Tag Archives: George Orwell

How to Avoid a PhD (Penalty for Hardworking Dummies): Debunking the Meritocracy Myth

To All Who Will Say, “It Has Nothing to Do with Me”

This book is a profound research work that exposes corruption, censorship, and corporate tyranny in the purported democratic system of the US. Hammond reveals the subversive role of the mainstream media in deceiving the public and manufacturing consent for perpetual wars, individual responsibility for institutional failures, and social injustice presented as a meritocracy. At the same time, argues Hammond, the incessant propaganda conditions the public to accept the denial of basic human rights such as healthcare, living wages, and higher education as undeserved luxuries.

According to the author, through sophisticated mechanisms, the People Relations industry constantly disseminates the illusion of freedom and democracy and inculcates the myth. Hammond offers a brief history of media corruption through consolidation of ownership, currently reduced to five giant corporations. The author opens the first chapter with a short analysis of the classic 5 filters of mass media detailed in Herman and Chomsky’s 1988 Manufacturing Consent. Although Chomsky’s revelation is widely popular as every dissident’s bible, less known is that the authors dedicated the book to an Australian writer, Alex Carey, whom they consider a pioneer in the field of propaganda.

According to Carey, people in the US have been subjected to an unparalleled, extensive, three-quarters century-long propaganda effort, designed to expand corporate rights by undermining democracy. Hammond traces the roots of propaganda back to the 1920s, when the founder of the People Relations field, Edward Bernays, initiated his mass psychological campaigns to win public opinion. Bernay’s successes include influencing women to smoke and promoting foreign intervention in Latin American countries at the behest of corporations, later known as Banana Republics.

During that time, leading intellectuals such as Bernays and Walter Lippmann freely used the term “propaganda” as an indoctrination tool and promulgated the idea of manipulating the public.

Bernay’s 1928 book titled Propaganda, was a literal manual for the ruling intelligentsia. According to Bernays, the masses should be unaware of the source of their influencers, while the audience is overwhelmed with carefully selected images and rhetoric by unknown agents. Another source used by Hammond is George Orwell’s unpublished preface titled “The Freedom of the Press” to his 1945 Animal Farm. A curious little-known fact is that Orwell had a hard time publishing the book in democratic Britain, and took him five years to find a publisher. Moreover, the preface, in which he explains the phenomenon of self-censorship and how in Western democracies it is done in a very subtle way in contrast with dictatorships where the censoring is open. Perhaps because of this analogy, the preface is still not published within the book, although could be found separately on the Internet.

Tamara Hammond’s book extensively analyzes the current media status with emphasis on alternative media in the context of the rising censorship practiced by the owners of social media networks. According to the author, from Google to Facebook to X (nee Twitter) tne giant networks are obedient purveyors of the ruling oligarchy that transcends national borders. Hammond warns that we are being conditioned to accept a neo-feudal technocratic dictatorship based on fearmongering and deception. Much of the book is dedicated to educating the audience about the real dissidents in media and academia who fight against wars and corruption, and to liberate imprisoned journalists like Julian Assange.

The epilogue features an allegorical tale about the slippery slope of corruption and the mechanisms of power that overwhelm even the most noble minds. Available for order on Amazon.

How Apple Parallels My Life

When I think back to the 1980’s I have mostly fond memories. It was time of great fun and discovery for me personally. I had both Commodore and Apple computers and a hairstyle that is happy to remain in my past. I listened to cool groups like “Twisted Sister” and wouldn’t publicly admit that I enjoyed “Culture Club”. Being in high school, I was painfully shy and didn’t have a lot of success with girls.

Apple had a pretty similar experience if you think about it. They were a little shy and reserved, but very much loved by those who understood them. They didn’t go out much – choosing to stay in schools and in a very few select homes. They had their share of identity crisis’ in the early 80’s and tried to break free with a whole new persona called “Macintosh” in 1984.

They walked around confused between educational, business, and recreational use and staggered out of the fog towards the end of the decade.

The 1990’s brought about a new confidence and independence. I had started a business just at the end of the 80’s and took my experience to heart as I tried to find the right niche for me. I knew that computers was where I was meant to be and grew a business from nothing to exceptional sales in a short time.

Steve Jobs and Apple’s Macintosh Computer.

I also saw the market hinge and my sales erode and I wasn’t quite able to move fast enough to recover my previous glory.

