This isn't such a complex principle after all. Essentially, the idea is- if we can see strong similarities in design between say a Planet and between a structure or diagram that represents something else, then the inherent 'sameness' means an intelligence is at work, not some form of randomness. We'd love to hear your thoughts- agree or disagree? Comments are welcome at the bottom of this post CP — This isn’t such a complex principle after all. Essentially, the idea is- if we can see strong similarities in design between say a Planet and between a structure or diagram that represents something else, then the inherent ‘sameness’ means an intelligence is at work, not some form of randomness. We’d love to hear your thoughts- agree or disagree? Comments are welcome at the bottom of this post CP

Nothing exists for nothing, the universe is not itself made, and nothing in it has nothing to do.

The moment Mankind has been waiting for over a millennium has finally arrived. A tangible proof of off-planet life has occurred. The higher powers have at long last shown their hand.

In nineteen ninety nine, a website called ‘The Revelatorium’ was launched. The website revealed many aspects of the higher dimensions not previously known. By the fall of two thousand and thirteen the Revelatorium had morphed into a full revelation of the Intelligent Design by which all of Creation has been blueprinted and expressed.

The verity of the Design has now been proven in real time.

The drawing is Figure 77 in Chapter 8 of the Revelatorium. The figure depicts the cubistic blueprint of the first six dimensions of the Outer Creation according to the formats of the Intelligent design.

This image is of Saturn's North Pole and was taken recently by the Cassini probe. — This image is of Saturn’s North Pole and was taken recently by the Cassini probe.

If you carefully compare the Revelatorium and Cassini pictures you will see that they are structurally identical. The Revelatorium drawing was done in two thousand and two. The Cassini probe was launched in 2009.

Both have a clearly defined center hexagon area representing the first, second, and third dimensions collectively. Particularly confirmed is the red circle area in the middle.

A second greenish coloured hexagon ring with pink splotches around the first hexagon ring matches the ring of six different cubit designs around the center of Figure 77, representing the fourth dimension.

A third, blue colored hexagon shaped ring with uniform pink splotches around the second ring matches the ring of twelve identical cubit designs around the second ring of six cubits of Figure 77, representing the fifth dimension.

And finally a fourth hexagon shaped ring with faint pink splotches and completely different background color around the third ring matches the ring of eighteen identical cubit designs around the ring of twelve cubits of Figure 77, representing the six dimension.

[On higher dimensional physics: http://www.reasons.org/articles/higher-dimensions CP]

A close up of the Cassini image in black and white shows the features more distinctly, in particular the first second and third dimensional hexagon and circle aspects in the middle

In short, the Saturn hexagon is a concrete lower dimensional proof of a higher dimensional factor.

The striking similarities in the respective pictures are not coincidental. The Saturn hexagon is home of the Solar System government. The hexagon is a magnetic resonance reflection in the third dimension of the domain’s six dimensional configuration. The population lives within its fifth dimensional band of materialization, represented by the thick ring in the hexagon, and ring of twelve similar designs in the same location in Figure 77.

As the cubistic matrix of Figure 77 would imply, the whole Intelligent Design is dirt simple and can be understood by anyone. The basic elements of the Intelligent Design consist solely of a sphere, a cube, and straight lines. The rules by which the elements work together hold the key. There is aught in existence not of the Design.

In figure 77, the red spheres represents Intelligence, the blue straight lines represent Energy, and the yellow cubes represents Substance. The attribute of the Father is Intelligence, the attribute of the Son is Energy, and the attribute of the Holy Ghost is Substance. Intelligence, Energy, and Substance is all there is.

The two most fundamental elements of the whole Design are The 'Cube and Sphere of Alpha and Omega' and the 'Cubit'. — The two most fundamental elements of the whole Design are The ‘Cube and Sphere of Alpha and Omega’ and the ‘Cubit’.

The Cube and Sphere comprises the entirety of the fourteenth dimension and acts as interface between the un-materialized inner form of the Creators in their fifteenth dimension as the Holy Trinity and above, and their materialized outer form in the thirteenth dimension and below as ‘Creation’.

