Tag Archives: city life

Making Life Easy With Easier Parking

With driverless cars already on the streets, will there be similar AI breakthroughs in the future of parking?

In the ’60s, The Jetsons, a cartoon about a family living in the future, featured a flying car that folded down into a briefcase when not in use. It is unlikely that we will ever see that solution to parking become a reality, but many other sci-fi books and films have predicted self-driving vehicles, and we know they are coming because they kind of exist today.

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Parking facilities in the future must make allowances for electric vehicles. (Photo by guteksk7/Shutterstock)

While brands like Tesla have pushed the boundaries of driver assistance to become a version of self-driving, including parking the vehicle automatically, currently the parking infrastructure has not really kept up. 

But we know that cannot continue, and the reality is that as transport technology evolves, parking solutions will have to evolve as well. But what does that mean long term? Will we be able to arrive at a parking center, get out and leave the car to it, then call it back to us when we want to leave? That seems like the dream approach to parking, but what does it need to make it happen? 

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There are two parts to that kind of service, the technology in the car park itself, and the technology within the car. For such a seamless experience, the two will need to work together, in that the vehicle must be able to drive autonomously, but also receive information about parking locations and when it should return to the entrance, from the car park itself. Both sets of technology actually exist today, not as refined as required for a reliable autonomous parking experience, but that is only a matter of time and development. But is it the right answer? 

Right now, parking systems know which cars are parked where within the car park, this data is used to establish remaining capacities and so on, and while not universal, there are cars that can go off and park themselves when needed. So that future service is nearer than we think, but in the meantime what does car parking look like? Some may say that the future is already here without needing self-driving cars.

In Japan and some cities in the US, lift-based parking solutions offer a similar experience today. You arrive at a parking garage; your vehicle is pulled into a cubicle which is then lifted away. When you want to return to your car, the system finds the right cubicle garage and then returns it to the entrance, so you can drive away. 

There are advantages to this approach, without the need for ramps to drive up and down to reach the parking, more cars can be parked in a given space. Because no one actually enters the building where vehicles are stored, it is also incredibly secure too. These systems are being constantly refined, and in the future, it is likely such a garage could be completely automated. With the advantages of space and security, is that more likely to be the future of high-density parking? If we look at other factors, it may well be. 

Cities are increasingly looking to decrease car numbers, opening up spaces instead for social areas, encouraging cycling and other more environmentally friendly approaches to transportation. This is unlikely to change even with the widespread adoption of electric cars, so parking will naturally require large hubs with high-density parking that allows easy access to walks, bikes or public transport to central areas. To get an idea for the future of parking, we can look at what technology best fits this scenario. 

Robotic Solutions

It is likely that these robotic lift-type solutions that pack more vehicles into each parking area fit the needs of city designers better than any more traditional multi-story or underground system that requires ramps and so on, whether the cars are operated by drivers or park themselves. There are other things that are in favor of this approach too. 

Architects are under pressure to soften the appearance of buildings in cities across the world, to create spaces that have more light and elegance. A more compact multi-story space, or an underground alternative with only one small entrance space is easier to disguise with cladding, color and other design tricks that much larger car parks that have ramps and so on. 

There is also the matter of technology. While there are cars that can drive themselves in a limited way now, and numbers are only going to increase, they are not all cars, and may never be. Holden stopped making cars in 2020, but in 20 years’ time, there will still be Holden cars driving on the roads. Those cars can never use autonomous parking systems, but they can use the robotic systems that take your car away and bring it back via a crane lift. They can use them today, and they can use them in the future. 

Machine learning to park

So, the dream of a car swooshing away into its own spot automatically could well be the future. However, it is more likely to be carried there by a machine rather than drive itself. But not all parking is in cities with integrated parking solutions ran by the local authorities. For parking elsewhere, things will develop alongside vehicle technology, and there is one area that must advance for the future of the automotive industry itself, never mind parking. That is electric car charging

Right now, charging is a bit of a mess: different speeds depending on the charger installation, there is no real cohesive system and owners often have to wrestle with a number of different apps to access charging networks on the go. Then there are the mechanics of charging, a heavy cable that has to be plugged in, account information and payment input before the car can be charged. As with phones, wireless charging is the solution, it removes much of the hassle and fail points for a better experience. But what would that look like in cars? 

The obvious answer is charging areas embedded into the road or parking space, with a vehicle stopping on top of it automatically charging. There are hurdles to this, it would mean an end to the various account systems currently used to access charge networks, and instead have something tied to the vehicle itself. However, this kind of solution offers easy and efficient charging without the hassle we have today. 

