Tag Archives: geometry

Raketa “Avant-Garde” Wristwatch Is Art In Motion

The new version of the Avant-Garde watch, while based on the original model with its famous red triangular hand, rises to a fundamentally new design level.

It now has a multi-layered dial, a sophisticated case and more striking hands with Super-LumiNova glow, showing the time even in the darkest dark. One of the main design innovations was to replace the usual numbers with words: zero, three, six, nine. Three main avant-garde colours – red, white, and black – combined with the austere geometry of hands and fonts help emphasize the beauty and uniqueness of each moment. Even a quick glance at your wrist will remind you of this, revealing each time a new art composition on the dial.


Drawing on the idea that the Raketa Avant-Garde model is “art in motion”, you can constantly interpret and reinterpret this ever-changing artwork, filling it each time with new meanings.

The abstract geometrical shapes on the dial are set in motion by a Raketa automatic movement designed and manufactured at the Raketa Watch Factory in St. Petersburg. Looking through the transparent case back, you can appreciate the beauty of the movement and enjoy its harmonious work.

Specifications

Factory:Raketa Watch Factory (Saint-Petersburg)
Movement:
Calibre:2615
Functions:Automatic
Number of jewels:24
Testing positions:4
Average rate (s/d):-10+20
Average running time (h):40
Frequency/hour:18.000 / 2.5Hz
Bi-directional automatic windingYes
Stopper of self-winding unit activated during manual winding:Yes 
Decoration:Laser engraving
Neva wavesPrint
Case:
Material:Stainless steel
Size:39,5 mm
Front glass:Sapphire 
Back glass:Mineral 
Crown:Ruby stone ​​inside the crown
Water resistance:5 АТМ
Hands:Super-LumiNova
Strap/bracelet:
Material:Genuine leather
Width:22 mm
Sex:Unisex

FR                     

 Raketa “Avant-Garde”

L’art en mouvement


Basée sur le modèle original avec sa célèbre aiguille triangulaire rouge, la nouvelle version de la montre Raketa “Avant-Garde” monte en gamme.

Ce modèle a désormais un cadran multicouche, un boîtier plus sophistiqué ainsi que des aiguilles plus saisissantes qui, grâce au Super-LumiNova, indiquent l’heure même dans l’obscurité. Mais une des principales décisions en matière de design a été de remplacer les chiffres habituels par des lettres : zéro, trois, six, neuf. Les trois principales couleurs de l’art avant-gardiste – rouge, blanc et noir – associées à une géométrie stricte des aiguilles et des polices de caractères permettent de souligner la beauté et le caractère unique de chaque instant. Même un bref coup d’œil à votre poignet vous le rappellera, révélant chaque fois une nouvelle œuvre d’art sur le cadran de la montre.

S’inspirant de l’idée que le modèle Raketa “Avant-Garde” est de l’art en mouvement, vous pourrez réinterpréter inlassablement à votre manière la composition qui se renouvelle sans cesse sur le cadran, et lui conférer des significations nouvelles.

Le déplacement des formes géométriques abstraites sur le cadran est assuré par un mouvement automatique Raketa conçu et fabriqué à la manufacture horlogère Raketa de Saint-Pétersbourg. Le fond transparent du boîtier permet d’apprécier l’élégance du mouvement et de son fonctionnement harmonieux.

Le prix

Spécifications

Le prix est de 1.950 Euros (TVA comprise)/ $2,863 CAD. Pour le confort de nos clients, les montres sont livrées gratuitement jusqu’à leur porte par DHL.

Manufacture :Manufacture de montres Raketa (Saint-Pétersbourg)
Mouvement :
Calibre:2615
Fonctions :Automatique
Nombre de rubis :24
Positions de reglages :4
Marche moyenne (s/j) :-10+20
Réserve de marche moyenne (h) :40
Fréquence/heure :18.000 / 2.5Hz
Remontage automatique bidirectionnel :Oui 
Système de débrayage du module automatique lors du remontage manuel:Oui
Décoration :Gravage laserCôtes de NevaCouleur azur
Boitier :
Matériau :Acier inoxydable 
Diamètre :39,5 mm
Glace côté cadran :Sapphire 
Glace arrière :Minéral 
Couronne :Rubis à l’intérieur de la couronne
Etanchéité :5 АТМ
Aiguilles :Super-LumiNova
Bracelet :
Matériau :Cuir véritable
Largeur :22 mm
Sexe :Unisexe 

The Intelligent Design Of Our Universe

This isn't such a complex principle after all. Essentially, the idea is- if we can see strong similarities in design between say a Planet and between a structure or diagram that represents something else, then the inherent 'sameness' means an intelligence is at work, not some form of randomness. We'd love to hear your thoughts- agree or disagree? Comments are welcome at the bottom of this post CP
This isn’t such a complex principle after all. Essentially, the idea is- if we can see strong similarities in design between say a Planet and between a structure or diagram that represents something else, then the inherent ‘sameness’ means an intelligence is at work, not some form of randomness. We’d love to hear your thoughts- agree or disagree? Comments are welcome at the bottom of this post CP

Nothing exists for nothing, the universe is not itself made, and nothing in it has nothing to do.