Apple saw their market share grow and decline in the 90’s as well. They knew that computers were where they were meant to be, but they couldn’t decide if they were the company to make them. They tried licensing out their operating system to others in a move that ultimately
muddied the market and left their loyal customers wondering just exactly where they were going next. Following graph courtesy of www.saypeople.com

The 2000’s became a year of maturity for me. More confident in the path I was following, I followed my dreams to open a computer museum and finally saw it through in 2005. I refocused my energies with my passion for video games to acquire the largest collection in Canada while at the same time educating others along the way.

I worked my way towards a global following for those that have shared my vision. Apple made the move from niche computer to dedicated
music device, to a more advanced smart phone in the 2000’s. They grew their loyal following in the computer market by making some radical
changes to their core operating system and integrating their new consumer devices flawlessly. They became the company they had always
dreamed they could be.

Today, I ’m following my dreams and am no longer the shy, awkward guy I was in high school. I ’m successful and I ’ve moved on from “Culture Club”. My life is very interesting because I like to keep one foot in the past to enjoy the good times, while putting another foot forward into the exciting future.

The best is yet to come, and I think the same is true for Apple. For the Silo, Syd Bolton. Check out www.pcmuseum.ca in Brantford,Ontario.

Discrimination Against Cyborgs? Tomorrow’s Hate Crime…Today

Neil Harbisson -cyborgist (image creative commons)
Neil Harbisson -cyborgist (image creative commons)

We tend think of cyborgs as something from the type of ‘horrible future’ depicted in video games and science fiction movies. At least I do, but every once in a while I come across something that reminds me that I am already living in that future. Hate crime against cyborgs may seem like bad fiction, but it has already happened.

Waaay back in 2012 Toronto cyborg, Steve Mann, claims he was assaulted in a Paris McDonald’s just for wearing his EyeTap. Mann is a professor of electrical and computer engineering at the University of Toronto. He is known as the father of wearable computing and is the inventor of the EyeTap, among other things. The EyeTap is an assistive device that can enhance visual information for people who are visually impaired, but can also superimpose extra information on top of the visual scene. For instance, it can overlay infrared heat signatures, measurements, or statistics.

Mann states he was confronted about his EyeTap while in line to order but was left alone after he showed the employee his doctor’s note (something Mann always travels with) which explains exactly what the device is for and why Mann wears it. After eating Mann was surrounded and manhandled by several McDonald’s employees who were concerned that he was filming trade secrets. The employees tore up his doctor’s note and tried to rip off the EyeTap device. However, the EyeTap does not come off without special tools: it cannot just be removed. Although the EyeTap was damaged in the altercation, it managed to capture footage of the employees who assaulted Mann, who was upset but essentially uninjured. McDonald’s consistently denied any wrongdoing in this case despite these images.

But this is just a one-off event right? I suspect that is not the case. In a very real sense, cyborgs are already here. More and more people are turning to the sort of assistive devices that blur the line between human and machine. If you think about it, a cyborg is what you get when you enhance human abilities by adding mechanical elements.

Imagine a deaf person. After a lifetime of being deaf, he gets a cochlear implant allowing him to hear for the first time. His natural abilities have been extended using technology. Another person has a pacemaker that allows her heart to beat in a regular rhythm. Her natural abilities have been extended with technology. Sure, it is not laser hands or a Wi-Fi connection to the hive mind, but it is real and fits the definition.

The Cyborg Handbook estimates that ten percent of Americans qualify as cyborgs in a technical sense. That’s the thing about the future: we are so used to living in it; we forget to be impressed by it. There are also, however, a handful of people who would be considered cyborgs in the traditional sense.

For instance, Steve Mann himself is generally considered a cyborg. Neil Harbisson, artist and cyborg activist is the first person to be legally recognized as a cyborg. Born colour-blind, Harbisson created a head mounted device which turns colour frequencies into sound. He later had a version of this device implanted directly into his skull. With his “Eyeborg” implant Harbisson can now hear colours even into the infrared and ultraviolet spectrum.

Just as more people get closer to being proper cyborgs, more people are starting to push back against what they see as a harmful trend. Stop the Cyborgs is a real group dedicated to preventing a future where privacy is impossible, where we in fact have no expectation of privacy, where surveillance is normalized. It is difficult to argue with that, none of us regular people want to create an Orwellian surveillance state on purpose.

