Discover the exceptional collaboration between Golden Concept, the Swiss master of ultra-luxurious Apple Watch Cases, and Blvck Paris, renowned for its ‘All Black’ luxury lifestyle apparel and accessories. Together they unveil a groundbreaking line that merges Parisian chic with Swedish sophistication, redefining the realm of high-end tech fashion. The limited-edition styles are now live and range from $899usd / $1,234cad to $1299usd / $1,783cad. The collaboration features two of Golden Concept’s top-selling pieces that have been expertly modified into exclusive black editions. This unique transformation combines the signature luxury and craftsmanship of Golden Concept with the distinct, all-black aesthetic of Blvck Paris. The pieces come in two sizes; one compatible with the Apple Watch 45 mm and the other one compatible with the Apple Watch 49 mm. These reimagined pieces perfectly represent both brands’ renowned styles, offering an unparalleled luxury experience for Apple Watch enthusiasts.
“We are super excited about this collaboration with the exquisite brand of Blvck Paris. My passion has always been in the design and creation process and to embark on this together with Julian and his team has been a real treat. We hope the customers love it as much as we do,” says Puia Shamsossadati, CEO and Creative Director of Golden Concept. “At Blvck Paris, we’re excited to team up with Golden Concept. Both brands have a deep appreciation for aesthetics and luxury, making this collaboration a natural fit. Our shared vision is to create designs that are both elegant and contemporary, offering something truly special for our customers.” – Julian O’hayon, Founder & CEO of Blvck Paris. For the Silo, Melissa Nicholls.
About Golden Concept
Golden Concept is the premier brand of luxurious tech accessories where design and style take center stage. Founded by Puia Shamsossadati in 2014, we are now celebrating a decade in the market. Our product range also includes mobile cases, accessories, and apparel with prices ranging from $1,000usd / $1,373 to $250,000usd/ $343,125cad. Golden Concept is available at over 150 premium retail locations worldwide, as well as flagship stores in Tokyo, Taipei, Singapore, Bangkok, and Shanghai, with worldwide shipping from Golden Concept. About Blvck Blvck Paris is a luxury lifestyle brand founded in 2017 by French designer Julian O’hayon. Blvck is known for its ‘All Black’ clothing, accessories, and digital goods. Blvck strives to pioneer an aspirational lifestyle from visual content to merchandise, pursuing quality and design. To date, the brand opened stores worldwide in California, Tokyo, Taipei, Taichung, Hong Kong and Macau.
In this, our new high tech world, a lot of people may think I’ve gone decidedly crazy.
I’ve always wanted the man cave ‘aka’ cinema room to have a nostalgic feel to it. I started collecting videos at the tender aged of 11. All my friends growing up called me videoboy lol because I was the go-to-guy to get films from on vhs videotape but one format that always intrigued me was laserdisc.
A Little History
LaserDisc (often abbreviated as LD) is a home video format and the first commercial optical disc storage medium, initially licensed, sold and marketed as MCA DiscoVision in North America in 1978. No one can say for sure if the disco craze at that time was responsible for its early name or if it was simply a play on the word ‘disc’. Whatever the reason, the early DiscoVisions have distinct cover designs which make them quite collectible and they have a certain unique retro-funk all of their own.
Although the format was capable of offering higher-quality video and audio than its consumer rivals- VHS and Betamax videotape, LaserDisc never managed to gain widespread use in North America, largely due to high costs for the players and video titles themselves and the inability to record TV programs. It was not a popular format in Europe and Australia when first released but was popular in the 1990s. By contrast, the format was strongly embraced in Japan and in the more affluent regions of Southeast Asia, such as Hong Kong, Singapore and Malaysia, and was the prevalent rental video medium in Hong Kong during the 1990s. Its superior video and audio quality made it a popular choice among videophiles and film enthusiasts during its lifespan. The technologies and concepts behind LaserDisc were the foundation for later optical disc formats including Compact Disc (CD), DVD and Blu-ray (BD).
