Tag Archives: Hi-Fi

Why Not Laserdiscs In The 2020’s?

In this, our new high tech world, a lot of people may think I’ve gone decidedly crazy.

I’ve always wanted the man cave ‘aka’ cinema room to have a nostalgic feel to it. I started collecting videos at the tender aged of 11. All my friends growing up called me videoboy lol because I was the go-to-guy to get films from on vhs videotape but one format that always intrigued me was laserdisc.

A Little History

LaserDisc (often abbreviated as LD) is a home video format and the first commercial optical disc storage medium, initially licensed, sold and marketed as MCA DiscoVision in North America in 1978.  No one can say for sure if the disco craze at that time was responsible for its early name or if it was simply a play on the word ‘disc’. Whatever the reason, the early DiscoVisions have distinct cover designs which make them quite collectible and they have a certain unique retro-funk all of their own.

Although the format was capable of offering higher-quality video and audio than its consumer rivals- VHS and Betamax videotape, LaserDisc never managed to gain widespread use in North America, largely due to high costs for the players and video titles themselves and the inability to record TV programs. It was not a popular format in Europe and Australia when first released but was popular in the 1990s. By contrast, the format was strongly embraced in Japan and in the more affluent regions of Southeast Asia, such as Hong Kong, Singapore and Malaysia, and was the prevalent rental video medium in Hong Kong during the 1990s. Its superior video and audio quality made it a popular choice among videophiles and film enthusiasts during its lifespan. The technologies and concepts behind LaserDisc were the foundation for later optical disc formats including Compact Disc (CD), DVD and Blu-ray (BD).

A Little Boasting

LaserDisc had a number of advantages over VHS (and Beta) videotape. It featured a sharper picture with a horizontal resolution of 425 TVL lines for NTSC and 440 TVL lines for PAL discs, while VHS featured only 240 TVL lines in NTSC (VHS HQ offered 260). It could handle analog and digital audio where VHS was mostly analog only (VHS did have PCM audio in professional applications but was uncommon), and the NTSC discs could store multiple audio tracks. This allowed for extras such as director’s commentary tracks and other features to be added onto a film, creating “Special Edition” releases that would not have been possible with VHS. Disc access was random and chapter based, like the DVD format, meaning that one could jump to any point on a given disc very quickly. By comparison, VHS would require tedious rewinding and fast-forwarding to get to specific points.

Please be kind! Rewind!

LaserDiscs were initially cheaper than videocassettes to manufacture, because they lacked the moving parts and plastic outer shell that are necessary for VHS tapes to work, and the duplication process was much simpler. A VHS cassette has at least 14 parts including the actual tape while LaserDisc has one part with five or six layers. A disc can be stamped out in a matter of seconds whereas duplicating videotape required a complex bulk tape duplication mechanism and was a time-consuming process. However, by the end of the 1980s, average disc-pressing prices were over $5 USD per two-sided disc, due to the large amount of plastic material and the costly glass-mastering process needed to make the metal stamper mechanisms. Due to the larger volume of demand, videocassettes quickly became much cheaper to duplicate, costing as little as $1 USD by the beginning of the 1990s.

LaserDiscs potentially had a much longer lifespan than videocassettes. Because the discs were read optically instead of magnetically, no physical contact needs to be made between the player and the disc, except for the player’s clamp that holds the disc at its center as it is spun and read. As a result, playback would not wear the information-bearing part of the discs, and properly manufactured LDs would theoretically last beyond one’s lifetime. By contrast, a VHS tape held all of its picture and sound information on the tape in a magnetic coating which is in contact with the spinning heads on the head drum, causing progressive wear with each use (though later in VHS’s lifespan, engineering improvements allowed tapes to be made and played back without contact). Also, the tape was thin and delicate, and it was easy for a player mechanism, especially on a low quality or malfunctioning model, to mishandle the tape and damage it by creasing it, frilling (stretching) its edges, or even breaking it.

My NTSC/PAL hybrid player.

