Tag Archives: collaboration

Art

Contemporary British Painting Artist Claudia Böse Distills And Repairs

August 1, 2024 The Silo Leave a comment

Claudia is drawn to regions which are borderlands, geographically and psychologically and have been rendered throughout history by artists. Her work is process driven and deeply shaped by its relationship to daily life, a passion for history and art made by women.

Claudia talks about her process; ‘When I get going, there is a certain energy, and impulse within me and picking up from the residues of leftovers from previous sessions, remnants that I have been living with since. One of the main ingredients that informs my decisions seems to be reacting to impulse to distil [UK spelling. US spelling ‘distill’] and repair something. Even though I don’t know what that is.’ (From Obscure Secure, exhibition catalogue, in conversation with Hayley Field and Jacqueline Utley, 2014.)

CBP: Your abstract paintings feel like individual identities, each with an independent relationship with you, rather than products of a series. Can you introduce something about your approach to painting?

Claudia Böse: I very much like your first paragraph as nobody ever pointed this out to me. It is kind of obvious to me that each painting is very separate from the others and never part of a series.

I never know what I am going to paint. Painting is bigger than me.

When I start to get into the painting it is out of this world and right in it too.

Das sich zu Erwartende, oil on canvas, 2022

CBP: Describe a typical starting point for one of your paintings?

CB: I get paints, brushes, palette knives, plenty of time, rags, and quiet space. I sit for quite a long time just looking and listening. I am waiting to start. I begin at some moment and that is it. I am on auto pilot. Sometimes there are older panels in the studio which I might also work on. I might just give one painting one coat of new colour or scrape off the middle of an older work. Anything can happen.

For the past 10 years I painted in this Church on the second floor. Our allotment is also near. During Covid I had this place for two years to myself which was an amazing experience. When do we get any thing like this as a painter? I wonder this might also be the only time I have ever sold so many paintings. There was a special integrity at work for a short time and has not happened again.

February, oil on board, 24cm x 18cm , 2015

CBP: Erasure and removing paint is a fundamental process of yours and other painters. Can you talk more about scraping away?

CB: Scraping away and moving paint, it is not about the surface only I think about, but as important is the below and next to it and underneath it, with its own structure and beauty and rules – on one level it is not decorative, there is a reason, giving it space also to its own being. I am German and British, but too much to get into it here.

CBP: You discuss your pull to borderless regions that have been interpreted throughout history by artists and writers. This is a very evocative connection between the feeling, process and scholarly to paint research. Could you talk about this connection in more detail?

CB: Perhaps this is something painters do to find out about visual existence and expression of finality. I moved for three years to the island of Ruegen where Caspar David Friedrich lived and worked. I moved there to see with my own eyes what he saw and painted then. Constable and Sebald interest me for similar reasons.

Green on white, oil on panel, 12cm x 12cm, 2011

CBP: You’ve talked in past articles about decisions about when and how you use paint are strongly guided by your empathy for work which has been created by other women painters. Is this through mark making appropriations or another type of approach and sensibility? Has this changed for you more recently?

CB: This is a very different question now. Things have changed and come to an end in Europe. Women and men are equal. It will take time and all will get used to it. For six years I was part of Obscure Secure¹ and we were not sure if change will really come. I am so glad that things have changed forever.

Letting go, oil on canvas, 89cm x 70cm, 2018

CBP: Can you talk about how you work with colour to build mood and space in your painting?

CB: This question is amazing for all painters. There are growing moods supported by colours we use in a personal way. I have always painted with the same ambition, origin and style and mood. I also always use in painting white, yellow, earth colours and pink to have a presence. There are so many different colours of each. I wonder how many colours I touch in my life?

CBP: How prolific are you as a painter in terms of routine and successful completion of works verses the abandonment of paintings?

CB: I am aware how few phases I have left to paint in my life. This is a very interesting time. I recently started getting rid of art things I really won’t need anymore. New things will come too, I am sure.

CBP: What are you working on right now?

CB: I am painting new work. I am also getting my studio open for September.

