Kick scooters are gaining popularity in many populous urban and suburban areas worldwide. As Europe leans toward sustainable mobility, more and more creative ideas are addressing the issue of daily commuting. Designed and engineered in a home garage in Ljubljana, Slovenia, the OLAF Kick Scooter is one such attempt to alleviate the ‘last-mile’ problem.
Engineer Bostjan Zagar and his father developed an open platform kick scooter, OLAF Urban, that can carry any bag or backpack.
A unique feature is that if used with the provided OLAF backpack, the scooter itself is a backpack, and if the handle is folded, also a longboard.
Jure Lozic, designer of Musguard – rollable bike fender, calls the folding mechanism “an engineering marvel, simple and effective”. Bostjan owns a patent and hopes it will take him from A to B, where B is mass production. Slovenia has ample production capabilities, so an eventual goal would be global manufacture.
After almost three years of research and development, Zagar was confident enough to start crowd funding at Kickstarter.
To broaden the odds of success, he implemented the same folding mechanism to an existing concept of carry-on kick scooter, OLAF Business. Now you really can cross the Atlantic with a kick scooter. “It’s the coolest carry-on!”
It’s a self-inflating, self-propelled, remote paddle operated beauty!
Standup paddleboarding already has a loyal core of followers and its popularity is growing fast. As the world’s first self-inflating standup paddleboard, SipaBoards is changing the direction of this sport for the better and making it easier and more accessible for everyone.
Its innovative design opens up paddleboarding to children, beginners, and anyone else who is curious, but still hasn’t given the sport a try. The board pumps itself up in just a few minutes, getting you on the water more quickly, and the motor helps you keep stability and direction, making it easier to paddle further and stay out on the water longer.
According to those in the know, SipaBoards have come up with the smartest innovation in paddleboarding in recent years. The “no extra parts” philosophy of SipaBoards’ founder, Sebastjan Sitar, led him to design the motor’s housing so that it seamlessly fits into a whole in the board’s center of gravity.
The second innovation, named aptly the SipaDrive, is an integrated jet propulsion system, which gives the paddler assistance up to 3 knots. Everything is “smartly” operated wirelessly by buttons built into the paddle itself, so that communication with the motor is interrupted and the motor automativelly shuts off immediately if the paddle falls into the water.
Accelerating the Slovenian Economy by 3 knots
Sebastjan Sitar, a sportsman and entrepreneur, has his mind on the significance of this business challenge ahead of the launch:
“Slovenia was hit hard by the economic crisis, and we realize that the country needs a fast way out of these difficulties. Our solution will accelerate this recovery by 3 knots.” Sipaboards on Twitter
When thinking about grant writing, it helps to first consider this story that tells about luck. In it, a farmer’s horse runs away and all his neighbors come by to say what bad luck this is. The farmer replies “maybe.” His horse returns and with it brings wild horses. The neighbors all say what good luck this is to which the farmer says, “maybe.” The farmer’s son, attempting to tame one of the wild horses, is thrown and breaks a leg. Bad luck, say the neighbors, “maybe” says the farmer. At last the army comes to town gathering up all the able bodied young men to go off to war. Seeing the farmer’s son with his broken leg they pass on by.
The story ends here, but it shows that things are often connected in ways we can’t possibly predict. A Lebanese saying reaches toward the very same point, “Don’t curse your bad luck because it may turn out to be your good luck.” Again the message here is that you can’t possibly know whether a single event is truly good or bad.
Failure can and should be viewed through the lens of stories and phrases like these. When we stumble, it is easy to fall into the trap of thinking of this one moment as some sort of endgame. On the contrary, every so-called failure is nothing more than the next step in your journey.
Failure feels personal. When you have worked hard on something, poured your very soul into it, only to have things not come to fruition, it can feel like the universe is pointing a finger directly at your forehead. Putting things into some context is one way to start seeing the bigger picture.
Shakey Graves- Roll the Bones. Bandcamp.
