Tag Archives: comic

Scott McCloud’s Worthy TED Talk On Science In Art: Variantology In Comics

Whether you are a fan of comic books or not, this is an entertaining TED talk and here is why:  it expounds the process of thought and observational connectivity in science and in the arts.  Uh- what does that mean?   In simpler terms, this short TED lecture explains how a scientific mind operates in the arts.

Narrator Scott McCloud is the son of a blind genius.

His Father was a rocket scientist and inventor for the US defense industry and his siblings are all working in the Sciences.  Scott on the other hand, is a comic book artist.

At the start of his TED talk, Scott refers to his Father and explains that the ‘apple’ really doesn’t fall that far from the ‘tree’- it’s tough to fight genetics. He came to realize that working in Comic Books is actually not that different from working in Science and that our contemporary understanding of how we define art and understand media is wrong. It is, he says,  one of interrelated connectivity based on thought and observation.  In other words- Variantology.

Scott McCloud. Comic creator and variantologist.
Scott McCloud. Comic creator and Variantologist.

This is a short lecture weighing in at a little over 17 minutes. Scott does an artful job of breaking down the ‘modus operandi’ of curious minds.  He summarizes insight using a K.I.S.S.  quadrant grid that shows that our processes of thought are indeed interrelated.  Using a four-sectioned pyramid, he helps rearrange and reuse a mathematical formula- illustrating how the Classicist, the Formalist, the Animist and the Iconoclast are all just parts of the same formula of human experience and thought. As in scientific investigation and theorizing, creativity in the arts is powered by human experience and thought.

Things worth remembering.

Scott offers a “quick bake” recipe for meaningful results:  Learn from everyone. Follow no one. Watch for patterns. Work like Hell.  For the Silo, Jarrod Barker

More than what meets the eye and what doesn't meet the eye- the comic panel. Transcending time, transcending linear thought, transcending singularity. The panel has been used throughout the ages- it's a mystic form of communication. CP
Transcending time, transcending linear thought, transcending singularity. The ‘comic strip’ panel has been used throughout the ages- it’s a mystic form of communication.

 

Toei Animation Simulcast Brings Back Dragon Ball With World & Japan Linkup

LOS ANGELES  – Toei Animation Inc. will debut an English subtitle simulcast of Dragon Ball Super on multiple digital platforms on October 22nd. For the first time, fans in North and Latin America, South Africa, Australia and New Zealand will be able to view Dragon Ball Super simulcast. Since its debut in Japan in July 2015, the hit follow-up to one of the greatest anime series of all time has been eagerly awaited by followers around the world. Through non-exclusive streaming partnerships with Crunchyroll, Daisuki.net and Anime Lab, Dragon Ball Super will finally be available.

dragonball super

Kicking off on Saturday October 22 at 9:00pm EST, viewers of Crunchyroll, Daisuki and Anime Lab can log in for a non-exclusive English-subtitled simulcast of episode 63, “Don’t Define Saiyan Cells! The Curtain Rises on Vegeta’s Intense Battle!!” which leads into the thrilling conclusion of the “Future Trunks Arc.” Audiences will get to join Japan live during the broadcast, and then tune in weekly for future new episodes.

Crunchyroll: USA, Canada, Australia/New Zealand for subscription viewing on demand (SVOD) and advertising video on demand (AVOD). Latin America and South Africa can only be viewed on SVOD.

Daisuki.net: USA, Canada, Australia/New Zealand for SVOD & AVOD

Anime Lab: Australia and New Zealand for SVOD & AVOD

Dragon Ball Super’s fourth arc features the return of Future Trunks. Hunted by a mysterious being bent on destruction, Future Trunks is brought into a fight spanning time and space. Episode 63 follows Future Trunks’ epic battle against Goku Black, and Goku’s acquisition of the powerful “Evil Containment Wave” technique.

Dragon Ball Super To prepare for episode 63’s debut, viewers will also be able to stream the entire Future Trunks arc (the arc begins at episode 47). Then, starting on October 30, the complete series will roll-out, with 10 episodes released a week at a time.

“Patience always pays off, and we’re delighted to finally share Dragon Ball Super with our fans around the world. And believe me when I say there’s more to come. Stay tuned for additional exciting news before the end of the year!” said Masayuki Endo, President of Toei Animation Inc.

About Toei Animation Inc.

Based in Los Angeles, Toei Animation Inc. manages the film distribution of Toei’s top properties, including Dragon Ball all series, Sailor Moon, One Piece, Saint Seiya, and many others to North America, Latin America, South Africa, Australia and New Zealand.  Toei Animation Los Angeles office further handles all categories of consumer product licensing based on its film and television brands within these territories. For more information, please visit http:www.toei-animation-usa.com or contact marketingdirector@thesilo.ca.