LaserDisc players also had several advantages of VHS and other format playback machines. Some models, such as my Pioneer CLD-1850 are able to playback both NTSC movies and PAL movies. Since I live in the UK- this means that I can buy Laserdiscs from America or Japan (or anywhere in the world that uses NTSC video) and they will play in my machine. Try doing that with VHS or DVD. Another important innovation for Laserdisc was the fact that it was the very first home video format to offer Dolby Digital Surround Sound- often referred to as AC-3 on Laserdisc jackets and hardware. Many fans of Laserdisc are still enjoying this feature because some movies such as the Alien AC-3 LD were released with their original cinema surround mix on the AC-3 Laserdisc and those mixes are unavailable on today’s modern formats such as Blu-ray or UHD Blu-ray. Many early LD players can even be modified to turn them into AC-3 LD players.

The Death And Re-birth Of Laserdisc

By the time of the advent of the DVD, LaserDisc had declined considerably in popularity, so the two formats never directly competed with each other. In fact, combination LD/DVD players were introduced into the marketplace and continue to be quite popular with collectors as these players tend to be flagship models with advanced features such as digital 3D comb filters and digital frame memory and effects. It’s too bad that I couldn’t afford the format at the time , and I really don’t know why I’ve decided to pull the trigger now as Jez would put it lol.

Prices on the used market are still quite high on these combi players but other machines are affordable and the LD’s themselves can usually be found at affordable prices with exceptions for the ultra rare and more obscure releases.  I can’t say exactly

Some of my LD collection.

what has me so excited again about Laserdisc and why I’m back in the hunt but I really like the way the discs are packaged in big vinyl like slips, they look so cool. The artwork has totally sucked me in. I’ve started my journey, but I don’t know where it will end. And of course that journey has to begin with Schwarzenegger LD’S. “Get to da choppa! Hurry!”  

For the Silo, Anneal Butt- member of Laserdiscs & Hardware Enthusiasts on Facebook.

Featured image via highdefdigest.com

Audio-Technica Intros NARUKAMI Ultra-High-End Tube Headphone Amplifier & Headphones

STOW, OHIO,USA, March, 2024 — For more than 60 years, Audio-Technica has sought to expand the limits of audio technology. With the introduction of its NARUKAMI ultra-high-end audio products, Audio-Technica has taken the pursuit of analog sound reproduction to a remarkable new level of excellence.

Making their U.S. premiere at CanJam NYC 2024 (March 9 – 10 at the Marriott Marquis, New York), the NARUKAMI HPA-KG NARU Tube Headphone Amplifier and ATH-AWKG Closed-Back Dynamic Wooden Headphones are stunning, ultimate-quality works of audio art.

Narukami- the Japanese thunder god.

Taking their name from the Japanese god of thunder, NARUKAMI products are designed to ignite elemental passions, while embodying the meticulous Japanese craftsmanship that is an Audio-Technica hallmark.

Audio-Technica NARUKAMI HPA-KG NARU Tube Headphone Amplifier

The front and side panels of the HPA-KG NARU tube amplifier/preamplifier (SRP: US$108,000 / CAD$145,400) are crafted from precious kurogaki wood, Japanese black persimmon wood with striking wavy black figuring that can be found nowhere else. The metal mesh covering that protects the vacuum tubes is evocative of the pattern of the flat needles of the Ayasugi tree. The top of the HPA-KG NARU tube amplifier/preamplifier is styled to reflect the appearance of a KARESANSUI or dry landscape garden, representing water flows.

The HPA-KG NARU is as technologically refined as it is beautiful. The headphone amplifier/preamplifier employs four Takatsuki 300B power tubes, considered by connoisseurs to be among the finest of their type ever produced, and with ECC83S gold pin small-signal tubes. The HPA-KG NARU utilizes a dual-mono configuration and has a fully-balanced drive design, for richly detailed sound with remarkable depth and presence. It offers both balanced 4.4 mm and standard 1/4-inch headphone jacks.

The amplifier provides an impedance selector switch to perfectly match with the widest range of headphones. No effort was spared in the quality of the internal components, which include amorphous-core silver-wire Lundahl input and output transformers to deliver the highest level of sonic clarity. In addition to its unsurpassed capabilities as a headphone amplifier, the HPA-KG NARU serves as a preamplifier, and offers balanced and single-ended inputs and outputs. Companion AW-KG NARU headphones are included with the HPA-KG NARU amplifier.

