In what might have been the best New York real estate deal since the Dutch bought Manhattan in 1626 for $24 usd/ $33 cad in trinkets, one of New York’s historic properties, which includes a 38-room Victorian mansion, a 10,000-square-foot guest home, a stone bowling alley, a carriage house, a gatehouse, and much more on 2,078 acres, has hit the market for $65 million usd/ $ 89,101,000 cad. The property last sold for just $500,000 usd / $685,600 cad in 1963, when Standard Oil president Walter C. Teagle sold the long-neglected property to brothers Billy and Tommy Hitchcock, heirs to the Mellon family fortune. If it gets its asking price, it will more than triple the record for a real estate sale price in the Millbrook area, which currently stands at $19 million usd/ $26,053,000 cad.
The Hitchcock estate, also known as Daheim (“at home” in German), became infamous in the 1960s as the domain of Harvard psychologist-turned-LSD-evangelist Timothy Leary, who used the property for psychedelic experimentation for five years. Nina Graboi, an influential figure in the psychedelic movement, described the scene as “a cross between a country club, a madhouse, a research institute, a monastery, and a Fellini movie set.” Considered “the most dangerous man in America” by Richard Nixon, Leary hosted such counterculture luminaries as Allen Ginsberg and attracted frequent raids by the FBI, which eventually caused him to leave. The estate fell into disrepair but has undergone extensive renovations in recent years that have restored it to its former glory. Photo Credit Tyler Blodgett/ Heather Croner Real Estate Sotheby’s International Realty
Architect Eliot Noyes was one of the leading pioneers of modern design during the mid-century, post-war boom in the United States. Educated by Walter Gropius at Harvard, Noyes did more than anyone to align the Modernist design ethos to the needs of ascendant corporate America. His impact on companies like IBM and Mobil Oil paved the way for Apple and many of the other design-conscious brands we know today.
Modernism, Inc. follows Noyes’ career up to a time when disruptive designers of the early ’70s began pushing back against the Modernist view of progress. As he did in Eames: The Architect and the Painter (co-directed with Bill Jersey), filmmaker Jason Cohn uses the story of a mid-century icon to raise contemporary questions about the role of a designer in today’s world.
Jason Cohn will appear in person at both the New York and Los Angeles openings.
“Well-researched, well-crafted and fascinating. Noyes created and forged some of the most respected, meaningful, and influential industrial design programs in the United States. The rise and attraction of modernism on the heels of the postwar economic boom birthed contemporary design and philosophy that continue to exist and flourish today, influencing mega businesses, including Apple. The idea of beauty with utility, which was generated from the Bauhaus art movement, continues to remain vital today, and for this, we thank Noyes.” -Sabina Dana Plassa, Film Threat
“Noyes held the belief that design was not an afterthought, but rather something that needed to be infused into every aspect of a company’s thought process. The result helped IBM become the technical design juggernaut of the early personal computing era—and paved the way for companies like Apple to design products for the 21st century. Interviews with those who worked with him, as well as those in his family who knew him intimately, paint the picture of a man who was truly ahead of his time.”-Sara Harowitz, The Georgia Straight
MODERNISM, INC. Directed by Jason Cohn 79 minutes | color | In English | 2023
CREDITS
Jason Andrew Cohn Writer and Director Camille Servan-Schreiber Producer Kevin Jones and Jason Cohn Editors Steven Emerson Music Composer Sebastian Roché Narrator Talia Mindich Associate Producer Talia Mindich, Andrei Valladolid, Nina Goodby Assistant Editors
