Tag Archives: hologram

China Innovates Shenzhen Sea World With Robot Whale Shark

SHENZHEN, China (October, 2024) — After five years of renovations, Xiaomeisha Sea World have taken the bold step to include forward-thinking robotic alternatives to using live animals to educate and entertain visitors.

“We are thrilled to see Xiaomeisha Sea World taking a step toward more compassionate entertainment with its animatronic whale shark, and we hope this move encourages people to reconsider why they feel entitled to see live marine animals in confinement — especially when it comes to species who are known to suffer extreme psychological and physical harm as a result of captivity — and that that this aquarium will continue to lead the way with more exhibits that don’t use live animals.”  Hannah Williams, Cetacean Consultant for In Defense of Animals.

Xiaomeisha Sea World’s decision comes in the context of a broader global movement toward protecting marine life. In recent years, New Zealand made headlines for banning swimming with dolphins to prevent the disturbance of wild populations — a step in recognizing the importance of reducing stress on these sentient beings. In Mexico City, the ban on keeping dolphins and whales in captivity has been a landmark victory, specifically citing the former use of living dolphins in displays that landed the city’s aquarium on In Defense of Animals’ “10 Worst Tanks” list.

Developed by Shenyang Aerospace Xinguang Group under the Third Academy of China Aerospace Science and Industry Corporation Limited, this groundbreaking achievement marks a significant step forward in modern marine technology.

The nearly five-meter-long, 350-kilogram bionic marvel is capable of replicating the movements of a real whale shark with remarkable precision, including swimming, turning, floating, diving, and even movements of its mouth.

At Xiaomeisha Sea World- cutting edge display technology is front and center.

Wild whale and dolphin populations are in global decline. Fishing has caused a severe decline of Indian Ocean dolphins and Pacific Ocean orcas — who also suffer additionally from ship traffic and marine noise. The marine animal entertainment industry puts further pressure on wild animals since it depends on continual top ups of captive populations with wild captures of dolphins and small whales, such as Japan’s infamous Taiji Cove drive hunt. Each year, dolphins face traumatic experiences during live captures, either being killed or traumatically ripped from their pods and shipped for a life of confinement.

In light of the inherent cruelty and conservation impacts of traditional aquarium captivity, Xiaomeisha Sea World’s animatronic whale shark represents a promising shift towards humane marine entertainment. We encourage Xiaomeisha to build on this achievement by becoming the world’s first fully animatronic aquarium. By adopting more “species” of advanced marine robots — which include manta rays, dolphins, and orcas — Xiaomeisha could address lingering concerns, such as new reports of fish with white spot diseasecrowded tanks, “lots of excrement in the snow wolf garden,” ongoing harmful beluga whale shows, and firmly put to rest the heartbreaking legacy of Pezoo, a zoochotic polar bear who suffered in extreme confinement for years. Transitioning away from outdated live-animal performances would position Xiaomeisha as a global leader in innovative, ethical marine exhibits.

Exciting developments in next-generation animal entertainment are taking place around the world. Time Magazine named Axiom Holographics’ animal-free Hologram Zoo in Brisbane among the best inventions of 2023.

Edge Innovations in California has created hyper-realistic animatronic animals, including dolphins that can swim, respond to questions, and engage closely with audiences — without any of the ethical concerns associated with real captive animals. These lifelike creations offer enhanced levels of interaction and can thrive in confined environments like theme parks, aquariums, and shopping malls, preventing real animals from suffering and premature death.

“A tidal wave of excitement is building for the future of animal-free entertainment, driven by cutting-edge technologies like animatronics, holograms, and virtual reality. “Aquariums and zoos have a unique opportunity to captivate audiences with these immersive experiences — without capturing live animals. Modern technology can bring the wonders of animal life to people in ways that were never possible before. We urge Xiaomeisha Sea World to fully embrace animatronics and seize this chance to proudly and openly lead the way to a sustainable, cruelty-free model that respects marine animal lives.” Fleur Dawes, Communications Director for In Defense of Animals.

For the Silo, Hannah Williams/IDA.

In Defense of Animals is an international animal protection organization with over 250,000 supporters and a 40-year history of defending animals, people, and the environment through education, campaigns, and hands-on rescue facilities in California, India, South Korea, and rural Mississippi. For more information, visit https://www.idausa.org/campaign/cetacean-advocacy

World Record Price For French Photographer’s Ferrari Print

Monaco, French Riviera – A couple of months ago on Saturday, June 8th, artworld history was made during the prestigious auction “L’Astarossa” organized by Monaco Car Auction at the Grimaldi Forum.

A photographic work by artist Philippe Shangti reached a new peak.

The photograph, a unique piece titled “Luxury Pollution Car, Signature Masterpiece,” was sold for the hammer price of €290,000 / $435,000 CAD, a world record- making Philippe Shangti the highest valued contemporary French photographer.

The event “L’Astarossa” was primarily dedicated to Ferrari collector cars but also featured artworks related to the Ferrari theme.

The centerpiece of this artistic sale, “Luxury Pollution Car,” is a composition featuring the La Ferrari car with models in Shangti’s inimitable style. The print, called “Signature Masterpiece” by the artist, is printed on museum certified paper and traced with a hologram, signed, and numbered 1/1 on the back by Shangti himself. It measures 259 x 110 cm, and 267 x 128.5 cm with its baroque wood frame and molding.

This record comes just a few months after Shangti had already broken his own record.

Indeed, on March 8th, one of his photographs titled “Luxury Fifth Dinner,” a
print numbered in an edition of 7, sold for €54,000 / $81,000 CAD at Drouot Paris.
The auction of the photograph “Luxury Pollution Car” marks a historic milestone,
being the highest ever recorded for a living French photographer, held before by
Gerard Rancinan. This recognition strengthens Philippe Shangti’s position on the
international art scene and highlights the growing appeal of his works among
collectors and art enthusiasts.