Tag Archives: composer

Synthesizer Spotlight- The Synergy

July 30, 2024 The Silo Leave a comment

The Somewhat DX7 Like Alternative

The Digital Keyboards Inc Synergy II+ is a digital additive/FM synthesizer that sounds like no other. Somewhat similar to the extremely popular Japanese Yamaha DX7, its tone is mellower and warmer. The Synergy appealed to many performers and composers in that it was, like the Synclavier (one of Michael Jackson’s famous early synthesizers) , made in USA.

It’s estimated that only 700-800 Synergy keyboards were made and that less than 100 are in operation today.

Due to it’s rarity and lack of many working examples, it is not easy to garner modern day opinions and user experiences and so it makes sense to paste some stuff from wiki:

“Analog synths of the same era (the late 1970s and early 1980s when the Z-80 computer chip ruled the electronic world) were subject to environmental changes in the input controls that meant every performance, even after a short delay, would be different. The tuning capacitors would drift due to performance venue temperature changes or recording studio humidity and temperature changes making it very difficult to stay in tune with other instruments and especially other electronic instruments.

One way around this was to spend huge sums of money on the latest high end digital synthesizers that held their tunings digitally. Famous electronic artist Wendy Carlos (her originally soundtrack for The Shining remains unused to this day and I have yet to hear it. If you have a link please share in the comments below) owned a Crumar General Development System, or GDS, that was released in 1980 and sold at that time for $30,000USD / $41,544 CAD or $114,300 USD / $158,271 CAD in today’s prices after adjusting for inflation . “

The GDS was used famously on the Tron soundtrack.^[9] She was also one of the instrument’s most devoted users, and still uses it to this day.

The GDS Leads to the Synergy

With microchip prices falling including the Z-80 and with further work on the same basic concept of the GDS (additive synthesis, a system microcomputer, programmable sound generators, and a number of different input devices) the lower-cost Synergy was released in 1981.^[10] More affordable and more powerful computer chips meant that The Synergy was able to remove earlier expensive design parameters that would have required a separate stand alone computer component, and re-packaged the entire system into a case with a 77-key keyboard.

Due to it’s high price, the GDS did not sell well, allowing the Synergy to find some market share. However, when the famous Yamaha DX7 was released in 1983, it quickly took over the market. The DX7’s FM synthesis offered the same basic control over output sound as an additive synth, but could duplicate the effects of many ganged oscillators in as few as two.^[11] Its $2,000 usd/ or around $7,000 usd in today’s money when adjusted for inflation. This price point eliminated any competition from the additive synths and production of the Synergy ended in 1985.

A final version of the original Synergy machine was produced after Digital Keyboards was shut down in early 1985. More on this below. Digital Keyboards’ chief designer, Mercer “Stoney” Stockell, decamped and formed Mulogix with Jim Wright and Jerry Ptascynski. The Mulogix Slave 32 was a Synergy re-packaged into a 2U rack-mount module with a MIDI interface. The Slave 32 could read and write EPROM cartridges from the Synergy.^[12]

Final Version

Later models of the Synergy, known as the Synergy II+, feature MIDI implementation, 24 user voice RAM, and an RS-232 computer port. This allowed support for Kaypro II portable computer systems running Synergy voicing software to open up the possibility to finally edit the sounds of the Synergy as well as to save patch and sequence data on to floppy disk. (via vintagesynth.com)

If you are searching for one of the most desirable synthesizers ever, fear not, because our friends at ToneTweakers just fully serviced a unit and it’s working great and its a desirable II+ model. Check out the video below to hear the preset sounds. For the Silo, Jarrod Barker.

Culture

Amadeus Mozart Last Castle To Be Auctioned Off

November 27, 2023 The Silo Leave a comment

According to many musical fans and our friends at toptenrealestatedeals.com, Wolfgang Amadeus Mozart is often considered the greatest musical genius to have ever lived. With over 800 works including operas, symphonies, and concertos, he defined the classical period and inspired later composers including Beethoven and Tchaikovsky.

Historic rooms abound.

His music continues to be performed all over the world to this day.