1. Obscure Secure is an artist-led collaborative project focusing on work by 20^thc women artists, initiated in 2013 by Claudia Böse, Hayley Field and Jacqueline Utley with a practice based research exploring the visibility of women artists in collections. The name Obscure Secure was taken from one of The Hawstead Panels at Christchurch Mansion, most available writing about the panels say they were probably painted by Lady Drury in 1610. The panel ‘Obscure Secure’ has an image of a bear in a cave with the text beneath it. We decided to use this title because the words and image resonated with working with collections, where work is often hidden but kept safe.

Homepage

Sandra Blow, mixed media, 30cm x 30cm, 2022

Staying alive, oil on canvas, 100cm x 100cm, 2012

Trabant, oil on paper, 91cm x 116cm, 2011

Claudia Böse was born in Nueremberg, Germany in 1963 and trained at Central St. Martins and the Royal Academy Schools in London. Her awards include the International Bursary, Arts Council Ireland and the Travel Grant, European Cultural Foundation for residencies in Ireland and Poland. She was also the recipient of the Something useful project in India as well as being a collaborative artist of ‘Obscure Secure’, a project supported by the Arts Council England. Her paintings have been exhibited England, Ireland, Germany, Poland, Spain, Florida and India. She is working in a church tower and has been based in Suffolk since 2002.

Recent exhibitions include: 2024; Slow Painting, Contemporary British Painting & Guests, Studio KIND at the Cornstore & The Plough Arts Centre, Exeter, 2022-3; Animal, Vegetable, Mineral, Saxmundham, Suffolk, 2022; Wells Art Contemporary, Vitalistic Fantasies, Elysium, Swansea, Paradoxes, Contemporary British Painting, Isle of Wight, Quay Arts Centre, A Generous Space, Hastings Contemporary.

Featured image- Bathroom by Claudia Böse. Watercolour, spray paint and acrylic paint.

http://www.claudiaboese.info/

@boeseclaudia

Supplemental- A kinship of process. British-Canadian artist Jarrod Barker’s “Some Assembly Required” 2024. Acrylics.

Culture

Surprising U.S.A.-Soviet Collaboration During The Cold War

July 16, 2024 The Silo Leave a comment

Not since the British boarded the USS Chesapeake off the coast of Virginia in 1807 had an American Naval commander surrendered his ship in peacetime.

The ship was the USS Pueblo (AGER-2), a 177-foot Technical Research Ship (TRS) with a crew of 83 officers and men. It was seized in international waters off the coast of North Korea on January 23, 1968. The ship’s captain was Commander Lloyd M. “Pete” Bucher, and his superior officer, with headquarters in Japan, was Rear Admiral Frank L. Johnson, USN. The President at the time was Lyndon Bayes Johnson.

At the time of the seizure, the Pueblo was disguised as a hydrographic vessel of the AGER (Auxiliary, General Environmental Research) type. Along with $1.5 million USD (about $11.9 million USD / $16,300,000 CAD in 2024 dollars when adjusting for inflation) in highly-classified SIGINT (signal intelligence) cryptographic equipment, the Pueblo also carried hundreds of pounds of U.S. Navy, Naval Security Group (NSG), National Security Agency (NSA), and other documents; also on the spy ship was a position devoted to monitoring Soviet telemetry.

The Pueblo was spying mainly on North Korean radar and the Soviet fleet.

One crewman died, and several others were wounded, when North Korean gunboats opened fire on the lightly-armed reconnaissance ship. After eleven months of sometimes brutal detention and an American confession that was quickly disavowed, the crew was released, along with the body of Fireman Duane Hodges, USN.

During Richard M. Nixon’s 1968 presidential campaign, he swore there would never again be a “Pueblo Incident.” Five months after election day, however, President Nixon faced his own North Korean crisis, when, for the second time in fifteen months, a small, isolated North Korea, which Nixon had described as a “fourth-rate power,” attacked a U.S. Navy EC-121 spy plane, killing everyone onboard.