The moment Mankind has been waiting for over a millennium has finally arrived. A tangible proof of off-planet life has occurred. The higher powers have at long last shown their hand.

In nineteen ninety nine, a website called ‘The Revelatorium’ was launched. The website revealed many aspects of the higher dimensions not previously known. By the fall of two thousand and thirteen the Revelatorium had morphed into a full revelation of the Intelligent Design by which all of Creation has been blueprinted and expressed.

The verity of the Design has now been proven in real time.

The drawing is Figure 77 in Chapter 8 of the Revelatorium. The figure depicts the cubistic blueprint of the first six dimensions of the Outer Creation according to the formats of the Intelligent design.
The drawing is Figure 77 in Chapter 8 of the Revelatorium. The figure depicts the cubistic blueprint of the first six dimensions of the Outer Creation according to the formats of the Intelligent design.

This image is of Saturn's North Pole and was taken recently by the Cassini probe.
This image is of Saturn’s North Pole and was taken recently by the Cassini probe.

If you carefully compare the Revelatorium and Cassini pictures you will see that they are structurally identical. The Revelatorium drawing was done in two thousand and two. The Cassini probe was launched in 2009.

Both have a clearly defined center hexagon area representing the first, second, and third dimensions collectively. Particularly confirmed is the red circle area in the middle.

A second greenish coloured hexagon ring with pink splotches around the first hexagon ring matches the ring of six different cubit designs around the center of Figure 77, representing the fourth dimension.

A third, blue colored hexagon shaped ring with uniform pink splotches around the second ring matches the ring of twelve identical cubit designs around the second ring of six cubits of Figure 77, representing the fifth dimension.

And finally a fourth hexagon shaped ring with faint pink splotches and completely different background color around the third ring matches the ring of eighteen identical cubit designs around the ring of twelve cubits of Figure 77, representing the six dimension.

[On higher dimensional physics: http://www.reasons.org/articles/higher-dimensions CP]

A close up of the Cassini image in black and white shows the features more distinctly, in particular the first second and third dimensional hexagon and circle aspects in the middle
A close up of the Cassini image in black and white shows the features more distinctly, in particular the first second and third dimensional hexagon and circle aspects in the middle

 In short, the Saturn hexagon is a concrete lower dimensional proof of a higher dimensional factor.

The striking similarities in the respective pictures are not coincidental. The Saturn hexagon is home of the Solar System government. The hexagon is a magnetic resonance reflection in the third dimension of the domain’s six dimensional configuration. The population lives within its fifth dimensional band of materialization, represented by the thick ring in the hexagon, and ring of twelve similar designs in the same location in Figure 77.

As the cubistic matrix of Figure 77 would imply, the whole Intelligent Design is dirt simple and can be understood by anyone. The basic elements of the Intelligent Design consist solely of a sphere, a cube, and straight lines. The rules by which the elements work together hold the key. There is aught in existence not of the Design.

In figure 77, the red spheres represents Intelligence, the blue straight lines represent Energy, and the yellow cubes represents Substance. The attribute of the Father is Intelligence, the attribute of the Son is Energy, and the attribute of the Holy Ghost is Substance. Intelligence, Energy, and Substance is all there is.

The two most fundamental elements of the whole Design are The 'Cube and Sphere of Alpha and Omega' and the 'Cubit'.
The two most fundamental elements of the whole Design are The ‘Cube and Sphere of Alpha and Omega’ and the ‘Cubit’.

The Cube and Sphere comprises the entirety of the fourteenth dimension and acts as interface between the un-materialized inner form of the Creators in their fifteenth dimension as the Holy Trinity and above, and their materialized outer form in the thirteenth dimension and below as ‘Creation’.

The Cube and Sphere projected one dimension down to the thirteenth dimension comprises the ‘Cubit’, shown below. The ‘Cubit’ is the basic genome of Creation. By principle of the Cubit the whole of Creation has been blueprinted and expressed.

If you look again at Figure 77, you will see that it is composed entirely of variations upon the cubit. The variations reflect specifically different frequencies according to rule. By the rule the differing frequencies comprise the differing aspects of Creation. By this simple principle, the Intelligent Design is capable of blueprinting and depicting all of Creation in all of its aspects. The current Creation is over nine hundred trillion light years across and still within its infancy.

The Cube and Sphere

The Intelligent Design can be found in its totality at website http://www.revelatorium.com/.  For details about every thing going on now inter-dimensionally, also see: http://www.revelatorium.com/For the Silo, Delahnnovahh-Starr Livingstone.

Supplemental- Dr. William Dembski http://www.ideacenter.org/contentmgr/showdetails.php/id/776