Grant applications are quite probably one of the best examples of this. There is so much riding on any given application, whether it is for a specific project or an artist’s general practice. Grants are one of the ways in which working artists stay afloat and they are not only time-consuming, they can feel extremely personal.
Not receiving a grant can set off a cycle of emotions. Everything from wondering what is wrong with your work or your application, to convincing yourself that this is the last chance and there’s no point trying again. Let’s unpack these very common reactions and shed some light on the reality of the situation.
For any given grant you may apply to, there are countless others also spending long hours writing up their own applications. Grants range all over the place in size and popularity, so to speak. Even smaller scale grants (say, those offered by lesser known organizations or tightly specified to certain disciplines) will often attract many applicants.
While there are certain strategies when it comes to writing a good grant application, there is no single, objective way to ensure that yours will be the one chosen. When it comes down to final decision time, there is a level of subjectivity built into the process. Art for example, is not a quantitative subject and nor are grants being awarded via algorithm. Rather, they are being decided by panels of human beings with a range of subjective emotions about a field that is as unscientific as it gets.
For the reasons above, when you do not receive a grant, think of it in terms of the many, many other applications rather than simply in terms of what you personally did wrong. Do not ignore this as a learning experience and do reach out the grant organization for feedback whenever possible, but do not let “no” from one or even a string of grant organizations stop you in your tracks.
Instead, recall the story and expression above. Think of every grant, in fact, every action, as nothing more than a single ripple on the surface of the vast river that is your journey. When you do not get into a gallery, carry on and find others. Down the line when you look back, you will have the clarity to see the progression of events. When you are passed over for a residency, apply to three more. If a project doesn’t work out the way you thought it would, evaluate what happened, learn from the experience, and move on down the road.
Brainard Carey. image: elmcityexpress.blogspot
No one is claiming that this is easy. This isn’t about somehow detaching from your feelings and letting rejection slide like water off a duck’s back. Of course not. Rejection hurts. No matter how impersonal it might actually be when we are told no it isn’t a good feeling.
But remembering that every moment is just that, a single blip on the screen rather than a career breaking catastrophe can help you heal and recharge sooner after you’ve had a misstep. Carry the simple answer of the farmer with you at all times, “maybe.”
For the Silo, Brainard Carey.
Brainard is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.
When the next episode of STAR TREK CONTINUESis revealed, science fiction fans will see a familiar face in a guest star role. The new episode, titled Still Treads the Shadow, features guest star Rekha Sharma, perhaps best known to science fiction fans for her role in more than 30 episodes of Battlestar Galactica. While details of Sharma’s character in STAR TREK CONTINUES are being kept under wraps until April, she says the offer for a role came after meeting Vic “Kirk” Mignogna at FedCon Germany last year during the 50th Anniversary of STAR TREK event.
“Vic and I kept in touch after FedCon, and then he asked if I’d be interested in coming aboard STAR TREK CONTINUES. He told me about a script that was in development and the character he had in mind. I’m so delighted that it worked with my schedule,” Sharma says. Sharma’s first introduction to the original STAR TREK series came from her big brother. “All my friends were watching Full House or something. I’m not sure! And there I was, coming home after school and watching the original STAR TREK and old Perry Mason reruns! I remember my brother told me that there were people opening and closing the doors, which I thought it was so cool and cheesy. And it very much appealed to my dreams of utopia — especially as a young colored girl growing up in very white neighborhoods,” says Sharma. Rekha’s character of Tory Foster in the rebooted Battlestar Galactica, which began in 2004, developed after several auditions. “From the very first audition, I was immediately struck by the intelligence, artistry and kind-heartedness of the directors and producers. I thought, I’d really like to work with these people! First I went in for the role of a Viper pilot, then a captain, and then the role of Tory came along. Oh yeah, I thought, this is a perfect part for me.” Galactica’s producers apparently agreed. “Working on Battlestar Galactica was a dream come true. From my previous experience, I honestly didn’t think I could be creatively satisfied working in TV. But Battlestar Galactica changed that. Not only was it creatively satisfying, but we also had such a great team of people. We are all like family to this day,” Sharma explains