A child prodigy, Mozart composed his first pieces at age five and his first symphony at eight. With his family, he toured Europe performing for royalty. At only 13 years old, he was appointed court concertmaster in Salzburg in 1769 and would go on to work for various royal patrons including Emperor Joseph II before striking out on his own as an independent. In 1791, at just 35 years old, Mozart fell ill while conducting the premiere of his opera, La Clemenza di Tito, and died. His final year was a productive one, responsible for some of his best-loved works, including the opera The Magic Flute and his Requiem, which he was unable to finish before his passing.

Mozart’s final work was commissioned by Count Franz von Walsegg of Schloss Stuppach in Salzburg, present-day Austria.

This historic castle, one of the few in lower Austria still in private hands, will be auctioned at Sotheby’s Concierge Auctions in New York, with bidding open to December 14. The palace was previously listed for 12 million euros. Known as “Mozart’s Last Castle” the property currently serves as a world-class performance space, including several independent businesses. The experience theatre, club salon, concert program, and castle shop are included in the property purchase.

Modern entertainment via a home cinema.

The castle’s rich history dates to at least 1130, with partial redesigns in the 15th and 17th centuries. In 1945, the Nazis ordered the castle blown up to prevent it from falling into Soviet hands, but the officer in charge refused and the castle survived. Its architecture reflects the different periods of its construction, with elements of medieval, Renaissance and Baroque styles.

The gorgeous four-story residence is surrounded by a landscaped park with elaborate gardens and ancient trees.

The requiem chapel dates back to the Renaissance.

Inside, the historic home is appointed with priceless antiques. The castle’s 50 rooms include numerous entertainment spaces such as a cinema, two halls, formal dining rooms, and a library. The estate also includes the Renaissance-era Requiem chapel and a dungeon. Besides Mozart, other famous visitors to the castle include Napoleon Bonaparte, Franz Schubert, Pope Pius VI, Princess Isabelle von Bourbon-Parma, and Emperor Franz Stephan von Lothringen.

Simple, modern bedroom furnishings exist today.

Schloss Stuppach is located in the small mountain town of Gloggnitz, Austria. The area offers numerous Gothic and Baroque buildings and lots of history. Conveniently placed, it is only about an hour by train or car from Vienna. Known as the “City of Music”, Vienna has a long and storied history of opera, theatre, and classical music. Mozart himself spent much of his career in the city, was married at its St. Stephen’s Cathedral, and lies buried at its Cemetery of St. Marx. His preserved apartment, a museum, and numerous monuments attest to the composer’s deep connection with Austria’s vibrant capital.

Yes there is a dungeon!

The auction will be held by Sotheby’s Concierge Auctions. Photos: Thomas Meyer Photography provided by Concierge Auctions.

Source: www.conciergeauctions.com

Reviews

Audiophile Pure DSD Release Showcases Classical Guitarist Ana Vidovic

September 27, 2023 The Silo Leave a comment

Guitarist Ana Vidović Performs a Spellbinding Selection of Classical Works On Live at Hampden Hall — Renowned classical guitarist Vidović offers a program of J.S. Bach, Barrios, Scarlatti, Sor and more in an intimate Pure DSD 256 live recording–

Boulder, Colorado, September, 2023 – Octave Records is honored to present internationally-acclaimed classical guitarist Ana Vidović on its latest release, Ana Vidović Live at Hampden Hall. Recorded with impeccable clarity using Octave’s Pure DSD 256 process, the album features Vidović in an intimate live setting performing a two-disc set of works by J.S. Bach, Barrios, Scarlatti, Sor and other composers.

Ana Vidović has been hailed as one of the world’s finest classical guitarists. She began playing at age eight and became the youngest student to attend the Academy of Music in Zagreb, Croatia. She has appeared at recitals, concerts and festivals worldwide and won numerous international awards including the Fernando Sor Competition in Italy, the Francisco Tarrega Competition in Spain, the Eurovision Competition for Young Artists, and many others. She is a graduate of the Peabody Institute.

Vidović plays with a beautifully expressive, rich tone, where notes seem to bloom out of her instrument, an Australian Jim Redgate guitar. Vidović said, “Guitar is a very interesting instrument with such a wide range of colors and dynamics. I really try to explore that.”

