Tag Archives: Hope

A NEW DECADE FOR PRINCESS DIANA

The decade that just ended was one Princess Diana would have treasured.

Both of her sons – Prince William and Prince Harry, married lovely women:  Kate Middleton and Meghan Markle, respectively.  Diana now has 4 grandchildren whom she would have loved and adored.

But that was not meant to be.  Tragically, she died in a car crash more than 20 years ago.  Princess Diana’s legacy continues as musicals about her life are flourishing in 2020 and beyond.

Singer/songwriter Karen Sokolof Javitch’s newly revised Princess Diana the Musical is being re-released by Heuer Publishing in early 2020.  Featuring over 25 of her original songs, one of the most touching is, ‘Hope in My Heart’. “It’s a beautiful song that Princess Diana sings while visiting a hospital.  Even with all of her problems, ‘hope’ is what she carried with her and ‘hope’ is what she gave to all of us.  In this new decade, there is still so much trouble in the world and divisiveness in our country. We could use a little ‘hope in our hearts’ right now,” Ms. Javitch reveals.

Link here to the song, “Hope in My Heart”, sung by Sasha Weiss: 

https://jmrproductions.com/wp-content/uploads/2019/12/Hope-in-my-Heart.mp3

Princess Diana the Musical has been performed in many community theaters in the United States.  “Our production entertains audiences about the public and private life of this iconic woman and most beloved princess,” explains songwriter Karen Sokolof Javitch. “Even after many successful runs, I recently revised the script and songs and I’m thrilled to re-release it to America’s theaters through Heuer Publishing Company,” explains Ms. Javitch.

Javitch wrote the music and lyrics and co-authored the book with Elaine Jabenis in 2000.  The inspiring story journeys in song with the “People’s Princess” through her trials and tribulations of being an unknown 17-year old to becoming the most famous woman in the world. With Karen’s original songs, Princess Diana the Musical captures the grace, charm, compassion, and style that was Diana.

About Karen Sokolof Javitch:

Karen has written and produced 15 albums of her music, and she has co-written 4 musicals.  She was the creator and co-host of a popular Omaha, United States radio show, “It’s the Beat.”  Besides her musical about Princess Diana, her others are From Generation to Generation and Love! at the Café. (also published at Heuer).

These shows have been performed in many cities in the United States. Ms. Javitch has raised over $350,000 USD for US national and local charities with her original music and musicals. Featured image- from Princess Diana The Musical.

Art Of Painting With Camera Focus At Hurban Vortex Exhibit In Cannes

hurban-vortex-boris-wilenskyIf you could choose just one photo exhibit to see all year, it would have to be Hurban Vortex in Cannes.
Often, photography is the visual equivalent of telling a one-word story, expressed through an immediately comprehensible image. In contrast, Parisian photographer Boris Wilensky takes you on a journey through time, space, and humanity. His photos are true documentaries which require time to contemplate, and listen to. Yes, listen to, not just look at. Because all of his work tells a powerful, juxtaposing story. A story of humans in cruel, all-consuming urban environments… facing challenges beyond their control… surviving in harsh conditions… A story that is already written but that is reinvented every time you look at the image.

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Boris Wilensky’s current exhibition Hurban Vortex at the Suquet des Art(iste)s in Cannes opened on December 9 last year, featuring a selection of 30 of his works. Much has been said and written about it, and him, since, so no further biographical introduction is needed. And what really shaped his life, are locations rather than dates – Israel and Palestine, Tokyo, Fukushima, and Cambodia.
An emotional trip to Israel and Palestine in 2005 left a big impression on the idealistic young man, and he started keeping and publishing travel journals to share his impressions. At some point he began illustrating those with photos. Meanwhile he kept working as a photographer in entertainment and sports.
In 2008, a café in Paris offered him space to display his photos. Thinking to himself, “This is a great opportunity… probably the only one I’ll ever have to exhibit”, he went for it. It was a success, and the impetus to turn his passion into a profession.

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A visit to Tokyo in 2009 would prove to be the pathway into that professional career as an art photographer. The swirling, frenzied city of dazzling lights around the clock inspired him to find a way to capture the craziness of the megalopolis and the loneliness of its citizens … and he found a way to do so by superimposing two photos taken in the Tokyo subway, of the train and its travelers. It turned out so well that this type of photography would soon become his signature.

On his next visit to Japan – and in fact to Fukushima, just one month after the 2011 reactor catastrophe there – he found a country that had profoundly changed. The Japanese were beginning to awaken to the consequences of boundless, unchecked use of nuclear energy. As a consequence, the garish lights all over town were dimmed, and the mood had become much more somber and sober.

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This was when the Hurban Vortex project started taking shape in the artist’s mind. “Hurban Vortex is an urban adventure with a big H”, he explains, the constant game between the concepts of humanity and urbanity, extending into notions of modernity and identity, future, sustainable development, ecology and economy. The City, symbolizing Progress and Modernity, in constant growth, now become a “megalopolis”, or a “City-world”, a space built by humans to live in but one that eats them up in return.

For this project, and forever drawn to Asia, Boris Wilensky returns to Tokyo, Shanghai and Bangkok to take as many “photographic backgrounds” as possible. Then he tours Cambodia for two months, the stark contrast to the other cities’ modernity. Here he immerses himself fully in the ancient Khmer culture, taking portraits of men, women and children. Many of those faces bear silent witness to the horrors of the Khmer Rouge regime, and yet retain pride and dignity that speaks of inner strength.

originsOver 15,000 photos later, Hurban Vortex sees the light of day. The ensemble of artistic, esthetic and human adventure are at the core of the triptych that represents his works: Origins corresponds to 2009 (present), the period of an oblivious, profligate, consumerism-driven world. Collapse takes us into 2011 (future)…Fukushima, with its worldwide impact. The glasses and gas masks worn by the humans represent the man-made destruction of a world as we had known it before and which will never be the same. And in Post we find ourselves in an urban landscape filled with waste and shattered ruins. But people are no longer wearing their blinders… Maybe there is hope after all that cities may disappear but humans are still around? Or does the urban jungle always win in the end? You decide, because it is your personal interpretation, after an intense dialogue with the image… exactly what Boris Wilensky wants.

origins2What the viewer sees, is how this artist sees the world – not in the literal but figurative sense. But he does not dictate, he suggests. He considers himself a storytelling portraitist first and foremost, and an urban photographer second. As you look at his large-size pictures (180 x 120 cm), the image in front of you transforms from a flat canvas to a three-dimensional scenography. You are drawn in, pulled onto a stage, you become part of the performance, an actor engaged in a dialogue. You are the person across from the man in the photo, but you also become him, turning outward to the viewer.

origins3The continuous movement – the vortex – pushes and pulls you as the borders between Human and Urban blur and become Hurban. There are violently cold and anonymous city landscapes, consisting of monochromatic and starkly geometric patterns, entirely unlike anything you find in nature. But the human element, superimposed, invariably bestows them with a strangely appealing aesthetic. For the Silo, Natja Igney. This article originates at Riviera-buzz. Banner diptych image Boris Wilensky- concept by Jarrod Barker.

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