Fear factor? The recurring cyborg character "Davros" from TV's and Netflix' Doctor Who
Fear factor? The recurring cyborg character “Davros” from TV’s and Netflix’ Doctor Who

Their second point of contention is much more problematic. Stop the Cyborgs wants to ban or restrict wearable computing devices that can record and upload data, just as an increasing number of people are turning to such devices to manage their tasks of everyday living. They argue that wearable technology blurs the line between human and machine, with the implication of course, that this is a bad thing. They do make a limited exception for people using ‘assistive devices’ as long as the device itself and the data it gathers remain in the sole possession of the individual.

But how do they, and more importantly, how do you determine that on a daily basis? This ‘cyborgs are bad’ mindset is going to lead in a bad direction. With the widespread release of Google Glass this past spring, we are only going to see more integration of people with their computing devices. As the price goes down, a greater number of people are going to adopt wearable technologies.

Stop the Cyborgs seems like a knee-jerk reaction to the introduction of Google Glass, which threatens to normalize an always-on type of surveillance. They even go so far as to suggest that we cannot know if cyborgs are in control of their own implants, or even of their own bodies. But the actual threat is probably much less serious than that.

First, we are already at the point where we could be filmed at any time. Nearly everyone has a video camera in their phone, and most of us are recorded by closed circuit security cameras all day long as we go about our business. If we assume that every person wearing an assistive device is some sort of covert-ops tool of the state, things are going to get ugly very quickly. For instance, Stop the Cyborgs just released a new device called Cyborg Un Plug that prevents cyborgs in your vicinity from connecting with the hive mind, er, internet and uploading video or audio data.

Second, as Steve Mann points out, these cameras can be used by regular people to keep a record of the doings of the state and its agents, like the police. Mann calls this ‘sousveillance’ which essentially means watching from below. Recording and sharing the events of everyday life can allow people to share their personal experiences with others, can provide an alibi when there is alleged wrongdoing, and can make it easier to make power-holders accountable for their actions. These are the real trends to watch for as wearable computing becomes more common. For the Silo, Cathy Greentree.

Supplemental:

http://stopthecyborgs.org/

http://spectrum.ieee.org/geek-life/profiles/steve-mann-my-augmediated-life

http://cyborganthropology.com

Hospital Visits Becoming More Like Costly Airport Visits

From a technological point of view there is nothing wrong with the way our hospitals have changed over the past thirty years but what about from the viewpoint of a person? A real, honest to gosh person. The hospital calls these folks patients or family members/visitors, but I think they must have a secret name for them too: consumers.

Let’s be honest- There is little in the way of real consumer value in our hospitals. Even before you set foot, cane or wheelchair through the front door you have to find somewhere to leave your vehicle. And just like an airport- parking costs are typically fifteen dollars a day. And what about that once staple of stand-up comedy topics- crappy hospital food? If it isn’t anymore, there certainly was a time when hospital cafeteria meals- just like airline meals- were cultural icons. In the hospitals I have visited recently, the cafeteria is slowly but surely being turned into something else…..monitors ready to dull your brain and feed you big corp.

On Monday I spent several hours at Brantford General Hospital’s C Wing. For most of that time, I’d only been on two floors and I’d already found two Tim Horton’s counters- complete counters mind you, not just a kiosk window offering a paper cup of coffee but something offering full breakfast sandwiches and lunch menu items. So why would anyone want to visit the hospital cafeteria? And if they did would they even be successful in finding the cafeteria? I could not find a sign pointing the way but Tim Horton’s were instantly visible and both perched in prime retail positions directly at or near an outside entrance. Starbucks take note.

While I was enjoying my double – double I discovered that my wifi usb stick did not work in the MRI waiting area. I moved around to no avail. I decided to let my laptop search for a public access node and I was successful in discovering that the hospital offers public internet access. With a credit card, a patient or a family member can spend upwards of $22.54 for one week of internet access or $11.24 for one day or part of a day. I was beginning to feel like a consumer. (note: these costs from September 2011)

Visiting is getting expensive.