 

Do you have Dragonball stuff to share with us? Send us your webcam/smartphone camera feed now (or uplink us with your media files) by clicking here- [vidrack align=”right”]

Toei Animation Co., Ltd

Toei Animation Co., Ltd. (Jasdaq:4816) ranks amongst the world’s most prolific animation production studios.  The company’s operations include animation development and production, and worldwide marketing and program licensing with sales offices in Paris, Hong Kong and representative office in Shanghai. Since its founding in 1956, Toei Animation Co., Ltd. has produced more than 11,000 episodes of TV series (more than 200 titles) and more than 215 long feature films. For more information, please visit http://www.toei-anim.co.jp.

Supplemental- Have questions? http://ask.fm/DragonBall_Nation

New TREADWATER Graphic Novel Will Have Augmented Reality Cover


Last year’s indie best-selling graphic novel set to release the next installment in the breakthrough series. The second novel features an augmented reality app and introduces the character of actor Chad L. Coleman.

When TREADWATER Vol. 1 was released in comic book stores in July 2015, it was just another self-published indie title among many others. At the end of the month, this was no longer the case.

When the sales figures came in a month after its debut, TREADWATER found itself on equal footing with the likes of The Walking Dead when they first started out. According to Diamond Comic Distributors TREADWATER managed to achieve 90% of Walking Dead’s sales, while outperforming other popular franchises like Dark Matter in their respective opening months.

Explore the TREADWATER Interactive PDF…click here.

TREADWATER is best described as a dark and mature sci-fi action drama. It is a pre-apocalyptic story that takes place in a plausible dystopian future, where a global economic crisis splinters political alliances and plunges the world’s nations into crime and disorder. As the dual forces of anarchy and totalitarianism sweep over the world, six antiheroes are recruited into a privately funded special operative program in an attempt to keep the world from tearing itself apart.

treadwater part2 page previewPart of the ugly charm of TREADWATER lies within its ability to predict current events. The isolationist politics of the world’s leading nations, as exemplified by the rise of Trump in the US and BREXIT in the UK; the attempted coup in Turkey, along with its backlash in the form of a dictatorial powergrab; the increasing civil unrest in the US and the terrorist attacks in Europe – all these developments find their parallels in the world of TREADWATER.

Yet Morgan Rosenblum and Nat Prinzi, the creative minds behind the TREADWATER franchise, take no pride in the accuracy of their grim predictions. Their primary goal is to create an engaging and believable superhero story, which avoids the pitfalls of the genre, while staying true to its roots. This is why the story of Treadwater is driven by its larger-than-life, yet deeply imperfect characters, rather than merely a clever premise or unlikely plot twists.

The new installment of the graphic novel, TREADWATER Vol. 2, will be released in late 2016. Along with the novel, the TREADWATER team will debut its own augmented reality app for smartphones. When pointed at the comic book, the app will immerse the readers into the world of TREADWATER by bringing its characters to life in front of their eyes.

The AR app is not the first step that Rosenblum and Prinzi have taken in the direction of interactive storytelling. The TREADWATER franchise already consists of a motion comic, a video game and an interactive website, which lets its users “hack” into Treadwater’s secret database, allowing them to explore their coveted network.

The ability of the creative duo to inspire and impress their audience has led to the inclusion of TREADWATER Vol. 1 into the curriculum of West Aurora High School in IL. It is now being taught in their creative writing class alongside of Orson Welles.

The appeal of the TREADWATER franchise goes beyond high school students, as actor Chad L. Coleman has become a character and a partner in the TREADWATER franchise. Best known for his roles as Tyreese in The Walking Dead, Dennis “Cutty” Wise in The Wire and now Tobias Church in Arrow, Mr. Coleman’s character will see significant development in the second volume of the graphic novel. The new installment will also introduce the character of Holly Wolf, a celebrity cosplayer and 2015 Geek Fantasy Woman of the Year, who also joined the TREADWATER franchise as a supporting character.

Key Dates in 2016:

October 6-9: Come visit us at New York Comic Con. You’ll find us at booth 2314, where you’ll be able to interview the creators of TREADWATER, actor Chad L. Coleman and cosplayer Holly Wolf among others. You’ll also be able to experience the entirety of the TREADWATER franchise, including the Beta Version of our very own PS4 video game.