“We spent 10 years creating the HPA-KG NARU amplifier in an arduous process, working our way through 11 prototypes before settling on a design that met our high expectations,” said R&D engineer Koichi Irii. “The lifelike sound of the HPA-KG NARU is a testament to the power of our human approach.”

The ATH-AWKG headphones (SRP: US$4,200 / CAD$5,650) are equally exceptional. Like the HPA-KG NARU, the headphones are handcrafted in Tokyo, Japan, from rare kurogaki wood. In addition to its distinctive appearance, the acoustic properties of the kurogaki housings contribute to the headphones’ extraordinary sound quality. The hand-applied lacquer finish brings out the wood’s natural beauty.

Audio-Technica NARUKAMI ATH-AWKG Closed-Back Dynamic Wooden Headphones

The ATH-AWKG features purpose-designed 53-mm drivers with Permendur magnetic circuitry. Each driver is equipped with a titanium flange and a 6N-OFC high-purity oxygen-free voice coil to ensure precise movement and optimum signal transfer. Audio-Technica’s exclusive D.A.D.S. Double Air Damping System provides smooth, accurate bass response.

The ATH-AWKG is designed for maximum long-wearing comfort, and is supplied with an additional set of ZMF Universe Hybrid earpads for a unique alternate listening experience. The headphones are equipped with Audio-Technica’s A2DC jacks and two 9.8-foot (3.0 mm) detachable cables with 4-pin balanced and standard 1/4-inch jacks. Adding to its elegance, the ATH-AWKG comes in a presentation box with kurogaki wood accents.

Audio-Technica was founded in 1962 with the mission of producing high-quality audio for everyone.

Though these latest releases are aimed at those with deep pockets and the means to buy the ultimate in design and offering, we have grown in other areas and just as importantly to design critically acclaimed headphones, turntables and microphones at all price points. We have retained the belief that great audio should not be enjoyed only by the select few, but accessible to all. Building upon our analog heritage, we work to expand the limits of audio technology, pursuing an ever-changing purity of sound that creates connections and enriches lives.

Clairtone Canada Stereo Equipment Was Art-like

The Art of Clairtone: The Making of a Design Icon, 1958-1971 is a fully illustrated stylish look back at the stereo story behind a Canadian design icon. This handsome hardcover is by Nina Munk and Rachel Gotlieb and is available on Amazon.

At its peak in the 1960s, Clairtone Sound Corporation was one of the most admired companies in the field of electronics. Founded by Peter Munk and David Gilmour in Toronto, Canada, Clairtone made the wildly modern Project G hi-fi system and, later, the G-TV. The commercial, shot in July 1967 by famous Canadian cinematographer Frank Spiess, was produced by Young & Rubicam. It features Munk and Gilmour, then in their 30s, at a studio in Toronto and includes footage from Clairtone’s infamous factory in Stellarton, Nova Scotia.” east19thstreet via YouTube

For a decade, in the 1960s, Clairtone Sound Corporation captured the spirit of the times: sophisticated, cosmopolitan, liberated. From its modern oiled-walnut and teak stereos to its minimalist logos and promotional materials, Clairtone produced a powerful and enduring body of design work. Founded in 1958 by two young Canadians, Peter Munk and David Gilmour, Clairtone quickly became known for its iconic designs and masterful advertising campaigns.

Its acclaimed Project G stereo, with its space-age styling, epitomized the Swinging Sixties. Famously, Hugh Hefner owned a Project G. So did Frank Sinatra.

Oscar Peterson affirmed that his music sounded as good on a G as it did live.In 1967, suggesting how deeply Clairtone’s G series had come to be identified with popular culture, the G2 appeared in The Graduate with Dustin Hoffman and Anne Bancroft.

With 250 illustrations, including previously unpublished drawings, rare film stills, confidential memorandums, and original photography, The Art of Clairtone is a candid and in-depth look at the company’s skyrocketing success — and sensational collapse. Through the recollections of those who knew Clairtone best, from its founders to its designers, engineers, and salesmen, and with comments from Karim Rashid, Douglas Coupland, Tyler Brûlé, and Bruce Mau, among others, this elegant book, published on the 50th anniversary of Clairtone’s launch, celebrates an iconoclastic company that once seemed to represent the promise of Canada.