This would also require new technology for parking. For instance, our robotic car parks could have a charge loop in each container or cubicle, so electric vehicles charge automatically once they are taken away for storage. Likewise, on-road parking at parking meters could include chargers under each space.

This makes the charging process so much less hassle but allows for electric car charging without having to install endless charge stations in streets, and avoiding all the cables that the current system will need. Given the sheer number of electric cars that will be in operation in just a decade or so, and one cable per car, you can see how much an alternative is required. 

But while technology will continue to drive the parking experience, and in cities and communities the need for clean, open spaces will change where we park and what that parking looks like, there will still be areas where parking sits outside of these grand designs. At its heart, a parking space is somewhere to store a vehicle while you go off and do something, and that need is not going to change. Large robotic parking systems in cities may appear in numbers, but they are not going to be the norm in areas with a smaller traffic flow or specific needs. 

What we may see, and it is happening now, is that entrepreneurs and visionaries can find ways to provide a more selective parking solution on a smaller scale, that caters to a very specific need in a specific location. Not only are these services essential and in high demand, but they can be a source of income for anyone who has access to suitable parking space. With more cars than ever on the roads, and with a shift to electric not changing that, the future of parking looks to be heading in multiple directions.

The centralized systems operated in cities and other large communities will follow an approach that minimizes the space required and seek to integrate such facilities into an overall plan for the area. However, in some areas where there is no overall control of parking operations, the idea that you can rent a parking spot from a single person makes sense. Some people have space, others need that space, and as more cars are used, that space is in ever higher demand. This article is an excerpt from the complete e-book Parking Made Easy by Daniel Battaglia.

Finland Rates As World’s Happiest Country For Six Years Straight

The World Happiness Report has anointed Finland as the world’s happiest country for six years straight. What makes a Nordic land with 5,5 million people so happy? In Helsinki, the capital of Finland, art and culture make the city a good place to live and visit.

According to the UN-published report, Finns rate highly on key issues such as a high level of education, affordable healthcare, social stability, and positive work-life balance. But it’s not just these societal indicators that affect how Finns view their quality of life – Culture and art are highly prized aspects as well.

“We see a vibrant cultural sphere that is accessible and affordable for all citizens as a major contributor to everyday happiness. And we are looking at culture through a broad lens: from urban city culture, to sauna culture, to high-end cultural offerings, such as the world-famous Helsinki Philharmonic Orchestra. It’s a diverse mix,” according to Reetta Heiskanen, Deputy Culture Director at the City of Helsinki.

Sauna culture

In Helsinki, cultural events are designed for everybody, regardless the socioeconomic status, with world-class ambition. The city’s expanding cultural life makes the city a more exciting and diverse place for residents and visitors.

Photo: Julia Kivelä, Visit Finland

“Good examples are the Helsinki Festival and Flow Festival that draw international music lovers’ and urban hipsters’ attention to Helsinki every August. As well as the Helsinki Biennial, a visual art festival in summer – dealing this year with the wicked problems of our time, such as environmental crisis, political conflicts, and the consequences of technological development,” Heiskanen says.

“In Helsinki, culture belongs to everyone. For example, in the Culture Kids program, every child from Helsinki born in the 2020s has a cultural institution as a host, through whom the children and their families get a personal touch with art,” she adds.

Culture Supports Economy

Helsinki has a Nordic approach to art and culture: A unique urban culture is a key enabler of a good life – and culture also supports economic wellbeing.

Culture and events make Helsinki an enjoyable, dynamic, and attractive city. Cultural events boost economic development – while the city government is flexible, people and businesses find the city easy to work with when arranging events, big or small.

But what good would it be to provide interesting cultural offerings if people don’t have the time and energy to enjoy them? If you are working long hours, wouldn’t the sofa be the best option after a long day?

The answer is Finland’s emphasis on work-life balance. This year, Helsinki placed second in the Forbes worldwide work-life balance index of major cities. Generous paid leave and flexible work arrangements, such as hybrid and remote working, were among the factors cited for the high ranking.

“It’s a Nordic dream, a good everyday life, which you can achieve in Helsinki. This means that you can build a successful career and still have enough time and energy for a flourishing personal life and cultural experiences. A vibrant culture creates an attractive city that is easy to fall in love with,” Heiskanen concludes.

Unleash Your Curiosity About Finnish Culture

This year offers unique cultural offerings in Helsinki throughout the year. There are multiple great exhibition openings, such as world-famous Tom of Finland and Albert Edelfelt, in Ateneum, Finnish National Museum of Art, which will open its doors after a year-long renovation, and Helsinki Biennial, a contemporary art event, taking place for the second time in summer 2023, June 12th until September 17th. For the Silo, Leena Karppinen.