A Little Boasting
LaserDisc had a number of advantages over VHS (and Beta) videotape. It featured a sharper picture with a horizontal resolution of 425 TVL lines for NTSC and 440 TVL lines for PAL discs, while VHS featured only 240 TVL lines in NTSC (VHS HQ offered 260). It could handle analog and digital audio where VHS was mostly analog only (VHS did have PCM audio in professional applications but was uncommon), and the NTSC discs could store multiple audio tracks. This allowed for extras such as director’s commentary tracks and other features to be added onto a film, creating “Special Edition” releases that would not have been possible with VHS. Disc access was random and chapter based, like the DVD format, meaning that one could jump to any point on a given disc very quickly. By comparison, VHS would require tedious rewinding and fast-forwarding to get to specific points.
LaserDiscs were initially cheaper than videocassettes to manufacture, because they lacked the moving parts and plastic outer shell that are necessary for VHS tapes to work, and the duplication process was much simpler. A VHS cassette has at least 14 parts including the actual tape while LaserDisc has one part with five or six layers. A disc can be stamped out in a matter of seconds whereas duplicating videotape required a complex bulk tape duplication mechanism and was a time-consuming process. However, by the end of the 1980s, average disc-pressing prices were over $5 USD per two-sided disc, due to the large amount of plastic material and the costly glass-mastering process needed to make the metal stamper mechanisms. Due to the larger volume of demand, videocassettes quickly became much cheaper to duplicate, costing as little as $1 USD by the beginning of the 1990s.
LaserDiscs potentially had a much longer lifespan than videocassettes. Because the discs were read optically instead of magnetically, no physical contact needs to be made between the player and the disc, except for the player’s clamp that holds the disc at its center as it is spun and read. As a result, playback would not wear the information-bearing part of the discs, and properly manufactured LDs would theoretically last beyond one’s lifetime. By contrast, a VHS tape held all of its picture and sound information on the tape in a magnetic coating which is in contact with the spinning heads on the head drum, causing progressive wear with each use (though later in VHS’s lifespan, engineering improvements allowed tapes to be made and played back without contact). Also, the tape was thin and delicate, and it was easy for a player mechanism, especially on a low quality or malfunctioning model, to mishandle the tape and damage it by creasing it, frilling (stretching) its edges, or even breaking it.
LaserDisc players also had several advantages of VHS and other format playback machines. Some models, such as my Pioneer CLD-1850 are able to playback both NTSC movies and PAL movies. Since I live in the UK- this means that I can buy Laserdiscs from America or Japan (or anywhere in the world that uses NTSC video) and they will play in my machine. Try doing that with VHS or DVD. Another important innovation for Laserdisc was the fact that it was the very first home video format to offer Dolby Digital Surround Sound- often referred to as AC-3 on Laserdisc jackets and hardware. Many fans of Laserdisc are still enjoying this feature because some movies such as the Alien AC-3 LD were released with their original cinema surround mix on the AC-3 Laserdisc and those mixes are unavailable on today’s modern formats such as Blu-ray or UHD Blu-ray. Many early LD players can even be modified to turn them into AC-3 LD players.
The Death And Re-birth Of Laserdisc
By the time of the advent of the DVD, LaserDisc had declined considerably in popularity, so the two formats never directly competed with each other. In fact, combination LD/DVD players were introduced into the marketplace and continue to be quite popular with collectors as these players tend to be flagship models with advanced features such as digital 3D comb filters and digital frame memory and effects. It’s too bad that I couldn’t afford the format at the time , and I really don’t know why I’ve decided to pull the trigger now as Jez would put it lol.
Prices on the used market are still quite high on these combi players but other machines are affordable and the LD’s themselves can usually be found at affordable prices with exceptions for the ultra rare and more obscure releases. I can’t say exactly
what has me so excited again about Laserdisc and why I’m back in the hunt but I really like the way the discs are packaged in big vinyl like slips, they look so cool. The artwork has totally sucked me in. I’ve started my journey, but I don’t know where it will end. And of course that journey has to begin with Schwarzenegger LD’S. “Get to da choppa! Hurry!”