What does it mean to be a STAR TREK CONTINUES guest star? “It means I have fulfilled a dream, in a way, and that I’ve come full circle. I loved those stories. They had a wonderful morality and vision for humanity that made my heart sing. And then I got to step onto those sets and step into my childhood and be a part of telling that kind of story. Not only that, but that world was so fun! I loved those neat-o futuristic gadgets when I was a kid. And now, as an adult, I got to play with them. I got to sit on the bridge. There weren’t any trailers, so when I needed to rest between scenes, I took naps in sickbay on board the Enterprise. And I got beamed in the transporter! I can’t wait to see that,” she says enthusiastically. The experience of working on the STAR TREK CONTINUES set “was so refreshing,” Sharma says. “Everyone is there for love, not money. It felt like Battlestar Galactica that way. Although it’s a fan run project, the STAR TREK CONTINUES sets were surprisingly professional and very impressive. It was a mix of TV veterans and total newbies, and that made for an awesome atmosphere to work in. It was the best of both worlds, really.” Sharma likes to compare the character she’s playing in Episode 8 to be much like aviation pioneer Amelia Earhart. “She is smart as a whip, very technically inclined, and brave. I thought of her as a bright light of goodness and intelligence with a big heart.” She admits to being very surprised at what the cast and crew have created with STAR TREK CONTINUES. “You know, Vic told me that I’d become part of the family, but I had no idea what he meant. They have chosen a team who are all friendly, diligent, thoughtful and good-hearted people. I felt so welcomed and incredibly lucky. It makes sense that they’re shooting in the south – they’re so hospitable! And those sets! Again, Vic told me what they built, but until you’re there you just can’t conceive of it. It’s really impressive. I know I’m not the only one who was moved to tears,” Sharma says. Fans will be able to see Rekha Sharma at future conventions and events. “It’s funny. At first it felt so strange to do conventions, but as time has gone on I’ve really come to appreciate them. It’s special to have the opportunity to meet the fans and discuss the themes of these shows. You get to connect with people that you’d never get to meet otherwise. And sci-fi fans are awesome because, generally speaking, they still have dreams. They’re not jaded. They believe in possibility. And without that, nothing would ever change for the better. We’ve got to hold on to our dreams and keep being warriors in this world – to truly go where no man has gone before.” “Still Treads the Shadow” will premiere at Fan Expo Dallas on April 1 at the Dallas Convention Center.
How are you getting around the guidelines for fan films? As CBS/Paramount has made clear, the guidelines are not laws; they are general parameters applied on a case-by-case basis. Since the implementation of the guidelines, we have stopped all crowdfunding activities and have focused strictly on completing the four episodes which had already been funded as of that time by fans’ donations to our 501(c)(3) non-profit. STAR TREK CONTINUES has always followed any and all instructions given to us by CBS regarding our production, and will continue to do so. Does STAR TREK CONTINUES have any type of special and/or official arrangement with CBS/Paramount? No.
How long are the episodes? They will be exactly the same format as our previous episodes Why are you ending the series? Recent developments necessitated our finishing up sooner than we intended, but it was always our goal to bring The Original Series to a conclusion. With our final four episodes, we will have done that. It’s been an amazing five years creating this series, and we will miss making it. But all good things… Weren’t you going to make 13 episodes? Did CBS make you stop? CBS is not responsible for the decision to end the series. We are doing 11 episodes instead of 13 because another fan group took advantage of the good graces of the copyright holders forcing them to protect their property and the interests of their license holders. In deference and gratitude to CBS, we are wrapping up earlier than planned. We always have stood, and continue to stand, with CBS. Can we get DVDs/Blu-ray discs of the final episodes? As we do not own STAR TREK, we cannot sell DVDs or Blu-ray discs. In the past, we’ve made a limited number of discs available as crowdfunding perks. However, since we are no longer crowdfunding, providing episodes to the public on DVD and/or Blu-ray discs is not currently feasible for us. What will happen to the studio/sets? Will set visits/tours be available? We don’t have a definitive answer on this right now, but we’re considering all our options.