Mission BX-6847 Flight Path — January 26 1968

On April 15, 1969, North Koreans celebrated the birth of Kim Il-sung, the leader and founder of the “Hermit Kingdom.” Birthday cheers were quickly replaced by the familiar shouts of “Down with U.S. imperialism” and “Liberate the South” when it was announced that MiG fighters had shot down a U.S. Navy EC-121 spy plane which North Korea claimed had intruded into its airspace. The shootdown, by one or two air-to-air missiles, took the lives of 31 Americans. Some of the debris also had what was reported as “shrapnel holes.”

Due to the EC-121’s proximity to Vladivostok, USSR, the main naval base of the Pacific Fleet in the Soviet Far East, the first vessels on the scene were Soviet; so the Nixon administration requested Soviet assistance to locate debris and possible survivors.

This four-day joint U.S.-Soviet search and rescue operation became a rare example of cooperation between traditional Cold War adversaries. In Air Reservist (magazine), the official publication of the Air National Guard and Air Force Reserve, the Russians were described as “improbable allies.”

One of the first Soviet vessels to arrive was the Steregushchiy, a large anti-submarine (ASW) ship; another was the Soviet destroyer Vdokhnovennyi. A lengthy version of this story, which will appear under the title “Improbable Allies,” relies heavily on the first-hand accounts of three Russian sailors aboard the Vdokhnovennyi, including Felix Gromov, the ship’s executive officer. Later, Admiral Gromov became the Commander-in-Chief of the entire Russian Navy! For the Silo, by Bill Streifer.

Bill Streifer is a freelance journalist on North Korean history and related topics. His co-author, Irek Sabitov, is a journalist and former newspaper editor in Ufa, Russia. Their article on the subject will appear in the Autumn 2019 issue of the U.S. Navy War College Review. He is also the only American on the Editorial Board of Vostok (“East” in Russian), a journal on the Orient, published by the Russian Academy of Sciences in Moscow.

Reviews

Limited Edition Apple Watch Cases Fuse Sweden With France

June 13, 2024 The Silo Leave a comment

Discover the exceptional collaboration between Golden Concept, the Swiss master of ultra-luxurious Apple Watch Cases, and Blvck Paris, renowned for its ‘All Black’ luxury lifestyle apparel and accessories. Together they unveil a groundbreaking line that merges Parisian chic with Swedish sophistication, redefining the realm of high-end tech fashion. The limited-edition styles are now live and range from $899usd / $1,234cad to $1299usd / $1,783cad. The collaboration features two of Golden Concept’s top-selling pieces that have been expertly modified into exclusive black editions. This unique transformation combines the signature luxury and craftsmanship of Golden Concept with the distinct, all-black aesthetic of Blvck Paris. The pieces come in two sizes; one compatible with the Apple Watch 45 mm and the other one compatible with the Apple Watch 49 mm. These reimagined pieces perfectly represent both brands’ renowned styles, offering an unparalleled luxury experience for Apple Watch enthusiasts.

“We are super excited about this collaboration with the exquisite brand of Blvck Paris. My passion has always been in the design and creation process and to embark on this together with Julian and his team has been a real treat. We hope the customers love it as much as we do,” says Puia Shamsossadati, CEO and Creative Director of Golden Concept. “At Blvck Paris, we’re excited to team up with Golden Concept. Both brands have a deep appreciation for aesthetics and luxury, making this collaboration a natural fit. Our shared vision is to create designs that are both elegant and contemporary, offering something truly special for our customers.” – Julian O’hayon, Founder & CEO of Blvck Paris.
For the Silo, Melissa Nicholls.

Culture

Why High Heels Are Still One Of Business World’s Most Powerful Symbols

July 8, 2021 The Silo 1 Comment

4 Reasons Why Women Will Lead The Business World In The 21st Century

When you let women be women in the business world, they do better. That’s according to a recent report from the Harvard Business Review, which makes the case that traditional thinking – that women should be treated no differently than men in corporate settings – is simply flawed and regressive.