October 1-21: Special pre-order promo period for TREADWATER Vol 2. Each pre-order will come with a digital copy of the bestselling graphic novel TREADWATER Vol 1 to help the new readers get caught up to speed with the story. Additionally our readers will get a limited edition single issue, signed by its writers, creators and artist. Thirdly, they will also receive a digital collector’s edition of the “Treadwater Dossiers” Character Art Book.

 

Comic Auction Featured Jack Kirby Drawings Connected To Argo Film

Dynamic Duo: Finest Batman #1 Known, Frank Miller’s Dark Knight #2 Cover Art May Each Hit $500,000+ In Heritage Comics & Comic Art Event

Frank Miller Batman: The Dark Knight Returns #2 Iconic Cover Original Art (DC, 1986)A Dynamic Duo of Dark Knight treasures, led by the highest-graded copy of Batman #1, ever certified in 9.2 grade, and Frank Miller’s original cover art for The Dark Knight Returns #2, 1986, are expected to bring $500,000+ each in Heritage Auctions’ Comic and Comic Art Auction Aug. 1-3.

“Whenever you offer the highest-graded copy of one of the top comics in the hobby you can bank on fierce bidding,” said Barry Sandoval, Director of Comics Operations for Heritage Auctions. “This auction is an ideal hunting ground for elite collectors and the 9.2 grade example of Batman #1 represents the quality offered throughout the entire event.”

A landmark edition in the halls of American pop culture, Batman #1 features the first appearances of both the Joker and Catwoman, among the very few comic book villains to have attained true “household name” status. It is expected to reach $500,000+.

A worthy follow up to such an iconic comic book is Frank Miller’s iconic original cover art to The Dark Knight Returns #2, which also is expected to bring $500,000+. The instantly recognizable image of Batman, crippled with rage, is one of several pieces of original art from the groundbreaking Dark Knight series offered by Heritage in the last year.

Batman #1 (DC, 1940) CGC NM- 9.2 Off-white pages“For fans of Modern comics, this drawing is where everything really begins,” said Todd Hignite, Vice President at Heritage Auctions. “This moment defines Miller’s Dark Knight, and the modern day perception of Batman, like no other drawing. The only one that comes close, perhaps, is the iconic Splash page from Dark Knight #3, featuring both Batman and Carrie Kelley (Robin), which we sold two years ago for $448,125.”

Among the high-grade examples of the most coveted comic books ever produced comes a near pristine copy of an increasingly popular comic book, Avengers #1 — in stunning 9.4 grade — is expected to realize $175,000+; a 9.4 grade copy of Tales of Suspense #39, the first appearance of Iron Man, which is expected to bring $100,000+; a rare, 9.0 grade copy of Walt Disney’s Comics and Stories #1 may fetch $30,000+ as the finest copy in a remarkable run that also includes a 9.4 grade of issue #2 and a 9.2 grade of issue #3 from the series, both of which are the highest-graded copies.

A collector’s pick of high-grade examples continues as the only 9.8 grade copy of Marvel Spotlight #5, the first appearance of Ghost Rider, is expected to realize $25,000+.

Carmine Infantino and Joe Giella The Flash #117 Cover Original Art (DC, 1960)In addition to the dramatic cover from Dark Knight #2, the auction’s offering of original art includes a remarkable movie poster painted by Frank Frazetta for The Night They Raided Minsky’s. Frazetta usually worked in much smaller sizes, making this 38-inch by 28-1/2-inch poster from 1968 an extreme rarity expected to bring $150,000+.

Robert Crumb’s complete 1968 original art for a five-page story titled “City of the Future,” initially stolen from Crumb and slated for Zap Comix #1, is expected to reach $100,000+. Fresh-to-market original cover art from titans Carmine Infantino and Joe Giella from The Flash #117, from 1960, is expected to realize $50,000+ in its first appearance at auction.

Perhaps two of the most anticipated lots link to The King of Comics himself, Jack Kirby, to a covert Iranian rescue operation as depicted in the Academy Award-wining film Argo [ See a nod to Canada’s connection in Ben Affleck’s acceptance speech below CP].

 

 

The film tells the story of how the CIA used a fake movie production crew to conceal a daring rescue mission of six Americans held in Iran. The “movie within a movie” was at one time a genuine project titled “Lord of Light,” based on the novel by Roger Zelazny. Producer Barry Geller commissioned Jack Kirby to create a set of concept drawings for the film, but the project stalled and was mostly forgotten, until the CIA used it in their top-secret mission. Two of Kirby’s original oversized concept scene drawings for the project — “Pavilions of Joy” and “Planetary Control Room (Interior)” — remain testaments to his signature style and are expected to bring $10,000+ each.