If I need to complete work duties while I’m waiting for a hospital appointment or waiting to visit a patient, I’ve already spent 15$ on parking, $1.60 on a coffee and $11.24 for internet access. That’s $27.84 and there’s still lunch to consider if things are delayed. I decide to give up on the world wide web and look instead for something to read. Then I realize that there isn’t any reading material. Not a Maclean’s, National Geographic or even a Reader’s Digest. Instead there are two screen monitors broadcasting CP24 news , ticker tapes and car commercials into each waiting area. Not exactly the most calming environment.  I stand up and walk twenty feet towards x-ray waiting area 1. There is a small mass of people sitting and staring at the side-by-side flat screen monitors. From my perspective it is terrifyingly cold and stark. It is a scene from Orwell’s 1984 and I want to shake each one of them and tell them to stop. I want to tell them to pull out their corporate i.v. but I come to my senses. (this is only television after all right?) These people love t.v. The patient beside me whisper’s “t.v. keeps everyone’s mind off of their hospital stay”.  For the Silo, Jarrod Barker. 

 

 

Artwork That Reminds Us History Is Absolute

Colorization processed G. Orwell photo- mensxp.com

“The most effective way to destroy people is to deny and obliterate their own understanding of their history.” -George Orwell

The facts of the past cannot be objectively altered regardless of belief or opinion. They can, however, be tainted by those wishing to assume power. It is critical that we understand the past as it happened and do not allow the view to be obscured. Only in this way can we ensure that we do not repeat the mistakes of our forebearers, only in this way do we as a society learn and move on from our past transgressions. Those who would revise the past must be confronted with resistance and overcome with the truth. We are bound by our ancestors to carry their truth along the banks of the future no matter how heavy the burden may be.

Golden Age Rorschach, 2014, 38” x 26”, Acrylic paint over inkjet print mounted on Dibond by Aura Goldenberg.

Aura Rosenberg is based in New York City and Berlin, Germany. Since 1993 she has worked on a project titled Berlin Childhood. Over the years the project has taken on many forms including a published book, souvenirs of Berlin’s Victory Column, photographs, and a film. The title comes from a series of texts by Walter Benjamin written during his exile from Berlin in the 1930s. Rosenberg began creating a photograph to correspond with each text which Benjamin wrote in order to combat his homesickness during exile. Chantal Benjamin, the granddaughter of Walter Benjamin moved to Berlin and contacted Rosenberg. The two became friends and Rosenberg began filming Benjamin and her daughter around the city also in correspondence with the original texts. Presently Rosenberg is editing her archive of footage and recording a narrative soundtrack of Walter Benjamin’s great-granddaughter reading his texts aloud. Rosenberg also creates work based on themes of sexuality. One of her current project is a continuation of an older work titled Porn Rock.

“145 Elm Ridge Drive Toronto”
Study Of Politics In Cell Tower Placement by Vid Ingelevics.

Vid Ingelevics is a Canadian artist. Much of his work examines representations of the past. His current long form project titled Freedom Rocks focuses on the history of the Berlin Wall since its removal in 1989. Ingelevics began researching what happened to the wall after it fell and discovered pieces of it across the world including in the United States and Canada. Initially, Ingelevics and his collaborator went to Washington, D.C. to learn about the movement of the remains of the wall. In the years following the removal of the wall there was a strong market for fragments. Pieces of the Berlin Wall now appear in the most unlikely corners of the world. Ingelevics work looks at why fragments of the Berlin Wall move around the world and who pays for this as well as putting the wall in the context of history rather than relegating it solely to the realm of political symbolism.  For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

Featured image- “Touching the Wall”, Berlin, 2014. From the larger project, Freedom Rocks, a collaboration between Vid Ingelevics & Blake Fitzpatrick begun in 2004 that explores the post-1989 history of the Berlin Wall.

Supplemental- Digital Rorschach examples from 2012 / 2013 series by Canadian Artist Jarrod Barker.

Space Race by Jarrod Barker. 2013.

Blue Nude Torso In Plaid Design. Jarrod Barker. 2012.

Monarch. Jarrod Barker. 2013/16.

A Few Words to Keep in your Pocket

History is absolute. Endeavor to know it and to speak its truth.

Interviews are available on iTunes as podcasts, and for Android please click here. All weekly essay pieces in a shareable format are here. The full archive of interviews here.

Books to Read

What are you reading? Add your titles to our reading list here. Heather Hubbs has recently read On Tyranny, Twenty Lessons from the Twentieth Century by Timothy Snyder and user Julia has been revisiting Slaughterhouse Five by Kurt Vonnegut.