A major point the post makes is that only about 20 percent of businesswomen make partner. By expecting from women what you would expect from men, the corporate world is consciously and unconsciously excluding female leadership. That’s a very bad thing, according to many. For example, Kevin O’Leary of “Shark Tank” fame says that of his 27 companies, only the ones with female CEOS make him money.

“Women are good for business, so it follows that what’s good for your best women will be good for your bottom line,” says Debora McLaughlin, CEO of The Renegade Leader Coaching and Consulting Group (www.TheRenegadeLeader.com), and author of “Running in High Heels: How to Lead with Influence, Impact & Ingenuity.”

“I’ve long advocated this position, and that symbols of female business identity, like high heels, are signs of a businesswoman’s ability to elevate business results, consistently providing a better return for stakeholders.”

McLaughlin discusses why women will be essential for leading businesses into a new paradigm this century.

• The old way doesn’t work. Since 1955, more than 90 percent of the companies on the Fortune 500 list have gone bankrupt, shrunk in size, become inconsequential, been mopped up by their rivals or closed their doors. Sixty percent of CEOs think their current business model is only sustainable for another three years. Sticking too closely to your old guns, including discouraging a woman’s nature in the corporate world, will likely involve your company in that 90-plus percent failure rate.

• The business world has already changed. While technology continues to revolutionize how we do business, it has also changed the workforce. Today’s employees are smarter, more innovative, more creative and full of potential – and it’s not only due to technology. As Generations X and Y emerge as tomorrow’s leaders, Millennials are proving to be very resourceful workers. Old models like “command-and-control” don’t fit with a company’s most precious resource, its people.

• Women are more social and excel in collaboration. We shouldn’t generalize to strictly regarding gender norms. However, it’s probably fair to say that women are more nurturing for in-group members. Much of the traditional management method centralized authority; a woman’s leadership is more prone to sharing influence and, perhaps, fostering a creative culture of collaboration.

“Of course, this is not a strict gender rule,” McLaughlin says. “But I think it’s the experience of many that women are, in the aggregate, more nurturing.

• Momentum will continue to build for women leadership. Momentum tends to build upon itself, and that includes social change. While that change has been slower in the corporate world, we’re already seeing signs and opinions of change, as exemplified by Kevin O’Leary.

“More importantly, if the Harvard Business Review’s post is an indicator, women in business will feel more comfortable being themselves in a professional environment,” she says. “Unlocking those invisible shackles from a woman’s high heels will be a game-changer.”

About Debora McLaughlin

Debora McLaughlin is the best-selling author of “The Renegade Leader: 9 Success Strategies Driven Leaders Use to Ignite People, Performance and Profits.” Her new book, “Running in High Heels: How to Lead with Influence, Impact & Ingenuity,” is a how-to leadership companion for women in business. She is CEO of The Renegade Leader Coaching and Consulting Group (www.TheRenegadeLeader.com). As a certified executive coach, McLaughlin helps business owners, executives and managers nationwide ignite their inner renegade leader to unleash their full potential, drive their visions and yield positive results, both in business and in life.

Supplemental- Top 10 Female CEOs & Influential Business Women of North American Companies

Art

LGBTQIE And Ecosexuality

June 17, 2021 The Silo 1 Comment

Beth Stephens & Annie Sprinkle

“Life shrinks or expands in proportion to one’s courage.” -Anais Nin

Nature is born of sexuality.

The two are inextricable and inevitable partners. Where humans find fault with sex that does not suit their particular beliefs in what is right or wrong, nature transcends. There is no taboo in the natural world, there is no polite side-stepping of the rawness of nature. Nature simply is, in all its sensual glory.

Beth Stephens & Annie Sprinkle have collaborated for 17 years.

They recently showcased their film Water Makes Us Wet at Documenta 14. They were one of just 180 artists at the exhibition which takes place only every five years and draws in a million people. In conjunction with the film they exhibited visual art, performed Ecosex Walking Tours, and facilitated “sidewalk sex clinics.” Their film premier at the Gloria Theater was the only one to completely pack the house. For their Documenta Ecosex Walking Tour, Stephens & Sprinkle consciously began at the site of the first tree planted in Joseph Beuys’ 1982 Documenta project 7,000 Trees.