Ana Vidović Live at Hampden Hall presented her with the opportunity to fulfill a lifelong dream. “My wish has always been to do a live recording. And finally, I had a chance to do that, so I’m very happy.” Recorded at Hampden Hall in Englewood, Colorado, all the nuance and expression of her playing were captured using Neumann U67 large-condenser main and close mics, along with a stereo Telefunken mic at a distance for hall ambience. The album was recorded using Octave’s Pure DSD 256 process to convey the highest level of clarity, depth, spaciousness and musical realism.

The double album, available on disc or in two volumes via download, was recorded, mixed and produced by Paul McGowan, with assistance from Jessica Carson and Terri McGowan. It was mastered by Gus Skinas. Ana Vidović Live at Hampden Hall features Octave’s premium gold disc formulation, and the discs are playable on any SACD, CD, DVD, or Blu-ray player. They also have a high-resolution DSD layer that is accessible by using any SACD player or a PS Audio SACD transport. In addition, the master DSD and PCM files are available for purchase and download, including DSD 256, DSD 128, DSD 64, and DSDDirect Mastered 352.8 kHz/24-bit, 176.2 kHz/24-bit, 88.2 kHz/24-bit, and 44.1 kHz/24-bit PCM. (SRP: two disc-set, $58usd / 78$cad ; each volume via download, $19 – $39usd / 26$- $53cad depending on format.)

The album begins with a masterwork – a guitar transcription of J.S. Bach’s Cello Suite No. 1 in G Major. Vidović performs this extremely challenging piece with a spellbinding depth of feeling. Other selections include Bach’s Violin Sonata No. 1, the Gran Sonata Eroica, Op. 150 and Grande Ouverture Op. 61 by Mauro Giuliani, Intro and Variations on a Theme by Mozart, Op. 9 by Fernando Sor, and Augustin Barrios’ magnificent La Catedral, all performed with Vidović’s remarkable virtuosity and connection with the music. She noted, “My goal is to present each piece in a unique way, to try to find things that always have the guitar in mind and what the instrument can do.” For the Silo, Frank Doris.

Art

Electronic Opera Uses Physical Spaces To Connect Narrative With Sound

October 28, 2020 The Silo Leave a comment

Pullitzer Prize winning composer Lewis Spratlan.

Back in 2005, composer Lewis Spratlan and I began work on an opera inspired by Louis Kahn. Kahn, who excelled in music and once considered becoming a composer, was especially cognizant of how sound works in a physical space. “Space has tonality,” he often said. Kallick, a professor of music at Amherst College, made recordings of the “acoustic envelope” at several Kahn buildings, which were employed in composing the work’s prelude and interludes.

Key elements from Spratlan’s music were integrated into this electro-acoustic music, creating a seamless connection between the narrative world of the characters and the sounding spaces that ﬁlled their dreams. Opening in the ruins of Rome and ending with the healing waters at Kahn’s Salk Institute, ARCHITECT: A Chamber Opera narrates the dramatic arc of Kahn’s journey from dreamer to master builder.

Click the link below to read about Spratlan discussing the project with Frederick Peters, board chairman of New Music USA, which supports composers, performers, and audiences of new American music. For the Silo, Jenny Kallick- Amherst College.

Click here to read the full PDF article.

Art

Dance Healing Immigrant Victims Of War Prejudice And Sexual Exploitation

May 23, 2018 The Silo Leave a comment

Study after study has shown that arts education nurtures students’ creativity and problem-solving skills, competencies that are critical for success in a 21st Century world, but how does dance and movement facilitate healing and transform at-risk youth?

14 year old DTC dancing participants Richard Rutherford Danny Guerrero

New York’s Battery Dance launched its Dancing to Connect programs in 2006. Since that time, the program has spread to 6 continents, 50 countries, 100 cities, and 1,000 schools. A powerful new documentary by Wilderness Films follows six dancers from the dance company from India to Eastern Europe to the Korean Peninsula to the Middle East as they support vulnerable youth helping them to express themselves through movement. The film focuses on the struggles, frustrations, resilience and ultimate transformation of the students and their dance teachers.