Art Of Painting With Camera Focus At Hurban Vortex Exhibit In Cannes

hurban-vortex-boris-wilenskyIf you could choose just one photo exhibit to see all year, it would have to be Hurban Vortex in Cannes.
Often, photography is the visual equivalent of telling a one-word story, expressed through an immediately comprehensible image. In contrast, Parisian photographer Boris Wilensky takes you on a journey through time, space, and humanity. His photos are true documentaries which require time to contemplate, and listen to. Yes, listen to, not just look at. Because all of his work tells a powerful, juxtaposing story. A story of humans in cruel, all-consuming urban environments… facing challenges beyond their control… surviving in harsh conditions… A story that is already written but that is reinvented every time you look at the image.

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Boris Wilensky’s current exhibition Hurban Vortex at the Suquet des Art(iste)s in Cannes opened on December 9 last year, featuring a selection of 30 of his works. Much has been said and written about it, and him, since, so no further biographical introduction is needed. And what really shaped his life, are locations rather than dates – Israel and Palestine, Tokyo, Fukushima, and Cambodia.
An emotional trip to Israel and Palestine in 2005 left a big impression on the idealistic young man, and he started keeping and publishing travel journals to share his impressions. At some point he began illustrating those with photos. Meanwhile he kept working as a photographer in entertainment and sports.
In 2008, a café in Paris offered him space to display his photos. Thinking to himself, “This is a great opportunity… probably the only one I’ll ever have to exhibit”, he went for it. It was a success, and the impetus to turn his passion into a profession.

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A visit to Tokyo in 2009 would prove to be the pathway into that professional career as an art photographer. The swirling, frenzied city of dazzling lights around the clock inspired him to find a way to capture the craziness of the megalopolis and the loneliness of its citizens … and he found a way to do so by superimposing two photos taken in the Tokyo subway, of the train and its travelers. It turned out so well that this type of photography would soon become his signature.

On his next visit to Japan – and in fact to Fukushima, just one month after the 2011 reactor catastrophe there – he found a country that had profoundly changed. The Japanese were beginning to awaken to the consequences of boundless, unchecked use of nuclear energy. As a consequence, the garish lights all over town were dimmed, and the mood had become much more somber and sober.

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This was when the Hurban Vortex project started taking shape in the artist’s mind. “Hurban Vortex is an urban adventure with a big H”, he explains, the constant game between the concepts of humanity and urbanity, extending into notions of modernity and identity, future, sustainable development, ecology and economy. The City, symbolizing Progress and Modernity, in constant growth, now become a “megalopolis”, or a “City-world”, a space built by humans to live in but one that eats them up in return.

For this project, and forever drawn to Asia, Boris Wilensky returns to Tokyo, Shanghai and Bangkok to take as many “photographic backgrounds” as possible. Then he tours Cambodia for two months, the stark contrast to the other cities’ modernity. Here he immerses himself fully in the ancient Khmer culture, taking portraits of men, women and children. Many of those faces bear silent witness to the horrors of the Khmer Rouge regime, and yet retain pride and dignity that speaks of inner strength.

originsOver 15,000 photos later, Hurban Vortex sees the light of day. The ensemble of artistic, esthetic and human adventure are at the core of the triptych that represents his works: Origins corresponds to 2009 (present), the period of an oblivious, profligate, consumerism-driven world. Collapse takes us into 2011 (future)…Fukushima, with its worldwide impact. The glasses and gas masks worn by the humans represent the man-made destruction of a world as we had known it before and which will never be the same. And in Post we find ourselves in an urban landscape filled with waste and shattered ruins. But people are no longer wearing their blinders… Maybe there is hope after all that cities may disappear but humans are still around? Or does the urban jungle always win in the end? You decide, because it is your personal interpretation, after an intense dialogue with the image… exactly what Boris Wilensky wants.

origins2What the viewer sees, is how this artist sees the world – not in the literal but figurative sense. But he does not dictate, he suggests. He considers himself a storytelling portraitist first and foremost, and an urban photographer second. As you look at his large-size pictures (180 x 120 cm), the image in front of you transforms from a flat canvas to a three-dimensional scenography. You are drawn in, pulled onto a stage, you become part of the performance, an actor engaged in a dialogue. You are the person across from the man in the photo, but you also become him, turning outward to the viewer.

origins3The continuous movement – the vortex – pushes and pulls you as the borders between Human and Urban blur and become Hurban. There are violently cold and anonymous city landscapes, consisting of monochromatic and starkly geometric patterns, entirely unlike anything you find in nature. But the human element, superimposed, invariably bestows them with a strangely appealing aesthetic. For the Silo, Natja Igney. This article originates at Riviera-buzz. Banner diptych image Boris Wilensky- concept by Jarrod Barker.

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