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Reviews

Canuck Book Review – Linden MacIntyre’s Why Men Lie

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Why Men Lie is the third book in a series that takes place in Nova Scotia’s Cape Breton by Canadian author and journalist Lynden MacIntyre. As a follow up to Giller Prize Winning The Bishop’s Man, this installment of the story follows Effie MacAskill Gillis—a member of the cast in the last two novels in the series.

Effie is an intelligent and accomplished woman. She is a well-respected professor an unnamed university in Toronto. Leads an active social life and has a strong relationship with her adult daughter. However, as reader of the previous two novels will know, Effie has had a rocky past filled with repressed memories that haunt her throughout the book in a series of cloudy flashbacks. As with MacIntyre’s previous two novels, the present is wound fluidly with the past. Effie’s character enhances your understanding of her life and feelings through narrated flashbacks and musings.

Veteran CBC journalist-cum-author Linden MacIntyre

Perhaps what is most remarkable about this novel is that it is written in the female perspective. MacIntyre has been known for many years, both as a journalist and novelist, to have an impeccable ability to tell a story. Throughout reading this novel, the reader will forget that it is, in face, a male author and feel connected with Effie.

If one picks up this novel to see exactly why men lie, they may be disappointed. However, instead of giving the reader an answer, it leads them in the search for truth in Effie’s life and even their own. Sarah Purdy is an avid reader and reviewer of books for The Silo.

Reviews

Canadian Book Reviews The Sentimentalists

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photo: Aaron_McKenzie_Fraser- www.amfraser.com

Johanna Skibsrud’s Giller Prize winning novel, The Sentimentalists, is a journey that sometimes takes place between the lines. Skibsrud’s unnamed narrator takes the reader across time as she tries to reconnect with her troubled past and with her father, which has always been shrouded in secret.

From the beginning, the reader knows little about the narrator. Skibsrud weaves details from the past as she navigates the narrator through a trip back to Casablanca (save yourself some Mapquesting- this is a fictional town CP), Ontario, her hometown. Sparked by recent heartbreak, the narrator travels to Casablanca to spend time with her father in the twilight of his life.

Novels often have multiple cover styles- this one reflects the ‘hidden, not quite visible’ character of the narrator.

In what seems like an attempt to distract herself from her own problems, she devotes herself to finding out some truths about her father’s life before he slips away….forever. The reader never knows much about the narrator. This will be a test for those who like to know about the person who is telling the story. Never named, the narrator releases little information about herself, but a clear and exhaustive picture is painted of her father, Napolean.


[One of the best Woody Allen films- uses an imaginary-advice-giving-fedora-wearing character straight out of Casablanca as a narrative device CP]

Lyrically written, this novel can be a frustrating read at some points. It is full of beautiful passages and poetic imagery. However, at times, the reader may find themselves somewhat lost in the fog of the past and present blending together.

“Lost in the fog of the present and the past….” Lost in the fog – Mount Washington (NH, USA) photo:traveldudes.org

A haunting and promising debut, The Sentimentalists leaves the reader with something to think about. Although difficult at times, it is definitely worth sticking with until the end.

Johanna Skibsrud’s second release is a series of short stories called This Will be Difficult to Explain and Other Stories.  For the Silo, Sarah Purdy.

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The Bishop’s Man By Canadian Author Linden MacIntyre

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The Bishop’s Man by Canadian author Linden MacIntyre offers a deep and compelling story of one man’s struggle for atonement. The book revolves around a very controversial and current topic, the sexual abuse of children by Catholic Priests. However, this fictional work is much more than a critique on a current situation; it is a journey and dialogue on themes of loneliness, isolation, redemption and spirituality. This novel follows the characters from MacIntyre’s earlier work, The Long Stretch.

MacIntyre begins his story in the present day, sometime in the 1990s, in southern Cape Breton Island. From the beginning, the reader is taken on a journey through the eyes of Father Duncan MacAskill, a priest known as the Exorcist. Father MacAskill, who grew up in this area, is sent for a break from his regular duties, troubleshooting and cleaning up messes made by priests that threaten to embarrass the Catholic Church. Father MacAskill sees this trip home as less of a homecoming and more of a time of spiritual discovery through current events and reflection. MacIntyre weaves present day with the past as he unwinds Father MacAskil’s complicated and somewhat remorseful past.

Father MacAskill is very good at what he does—making troublesome priests disappear by sending them to far off parishes or rehabilitation in Ontario. Upon his return to Creiginish on southern Cape Breton Island, he befriends a young, 19-year-old Danny MacKay from whose father he purchases a boat. Danny’s character is troubled and before Father MacAskill can really reach him and understand the root of his trouble, he commits suicide. This is especially difficult to take in for Father MacAskill when rumours start to swirl that a relationship with a troublesome priest, Brendan Bell, who was sent away from Newfoundland to Craiginish by MacAskill, may have lead to the ruin of Danny MacKay. Upon this revelation, MacIntyre’s story starts to divulge into the past as Father MacAskill tries to sort through his current situation and his spirituality.


The absorbing narrative takes the reader through his missionary work in Honduras in the 1970s, where he has sent to forget what he saw as a young priest between a well respected priest and a young person. The Honduras narrative is threaded between the present day and other reflections. MacIntyre does this seamlessly throughout the novel. Father MacAskill’s stint as dean at St. Francis Xavier is also explored. It is while he is dean at the university he becomes the Bishop’s right hand man and is set out to extinguish potential fires in various churches across Canada. Through all the weaving and reflection, Father MacAskill sorts through his own demons, his past and his family’s problematic and mysterious history.
Although this fictional work discusses a very current and disturbing subject, the sexual abuse of children is never directly addressed or explained in the eyes of Father MacAskill. It serves as a constant undertone to the actions and thoughts of the main character. Linden MacIntyre’s narrative, through the eyes of a troubled priest, provides the reader with a rare insight into the inner workings of the priest hood and the powerful Catholic Church and its place in Canadian culture. For the Silo, Sarah Purdy.