Producer Cornelia Ravenal says that as a trauma survivor she understood the power of art to “heal and transform.” Ravenal along with husband partner Mikael Södersten collaborated with Battery Dance Founder Jonathan Hollander to create the documentary because she believed this was a story that had to be told. As global populations continue to grow, migration and increasing social and cultural diversity are reshaping classrooms worldwide. Solutions for integrating and uniting peoples from diverse cultural backgrounds are now sought by schools and communities all over the globe. Hollander believes that “no divide has been too great for the art of dance, the primacy of movement, the common humanity, and expression, to span.”

Read the Full Article

Battery Dance performs on the world’s stages, teaches, presents, and advocates for the field of dance. The Company is dedicated to the pursuit of artistic excellence and the availability of the Arts to everyone. Battery Dance has produced over 100 original dance works choreographed by its founder and artistic director Jonathan Hollander, in collaboration with a diverse array of composers and designers, and its cast of outstanding dancers.

CMRubinWorld launched in 2010 to explore what kind of education would prepare students to succeed in a rapidly changing globalized world. Its award-winning series, The Global Search for Education, is a celebrated trailblazer in the renaissance of the 21st century, and occupies a special place in the pulse of key issues facing every nation and the collective future of all children. It connects today’s top thought leaders with a diverse global audience of parents, students and educators. Its highly readable platform allows for discourse concerning our highest ideals and the sustainable solutions we must engineer to achieve them. C. M. Rubin has produced over 700 interviews and articles discussing an expansive array of topics under a singular vision: when it comes to the world of children, there is always more work to be done. For the Silo, David Wine.

Art

Toronto Composer Nick Storring sends listener on a journey with “Gardens”

September 14, 2014 The Silo 2 Comments

Nick Storring — Gardens

Open Your Eyes And Forget (16.21)
(Come To My) Thicket (5.30)
Unexpecting (3.52)
Nothing Seems To Rhyme (7.25)
Inside Every Man Lives the Seed of a Flower (13.21)

Maestro Nick Storring- not afraid to integrate electronics into classical instrumentation

Gardens was composed, performed, recorded and mixed spring 2011-autumn 2013. All instruments performed by Nick Storring. The work was designed as an informal tribute to arranger/ producer/ composer Charles Stepney. Its titles refer to the Come To My Garden by Minnie Riperton which Stepney co-wrote, produced and arranged. No musical materials were borrowed, however.

The creative processes which birthed this album was funded by the 2011 Toronto Emerging Composer Award, which is administered by the Canadian Music Centre and generously supported by Michael Koerner and Roger D. Moore. No effects processing was employed aside from simple dynamics, equalization, mixing, and spatialization. Other ‘processing’ is strictly through acoustic or electromechanical means.

Instrumentation: violin, cello, electric mandola, electric bass, guitalele, Strumstick, banjo, harpsicle, autoharp, esraj, kemence, rebab, ananda lahari, Hohner Pianet-T, Yamaha CP60M stage piano, glockenspiel, steel pan, thumb pianos, toy pianos, roto-toms, snare drum, djembe, khol, bells, thunder tubes, rainstick, woodblocks, cymbals, other found/ homemade percussion, jaw harps, melodicas, harmonicas (diatonic and chromatic), tuning reeds, harmonium, khêne, mey, hulosi, xaphoon, concert flute, bansuris, sulings, recorders (alto, soprano, sopranino), various other flutes, mijwiz, been, pan pipes, kazoo, found wind instruments, voice.

Additional implements: bows, mallets, plectra, e-bow, handheld fan, electric toothbrush, vibrator, microphones,contact microphones, amps, speakers, earbuds, Headrush Shockrock vibration speaker, Danelectro Free Speech Talkbox, Sansui RA-700 spring reverb.

Many thanks to those who offered listening, feedback, instruments, support and exposure (through various channels) during the creation of this work. There are many of you, and I truly value your contributions.

all tracks SOCAN

www.nickstorring.ca

www.scissortailrecords.com

Supplemental- Blouin Artinfo article about Nick’s recent practice the première of Terminal Burrowing at the AKOUSMA Festival, October 2013

Wendy Carlos Soundtrack Composer