid-sized firms are those that put a high value on their culture – how they do business and the written and unwritten rules for behavior, according to the survey conducted by TAGLaw and the Center for the Study of the Legal Profession.
“Firms in which everyone plays by the rules and values dictated by the leadership are more successful in part because, whether they realize it or not, they’re branding themselves,” says Hillel L. Presser, Esq., MBA, author of a new book, “The Lawyers Law of Attraction: Marketing Outside the Box But Inside the Law,” (www.lawyermarketingllc.com).
Branding – developing a unique, distinctive and consistent image — is vital for any lawyer hoping to stand out from the competition, Presser says.
It’s even more important to distinguish oneself in today’s post-Recession economy. Demand for legal services, revenues and rates have all dropped significantly since the Recession began in December 2007, according to a 2013 advisory by Hildebrandt Consulting and Citi Bank.
“The compound annual growth rate for revenues in the legal market was 9.8 percent leading into the Recession. From 2008 to 2012, it was 0.8 percent,” Presser says. So how does a law firm – or an individual lawyer – develop a brand?
“In a firm, if you have a strong culture, start by giving it a closer look. What values define your culture? What rules govern interactions with clients? Do you have a collaborative team approach or independent individualistic lawyers?” he asks. “All of these answers will help you define your brand.”
If you’re an individual lawyer, you are your brand. Your personality, your look, how you present your practice all contribute to your brand identity. To build a successful, strong brand, you need to be sure these things convey what you want them to – and more important, appeal to your market.
Presser offers these tips for building your brand:
• Identify your personality, your specialty and your target market: These form the basis of your brand and it’s important for all three to work well together. Presser defines his personality as “an innovator and educator who’s very social and very serious about financial protection.” His specialty is asset protection, and his target audience is all individuals with money, property or other assets that are not secured in the best way.
• Decide what will appeal to that target audience: If you already have clients, look for what they have in common – it will say a lot about what they value and, hence, what appeals to them. Everything from the clothes they wear to the cars they drive to the information they share about themselves offer clues to what they value. Maybe it’s reliability. Non-conformity. Social status. Solid quality. Is that who you are? If so, make sure it’s reflected in your brand.
• Think about what makes you different from your competition. From soda companies to athletic apparel manufacturers, every industry includes rivals selling the same products. Through branding, they distinguish themselves to appeal to their target audience – to set themselves apart. What makes you different from other divorce, criminal defense or corporate attorneys? How does that fit in with your personality, specialty and target market?
• Look for ways to incorporate your personality into your practice.Everything from the furnishings in your office to the clothes you wear to your business card and website should incorporate the personality and values you want to convey. If the tone of the copy on your website is casual and light-hearted and you want your brand to say old-fashioned hard work and reliability, you need to have the copy rewritten.
Your brand will be the foundation for your marketing, so take the time necessary to ensure all of the elements work in harmony, Presser says.
“You don’t have to be everything to everyone – you can’t be,” he says. “So focus on your niche audience and what’s important to them as well as what’s important to you. It will make you more successful both in setting yourself apart and attracting the types of clients you want to attract.”
About Hillel L. Presser, Esq., MBA
Hillel L. Presser is the owner of Lawyer Marketing LLC, a company dedicated to helping lawyers effectively market their practices. He’s also the founder of The Presser Law Firm, P.A., representing individuals and businesses in establishing comprehensive asset protection plans. He is a graduate of Syracuse University’s School of Management and Nova Southeastern University’s law school, and serves on Nova’s President’s Advisory Council. He also serves on the boards of several non-profit organizations for his professional athlete clients. He is a former adjunct faculty member of law at Lynn University. For the Silo, Ginny Grimsley.
The Rocket is a story about a man, a husband, a machinist and a hockey player; a man juggling a day job, a marriage and a passion to play “the game.”
His journey is classical and it has all of the elements of a Greek comedy, with the effect, just like in the Aristotelian tradition, of purging our souls of fear and pity- it is a catharsis. The fact that this is the story of a hockey player trying to make it in the the big time is something many Canadians can relate to: the quest has become a modern day myth in itself with legions of hockey parents secretly living the dream vicariously through their children.
Imagine, then, the impact that Maurice Richard had on an entire generation of francophones. During his playing years, many French-Canadians suffered through an undisguised social prejudice; Richard perhaps more than most. But this was a man who never gave up for long. Despite the stigma of being French, and a labourer; despite being viewed as “too soft, too small for the game,” Maurice Richard rose above and became “The Rocket”. For the Silo, Jarrod Barker.
Playing on Netflix at the time of this writing. Watch for Shawn Avery the pesky New York Ranger left-winger in a casting coup.
C’est une histoire au sujet d’un homme, d’un mari, d’un machiniste et d’un joueur d’hockey. Un homme jonglant un travail de jour, un rapport et une passion de jouer « le jeu ». Son voyage est classique et il a tous les éléments d’une comédie grecque et a l’effet de, juste comme dans la tradition aristotélicienne, purgeant notre âme de la crainte et le plaint est une catharsis. Le fait que c’est une histoire d’un joueur d’hockey essayant de faire le de premier rang est quelque chose beaucoup de Canadiens et Norfolkers peut se rapporter à et cette recherche est devenu un mythe moderne de jour en soi avec des légions d’hockey parents secrètement la vie le rêve délégué par leurs propres enfants.
Imaginez alors l’impact que Maurice Richard a eu sur une génération entière de francophone. Pendant ses années de jeu, beaucoup de Canadiens français ont souffert par un préjudice et un Richard sociaux ouverts
peut-être davantage que les la plupart. Mais c’était un homme qui n’a jamais abandonné pour longtemps. Contre les confins d’être un canadien français, contre les confins d’être un travailleur, contre les confins de l’visionnement en tant que « trop doucement, trop petits pour le jeu.
Maurice Richard est devenu le Rocket.
Maintenez une surveillance pour un garde forestier embêtant Shawn Avery de New York de gauche dans un coup de bâti.
Though debunkers have stated that this story first appeared in Readers Digest, it actually was first reported in 1953 by TV Guide: a viewer based magazine that organized and listed television programming and reviewed highlighted television shows. Hugely successful and widely distributed- it seems counter-intuitive to consider how this might affect an already paranoid and anxious viewer body. After all, the Cold War and the Space Race were underway. Many Americans were building nuclear bomb shelters and keeping their eyes to the skies.
That’s why 
Mysterious and Beautiful