Their film is part art, part activism, a call to action, and a vision of how the future may look if we are careful with the earth as opposed to how it could look if we continue our ecologically destructive behaviors. Within the environmental activist movement, the two always felt a bit out of place. They felt the need to hide their flamboyance, their sexuality, and some of the details of their pasts. Because of this they began their own movement, an all inclusive environmental activism that encourages people to be themselves.

By allowing people to embrace their own identities and to infuse a little fun, they hope to create a movement that is sustainable and perhaps avoids some of the activist burnout that frequently effects those constantly fighting for the future of a healthy planet.

For the film, and throughout their work, Stephens & Sprinkle have unabashedly embraced and exposed their own bodies. In so doing, they show both their vulnerability and their strength as well as embrace their advancing age. Sprinkle, who is now 63, was once a pornographic film actress. She finds that showing her 63 year old body has pushed more limits than anything she’s ever done. “I think that taboo does need fixing,” she says.

During the making of the film, Stephens & Sprinkle were in a serious auto accident which features in the documentary. The two were seriously injured and hospitalized but eventually walked away. The wreck served as a metaphor for the universality of “eco-sinners” in that even the filmmakers were driving around in an old, polluting van.

The two describe the incident as romantic and remarkable and say it has given them a new lease on life. The accident was a result of another driver’s distracted driving. The film as a whole is a look at the issues facing the planet, some of those perpetrating them, and ways to think about the problem. “What we really hope with our film is that people leave the film thinking about the issues we’ve presented but also feeling like well, there is something I can do in my personal life.”

The term “eco-sexual” was originally used by dating sites and subsequently in a book titled Eco-sex: Go Green Between the Sheets and Make Your Love Life Sustainable by Stephanie Iris Weiss. Stephens & Sprinkle took the term and created an art movement around it. “We like to think that all sex is eco-sex including human on human because we are the earth, we’re not separate from the earth…we acknowledge all the sexuality that is going on around us.” At UC Santa Cruz where Stephens is a professor, the two established E.A.R.T.H Lab which stands for Environmental Art Theory & Happenings. There they incorporate some of the principles of ecosexuality in the programs they run. For the Silo, Brainard Carey.

Sci-Tech

How Technology Will Shape Teaching In The Future

January 13, 2020 The Silo Leave a comment

In the past decade and a half cellphones have evolved from contraptions you make calls from to devices that do so much more. Now they can help you organize your social life, perform your banking and act as a food diary. There’s an app to be found that is based on your entire existence!

With tablets being commonly used in schools, and the fact that ICT is a relatively new subject, technology is changing the way students are being taught.

In this piece, we’ll provide a comprehensive guide of how technology will shape the future of education and what students will be studying and using in years to come.

From making use of 3D printers, to using virtual reality as part of an immersive learning experience, the possibilities are endless!

So what are you waiting for? Take that first step to get ahead in the future by having a sneak peek in this infographic from our friends at educationcity.com.

Sci-Tech

Rocketium App Democratizes Video Creation

February 28, 2019 The Silo Leave a comment

Audiences in today’s world are increasingly consuming information on the internet in visual and interactive ways. Every industry is exploring ways to transform and present content on video. What does this mean for learners around the globe?

“Being able to translate your story into over 120 languages is increasingly important in a global world.” – Anurag Dwivedi

Anurag Dwivedi is one of the founders of the Rocketium video platform. He believes everyone has important stories to tell. What limits the story-tellers is not having a platform that makes storytelling “easy to create and easy to consume.” The Rocketium platform is unique in that it allows teams of creators to work collaboratively on video projects in one innovative space. The company has automated the majority of the time-consuming tasks of the video creation process. For example, some of the Rocketium product features include one-click styling, automatic resizing of videos in different aspect ratios for different social platforms, and automatic translation of any content into over 120 languages. In addition, the platform provides advanced controls for styling and sequence timing for users. This enables creators to customize styles in a way which Dwivedi claims no other video creation platform can provide. Further, Rocketium creators have an online customer service team ready to support users’ production questions at any point in the process. Anurag Dwivedi from Rocketium talks further about how his company is giving anyone, anywhere in the world, the tools to tell important stories:

“I think the mindset that some of us can write a script but cannot produce an audio-visual version of it is a roadblock for many young creators.” – Anurag Dwivedi

What do you think sets Rocketium apart from the other video creation platforms?