Lausanne, Vaud, Switzerland., June 30, 2023 – Break out the sunscreen and lotion up your weapons because 110 Industries is pleased to announce that Wanted: Dead, its action-packed cyberpunk hybrid slasher/shooter experience, is on sale now until July 13 for PC on Steam. 110 Industries is kicking off the Steam summer gaming season by slashing 50% off the price of Wanted: Dead. If you do the math, that’s 100% ninja killing action for 50% of the price, creating 238% more fun. (FYI, we’re really bad at math.)
Wanted: Dead was developed by Soleil, the makers of Ninja Gaiden and Dead or Alive.
Play as Lt. Hannah Stone, the no-nonsense ass kicking leader of the Zombie Unit, a special team of former war criminals operating within the ranks of the Hong Kong police force. Use your guns, grenades and sword to eliminate the enemy with razor sharp combos and over 50 finishers. Just don’t forget to wash the off blood when you’re done. Seriously, please shower after every mission. It’s disgusting.
“We had to put the Zombie Unit on sale to generate lost revenue,” said Hong Kong Chief of Police Albert Simmons. “This trigger-happy gang of yahoos have killed so many people we blew our budget on ammunition and pointless karaoke parties. And don’t even get me started on the money we spent in ramen this year. Hopefully this 50% off sale on Steam will keep Dauer Synthetics, who funds the HK police department, off our butts.”
Wanted: Dead is available now for PC, Playstation, and Xbox. The Steam Summer Sale is in effect through July 13.
About 110 Industries 110 Industries is video game publisher founded in 2020 with a focus on original and licensed IPs. Our goal is to publish original properties, like Wanted: Dead, Vengeance is Mine and Red Goes Faster. Along with original gaming IPs, 110 uses their in-house marketing and financing to secure third-party publishing rights for large and smaller scale independent projects. Working with the best professionals around the globe, our mission is to provide creative freedom for talented individuals and inject fresh energy into the video game industry. Our strong core values encourage creativity, bold design choices and innovation. See what we have to offer at www.110Industries.com
The Hong Kong Tourism Board (HKTB) hosted a web conference on April 24, 2020 to provide the latest updates on tourism development and introduce the HKTB’s strategic framework of recovery plan. HKTB Chairman Dr. YK Pang said that the Covid-19 pandemic has posed unprecedented challenges to Hong Kong tourism and put global tourism to a halt.
He continued, “The tourism landscape will be reshaped. In the post-pandemic world, we will see a shift in preference and behavior among travelers – the public health conditions of destinations, and the hygiene standards of transportation, hotels and other tourism facilities will become a top priority; people will prefer short-haul breaks and shorter itineraries; wellness-themed trips will become a new trend. It is an ideal time for us to review and rethink Hong Kong’s position in the global tourism market and elevate service standards. Together with the travel trade, the HKTB is going to map out the long-term development strategy for our tourism industry.”
The web conference was attended by close to 1,500 representatives from travel agencies, attractions, hotels, airlines, the retail and dining industries, as well as Meetings, Incentives, Conventions and Exhibitions (MICE) and cruise sectors. Representatives from the HKTB’s worldwide offices also participated in the meeting to provide insights into the latest developments in various market regions:
Mainland Market
The Mainland has gradually resumed economic activities and people have returned to work.
Given the outbreak’s impact on the economy, consumers will become more price-conscious and pursue value-for-money holidays. After prolonged confinement, visitors will also place greater emphasis on health and nature. When choosing destinations for future trips, they will favor those that pose low risks to health.
The Meeting and Incentive market has slowed down as many activities have been postponed or will be held online.
Short-haul and New Markets
Domestic travel will be the major preference shortly after the pandemic, and outbound travel will resume soon after.
Regional competition will be fiercer than ever, as the tourism authorities and travel trade of various destinations are gearing up for intensive promotions to vie for visitors.
In Japan, Korea and Taiwan, the young and middle-aged segments will be the most eager to travel. Green tourism and the outdoors will be favored, while short-haul travel will be preferred due to financial and holiday leave constraints.
Long-haul Markets
Currently, governments are focusing on containing the outbreak within the region. A longer time is expected for these markets to recover and outbound travel may resume in the last quarter of this year at the earliest.
Ethnic Asian visitors are expected to be the first to visit Hong Kong after the pandemic.