The Cube and Sphere projected one dimension down to the thirteenth dimension comprises the ‘Cubit’, shown below. The ‘Cubit’ is the basic genome of Creation. By principle of the Cubit the whole of Creation has been blueprinted and expressed.

If you look again at Figure 77, you will see that it is composed entirely of variations upon the cubit. The variations reflect specifically different frequencies according to rule. By the rule the differing frequencies comprise the differing aspects of Creation. By this simple principle, the Intelligent Design is capable of blueprinting and depicting all of Creation in all of its aspects. The current Creation is over nine hundred trillion light years across and still within its infancy.

The Intelligent Design can be found in its totality at website http://www.revelatorium.com/. For details about every thing going on now inter-dimensionally, also see: http://www.revelatorium.com/. For the Silo, Delahnnovahh-Starr Livingstone.

Supplemental- Dr. William Dembski http://www.ideacenter.org/contentmgr/showdetails.php/id/776

Immediacy? “Nothing important comes into being overnight; even grapes or figs need time to ripen. If you say that you want a fig now, I will tell you to be patient. First, you must allow the tree to flower, then put forth fruit; then you have to wait until the fruit is ripe. So if the fruit of a fig tree is not brought to maturity instantly or in an hour, how do you expect the human mind to come to fruition, so quickly and easily?” -Epictetus

TheWormForSiloSite

watershort2_0002

The Worm (2008) and Watershort (2008) are time-contemplative short films by Canadian sound and visual artist Jarrod Barker.

In the natural world, immediacy is rarely a concept. While it is true the Mayfly lives only for a day, it is also true that each fly is one infinitesimal link in the long succession of the species. As humans have increasingly stepped beyond the boundaries of nature, we have begun to forget the importance of waiting and patience. We live surrounded by cheap treasures gotten easily and quickly. But like the Mayfly, these spoils of instant gratification perish quickly leaving us desiring more. No longer do we answer to the rhythm of nature, preferring instead to force the world to step up to our breakneck pace. All the while we are saturated with reminders that “good things come to those who wait” but too often choose to ignore this time tested wisdom.

Stefan Klein works in Berlin. Presently he is examining the concept of waiting. To this end, he has conducted quite a lot of field research. Waiting, he says, “is something that’s so routinely existing in our daily lives but at the same time has this very existential dimension to it so that almost everybody can relate to it but at the same time it’s a very abstract topic.” Another project, titled Introduction to Microeconomics is a book documenting Klein’s repeated ordering and return of a book by the same name. In this way, he examined documentation as a vital element of a whole work. Much of Klein’s work investigates complex systems through performative means. In September, Klein will begin a series of waiting sessions with people from various disciplines. He will meet with guests at a bus stop (a place of waiting) for a conversation. His audience will be comprised of both those who came to see the performance and those who happened to be waiting for the bus. In this way, Klein will access waiting from many perspectives.

Emilie Clark is a New York City based artist who spends part of the year in New Hampshire. Much of her work is based on the work of nineteenth-century natural historians and scientists, most of them women. She also explores the literal interpretation of the word ecology (earth’s household) incorporating historical texts and working in the landscape. In New Hampshire, Clark works in a floating research station surrounded by the natural world. In New York City her experience is quite different though she has noticed similarities in plant species between the two locations. From her research station, Clark collects specimens, makes sound recordings, draws, paints, preserves, and fully immerses herself in nature. This process is rooted not only in creating but in learning.

A Few Words to Keep in your Pocket

A work of art, a career, a relationship, anything worth investing our hearts and minds in, must be given time. We must relearn to wait, to fall back in step with the world around us. For the Silo, Brainard Carey.

Brainard is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

The Silo

Tag Archives: higher dimensions

The Intelligent Design Of Our Universe

Nothing exists for nothing, the universe is not itself made, and nothing in it has nothing to do.

In short, the Saturn hexagon is a concrete lower dimensional proof of a higher dimensional factor.

Natural World Immediacy A Rare Concept

Canada's 'biggest little blogspace'