Rocketium offers an end-to-end video creation suite that we believe no other product like it can offer. We’re enabling our users to scale video production efficiently by providing simple tools for the writers and marketers to create templates, and automation to generate videos in large volumes. The goal is to enable storytellers to work either individually or in teams with anyone, anywhere in the world. Hence, all the features you need for a collaborative process, such as being able to assign videos to members of your team, or discuss creative issues in real time, or share content via social media platforms, are built into our system. We’ve broken down the massive job of video production and distribution into simple steps so that everything from writing a script to developing it, to editing and finally publishing on the internet are all on the same platform. And, of course, being able to translate your story into over 120 languages is increasingly important in a global world.

What do you see as the biggest challenge for an absolute beginner, a teacher or a student who wants to tell a video story?

Video making is often considered a daunting task — something that only experienced video editors and designers can do. Rocketium has made the video creation process less intimidating and also faster. We have broken down the process into simple steps. We offer creators a versatile selection of themes and templates. There are numerous options for video styling available to the user. Our process in some ways is similar to mini-blogging, i.e. the user is writing stories in a shorter format and then adding still images or video clips. Your job as the storyteller is to use our tools to create the most impactful video story you can without worrying about the design or styling aspect of video making.

How is telling a video story different from telling a text story?

I personally believe there is no difference if you have the right tools. I think the mindset that some of us can write a script but cannot produce an audio-visual version of it is a roadblock for many young creators. Visuals improve and enhance any story that’s ever been written. The impact of a visual story is exponentially greater than that of a text story because visuals contain a lot more information in a sequence of frames and that leaves a lasting impression on the mind. Additionally, adding music and special effects to text always builds a deeper emotional connection between your story and its audience.

As creators develop more and more videos, they learn about the creative process and they get better at leveraging the resources on the platform.” – Anurag Dwivedi

Let’s talk about video creation as a learning process. What specific skills are nurtured in this process and why do you think they are important?

We present video creation as a learning journey which trains creators how to portray their story through a combination of words, images and music. As creators develop more and more videos, they learn about the creative process and they get better at leveraging the resources on the platform. For example, what color palette will you select to evoke the right emotion for this portion of your story, or what style of music will generate the mood you’re looking for? Users ultimately develop and expand their creative skill sets while supported by the tools on the platform.

Is Rocketium designed for all wannabe video producers? How would you describe your target audience?

We believe there is no one-fits-all solution for video creation. Our product offers global access to anyone who wants to produce a story on video. We have simplified the production process but there is plenty of space for users to develop their own creative and communication skills. Not everyone is destined to become the next Steven Spielberg, but we have built a comprehensive tool that allows anyone to try. And we believe that to flourish in the 21st century, learners need to be able to use tools like ours to enhance their communication skills.

How else do you see the democratization of visual production impacting our society generally?

There is no doubt that dissemination of information is becoming easier as the world is more connected through smart devices. Anyone can now tell stories and distribute them on the internet. Two things we need to be wary about. First are the duplication issues and the relevance of content. The second is the accuracy and truthfulness of content. Fake news is a global issue which we need to tackle as a global society. I believe this is where educators can help.

“We believe that to flourish in the 21st century, learners need to be able to use tools like ours to enhance their communication skills.” – Anurag Dwivedi

Look into the future — where do you see Rocketium 5 or 10 years from now?

We continue to explore the possibilities of creative learning tools for various scenarios. Ten years from now, I see Rocketium as a platform employed in all applications — education, entertainment, lifestyle, sales, marketing, etc. We are happy to be the backend engine for the creation and distribution of any form of interactive and visual content, by anyone and for everyone, from individuals to global enterprises. For the Silo, C.M. Rubin.