A peak inside this gorgeous book- CP
A peak inside this gorgeous book- CP

  • Hardcover: 176 pages
  • Publisher: McClelland & Stewart
  • Language: English
  • ISBN-10: 0771065078
  • ISBN-13: 978-0771065071

Featured Image-  vornadoblog.blogspot.com

Supplemental- Caring for Oiled Walnut Wood (Table)  http://www.doityourself.com/forum/furniture-wood-cabinetry-finishing/371338-best-oil-care-oiled-walnut-slab-table.html

Serbia’s Custom Hi-Fi Scene Rising

You may not know it yet, but Serbia is an audiophile hotbed and we are doing our duty to help firmly plant the hi-fi flag in Serbian soil.

There are so many intriguing and fresh designs from this European Union applicant and united Serbian manufacturers of Hi-Fi equipment now offer world-wide production of unique custom devices at the customer’s request.

In Trstenik, Serbia , the headquarters of manufacturer Supreme-Analog regularly hosts presentations of the hottest gear in the Serbian HiFi scene with many first time showings of new speakers, electronics, cables, tonearm, head phone amplifiers etc. A number of up and coming Serbian companies have participated already and include: Auris audio and Trstenik (Tube electronics and tube headamp, tube CD player).

Auris (dual) tube mono amplifiers


Beyond Frontiers audio (BFA), Novi Sad (Hybrid electronics and DAC).

BFA tube preamplifier


Big electronic system, Zemun (Analog Phase preamp corrector, HiFi shelf).

Big phase preamp corrector


DIY speaker shop Krusevac (Cartridges, turntable accessories and cables).


DR Cables, Novi Sad (Speaker cables, RCA & XLR cables).


Kabel Master, Arandjelovac (Power strip and Power Cables).

Kabel Master powerstrip


Korato, Belgrade (Electronics, phono preamp).

Korato tube amplifier


Miraudio, Belgrade (Tube electronics, integrated amp, tube DAC).

Miraudio (dual) tube mono amplifiers


Solaja audio, Belgrade (Tube electronics, phono preamp).

Solaja Harmony tube integrated amplifier


Supreme-Analog Trstenik (Gala speakers, Tangenta tonearm, modified Garrard 301 in Supreme-Analog plinth).

Supreme Analog Tangenta gold tonearm


Trafomatic, Mladenovac (Tube electronics).

Stereo Equip Manufacturer Opens Record Studio To Level The Field

It’s been nearly two years since we moved into our new digs in Boulder, Colorado. The most exciting part has been watching our recording/mastering studio, led by engineer Gus Skinas, come to life. Gus is a close friend and one of the nicest and most humble gents around. The world knows Gus from his work on projects for Pink Floyd, The Rolling Stones, Stevie Wonder, Elton John, Al Kooper, George Harrison, Queen, Joni Mitchell, Chick Corea, Frank Zappa, and The Police (to mention a few). His talent is unmatched, and we’re proud to have him in the hi-fi family.



A few days ago, we made a big step forward. With Gus at the helm, PS Audio has launched our much-anticipated music label: Octave Records.

Almost every time I give a tour at the new facility I get questions about Octave. With hundreds of labels out there, what makes Octave different? You and Paul make components, why the expansion into recording? Are you just doing this because it’s cool?

Guilty as charged!

In truth, we started Octave Records for the same reason we design audio components—because we know we can make a difference. We know we can produce albums with superior sonic quality and we also remain keenly aware of the challenges faced by so many music creators. Labels have been known to sacrifice quality for profits and for mass-market appeal. For albums-sold, most labels compensate artists with pennies on the dollar. Oftentimes, labels insist on owning the artist’s music. We believe the music deserves high-quality presentation and that the artists deserve to be honored for their contributions. It’s the artists, after all, who give rise to our entire industry.