Consumer sentiment is comparatively more positive in Canada, France and Germany and outbound travel is expected to recover at a faster rate in these markets.
The HKTB has announced earlier that it will be allocating HK$400 million (US$51.2 million) to support promotions by the trade. HKTB Executive Director Dane Cheng explained that the HKTB has devised a three-phase plan to reinvigorate Hong Kong tourism. The exact timeline will depend on the development of the pandemic.
Phase 1 (Now) – Resilience
The HKTB is preparing a recovery plan for Hong Kong tourism.
Phase 2 – Recovery
When the pandemic shows signs of abating, the HKTB will first focus on local market to promote positive ambiance in Hong Kong by encouraging locals to rediscover different neighborhoods and community cultures in order to send a positive message to visitors and restore their confidence in the city. Meanwhile, the HKTB will launch tactical promotions with the trade in selected markets based on the developments of individual markets to stimulate people’s interest to visit Hong Kong.
Stage 3 – Relaunch
Mega events and a new tourism brand campaign will be launched to rebuild Hong Kong’s tourism image.
LOS ANGELES – Toei Animation Inc. will debut an English subtitle simulcast of Dragon Ball Super on multiple digital platforms on October 22nd. For the first time, fans in North and Latin America, South Africa, Australia and New Zealand will be able to view Dragon Ball Super simulcast. Since its debut in Japan in July 2015, the hit follow-up to one of the greatest anime series of all time has been eagerly awaited by followers around the world. Through non-exclusive streaming partnerships with Crunchyroll, Daisuki.net and Anime Lab, Dragon Ball Super will finally be available.
Kicking off on Saturday October 22 at 9:00pm EST, viewers of Crunchyroll, Daisuki and Anime Lab can log in for a non-exclusive English-subtitled simulcast of episode 63, “Don’t Define Saiyan Cells! The Curtain Rises on Vegeta’s Intense Battle!!” which leads into the thrilling conclusion of the “Future Trunks Arc.” Audiences will get to join Japan live during the broadcast, and then tune in weekly for future new episodes.
Crunchyroll: USA, Canada, Australia/New Zealand for subscription viewing on demand (SVOD) and advertising video on demand (AVOD). Latin America and South Africa can only be viewed on SVOD.
Daisuki.net: USA, Canada, Australia/New Zealand for SVOD & AVOD
Anime Lab: Australia and New Zealand for SVOD & AVOD
Dragon Ball Super’s fourth arc features the return of Future Trunks. Hunted by a mysterious being bent on destruction, Future Trunks is brought into a fight spanning time and space. Episode 63 follows Future Trunks’ epic battle against Goku Black, and Goku’s acquisition of the powerful “Evil Containment Wave” technique.
To prepare for episode 63’s debut, viewers will also be able to stream the entire Future Trunks arc (the arc begins at episode 47). Then, starting on October 30, the complete series will roll-out, with 10 episodes released a week at a time.
“Patience always pays off, and we’re delighted to finally share Dragon Ball Super with our fans around the world. And believe me when I say there’s more to come. Stay tuned for additional exciting news before the end of the year!” said Masayuki Endo, President of Toei Animation Inc.
About Toei Animation Inc.
Based in Los Angeles, Toei Animation Inc. manages the film distribution of Toei’s top properties, including Dragon Ball all series, Sailor Moon, One Piece, Saint Seiya, and many others to North America, Latin America, South Africa, Australia and New Zealand. Toei Animation Los Angeles office further handles all categories of consumer product licensing based on its film and television brands within these territories. For more information, please visit http:www.toei-animation-usa.com or contact marketingdirector@thesilo.ca.
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Toei Animation Co., Ltd
Toei Animation Co., Ltd. (Jasdaq:4816) ranks amongst the world’s most prolific animation production studios. The company’s operations include animation development and production, and worldwide marketing and program licensing with sales offices in Paris, Hong Kong and representative office in Shanghai. Since its founding in 1956, Toei Animation Co., Ltd. has produced more than 11,000 episodes of TV series (more than 200 titles) and more than 215 long feature films. For more information, please visit http://www.toei-anim.co.jp.