For more information

C. M. Rubin and Anurag Dwivedi

The Global Search for Education Community Page

C. M. Rubin is the author of two widely read online series for which she received a 2011 Upton Sinclair award, “The Global Search for Education” and “How Will We Read?” She is also the author of three bestselling books, including The Real Alice in Wonderland, is the publisher of CMRubinWorld and is a Disruptor Foundation Fellow.

Follow C. M. Rubin on Twitter: www.twitter.com/@cmrubinworld

Reviews

Visionect And Heckler Design Collab On JOAN Digital Office Displays

November 3, 2017 The Silo Leave a comment

November 2017—Phoenix, Arizona | Visionect, the maker of the award-winning JOAN meeting room scheduling solutions, has joined forces with Heckler Design, the creator of commercial-grade products for design-conscious consumers and businesses, to create a custom wall mount for JOAN. The powder-coated steel VESA bracket fixes the 6-inch JOAN digital office devices securely into place without distracting from their seamless look and feel for the perfect combination of quiet design and heightened safety.

JOAN from Visionect is a simple, easy-to-use device that helps organize and reserve meeting room spaces, displaying real-time meeting information outside of meeting rooms and eliminating confusion, meeting interruptions and double bookings.

Previously, the cordless JOAN displays, ranging in size from 6 to 13 inches in diagonal, could be installed with the Magnetic Mount adhesive strip located at the back of each device. This allowed for effortless installation on any surface, even glass, brick or steel, all without drilling or expensive wiring.

Furthering the high functionality and effortless design of the JOAN product line, Visionect has now teamed up with Heckler Design, the makers of commercial-grade products for design-conscious consumers and businesses, in order to create a wall mount for JOAN, offering an additional, more secure mounting option for the room booking solution.
Created by Visionect after a decade of market-leading expertise in building energy-efficient digital signs, JOAN was developed in close collaboration with its early users, from small businesses to Fortune 500 companies.

The result of this customer-influenced approach is a device that features a battery life of up to 12 weeks and combines the elegance of electronic paper with an intuitive, quiet design that won the CES Innovation Award for eco-design as well as the Red Dot Design Award, the highest distinction for design quality.

Laser cut from powder-coated steel, the new JOAN Secure Wall Mount offers an additional installation option for the 6-inch JOAN Manager and JOAN Executive devices, fixing them safely into place and preventing unauthorised removal. The minimalistic wall mount is a custom-built anti-theft VESA bracket that can also be attached via a Double-Sided Adhesive Pad, and represents the perfect blend of quiet elegance and enhanced security.

The Secure Wall Mount continues the tradition of effortless JOAN installation and can be attached to all surfaces, easily.

Fixing the Mount on drywall is a matter of installing the drywall anchor screws, while installation on glass is enabled with the use of a Double-Sided Adhesive Pad that the Secure Wall Mount is adhered to. A special locking bracket then fixes JOAN into place and prevents anyone from detaching it.

“With JOAN, the Visionect team has created a desirable and elegant meeting room scheduling solution. We designed the JOAN Secure Wall Mount to reduce the temptation and likelihood of theft while carefully maintaining the beautiful aesthetics of the JOAN hardware,” commented Dean Heckler, CEO and Head Designer of Heckler Design. “We can’t wait to see how enterprise and institutions will benefit from this complete solution.”