So we decided to build a label the way we think it ought to be. Octave Records uses the finest studio equipment, all centered around the acclaimed Sonoma DSD recording, mixing and mastering system. We asked Gus to personally craft each recording. And to better support musicians, Octave Records covers 100% of the studio, mixing, mastering, production, distribution and marketing costs. We also provide artists with a direct-share of retail revenues, which are ten to twenty times that of other labels. At Octave Records, the artists own their music, and we give them creative control. They’ve earned it…and we get to enjoy the fruits of their labors on our hi-fi systems!

“Along with our dedication to producing the best-sounding recordings available today, Octave Records offers a different kind of business model,” said Paul McGowan, PS Audio CEO. To support musicians, Octave covers 100% of all studio, mixing, mastering, production, distribution and marketing expenses so that artists may directly share in retain sales revenues – while also retaining ownership of their music.”



It’s with great pride that we announce the first album from Octave Records: Out of Thin Air, a solo piano performance from renowned pianist Don Grusin.



Offered in SACD, native DSD (DVD-Audio) and CD formats, you can learn more about Octave Records and listen to samples of Grusin’s new album here https://www.psaudio.com/products/out-of-thin-air/ If you are interested in picking up a copy of this limited edition, they are available with world-wide distribution (direct from us in Boulder), however, this album is not available for digital download at this time.

I hope you enjoy listening to the album as much as we have enjoyed making it. This is the first of many. For the Silo, Scott McGowan.

PS Audio Shipping New Stellar™ M1200 Monoblock Power Amplifier

Boulder, Colorado, May, 2020 – PS Audio recently announced it is shipping its new Stellar M1200 Power Amplifier. Designed to deliver extraordinarily clear, detailed and musically accurate performance, the monoblock M1200 features an all-new hybrid design that combines a tube input stage with a customized ICE Edge output stage and delivers 1200 watts (into 4 ohms, 800 watts into 8 ohms), to effortlessly reproduce the most dynamic musical passages as well as the subtlest musical details.
 
The M1200 was designed by Darren Myers, the engineer who created the acclaimed Stellar Phono stage and other PS Audio products. The M1200 employs a 12AU7 vacuum tube at its input, chosen for its optimum gain and voltage characteristics in the circuit, and for its ability to preserve the most delicate nuances of the amp’s input signals. The 12AU7 is the identical tube used in PS Audio’s flagship BHK Signature amplifiers, chosen after extensive listening and performance tests.
 
The ICE Edge output stage is a new type of high-current Class D design, offering extremely low total harmonic and intermodulation distortion with high headroom and linear performance across the frequency range. As Darren Myers explained, “other output modules can exhibit non-linear phase and impedance issues at the frequency extremes. The ICE Edge design eliminates these problems thanks to patented circuitry and feedback techniques.” Myers continued, “Although it can deliver massive amounts of clean power into even the most demanding loudspeaker loads, the M1200 sounds equally good at lower volumes.”
 
Like every PS Audio product, meticulous attention has been paid to parts quality and construction. The M1200 has a sleek, elegant appearance that matches other Stellar Series components and is available in silver or black.
 
The PS Audio Stellar M1200 Power Amplifier will be available in June 2020 at a US manufacturer’s suggested retail price of $5,998 per pair. Pre-orders are currently being taken.
 
M1200 Features at a Glance: Zero-loss vacuum tube input stage and custom ICE Edge output stage. Fully balanced circuitry, RCA single-ended and XLR balanced inputs. 1200 watts RMS into 8 ohms, 600 watts into 4 ohms, stable to 2 ohms. Greater than >1100 damping factor for exceptional loudspeaker control. High-efficiency operation. Dual, solid copper, plated output binding posts facilitate bi-wiring, 12-volt input trigger, 27 lb. each; 17″ wide by 3.75″ high by 12″ deep (13″ with connectors)

About PS Audio
Founded in 1973, PS Audio has earned a worldwide reputation for excellence in manufacturing innovative, high-value, leading-edge audio products. Located in Boulder, Colorado at the foothills of the Rocky Mountains, PS Audio’s staff of talented designers, engineers, production and support people build each product to deliver extraordinary performance and musical satisfaction. The company’s wide range of award-winning products include the all-in-one Sprout100 integrated amplifier, audio components, power regenerators and power conditioners.
 
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