About Visionect | Visionect is the world leader in deploying digital signs in environments impossible before, setting a new standard in versatile, energy-efficient displays. The result of a decade of market-leading expertise, Visionect technology is unparalleled in versatility, ultra-low power consumption, ease of installation and simplicity of use. The force behind the breakthrough Place & Play signage concept and the maker of the award-winning JOAN room scheduling solutions.|

About Heckler Design | Heckler Design, known for its renowned OneLessDesk and WindFall Stand, creates beautifully simple, commercial-grade products for design-conscious consumers and businesses. Heckler Design’s products currently include office furniture, desk accessories, secure iPad stands, and point-of-sale hardware. Founded in 2007 and headquartered in Phoenix, Ariz., all of Heckler Design’s products are made in America. |

About JOAN | JOAN is a simple, easy-to-use device that helps organize and reserve meeting room space. It shows meeting information, the meetings coming up and eliminates meeting interruptions by clearly signalling the room is occupied and until when. It is a cost-effective meeting room solution which helps modern, busy workplaces be more productive. |

Fashion

Healing From Capitalism With Prints On PAOM Pieces

September 28, 2016 The Silo Leave a comment

paom.comhttp://www.paom.com

PAOM, 230 5th Ave Suite 1107, NYC 10001

Fashion

Funny Paradox Of Digital Life Is Design Parameter For New “Captcha” Clothing

August 3, 2016 The Silo Leave a comment

Print All Over Me is a creative community of people turning virtual ideas into real world objects. Every three months, we release a series of silhouettes like t-shirts, backpacks, jockstraps, etc. As a designer, you can upload your own artwork to each silhouette and then offer your design for sale. Even “captcha” designs like in our collab below with EXONEMO.

Every piece on PAOM is custom made. We print the fabric first and then cut and sew. We believe that by taking fashion slowly we can: a. offer high quality items; b. produce in an environmentally sustainable way; c. (and most importantly) offer our studio employees a living wage and health benefits.

Our office and collab studio is based in New York at New Inc. – the New Museum’s incubator. Our main production studio is outside Shanghai and we have a satellite studio in Georgia, outside Savannah.

Print All Over Me Captcha Designs by ExoNemo — Click me to design your own captcha – antibot wear.

Supplemental-

Neilsen's signature look- a la 1970's 1980's — Neilsen’s signature look- a la 1970’s 1980’s

Was Cheap Trick guitarist Rick Nielsen an early captcha-clothing pioneer?

Fashion

PRINT ALL OVER ME co-creates collection with WORKING NOT WORKING

November 12, 2015 The Silo Leave a comment

WORKING NOT WORKING is an obsessively curated network of the world’s best creative talent. With so many incredible artists in their arsenal, it seemed obvious that PAOM (PRINT ALL OVER ME) and WNW should create a collection!

Eight amazing illustrators and designers from around the world were chosen to be a part of the first WNW X PAOM collection. They are Tatiana Arocha, Laura Callaghan, Annu Kilpeläinen, Uli Knoezer, David McLeod, Karan Singh, Brian Vu and Shawna X.

On Thursday, November 12th we hosted a party at Rivington Design House in NYC.

For more from Working Not Working, check out their website and follow them on Twitter & Instagram. Shop the entire WNW x PAOM collection here.
All above photographs by Michael Burk, model Olu Alege.

Shining Hoodie by Jarrod Barker. Click me!

Art

LIFE SPORT Is Athens Sweatpants Shop And Art Space

November 10, 2015 The Silo Leave a comment

LIFE SPORT (est. 2014) is both a sweatpants shop and an art space. Based in Athens, we aim to become a fully functioning shop with the intent to generate alternative arts funding in a time and place where there is none. Hosting presentations, spoken word and services, LIFE SPORT is invested in the experiment of the invention of life as sport, whilst encouraging collaborations with artists that share our ambition to reclaim independence and self-empowerment.

LIFE SPORT sweatpants are critical wearables made of 70% cotton and 30% polyester and are entirely produced in Athens. This product is the result of a year-long research and observation of Athenian lifestyles, taking sweatpants and their wearers as the starting point for a portrait of a city. Sweatpants are everywhere, they defy notions of social stratification, gender and age. Sweatpants unite contradiction, they are a symbol of defeat or paralysis for some, a statement of ultimate resistance and emancipation for others. At the very least, they are really comfortable, fit everyone and wash at 40 degrees.

Black on black

LIFE SPORT at Swimming Pool, Sofia

as part of the exhibition us

Read interview with LIFE SPORT here

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